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The Beast of Stillman’s Gym, Part 2

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The Beast of Stillman’s Gym

PART 2: THE NATURAL

“The joint always smells wrong,” A.J. Liebling said about Stillman’s Gym. Even so, he could look at the soot covering its brick façade and see ivy –-“The University of Eighth Avenue,” he called it. Joe Rein calls it “The Center of the Boxing Universe” but something stayed in his nose too. He remembers the windows, “opaque with thirty years of grime” and sealed shut. Gene Tunney once demanded that someone pry them open, figuring the fresh air would do some good. “Fresh air?” said one of the regulars, “Why that stuff is likely to kill us!”

All the greats from boxing’s golden era trained at Stillman’s and thirty-five cents was all it took to rub shoulders with them all. Sometimes a king with an upcoming title defense would make an entrance and the price of admission would be raised. It was worth it. The artistry that unfolded in the exhibition rings was enough to make everyone forget the stench.

When Bernie Bernstein laced the gloves on a garage attendant he picked up on King’s Highway, no one gave him a second look. When he shoved him into one of the rings with a serious professional middleweight, you bet they did.

Urban crowds have found spectacles like this amusing since martyrs were shoved into Roman rings with serious lions. ‘Damnation ad bestia’ they used to call it and it’s never pretty. Here’s how it works: a bumpkin novice walks into a boxing gym. Eagle-eyed managers size him up to see if he’s an easy mark, a confidence-builder for his fighter. One of them approaches the novice with interest. The novice has faint misgivings but is too polite to turn back once his ears are filled up with fast-talk and the headgear is strapped on. Fifteen minutes later, a traumatized bumpkin leaves the gym. If he looks back it’s only because his head is spinning.

Bernstein’s bumpkin turned out to be something else altogether.

Calvin Coolidge Lytle, who had “boxed a little” in the navy “and wanted to get back into it,” beat the living hell out of a good middleweight right there in Stillman’s, right there in front of a snickering crowd. After that eye-opener, Bernstein would speak to savvy Sammy Aaronson and turn him professional. Tiny Patterson was selected as his manager of record, though she had a trainer’s license in only a few states. Bernstein would fill in everywhere else.

That was in the flag-waving spring of 1944. The truth of Calvin’s military service record could only hurt him, so the Aaronson office got right to work revising it. His bad conduct discharge became a medical discharge. All those captain’s masts, confinements in the brig, and the court martial were exchanged for a new narrative: Calvin was recast as a patriotic example who saw so much action in the European and Caribbean theatres that he was called “Lucky” for cheating death.

Calvin was indeed lucky. He was lucky enough to be close to the action in New York City and luckier still to have the backing of the Aaronson office, which had the largest stable of fighters in the world at the time. They took him over to Newark where he made his pro debut at the Meadowbrook Bowl.

He did not fight under his real name. Twelve years earlier, another fighter who eventually signed with the Aaronson office was fighting under the moniker “Cocoa Kid” in honor of the then-streaking Kid Chocolate. His right name was Herbert Lewis Hardwick and he was in New Haven at the same time that the famous Cuban was making headlines 75 miles away in Manhattan. News reports of the time parroted a claim concocted by managers that Cocoa Kid was also from Cuba, though he was born in Puerto Rico. By the summer of 1944, he had moved to Brooklyn after an honorable discharge from the Navy. He trained at Stillman’s and took Calvin under his wing. It is an aging Cocoa Kid’s fingerprints that can be seen all over that pro debut on July 17th 1944: Twenty-year-old Calvin was introduced to the fight mob as “Chocolate Kid of Cuba.”

The opponent was Artie Towne.

Towne was 9-0 and a stable mate of none other than Sugar Ray Robinson. He was already a highly skilled boxer-puncher who would later become what was called a “policeman” for Robinson. When solicited by certain opponents, Robinson’s management would reroute them to Towne before any contracts were signed. Towne was counted on to clear the field of low-yield threats and thereby allow Robinson to pursue more lucrative bouts. It worked well enough for Robinson, though not for Towne, who was strictly a preliminary fighter for most of his career. “Robinson was too big then,” he recalled, “They didn’t have any time for me.”

Not three years into his professional career he was already using aliases to get fights. Managers were getting cold sweats –-most managers, that is. Sammy Aaronson and company were braver than most. Sending their fresh-faced prospect into the ring against Towne strongly suggests that Calvin had done more than beat up a contender or two at Stillman’s Gym; he was doing it regularly enough to make two suits and a skirt giddy with confidence–-

Aaronson, Bernstein, and Ms. Patterson were convinced that what they had was a natural fighter.

They miscalculated. Natural talent is usually not enough to deal with experience, and the Towne-Chocolate Kid match seemed to confirm that axiom. Towne was given the decision over six rounds.

A week later, Calvin faced a fellow southpaw with 44 fights and only 9 losses. Joe Curcio was not only far more experienced than the 0-1 prospect; he was good enough to stop Towne later that year. “The Chocolate Kid,” read the Newark Evening News, “bashed” him.

One week after defeating Curcio, Calvin was in the ring against Lew Perez, “the fighting clown of Puerto Rico.” Perez constituted the first “opponent” that Calvin faced. In boxing parlance, an opponent is good enough to test a new prospect but not good enough to beat him; he lies somewhere between a journeyman and a bum on the respectability scale. Perez’s prowess was not enough to earn a following (he would end his career with almost twice as many losses as wins) so he became an entertainer. The Evening News reported that he “supplied the fans with plenty of laughs in his match with Chocolate Kid of Cuba, but when he ran out of gas in the fourth round he also ran out of laughs, and was counted out.”

Calvin began his career facing three distinctive styles in a boxer-puncher, a southpaw, and an unorthodox fighter. He was on a greased track in a new city with big-time managers, fleeing his past with a narrative that would change yet again. The moniker “Chocolate Kid” was never used after the Perez fight; perhaps because with both the memory of Kid Chocolate and the skills of Cocoa Kid receding, the moniker’s marketability receded with them. All that remained of his past was a name given him by an auto mechanic almost three years dead in honor of a president dead longer than that. ‘Calvin Coolidge Lytle’ was an old tag on a new suit.

Five days after the Perez fight, he was announced as someone else from somewhere else at Mechanic’s Hall in Worcester, Massachusetts. Although Bernstein is credited with coming up with his latest ring moniker, odds are good that it was showgirl Tiny Patterson who recalled the silent screen star with a similar surname. And just like that Lytle (pronounced L?t?l) became Lytell (pronounced L?’-t?l?). The Worcester Evening Gazette introduced him as “Bert Lytell,” a “highly touted newcomer” with a reputation made in California “where he rated among the best on the Coast.” Thus began the most durable of his evolving mythology; one so convincing that he himself believed it.

When a reporter for The Ring asked him where he was born, Calvin “smiled mysteriously” and said he was born in Fresno, California on May 24th 1924. He said he was a graduate of San Petersburg High School and an all-star athlete, a half-back and quarter-back on the football team and a center fielder with a batting average of between 360 and 375 on the baseball team. The Boston Evening News was told he was from Fresno, while the Providence Journal heard he was from Oakland. A few years later the San Francisco Chronicle was told that he was born in Oakland and went to Oakland High School. The Times-Picayune couldn’t stay consistent with itself –-they had him from Fresno one day and Oakland the next.

The truth is he was born four months earlier than claimed, attended a “colored” school in Texas called F.W. Gross High School and never made it past ninth grade.

In the summer of 1944 the press was trumpeting his “26-0 record with 23 knockouts” though he only had a handful of professional bouts at that point. Even the date of his pro debut was pushed back from July to March –-9th to be exact, which was actually the date of his bad conduct discharge. But padding the record wasn’t the problem. The problem was that no one could keep the cock-and-bull straight. Reporters got suspicious. Speed Reilly of The Referee and the Redhead spoke to gym rats in the Oakland area during what he called “Operations Whosis” and only ended up more confused. Arthur Susskind, Jr. relayed his suspicions about this “mystery man” after discovering that the California Boxing Commission had no record that the fighter ever applied for a license.

His style of fighting proved to be as flexible as his back story, and twice as confusing.

By his fifth bout he was drawing comparisons with Harry Greb, a frenzied middleweight from the 20s who fought all-comers in almost 300 recorded bouts. By early 1945, Bert was approaching Greb’s frantic schedule, fighting an average of once a week through March. Swarmers cannot be expected to maintain such a schedule without coasting at times but Bert did better than that; he changed styles whenever the spirit moved him. In one fight report he would be described as a fighter of the “‘bore in’, perpetual motion variety” while in the next he conjured up Cocoa Kid by appearing to be “an exceedingly slick ringman” who could dominate a fight behind a constant jab and movement. Johnny Finazzo, whose decision win was avenged within four months, had the best view to describe his style. “Lytell,” he said, “is a fast, clever fellow and keeps coming at you every second.”

Hard men were wilting under a relentless attack that was as flexible as his narrative, but something else was becoming plain, disturbingly plain –-an inflexible jaw. Punches bounced off Bert like tennis balls off a bus.

Tiny Patterson was cheering herself hoarse as the “sharpshooting southpaw” dominated Joe Reddick in Providence, Rhode Island despite being outweighed by 11½ pounds. It was April 20th 1945 and a win here would clinch a date in Boston on the 27th with the top-ranked middleweight on the planet. According to the Providence Journal, Bert landed “so many left hands off Reddick’s head –-jaw, chin, nose, ears, forehead–- that it was almost sickeningly repetitious.”

Reddick took the ninth round and no more, and that because Bert was distracted by a shadow on the wall.

It was the shadow of a man hunched over like a bull.  

____________________________

The “Raging Bull” Jake LaMotta, at his nastiest, faces the surging southpaw in PART 3 OF “THE BEAST OF STILLMAN’S GYM.”

Graphic: (from left to right) Bert Lytell, Speed Reilly, and Sammy Aaronson. Courtesy of Harry Otty.

Two eyewitness accounts of Stillman’s Gym, A.J. Liebling’s “The University of Eighth Avenue” and Joe Rein’s “The Center of the Boxing Universe” came in handy here. Tunney and Dundee’s vignette found in Ronald K. Fried’s Corner Men: Great Boxing Trainers, p. 37. The Fresno-Oakland issue illustrated in The Times-Picayune 8/31/, 9/1/45. Dick Friendlich’s “Boxing Briefs” in San Francisco Chronicle undated. The Berkshire Evening Eagle 9/11/47. “Ray Robinson’s Policeman To Make First Main Fight,” by Jack Hand 10/14/55. New Jersey Star Ledger 7/17/44. Newark Evening News 7/31/44 for the Curcio bout, Perez in 8/1/44. Claim of 26 fights in Worcester Evening Gazette 8/18/44; 40 fights claimed in Providence Journal 2/18/45. Patterson fight in Worcester Evening Gazette 8/5/44, compared to Greb in 9/1/44 edition, “bore-in variety” in 9/15/44. “Slick ringman” comment in Providence Journal 2/25/45. Finazzo comments in Boston Evening American 3/1/45. Reddick in Providence Journal 4/21/45.

Springs Toledo can be contacted at scalinatella@hotmail.com“>scalinatella@hotmail.com.

 

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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