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Should He Be “Tap Out” Victor Instead of “Vicious Victor?”

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OrtizLopez Hogan18Perhaps it is time for Victor Ortiz to change his nickname from “Vicious Victor’’ to “Tap Out’’ Victor?

For the second time in his career, Ortiz quit in the midst of a fight and for the third time he looked for a way out, the latter being his bizarre hugfest with Floyd Mayweather, Jr. while in the midst of taking a beating that led to him first head butt Mayweather like a billy goat and then eat a rapid fire combination that knocked him out as he tried to plead for forgiveness by repeatedly grasping Mayweather after referee Joe Cortez said, “Let’s go!’’

To be fair, Saturday night was slightly different but he still failed to adhere to the warrior’s code that rules boxing. In what had become a surprisingly close fight, Ortiz found himself getting as good as he was giving against Josesito Lopez, a journeyman junior welterweight who was refusing to be overwhelmed even though Ortiz can crack despite his apparent heart defect.

According to Ortiz early in the ninth round, Lopez “busted my jaw.’’ At the end of the round Ortiz ignored the pleading of his corner and signaled to referee Jack Reiss that he was through.

“Say what?’’ Reiss asked, incredulous. “What’s broken? Are you stopping the fight?’’

Ortiz was at that point struggling to free himself from the grasp of trainer Danny Garcia, who was pleading for him to continue. He then looked at Reiss when he asked if he was stopping the fight and said “Yes.. My jaw’s broken.’’

According to his manager, Roberto Arellano, Ortiz’s jaw was indeed broken in two places and was re-set the next day with a plate screwed into it. Certainly the pain was immense but sadly for Ortiz boxing isn’t called the hurt business for nothing.

Absorption of absurd amounts of pain is a requirement if one is to maximize one’s gifts in prize fighting. It is expected and demanded. This is not UFC, where a man can quit with no penalty. Quit inside a boxing ring once and you are seen as suspect. Do it twice and you become thought of the way Lopez expressed it Saturday night after his hand was raised.

“I’m a man,’’ said Lopez (31-4, 19 KO), who fought much of the night with his left eye half closed and his right swollen. “I’m not intimidated by nothing. He tried to intimidate me but it didn’t work. Victor has no heart!’’

Harsh though that may seem to civilians and absurd as it may sound to many who do not understand boxing’s harsh demands, there is nothing worse that can be said about a fighter than those four words: “Victor has no heart.’’

Fighting with a broken jaw for nine more minutes would have been excruciating. It is far easier to tell someone else what they should do with their pain than it is to face your own. Yet the demands of boxing are clear when you sign on. You do not quit.

That is what separates fighters from the rest of the population. When good sense and every fiber of your body is screaming at you to retreat, they go forward. When it is clear the pain is unbearable, they fight on. It is the warrior’s code, the fighter’s heart. Sadly, Victor Ortiz does not follow the code nor have that heart.

He can punch like a mule and it would be unfair to say he is totally without heart because he is not. He fought bravely against Andre Berto and for much of the fight with Lopez. Both lashed him with big punches and he fought back. The problem for Ortiz is when the opponent not only continues to lash him but appears to get the upper hand and asks him to pay a price for victory he feels is too high.

When that happens, Ortiz folds up and quits as he did against Marcos Maidana in 2009, did in a more curious way against Mayweather and did over his corner’s protest Saturday night. Would fighting on with a broken jaw be common sense? Of course not but is boxing common sense in the first place? No it is not.

Fighting with a broken jaw is far from without precedent. Ken Norton broke Muhammad Ali’s jaw in the second round of their 1973 fight in San Diego. Ali fought on despite increasing swelling and lost a split decision. But one does not have to go that far into history to find an example of the warrior’s approach to a broken jaw.

In 2006, Arthur Abraham, then IBF middleweight champion, had his jaw broken in two places by Edison Miranda in the fifth round. Abraham fought on after initially saying he wanted to stop, won the fight and the next day had 22 screws and two plates riveted into his jaw. He was widely praised for his bravery and ate out of a straw for some time.

Had Ortiz at least tried to go on one would have more respect for his decision but unlike Ali, Abraham and others in boxing’s painful history, he did not. His jaw appeared to come unhinged in the latter moments of the ninth round and he ran for the remaining seconds and understandably so.

But after coming to his corner he not only refused to listen to his trainer but called the referee over and said his jaw was broken and he could not go on. Would not go on is a better way to put it.

After he quit against Maidana in 2009 after being knocked down and pummeled, Ortiz told a national TV audience, “I’m going to stop while I’m ahead, and that way, I can speak well when I’m older. We’ll see what happens from here on out, man. I’m young, but I don’t think I deserve to be getting beaten up like this. So I have a lot of thinking to do.”

His conclusion was to return to boxing and he did well enough. He won a welterweight title, got up off the floor to beat Berto and provided fans with some sizzling action because his defense is as bad as his offense is good. But he fouled blatantly against Mayweather once he got frustrated and his first night back after a nine month layoff he blatantly fouled Lopez several times as well, rabbit punching him behind the head. Admittedly Lopez at times was dipping low but as Reiss told Ortiz twice that didn’t give him the right to drill him in the back of the neck, a particularly vulnerable area for a boxer.

Ortiz did it more than once and he did it more than twice, truth be told. Reiss threatened to penalize him but did not. Soon Lopez would, cracking his jaw with a sweeping hook that landed with Ortiz’s mouth open. That, too, was fitting because frankly he talks too much and fights too little.

But now he has a lot more thinking to do because, frankly, a boxing ring is not the place for him. Victor Ortiz can punch like a mule and he can be vicious at times but long before he fought Mayweather James Toney, a boxer who is as old school as Ortiz is New Age, predicted Ortiz would quit again. James Toney was right.

When faced with the harshest side of the business he himself chose, Victor Ortiz at least twice has chosen the one act that is unacceptable.

He tapped out. Now maybe he is too.

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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