15 SECONDS…TOLEDO

Published

13 years ago

December 5, 2011

Holman Shadow[1]

Doug Cavanaugh had it in his closet, hidden away like an escaped convict.

No sirens screamed and no searchlights glinted by his windows in Canoga Park, California but he was harboring a convict all the same; only this one hadn’t come barreling out of the Wayside Jail, 25 miles away. This one came barreling out the sands of time, 70 years away. More shocking still, he had come from Murderers’ Row.

Three years ago, Cavanaugh received a package in the mail from J.J. Johnston, a fellow boxing historian and collector of fight films. In the package was a videocassette. Cavanaugh popped it in his VCR and sat back as newsreels of Jack Dempsey, Mickey Walker, and Max Schmeling flickered across the screen. He watched Joe Gans succumb to Battling Nelson in the summer of 1908, knowing that two years later Gans would succumb to tuberculosis -–which was only slightly more debilitating than a fight with Nelson. He wondered whether Gans was already coughing blood, whether his body was already breaking down, and whether the great lightweight knew it.

Half way through the video, Cavanaugh leaned forward. Johnston told him that there may be a fleeting segment of someone special in action. This was it.

HOLMAN WILLIAMS

There are many who swear that Holman Williams of “Murderers’ Row” was among the greatest defensive technicians who ever lived. He was that and more. When Joe Louis first walked into Detroit’s Brewster Gym in 1930, it was Holman who took him under his wing and taught him the fundamentals. Joe was in awe of Holman “–-a beautiful boxer,” he would say. Later when Joe became a king and Holman proved too dangerous to get a shot at the crown in two divisions, Joe would see to it that his friend got a spot on his undercards. He would also invite Holman and some sparring partners to his training camps. When Holman worked out, trainer Eddie Futch remembered Joe delaying his own workout and sitting ringside with his gloves and headgear on, watching. Why? “To pick up ideas.” The heavyweight king never stopped learning from Holman.

Many boxing historians believe that Holman was a pure stylist. However, his first five years in the prize ring saw more than half of his wins come by knockout. “Holman is a busy, rangy fighter and packs dynamite in his right fist,” said the Times-Picayune in 1937 when he was barnstorming New Orleans. Later in his career he evolved into a stylist because he had to; because some fighters hit too hard for their own good. Thomas Hearns and Arturo Gatti both broke their right hands repeatedly because the impact of their punches was too much on their metacarpal bones. Old school fighters with fractured fists didn’t have Hearns’ and Gatti’s advantages with modern medical science. When “Cinderella Man” James J. Braddock fractured his vaunted right, he had to completely change his style. Holman’s case was similar. Somewhere along the way, his brittle hands forced him to become mobile and concentrate on the softer region of his opponent’s body. He learned to rely on elegance and less on power.

Considering what he faced over a 188-bout career, he needed both.

Fighters didn’t come any more dangerous (or more avoided) than those in boxing’s Murderers' Row. They still don’t. This ferocious set of black fighters was active on the west coast in the ‘40s. Not one of them got a world title shot, so they fought each other. Holman warred with fellow members of the row 36 times: He faced Cocoa Kid thirteen times, Charley Burley seven times, Bert Lytell and Jack Chase four times, Lloyd Marshall and Eddie Booker three times, and Aaron “Tiger” Wade twice.

They were all condemned to Murderers’ Row for the same reasons –their level of skill made them dangerous to champions and the color of their skin made them easier to avoid.

Archie Moore never forgot them. Like Holman, he fought them all. Like Holman, he gave them hell and got hell in return. Unlike Holman, Archie finally took a throne during Christmastime 1952 and became light heavyweight champion of the world. He was 36 years old. And he had a secret: Archie knew that had it not been for his grim resolve to defy age and injustice he too would have been condemned to the row.

He was grateful to them, and he felt sorry for them.

So, when fate smiled on the Old Mongoose, he made damn sure to lift them up just a little bit by mentioning their names during interviews and in print –he was a king who remembered those who made him great. Budd Schulberg listened. It was he who conceptualized their title in 1962: “I went with Moore all the way back to the California days,” he wrote in Esquire, “when he was in there with names unknown to the East but very rugged characters.” Schulberg referred to them as “that murderers’ row of Negro middleweights carefully avoided by the titleholders.”

Until recently, not much more was known about them. Allen S. Rosenfeld and Harry Otty published well-received biographies of Charley Burley and discussed his great rivals, but even they ran into fog and mystery when it came to who those rivals were, where they came from, and where they went.

Part of the problem has been the lack of film. As far as the boxing world knew, action footage existed only of Burley and Marshall. The remaining six were sentenced to indeterminate stretches behind concrete walls; or closets.

And then Doug Cavanaugh did us all a favor.

OUT OF THE CLOSET, INTO THE LIGHT

Cavanaugh recently asked if I’d be willing to take a look at the footage. Three days ago I received a package in the mail and sat in the dark watching images from long ago flicker to life.

Halfway through the video I leaned forward, looking for Holman. Whoever filmed the action sat in the third or fourth row and used a hand-held camera. Someone’s head blocks part of the view and at one point a man in a fedora walks by looking for his seat. These are ghosts.

Two supremely-conditioned athletes fight it out along the ropes. It’s Holman all right. His opponent looks like Young Gene Buffalo, a Philadelphia fighter who faced Murderers’ Row eight times and won none. I realized it when I saw another clip showing the same ring from the same seat that could only have been filmed by the same person. It showed Joe Louis-Abe Simon I. Records show that Holman defeated Buffalo on the undercard of his friend’s title defense at the Olympia Stadium in Detroit. It was March 21, 1941.

For 15 seconds, it is March 21, 1941.

Holman is very aggressive though his balance is perfect and his execution flawless. His hands aren’t bad yet; that right cross seems particularly hard. I note that he moves in a gallop –exactly like those old fight reports said he did. I also note that Joe Louis was right and will stay right forever: this is “a beautiful boxer.”

As Holman throws wicked combinations to the head and body of Buffalo, cigar smoke swirls in a corner outside the ring. It rises to the rafters like a prayer of thanks in the red light district. Just before the footage blinks off, he has Buffalo’s back on the ropes and presses his gloves on his biceps to stop any offense as he begins to move back. Then something special happens.

Holman Williams, alive again and in his prime, turns his head from the action and glances straight into the camera… at us.

Here is the clip: http://www.youtube.com/watch?v=zje1xxmDrdA

____________________________

Photograph appears courtesy of Harry Otty.

Special thanks to Douglas Cavanaugh and J.J. Johnston.

Springs Toledo may be contacted at scalinatella@hotmail.com“>scalinatella@hotmail.com.

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Springs Toledo

Steven Navarro is the TSS 2024 Prospect of the Year

Published

1 hour ago

December 18, 2024

Arne K. Lang

Steven-Navarro-is-the-TSS-2024-Prospect-of-the-Year

“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

Published

10 hours ago

December 18, 2024

Thomas Hauser

There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

Published

2 days ago

December 16, 2024

Arne K. Lang

L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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