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The Beast of Stillman's Gym, Part 4…TOLEDO

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Robinson nervously laughs, LaMotta looks over his shoulder. Is Bert Lytell in the house?

 

PART 4: SHADOWS AND SUGAR RAY

Promoter “Rip” Valenti, a product of Boston’s North End, finagled an agreement with uncrowned welterweight champion Sugar Ray Robinson to fight Bert Lytell in 1945. In May, that agreement had become “very definite plans” and Valenti assured reporters that Robinson and Lytell would meet during the outdoor season at Fenway Park.

Robinson had bigger things on his mind. The National Boxing Association would soon announce that the world titles were being unfrozen as World War II winded down and the champions came out of the armed services. Welterweight king Freddie Cochrane promised his navy pals that he would be an active champion and was making overtures to Robinson. Robinson pondered his options. With Cochrane making moves in his direction and that golden crown getting a little closer, why risk blowing it by taking on a high-risk challenge like Lytell? He wasn’t crazy like Jake LaMotta, so that summer saw him face a white fighter with a record of 7-11 instead of Bert.

At the end of 1948, Boston tried again. Promoter Sam Silverman offered Robinson a $15,000 guarantee to face Bert in early 1949 for the “Negro Middleweight Championship.” They told him that he could name the date. By this time Robinson was campaigning hard to face middleweight king Marcel Cerdan. Defeating the number-one contender who was touted as “the most-feared fighter in the country” would have made that campaign as politically persuasive as a gun to the head. But he passed again.

Meanwhile, Bert went right on facing hazardous fighters for fun.

For journalists who expected their boxers to be fearless, Robinson’s business acumen looked bad. One of his critics counted over 30 times that Robinson reneged or “ran out” on agreements to fight. Host cities left hanging dotted the national landscape between Boston, where Valenti shook his fist, and Houston, where an agreement to fight Cocoa Kid was left bleaching in the sun.

Robinson shrugged it off until he overheard Manhattan restaurateur Toots Shor grumbling within earshot. “There goes Robinson,” said Shor, “–-they ought to ban him from boxing.” That did it. Robinson penned a retort in the November 1950 issue of Ebony: “My critics would have the public believe that I’m a bad boy who hates all promoters and breaks contract with impunity. They seek to prove that I have caused bitterness, bad feeling, and confusion in boxing… this time I’ll have my say.” The media was biased, he charged; why else did typewriters rattle every time a promoter wailed about an alleged run-out but went strangely quiet when it came to his side of the story? Those “run-outs” weren’t run-outs at all, he said, they were misunderstandings motivated by wishful thinking. Fly-by-night promoters had a habit of mistaking his willingness to consider a fight with a signed contract, and if they chose to kick off expensive publicity campaigns based on that, it wasn’t his problem.

In his righteous indignation, Robinson’s pen did to him what most of our mouths do to us –-it spun off without him: “I fight all comers,” he wrote, “provided they can put up a good scrap and draw a decent gate.”

This, of course, wasn’t true. Bert Lytell was already drawing decent gates and after fighting on even terms with the best middleweight in the world in LaMotta, everyone knew he could put up a good scrap with anybody. Robinson knew it better than most -–Artie Towne was one of his stablemates as was Van McNutt, whom Bert cut to pieces in January 1945. “I want it known,” Robinson wrote, “that Ray Robinson never runs out on a bona-fide match contract.” He should have made an exception. What Rip Valenti called “very definite plans” in May 1945 to stage a Robinson-Lytell fight became “a signed contract” and still never came off. On August 1st Sammy Aaronson was complaining to the Baltimore Sun that “Lytell had a contract to fight Ray Robinson July 23rd at the Boston ball park but Robinson ran out.”

LaMotta himself may have had a hand in Robinson’s reluctance to fight the beast of Stillman’s Gym. His split decision win at the Boston Garden may be just a bland statistic now, but for a number of years afterward it was remembered as a scandal.

The Aaronson office never stopped trying to get a rematch with LaMotta and let the whole world know it. Boxing weeklies as far away as San Francisco ran front-page challenges: “BERT LYTELL challenges the World’s Leading Middleweights –-wants Marcel Cerdan or Jake La Motta” declared the May 3rd 1947 issue of Referee and Redhead; “Recently Lytell boxed a whale of a close one with Jake LaMotta, in Boston. And since that memorable encounter, promoters throughout the Nation have tried in vain to make the rematch. But it seems that LaMotta (that guy who claims no one wants to fight him) wants no part of Lytell.” Over in New York City, insiders like Willie Schulkin were also calling out LaMotta. “Jake LaMotta has been licking light heavies and claims that middleweights don’t want any part of him. Does he forget Bert Lytell?” Schulkin wrote, “Lytell stands ready to go with LaMotta at a moment’s notice. Are ya listenin’ Jake?”

Jake wasn’t listenin’. Neither was Sugar Ray. One week after the summer of Bert’s discontent, they fought each other for the fifth time instead of him.

By the end of 1945, Bert hadn’t fought for three months and fell out the rankings. He was back in January, fighting as a substitute in a preliminary bout in Holyoke, MA and then crossed the border into Connecticut to score his second clean knockout inside of two weeks.

Two weeks after that he was in Rhode Island for a rematch against Walter “Popeye” Woods.

Woods was a balding thirty-two-year-old who owned a close decision win over Bert. He was known as a clown, even if it was usually the other guy acting silly after his right hand landed. He was ranked eighth among light heavyweights by the time he faced Bert again.

The fight was “an out-and-out stinker” according to the Providence Journal. Bert seemed to miss on purpose and Woods’s punches were no more serious than a squirting flower. The fans jeered and the referee repeatedly warned both fighters of disqualification. The Journal stated in no uncertain terms that “the pair of them” should have been tossed out of the building “as early as the fourth round and possibly sooner.” Woods took the decision, probably because Bert lost two rounds on low blows, though the whole thing looked like a collusion where one fighter agreed to lose a decision and the other agreed not to hurt him along the way.

If it was, it meant an agreement was made between managers, which likely involved gambling interests –-which likely meant that somewhere down the line stood Mr. Gray, alias Paolo Giovanni Carbo, alias Frankie Carbo.

Frankie Carbo made his bones not with La Cosa Nostra as would be expected, but with Jewish gangsters. He was a product of the lower East Side, an area of New York City overrun with Russian Jewish immigrants and their rebellious, American-born children. It was a breeding ground for crime and violence and produced enough Jewish fighters and gangsters to challenge the Irish and the Italians. One of Carbo’s neighbors was Meyer Lansky, a major force in the underworld for much of the twentieth century. Although the Jews and the Italians ran separate organizations and collaborated often, it was the Italians who emerged as the controlling partner, and they used Lansky’s guys as fronts. “They know better than to try to f*ck us,” said one with all due respect.

Carbo was managing fighters by the mid-thirties and was arrested on suspicion of murder five times. After an acquittal for one of them in 1942, he let his gats cool and stepped up operations in boxing. He was given the go-ahead to make millions by treating the boxing ring as if it were a prostitution ring with him as pimp. If Carbo didn’t manage a fighter through a front man, he owned a piece of him. If he didn’t own a piece of him, he probably owned his manager outright. If he owned neither, there were plenty of strings he could pull –-not to mention his well-documented persuasive skills of the “or/else” variety. In return for fealty, fighters got opportunities at Madison Square Garden and a $2500 payday which their managers usually fleeced.

His power was an open secret from the 1940s until the early 1960s. Few in or around the ring were not secretly owned or tapped now and then by boxing’s corrupt king. And he was particularly interested in middleweights.

Did he tap Lytell and Woods? Hints are found when you look for subsequent rewards. Bert got what he’d been after, a third match against Holman Williams who had ascended to the number two spot in the rankings despite the fact that he himself was no longer rated. Woods went to Los Angeles for the first time in his career; and faced Watson Jones at Olympic Stadium for the last win of his career.

Jones was managed on-the-sneak by a matchmaker shaped like a witch’s brew called Babe McCoy. McCoy would have the dubious honor of getting himself banned for life from boxing in 1956 for fixing fights, managing fighters while functioning as matchmaker at the Olympic, and associating with known criminals. Among the witnesses against him was none other than Watson Jones. McCoy, said Jones, instructed him to take a dive on three occasions and routinely short-changed him. “He’d say let the crowd see me get hit on the chin so that it would look good,” Jones testified. “I never cheated Mr. McCoy. I brought him all the money. I brought him every nickel,” he went on, “I was McCoy’s little colored boy.” At the end of his testimony he broke down and cried.

How could McCoy, who operated on the west coast, have any connection to New York’s Frankie Carbo? First of all, McCoy wasn’t the real McCoy. He wasn’t even Irish. He was a New York Jew born Harry Rudolph who admitted under oath that he knew Carbo. He also admitted that the gangster had been to his hotel suite for private meetings and then came down with a sudden case of amnesia when asked about the purpose of those meetings. As far back as 1941, he was the manager of record for a fighter controlled by Carbo. The two were in bed together and everyone knew who was on top.

That isn’t all.

Carbo, it was whispered, owned a piece of Popeye Woods. And by the time Woods met McCoy’s fighter in 1946, Carbo was already making trips to Los Angeles and pulling strings behind the considerable girth of his old pal.

It was during one of those trips that he took time away from boxing to see another old friend, or so the story goes. Turncoat Jimmy “The Weasel” Frattiano” said that Carbo was given the contract to kill fellow East-sider and Vegas mogul Bugsy Siegel, and did so with an army carbine outside the window of the house Siegel was staying at in Beverly Hills.

“The fight racket, since its rotten beginnings,” spat Jimmy Cannon, “has been the red light district of sports.”

Those roses you smell are coming from Sugar Ray Robinson. Considering what he was up against in the 1940s and 50s, his obsessive self-interest and hardnosed negotiations take on a different light. They almost look noble. “I’m not really as bad as some make me out to be,” he tells us really, his modern critics, “I don’t intend to be exploited by any individual or syndicate in this business, where shrewdness counts and sentiment is just about worthless. I am an individualist, both in terms of my style in the ring and my business methods. I shall continue to be independent of boxing combines…”

Bert Lytell couldn’t afford to be an individualist.

While Robinson honored contracts with less dangerous fighters, most of whom sported a more marketable skin tone, Bert would never again face a nationally-known white fighter after LaMotta.

He would descend into the madhouse that was Murderers’ Row, swapping blows with other condemned fighters who were just as rough as he was. Years would be spent crisscrossing the United States by bus and train, flopping in fleabag motels, taking meals at YMCAs, and enduring separate entrances and segregated dressing rooms in the South. His dignity would be trampled when hick promoters handed him smaller purses than white fighters though the pain was the same. Inexplicable losses against hometown darlings would see him whip his robe across the ring and punch walls on the way to the dressing room, but soon that bell would ring again and he’d be back at it, fighting in a frenzy; fighting as if something was spurring him on, something like joy or desperate hope.

It wouldn’t matter to him who or when or for how much he fought; it wouldn’t matter whether big lights put a sheen on his shoulders or plaster fell from the ceiling –-because for that precious half-hour, his fate was in his hands.

And that felt good.

____________________________

The madhouse that was Murderers’ Row was nothing nice. Bert Lytell is gonna bleed in PART 5 OF “THE BEAST OF STILLMAN’S GYM.”

Boston tries to sign Robinson-Lytell in Boston Evening American 1/13, 2/5, and 3/2/45. Holyoke Daily Transcript and Telegram 5/31/45, Baltimore Sun 8/2/45. McNutt fight in Holyoke Daily Transcript and Telegram 5/25/45. “Why I’m The Bad Boy Of Boxing,” by Ray Robinson in Ebony, November 1950; Williams-Lytell in The Times-Picayune 8/15, 16, 17, 18/45. LaMotta on how to beat a southpaw in “The Great Middleweights Talk About The Fight” by Peter Heller, Boxing Scene Collector’s Edition “Duran Vs. Hagler: The Fight of the Century.” Williams II in The Times-Picayune 8/31/45. Wade in The Sun 10/2, 3 /45; see also Holyoke Daily Transcript and Telegram 1/8/46, Hartford Courant 1/22/46. Woods-Lytell II in Providence Journal 2/3, 5/46; Watson Jones’ testimony in International 3/30/1956, Honolulu Record 11/15/56, and Sports Illustrated, 11/19/56. Babe McCoy’s problems in Los Angeles Times, and New York Times 3/30/1956 and Chicago Daily Tribune, 3/31/1956. Carbo’s career recounted in Life 5/26/1952, The Last Mafioso: Jimmy “The Weasel” Fratianno by Ovid DeMaris, pp. 54-56, Five Families: The Rise, Decline, and Resurgence of America’s Most Powerful Mafia Empires by Selwyn Raab, pp. 104-5.

Springs Toledo can be contacted at scalinatella@hotmail.com.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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