Articles of 2010
TSS TAKES A CLOSER LOOK AT: Showtime's Fight Camp 360
Jody Heaps and Jason Bowers are the executive producers of The Fight Camp 360, a reality series that airs on Showtime. This show focuses on the lives of the six fighters involved in the Super Six Tournament as they compete to be proclaimed the best super middleweight fighter in boxing. Heaps and Bowers say their ultimate goal with Fight Camp is to help the sport of boxing. They lead a small production team that works behind the scenes. When the tournament was introduced, they knew that they had plenty of work ahead of them.
Bowers told TSS that, “Ken Hirschman told us about the Super Six Tournament and one of the first thoughts we had about how to make the tournament feel special, is to do this show. You know boxing is so much about prologue, build up, prologue, anticipation, and a very short climax. We wanted to get to know the fighters. So we thought about things that we could capture and convey to the audience. We try to build up the world around the fighter as best we can.
When Ken Hirschman, the EVP and GM of sports and entertainment programming at Showtime, was putting the final touches on the organization of the Super Six Tournament, he simply asked the Fight Camp production team to follow him to a promoter meeting.
Bowers said, “Ken was like, ‘The Super Six is my baby. We are going to have a meeting with all of the promoters. Let’s get the cameras in there.
Heaps continued. “Bringing in the promoters and shooting their meetings was a huge idea. We didn’t know it was going to work. But the minute we started shooting the first meeting, we just looked at each other and said ‘uh oh this is going to be great.
Jody Heaps, who is based out of New York, believes that the success of the show is based on establishment of the fighters as characters.
Heaps said, “We wanted to portray the fights differently than you saw them on television. (During the fights) we concentrate on the family members. If you don’t know who the fighters are, it looks like two guys just hitting each other. But the real drama and the real theater happen when you start to know what is at stake: who’s fighting, and who are his support group.
The production team usually splits into two crews, and travels to the camp of each member in the Super Six boxing tournament in order to get the footage that is necessary to create a successful show
During the Ward vs. Green fight, Heaps covered the Ward camp and Bowers worked with Green. But since these fighters train all over the world, exceptions have to be made in order to develop the story of each fighter.
Heaps said, “We put in a lot of miles. We have a pretty small team. Jason and I are involved in it. We have the same two editors, Josh Glaser and Cass O’Meara. We have a small staff here at Showtime. We also use the same camera man. That way everyone is familiar with each other.
Bowers, who lives in San Jose, CA. says that the tournament style format has made the stories of each fighter easier to tell.
“With the tournament, the story builds over time. It is more like a traditional sport. Each fighter is like a team. You get the highs and the lows. When you are at ringside and you see the faces of the wives, the mothers, the promoters, you see the people that are invested in these fighters. It is a bigger community than just the man in the ring. The show naturally adds that element to it.
Fight Camp 360 has received nothing but positive reviews thus far. However, the production team cannot run away from the consistent comparisons of their show to HBO’s similar 24/7.
Both Heaps and Bowers acknowledge the similarities between 360 and 24/7 but they found ways to successfully distinct their show from what HBO has to offer.
Heaps said “From my understanding, we are breaking new ground. I don’t think there has been any show like this. In many ways 24/7 broke new ground when it came out years ago. But the way we recap the fight from an emotional standpoint and getting access to the winners and losers locker rooms, I think all of that is brand new.
“I think that Fight Camp 360 is more of what boxing really is, Bowers said. “It is more like the real sport. 24/7 is more indicative of the general perception of boxing. They work with the most well known boxers, this sort of megastar, huge personality type of boxer. I think that it hurts the sport to perpetuate that. The feeling that fighters are larger than life, I think that hurts the sport.
Another glaring difference between the two shows is that Fight Camp 360 does not use a narrator. Both Heaps and Bowers stated that the voiceover on 24/7 has a very strong presence, almost as if it is another character in the show. However, Fight Camp uses a simpler approach.
“We want that intimate, ‘you’re there’ feeling, Heaps said. “We try to be in the moment, the small mundane moments, for example, Froch paying his hotel bill. Heaps said, “We try to learn where you are going, what you are doing, and why you are doing it. This show is a sort of window into who he (the fighter) is. There are not many people in a training camp. And there are not many people in the locker room after a loss. So we decided not to use a narrator for that reason.
The fighters and promoters have been very accessible to the Fight Camp production team. Bowers and Heaps have been pleasantly surprised by the interest they have received from everyone that is involved in the tournament.
“Much to my amazement, the promoters have never, ever, told us to turn off the camera. I don’t know if they perform for the cameras or not. But they have been absolutely accessible, Heaps said. “The fighters themselves are the same way. They will ask us questions about the show. One camp wanted to know if Abraham really drove the Ferrari. (RM: Virgil Hunter thought the Ferrari stunt was staged.) They watch the show avidly. I think they are just interested in seeing how the other fighters live. I don’t think a fighter could get any particular psychology or physical advantage. I think they watch the show because they are just genuinely interested in the other guys.
Although the Super Six Tournament is a progressive concept in boxing, sometimes momentum is lost with The Fight Camp 360 series because the boxers have an inconsistent fight schedule.
Bowers and Heaps acknowledge the difficulties of producing the show under these circumstances. (When speaking with both Jody and Jason, it was interesting to hear them describe the fighters and their teams as characters, as if they are actors in a show.)
Bowers said, “Sometimes, these characters (boxers) fight so infrequently that it is very hard to sustain a story. But the more we get to know them, the more the fans are invested. Like Carl Froch, he is coming off a loss. People want to know what happens. And when we broadcast that, it makes it all feel bigger. We are just trying to let these people come through to the audience with as true a lens that we could provide into their lives. Just like a T.V. show. We will ask them, ‘What do you do for fun?’ and just go from there.
Heaps says “We use really small cameras. So we are a lot less intrusive. We don’t use a big lighting system. The cameras we use are very light sensitive. We hope that it gets to a point where they do not even know we are there. At some point they get used to us. And they trust us. So they open up. We have been into their training camps, into their homes, and their locker rooms. They are pretty used to us. They understand us. Do they ever want to get rid of us? All of the time.
When a show is completed, Showtime sends a copy to the promoters in Europe and it is aired there. Fight Camp is also aired in Canada.
To begin filming a show, a crew usually goes to the fighter’s camp before they start training, and revisit it during fight week.
Heaps said, “Let me just be pretentious for a second. I think people will come up with a better way to doing this kind of sports show. But this is the way to do it now. This seems revolutionary. It is eye opening. And we are also blessed with having six incredibly articulate and very distinct personalities. That is one thing that makes the show great. These guys are all different from each other. But they share a common ground.
The next episode of the Fight Camp 360 will be aired on September 1st.
Articles of 2010
Judah To Fight Mbuza March 5 In NJ
Totowa, NJ – Kathy Duva, Main Events CEO, announced their promotional firm won the purse bid held at IBF headquarters in East Orange, NJ, Thursday. The bid was for the right to hold the IBF's junior welterweight title fight between Zab Judah of Brooklyn, NY and Las Vegas, and South Africa's Kaizer Mabuza.
IBF Championships Chairman, Lindsay Tucker explained, “It is a 50-50 split of the earnings between the two fighters. Kaizer is ranked No. 1 by the IBF, and Judah is No. 2. Where the fight will be held is up to the winning bidder.”
Judah (39-6, 26 KOs) is promoted by Main Events and his own firm Super Judah Promotions, and Branco Milenkovic, of South Africa, promotes Mabuza (23-6-3, 14 KOs).
Kathy Duva confirmed the fight will take place at Prudential Center in Newark, NJ, late February or early March this year as part of Main Events' Brick City Boxing Series. (Saturday Update: the fight is March 5th, in NJ at the Pru Center. The bout will be part of a PPV card.)
“We are very happy that Zab has the opportunity to fight for the IBF Junior Welterweight title right here in New Jersey. Winning this fight will put Zab right in the mix with the winner of Bradley-Alexander and Amir Khan.” Duva elaborated, ” Zab will work very hard to win this fight so that he will be one step closer to his ultimate goal of unifying all of the Junior Welterweight titles by the end of 2011!”
Articles of 2010
UFC 125 Preview: Frankie Edgar Vs. Gray Maynard
Few predicted Frankie Edgar would grab the UFC lightweight championship last year but he did. Most felt he would eventually win it but Edgar not only took the title, he beat one of the best mixed martial artists in history to do it.
Edgar (13-1) has emerged from the milieu of nondescript MMA fighters to become one of the more brilliant performers for Ultimate Fighting Championship. Next comes a rematch with Gray “The Bully” Maynard (11-0) tomorrow at the MGM Grand Casino in Las Vegas. UFC 125 will be televised on pay-per-view.
All it took was not one, but two victories over BJ Penn.
If you’re not familiar with Penn, he’s one of the most versatile fighters in MMA history and had been nearly unbeatable in the 155-pound lightweight division. That is until he clashed with Edgar. Until he met New Jersey’s Edgar, the Hawaiian fighter chopped down lightweight opponents with ease. It was only the heavier welterweights he had problems against. Namely: Canada’s Georges St. Pierre.
Edgar showed poise, speed and grit in defeating Penn in back-to-back fights. The world took notice.
“You know, if I keep winning fights, the respect will come eventually,” said Edgar during a conference call.
Now Edgar will find out if he can avenge the only loss on his record.
“I just think I grew as a fighter. You know, mentally, you know, physically I, you know, possess differently skills, increased – you know, I think I boxed and got better, my Jiu-Jitsu got better and, you know, just have much more experience now,” Edgar says.
Maynard seeks to find out if Edgar has added any more fighting tools to his repertoire. Back in April 2008, the artillery shelled out was not enough to beat the Las Vegas fighter.
“It’s a perfect time. He had the chance and, you know, he took it and the time is now for me and I’m prepared,” said Maynard (11-0). “Any time you’re going up against the top in the world, you evolve and change and so I’m prepared for a new fight, so it will be good. I’m pumped for it.”
Though Maynard’s record indicates he is unbeaten that’s not entirely true. He did suffer a defeat to Nate Diaz during The Ultimate Fighter series and subsequently avenged that loss last January.
The UFC lightweight title is in Maynard’s bull’s eye.
“Looking to take the belt for sure,” said Maynard. “We’ll see on January 1.”
Edgar versus Maynard should be a good one.
Other bouts:
Nate Diaz (13-5) faces Dong Hyun Kim (13-0-1) in another welterweight tussle. Diaz is the only fighter with a win over Maynard. Anyone watching TUF remembers Maynard tapping out from a Diaz guillotine choke. The Modesto fighter has a tough fight against South Korea’s Kim.
Chris Leben (21-6) fights Brian Stann (9-3) in a middleweight fight. Leben is a veteran of MMA and if an opponent is not ready for a rough and tumble fight, well, that fighter is not going to win. Stann dropped down from light heavyweight and we’ll see if the cut in weight benefits the Marine.
Brandon Vera (11-5) meets Thiago Silva (14-2) in a light heavyweight match up. Vera is trying to rally back to the promising fighter he was tabbed several years back. Silva is a very tough customer and eager to crash the elite. A victory by either fighter could mean a ticket to the big time.
Clay Guida (27-8) versus Takanori Gomi (32-6) in a lightweight bout. Guida has become one of the most feared fighters without a title. No one has an easy time with the long-haired fighter. Gomi lost to Kenny Florian but knocked out Tyson Griffin. Can he survive Guida?
Marcus “The Irish Hand Grenade” Davis (22-8) clashes with Jeremy Stephens (18-6) in another lightweight fight. Davis is a go-for-broke kind of fighter and is looking to get back in the win column after a tumultuous battle with Nate Diaz last August. Stephens needs a win too. In his last bout he lost to Melvin Guillard.
Articles of 2010
Borges Looks Back, And Forward With Hope
As the end of another year approaches, there’s no need to invoke Charles Dickens to describe what went on in boxing. It was neither the best of times nor the worst of times. It was just too much time spent on The Fight That Never Took Place.
For the second straight year the sport could not deliver The Fight, the only one fans universally wanted and even casual fans craved – the mix between Floyd Mayweather, Jr. vs. Manny Pacquiao. No one has to be singled out for blame for that failure because this time there’s plenty to go around on both sides. The larger issue is what does it say about a sport when it cannot deliver its top event?
What would the NFL be without the Super Bowl? Where would major league baseball be without the World Series? Golf without the Masters? College basketball without March Madness?
They would all be less than they could be and so it was with boxing this year. Having said that, the sport was not without its signature moments. It was not bereft of nights that left those of us with an abiding (and often unrequited) love for prize fighting with good reason to hope for the future.
Three times promoter Bob Arum took the sport into massive stadium venues just like the good (very) old days and each time boxing drew a far larger crowd than its many critics expected. Twice those fights involved the sport’s leading ambassador, Pacquiao, who brought in crowds of 40,000 to 50,000 fans into Cowboys Stadium against inferior opponents Joshua Clottey and Antonio Margarito. Imagine what he might have done had Mayweather been in the opposite corner?
While both fights were, as expected, lopsided affairs, they showcased the one boxer who has transcended his sport’s confining walls to become a cultural icon and world celebrity. Pacquiao alone put boxing (or at least one boxer) on the cover of TIME and into the pages of such varied publications as Esquire, GQ, The Wall Street Journal, the American Airlines in-flight magazine and even Atlantic Monthly.
As history has proven time and again, that is what happens when boxing has a compelling personality to sell it and Pacquiao is that. Mayweather is such a person as well, but for different reasons.
The one night he appeared in a boxing ring, he set the year’s pay-per-view standard against Shane Mosley while also leaving a first hint of dark mystery when he was staggered by two stinging right hands in the second round.
Mayweather was momentarily in trouble for the first time in his career but the moment passed quickly and Mosley never had another. By the end he had been made to look old and futile, a faded athlete who’d had his chance and was unable to do anything with it. So it goes in this harsh sport when the sands are running out of the hour glass.
As always there were some surprising upsets, most notably Jason Litzau’s domination of an uninterested and out of shape Celestino Caballero and Sergio Martinez’s one-punch demolishment of Paul Williams. The latter was not so much an upset as it was a stunning reminder that when someone makes a mistake against a highly skilled opponent in this sport they don’t end up embarrassed. They end up unconscious.
SHOWTIME did all it could to further the future of the sport, offering up a continuation of its interminably long but still bold Super Six super middleweight tournament as well as the launching of a short form bantamweight tournament which already gave fans to two stirring and surprising finishes with Joseph Agbeko decisioning Jhonny Perez and Abner Mares upsetting Victor Darchinyan in a battle of contusions.
While the Super Six has had its problems – including several of the original six pulling out – it also lifted the profile of former Olympic gold medalist Andre Ward from nearly unknown to the cusp of universal recognized as the best super middleweight in the world this side of Lucian Bute. If Ward continues winning he’ll get to Bute soon enough because that’s why SHOWTIME signed a TV deal with the Canadian and America may get its next boxing star if Ward proves to be what I think he is – which is still underrated and underappreciated.
HBO and HBO pay-per-view put on 23 shows, few of them compelling and many of them paying big money to the wrong people while doing little or nothing to grow the sport that has helped make their network rich. But they did have the knockout of the year – Martinez’s second round destruction of Williams – and some fights in the lower weight classes that were left you wanting more.
Two new names popped up who are causing the kind of fan reaction that also gives us hope for 2011 – American Brandon Rios and Mexican Saul Alvarez. They are two of the sport’s brightest young prospects because each comes to the arena the old-fashioned way – carrying nothing but bad intentions.
Aggression and knockouts still sell boxing faster than anything else and each exhibited plenty of both this year and left fans wanting to see more. Alvarez is already a star in Mexico without having yet won a world title and Rios is the definition of “promise.’’ Whether the star will continue to shine and promise will be fulfilled may be answered next year and so we wait anxiously to find out.
Backed by Golden Boy Promotions, there is no reason 2011 shouldn’t be Alvarez’s year and if it is people will notice and remember him because he has a crowd-pleasing style that is all about what sells most.
That is what boxing needs more of – fresh faces and new stars… so as fans we should root for guys like Alvarez, Ward, Rios and young Brit Amir Khan, who is a star in England but still a question mark with a questionable chin but a fighter’s heart here in the U.S.
Those guys and others not yet as well known are the future of boxing, a sport that for too long has been recycling the likes of Mosley (as it will again in May for one last beating against Pacquiao in a fight that's a joke), Bernard Hopkins (who can still fight although it is unclear why he bothers or where it’s all headed), Roy Jones and, sadly, even 48-year-old Evander Holyfield, who continues to delude himself but not many other people into believing he will soon unify the heavyweight title again.
If fighters like Ward, Alvarez, Rios, Khan, WBC welterweight champion Andre Berto and middleweight king Sergio Martinez continue their rise they could be the antidote for the art of the retread that Arum and Golden Boy have been forcing fans to buy the past few years at the expense of what boxing needs most – fresh faces.
The heavyweight division, which many believe determines the relevancy of boxing to the larger world, remains a vast desert of disinterest here in the US. The Klitschko brothers, Vitali and Wladimir, hold 75 per cent of the title belts but few peoples’ imaginations in the US, although to be fair they are European superstars and don’t really need U.S. cable TV money to thrive economically.
Each defended their titles twice this year, Vitali against lame competition (Albert Sosnowski and Shannon Briggs) and Wladimir against better fighters (Sam Peter and Eddie Chambers) but not competitive ones. Sadly, there is no American on the horizon to challenge them, a comment on the division and on our country, where the athletes who used to be Joe Louis or Muhammad Ali now opt for the easier and frankly safer road of the NFL or the NBA. Who can blame them considering all the nonsense a fighter has to go through to just make a living these days?
The one heavyweight match that would be compelling and might lift the sport up for at least a night would be either of the Klitschkos facing lippy WBA champion David Haye. The fast-talking Brit claims to not be ducking them but he’s had more maladies befall him after shouting from the rooftops how much he wants to challenge them that you have to wonder if Haye is simply a case of big hat no cattle syndrome.
For the sake of the sport, we should all be lighting candles each night in hopes our prayers will be answered and Haye will finally agree to meet one of them. It may not prove to be much of a fight but at least it will give us something to talk about for a few months.
Whatever Haye and the Klitschkos decide the fighter with the most upside at the moment however seems to be Sergio Martinez. He has matinee idol looks, a big enough punch to put Paul Williams to sleep with one shot and a work ethic second to none. The Argentine fighter had a year for himself, starting with a drubbing of Kelly Pavlik followed by his demolishment of Williams. Those kinds of victories, coupled with his Oscar De La Hoya-like looks, are the type of things that if HBO or SHOWTIME would get behind him could allow Martinez to capture the attention of both fight fans and more casual ones.
In general, Hispanics fighters continued to dominate much of the sport’s front pages with Juan Manuel Marquez’s two victories in lightweight title fights leading that storyline. His war with Michael Katsidis is a strong candidate for Fight of the Year and his technical skill and calm demeanor make him the uncrowned challenger to Pacquiao. The two have unfinished business that should be settled this year if Arum stops standing in the way.
Two other fighters who gave us moments to remember in 2010 were Juan Manuel Lopez, who knocked out three solid opponents including highly respected Mexican warrior Rafael Marquez, and Giovani Segura, who won four times (that’s three years work for Mayweather) in 2010, all by knockout. Along the way, Segura defeated one of the great minimum weight fighters in history, slick Ivan Calderon, to win the belt on Aug. 28.
Lastly, boxing gave us another magical cinematic moment as well with the release of “The Fighter,’’ a film based on the life and hard times of junior welterweight scrapper Micky Ward. The film has won rave reviews and many awards and seems likely to have several of its actors nominated for Academy Awards, most notable Christian Bale for his sadly humorous portrayal of Ward’s troubled half brother, former fighter Dickie Ecklund.
Boxing has a long history of providing the framework for memorable movies and it did it again with “The Fighter,’’ a film that did more for boxing than any promoter did all year.
All in all, it wasn’t the best of years for boxing but it was a good year that picked up speed in the final months and, like that great golf shot you finally hit out of the rough on the 18th, left us with reasons to hope for a better year in 2011. If somehow it gives us Mayweather-Pacquiao, the emergence of Alvarez and Rios, the ascension of Martinez and Haye vs. the best available Klitschko in addition to the kind of solid performances that always come along, it could be a year to remember.
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