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REFLECTIONS IN THE RED-LIGHT DISTRICT…Springs Toledo
“One loses force when one pities.”- Friedrich Nietzsche,The Anti-Christ [1895]
“This is getting stranger and stranger,” said Ferdie Pacheco after Mike Tyson took a bite out of Evander Holyfield’s ear, “we’re getting to see strange things happen in boxing.”
Seven-hundred and forty-three Saturday nights later, we watched young Victor Ortiz billy-goat Floyd Mayweather after backing him up against the ropes. We watched him apologize to Mayweather with a kiss after referee Joe Cortez stopped the action to parade him around the ring for a point deduction. We wondered why Cortez called “time in” and then averted his attention away from the action. We winced when Ortiz stepped towards Mayweather to apologize yet again and witnessed Mayweather return the clumsy embrace. Suddenly, lightning in the form of a left hook and right hand obliterated the familiar rhythm of the scene. Ortiz had only begun to move casually out of the embrace with his gloves dangling at his sides. He neither saw nor expected the punch that knocked him out. Neither did we.
Larry Merchant called it a legal sucker punch, which is about right. Many fans and internet pundits point to the flagrant foul committed against Mayweather and applaud his delayed ruthlessness. This isn’t an English country dance, we’re reminded. “This isn’t a gentleman’s sport,” Mayweather says, “it’s a hurtin’ game!” A boxing proverb (“protect yourself at all times”) has become a chant and everyone is joining in.
They’re not wrong, though that is not the end of it.
There’s something else that few are acknowledging, something older and wiser that doesn’t shout or gloat or drink from the skulls of the vanquished. It whispers underneath the din. The depleting ranks of an older generation called it the Golden Rule –“do unto others as you would have them do unto you.” How quaint. They had a children’s fable that went along with it, promising judgment on how well they upheld it. Can you hear it creak? The Golden Rule looks like another artifact to pitch on the growing heap of a dead morality. Perhaps it is recyclable. Shall we update it with the civic poison of the cynic? Do unto others as they would do unto you –only do it first.
Is that what it’s all about?
Floyd thinks so, and he’s got a pattern to prove it. This isn’t the first time that he exploited a situation to gain an advantage. Two years ago, he signed to fight Juan Manuel Marquez –a natural featherweight. The contracted weight for the fight was 144 lbs, with fines to be paid in the amount of $300,000 per pound over that weight. Marquez came in two pounds less than the limit. And Mayweather? He shrugged his shoulders, weighed in two pounds more than the weight limit, and paid the $600,000 fine with a smirk. The pundits grumbled at this. Here was a supreme boxer who felt the need to gain an additional weight advantage that he didn’t even need; here was the in-your-face star of 24/7, with just enough shame to disallow HBO from weighing him before the fight, so no one would know how much of a weight advantage he actually had.
Mayweather did not breach that agreement anymore than he breached the rules last Saturday, what he did was sneer at it. That was why the pundits grumbled –an athlete who sneers at an agreement is an athlete who sneers at sportsmanship.
“When you fight for a living,” said the infamously unsportsmanlike Fritzie Zivic, “if you’re smart you fight with every trick you know.” Fritzie boasted nine zillion of them. He butted his opponents like Ortiz, mauled them, stomped on their feet, used his elbow like Mayweather, and choked his opponents whenever he could. Do unto others as they would do unto you –only do it first. He had nothing but disdain for fighters who fought by the book. According to Zivic virtue, “the book is something you could clout a guy with if you had it ready.” In his retirement he would reflect fondly on his fistic memories –among them was a gem from 1943, a one-rounder against Vinnie Vines at Madison Square Garden:
“In the first round we got tangled up in a clinch and when he stepped out of the clinch he extended his gloves to me. I reached out and hit him a right hand on the chin. Knocked him out.”
It could’ve been last week. The Associated Press reported that Vines “went down with a thump. He tried to get up at the count of nine but fell back, starry eyed.” Afterward, Fritzie dismissed his opponent as easily as he dismissed conventional ideas of fair play. “There was nothing to it,” he said in the dressing room, “I can keep on fighting until I’m 50 if I meet boys like him.”
“That’s boxing,” said Fritzie.
Is it?
Three years after the Vines fight, Fritzie’s manager asked him if he wanted to take a trip to Memphis to fight one Russell Wilhite for an easy payday. The manager asked him if he was in shape. “I don’t have to be in shape,” replied Fritzie, “Any fighter with a name like that cannot fight.” Just the same, he brought a pair of gloves that weighed about five ounces, with three of those ounces at the wrists. Why huff and puff through all those rounds when you can get him out of there and go home early? In the dressing room, he got a look at his opponent. Wilhite was still in high school and Fritzie thought he looked like a choir boy. But then something dark whispered inside his balding head, ‘choir boys have good lungs,’ it said, ‘and those light gloves might not be enough of an edge.’ So he loaded his hands with electrical tape.
–And why not? Once time-honored rules of decency are shaken off, the rest is easy. A world class fighter becomes something less than world class and sometimes something less than a man. The modern cynic couldn’t care less. He has declared himself immune to judgment and scoffs at any appeal to a dead morality. He exercises his fundamental right to do as he pleases and he has the whole rotten, stinking world to stick it to. “Nice fellows in boxing get it in the neck,” went one of Zivic’s zingers. Another one could be engraved on the Mayweather family crest: “The winners make the money, the losers make the excuses.”
Fritzie would tell you lots of things. After his career ended, he was still at it –telling lots of things to lots of people as a car salesman. Floyd Mayweather tells you lots of things too. He smirks and shrugs his shoulders and hasn’t the faintest feeling of regret for what he did, least of all for hurling obscenities at an 80-year-old commentator. He insists that Merchant needs to be fired. “Out with the old and in with the new,” he told the world as his fair-weather friends cheered him on, “only the strong survive.” Nietzsche cheered with them.
Something else went unrecognized and ignored. Something older than Merchant and wiser than Nietzsche, that doesn’t shout or gloat or drink from the skulls of the vanquished. If you listen with your heart you might hear it, even here in ‘the red light district of sports’, whispering its golden truth above the din.
…..
Jimmy Cannon first called boxing “the red district of sports”; Mayweather’s penalties in the Marquez fight reported by ESPN.com; Fritzie Zivic’s statements in “You Gotta Fight Dirty,” in True circa 1959; “Zivic Virtue” coined by Dan Parker; Vines fight reported by AP 9/11/43; Zivic as car salesman in Pittsburgh Post, 1957.
Springs Toledo may be contacted at scalinatella@hotmail.com.
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Steven Navarro is the TSS 2024 Prospect of the Year
“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.
There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.
It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.
Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.
A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.
Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.
We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.
But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.
Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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