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Literary Notes
Joe Gans was relegated long ago to a seldom-visited corner of boxing history.
Knowledgeable fight fans know that Gans was the first American-born black champion and perhaps the most technically advanced fighter of his time. Between October 23, 1893, and March 12, 1909, he had 191 professional bouts, scored an even 100 knockouts, and (including newspaper decisions) lost only 12 times. Fifteen months after retiring from the ring, he died of tuberculosis, which had almost certainly hindered him late in his career.
Now, thanks to The Longest Fight by William Gildea (Farrar Straus and Giroux), Gans comes to life again.
The Longest Fight will enhance any reader’s appreciation and understanding of Gans. Gildea crafts a sense of time and place and a moving personal portrait of his subject. The heart of the story, he writes, “is what it was like a century ago to be black in America, to be a black boxer, to be the first black athlete to successfully cross the nation’s gaping racial divide, to give early-twentieth-century African Americans hope.”
The book is keyed to the historic first fight between Gans and Battling Nelson, which took place in Goldfield, Nevada, on September 3, 1906. Gans was lightweight champion by virtue of having knocked out Frank Erne in one round four years earlier. At age thirty-one, he was past his prime. Nelson was twenty-four and peaking. Gans-Nelson was contracted as a fight to a finish. It was to continue until one of the combatants was counted out or quit on his stool.
There had been “mixed race” fights before Gans-Nelson, but never one of this magnitude. The bout attracted national attention. Arrangements were made for round-by-round summaries to be disseminated by telegraph throughout the country.
Gans was a gracious well-spoken man, gentle outside the ring, meticulous in appearance and partial to three-piece suits. Nelson was a thug. The champion, in contrast to his opponent, showed such good sportmanship in the days leading up to the fight (and during the fight itself) that a substantial number of white spectators found themselves openly rooting for him.
The bout lasted two hours forty-eight minutes, making it the longest championship fight of the twentieth century. It began in the Nevada desert at 3:23 PM under a broiling sun with temperatures in excess of one hundred degrees and ended at 6:11 PM.
Gans dominated for most of contest. The granite-jawed Nelson committed virtually every foul in the book while being beaten to a bloody pulp and was disqualified by referee George Siler for repeated deliberate low blows in the forty-second round. Most likely, the champion would have knocked his foe out earlier but for the fact that he broke his right hand in the thirty-third round.
Gans emerged from the Nelson fight as a national figure.
“People had begun to take boxing seriously, even though it was illegal in most places,” Gildea writes. “Its appeal was in its simplicity, its violence, and the glamourous figures it produced. Beating Nelson made Gans prominent in a way no other black athlete had been. Money followed the fame. White fighters suddenly realized that a black man could make them a good payday. Promoters vied to gain his attention. Newspaper editorial page writers, who had ignored not only black boxers but virtually the entire black American experience, gave space to Gans.”
After beating Nelson, Gans became the first black man in his home town of Baltimore to own an automobile; a bright red Matheson touring car with a canvas top that he parked outside a hotel and saloon named The Goldfield that he opened in 1907. A half-century later, emulating Gans, Sugar Ray Robinson would park his own fuchsia Cadillac convertible outside Sugar Ray’s Café in Harlem.
Gans also accepted an offer of $6,000 a month for a midwestern vaudeville tour. Putting that number in perspective, Ty Cobb was paid $4,800 for the entire 1908 season one year after he led the American League in hits, batting average, and RBIs.
Gans lost his championship in a rematch against Nelson on July 4, 1908. He receded further into the background with the ascendance of Jack Johnson to the heavyweight throne at the end of that year. But by then, the ripples from his life had spread throughout America.
In Gildea’s words, “Gans was the first African American, after horse racing’s early black jockeys and the cyclist Major Taylor, whose athletic ability even hinted at the possibility that sports could be a springboard for racial justice in American life.”
How good was Gans?
Bob Fitzsimmons called him “the cleverest fighter, big or little, that ever put on a glove.” And Sam Langford said of Joe Louis at his peak, “He can hit. He is fast and is no slouch at employing ring craft. He is the marvel of the age. I consider him another Gans.”
It should also be noted that Gans inspired people in many ways. Goldfield was America’s last mining boomtown. It was short on hotel accommodations, leaving thousands of fight fans to sleep in tents or on hard ground under the starry sky. But it had fifty-three saloons to keep them well-lubricated.
One of those saloons was owned by George Lewis Rickard, better known as “Tex”. It was Rickard who had first suggested to local businessmen that the publicity flowing from a major fight would attract investment capital to Goldfield for mining-related ventures.
Gans-Nelson was Rickard’s maiden voyage into big-time promoting. “I never knew what the fight game offered until then,” he acknowledged later. “I wasn’t a boxing expert. But what happened in the Gans-Nelson show made me think.”
In later years, Rickard would promote the first five fights in boxing history with gates in excess of $1,000,000; build Jack Dempsey into a superstar before the term existed; head a group that financed construction of a new Madison Square Garden on Eighth Avenue between 49th and 50th Streets in Manhattan; and play a key role in making New York City the boxing capitol of the world.
* * *
Al Bernstein has been calling fights on television, most often as an expert analyst, for more than thirty years. The job requires an understanding of the sweet science and the ability to communicate well. But the most successful analysts have an additional quality. Viewers think that it would be fun to sit next to them on a sofa and watch a fight on television.
Al Bernstein: 30 Years, 30 Undeniable Truths about Boxing, Sports, and TV (Diversion books) reads like a conversation on the sofa. It’s a collection of recollections and anecdotes about Al’s life and the sport he loves. There’s a moving section about Connie Bernstein’s long battle with cancer and the strength of the marriage that she and Al share. And there are portraits of boxers, from legendary greats to four-round club fighters.
In one of my favorite anecdotes, Bernstein recounts how he and Charley Steiner covered the weigh-in for Mike Tyson’s 1995 comeback bout against Peter McNeeley. Al was on-camera and told his ESPN audience, “Let’s see if we can hear from former heavyweight champion, Mike Tyson. Mike, can we talk to you now?”
“No fucking way,” Tyson answered.
Bernstein reflected on the moment and said calmly, “I’ll take that as a ‘no’. Back to you, Charley.”
“After more than two decades of trying to explain Tyson’s chaotic behavior,” Bernstein writes, “we are left with the simple explanation – he’s a nut.”
In the most interesting passage in the book, Al recalls hall-of-fame announcer Don Dunphy telling him, “The best advice I can give you as a sportscaster is to remember, when you are on the air, it’s not about you.”
Bernstein then casts aside his non-confrontational persona and declares, “The majority of sportscasters working today believe it is always about them. Amazingly, they do so with the endorsement and even encouragement of their networks and their producers. We live in a time when most networks value argument over discussion, opinion over information, and loudness over intelligence. While I don’t take myself too seriously, I take sportscasting very seriously. My claim that sportcasting has changed dramatically (not for the better) is not some idle statement or sentimental bromide about ‘the good old days.’ It’s a well-considered assessment of my profession. I am hardly known as a combative personality. I have steadfastly refused to criticize my colleagues over the years, so writing this is out of character for me. I hope that my reputation will give my words in this chapter even more meaning.”
“We have seen many major boxing matches,” Bernstein continues, “where three broadcasters are debating amongst themselves something only vaguely related to the match we are all watching. This debate has been known to extend for almost an entire three-minute round, while the action in the ring goes virtually unnoticed. An offshoot of this is the use of opinion to replace analysis. ‘Analyst’ is the title of the person sitting next to the host or play-by-play announcer. The title is not ‘opinion giver.’ Opinions may be part of some type of analysis, but pure opinion is never to be confused with analysis. Using opinion under the guise of calling it analysis is often the sign that a color commentator is too lazy to do the homework necessary to provide real analysis. Anyone can have an opinion on anything. Analysis is using knowledge of an athlete or team to explain something that has just happened or foreshadow something that might happen. Being considered an expert does not give you the right to do nothing but blurt out opinions to viewers. More than that is required from an analyst of a sporting event.”
Thomas Hauser can be reached by email at thauser@rcn.com. His newest book (And the New: An Inside Look at Another Year in Boxing) will be published later this summer by the University of Arkansas Press.
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A No-Brainer: Turki Alalshikh is the TSS 2024 Promoter of the Year
Years from now, it’s hard to say how Turki Alalshikh will be remembered.
Alalshikh, the head of Saudi Arabia’s General Entertainment Authority, isn’t everyone’s cup of tea. Some see him as a poacher, a man who snatched away big fights that would have otherwise landed in places like Las Vegas, New York, and London, and planted them in a place with no prizefighting tradition whatsoever merely for the purpose of “sportswashing.” If that be the case, Alalshikh’s superiors, the royal family, will turn off the spigot once it is determined that this public relations campaign is no longer needed, at which time the sport will presumably recede into the doldrums from whence it came.
Be that as it may, there is no doubt that boxing is in much better shape today than it was just a few years ago and that Alalshikh, operating under the rubric of Riyadh Season, is the reason why.
One of the most persistent cavils lobbied against professional boxing is that the best match-ups never get made or else languish on the backburner beyond their “sell-by” date, cheating the fans who don’t get to see the match when both competitors are at their peak. This is a consequence of the balkanization of the sport with each promoter running his fiefdom in his own self-interest without regard to the long-term health of the sport.
With his hefty budget, Alalshikh had the carrot to compel rival promoters to put down their swords and put their most valuable properties in risky fights and he seized the opportunity. All of the sport’s top promoters – Frank Warren and Eddie Hearn (pictured below), Bob Arum, Oscar De La Hoya, Tom Brown, Ben Shalom, and others – have done business with His Excellency.
The two most significant fights of 2024 were the first and second meetings between Oleksandr Usyk and Tyson Fury. The first encounter was historic, begetting the first undisputed heavyweight champion of the four-belt era. Both fights were staged in Saudi Arabia as part of Riyadh Season, the months-long sports and entertainment festival instrumental in westernizing the region.
The Oct. 12 fight in Riyadh between undefeated light heavyweights between Artur Beterbiev and Dmitry Bivol produced another unified champion. This wasn’t a great fight, but a fight good enough to command a sequel. (Beterviev, going the distance for the first time in his pro career, won a majority decision.) The do-over, buttressed by an outstanding undercard, will come to fruition on Feb. 22 in Riyadh.
Turki Alalshikh didn’t do away with pay-per-view fights, but he made them more affordable. The price tag for Usyk-Fury II in the U.S. market was $39.99. By contrast, the last PBC promotion, the Canelo vs. Berlanga fight on Amazon Prime Video, carried a tag of $89.95 for non-Prime subscribers.
Almost half the U.S. population resides in the Eastern Time Zone. For them, the main event of a Riyadh show goes in the mid- to late-afternoon. This is a great blessing to fight fans disrespected by promoters whose cards don’t end until after midnight, and that goes double for fight fans in the U.K. who can now watch more fights at a more reasonable hour instead of being forced to rouse themselves before dawn to catch an alluring match anchored in the United States.
In November, it was announced that Alalshikh had purchased The Ring magazine. The self-styled “Bible of Boxing” was previously owned by a company controlled by Oscar De La Hoya who acquired the venerable magazine in 2007.
With the news came Alalshikh’s assertion that the print edition of the magazine would be restored and that the publication “would be fully independent.”
That remains to be seen. One is reminded that Alalshikh revoked the press credential of Oliver Brown for the Joshua-Dubois fight on Sept. 21 at London’s iconic Wembley Stadium because of comments Brown made in the Daily Telegraph that cast a harsh light on the Saudi regime.
There were two national anthems that night, “God Save the King” sharing the bill, as it were, with the Saudi national anthem. Considering the venue and the all-British pairing, that rubbed many Brits the wrong way.
The Ring magazine will always be identified with Nat Fleischer who ran the magazine from its inception in 1922 until his death in 1972 at age 84. It was written of Fleischer that he was the closest thing to a czar that the sport of boxing ever had. Turki Alalshikh now inherits that mantle.
It’s never a good thing when one man wields too much power. We don’t know how history will judge Turki Alalshikh, but naming him the TSS Promoter of the Year was a no-brainer.
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The Ortiz-Bohachuk Thriller has been named the TSS 2024 Fight of The Year
The Aug. 10 match in Las Vegas between Knockout artists Vergil Ortiz Jr and Serhii Bohachuk seemingly had scant chance of lasting the 12-round distance. Ortiz, the pride of Grand Prairie, Texas, was undefeated in 21 fights with 20 KOs. Bohachuk, the LA-based Ukrainian, brought a 24-1 record with 23 knockouts.
In a surprise, the fight went the full 12. And it was a doozy.
The first round, conventionally a feeling-out round, was anything but. “From the opening bell, [they] clobbered each other like those circus piledriver hammer displays,” wrote TSS ringside reporter David A. Avila.
In this opening frame, Bohachuk, the underdog in the betting, put Ortiz on the canvas with a counter left hook. Of the nature of a flash knockdown, it was initially ruled a slip by referee Harvey Dock. With the benefit of instant replay, the Nevada State Athletic Commission overruled Dock and after four rounds had elapsed, the round was retroactively scored 10-8.
Bohachuk had Ortiz on the canvas again in round eight, put there by another left hook. Ortiz was up in a jiff, but there was no arguing it was a legitimate knockdown and it was plain that Ortiz now trailed on the scorecards.
Aware of the situation, the Texan, a protégé of the noted trainer Robert Garcia, dug deep to sweep the last four rounds. But these rounds were fused with drama. “Every time it seemed the Ukrainian was about to fall,” wrote Avila, “Bohachuk would connect with one of those long right crosses.”
In the end, Ortiz eked out a majority decision. The scores were 114-112 x2 and 113-113.
Citing the constant adjustments and incredible recuperative powers of both contestants, CBS sports combat journalist Brian Campbell called the fight an instant classic. He might have also mentioned the unflagging vigor exhibited by both. According to CompuBox, Ortiz and Bohachuk threw 1579 punches combined, landing 490, numbers that were significantly higher than the early favorite for Fight of the Year, the March 2 rip-snorter at Verona, New York between featherweights Raymond Ford and Otabek Kholmatov (a win for Ford who pulled the fight out of the fire in the final minute).
Photo credit: Al Applerose
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Women’s Prizefighting Year End Review: The Best of the Best in 2024
Women’s Prizefighting Year End Review: The Best of the Best in 2024
It’s the end of the year.
Here are our awards for the best in women’s boxing. But first, a rundown on the state of the sport.
Maybe its my imagination but it seems that fewer female fights of magnitude took place in 2024 than in previous years.
A few promoters like 360 Promotions increased their involvement in women’s boxing while others such as Matchroom Boxing and Golden Boy Promotions seem stagnant. They are still staging female bouts but are not signing new additions.
American-based promotion company Top Rank, actually lost 50 percent of their female fighter roster when Seniesa Estrada, the undisputed minimumweight champion, retired recently. They still have Mikaela Mayer.
A promotion company making headlines and creating sparks in the boxing world is Most Valuable Promotions led by Jake Paul and Nakisa Bidarian. They signed Amanda Serrano and have invested in staging other female fights
This year, the top streaming company Netflix gambled on sponsoring Jake Paul versus Mike Tyson, along with Amanda Serrano versus Katie Taylor and hit a monster home run. According to Netflix metrics an estimated 74 million viewers watched the event that took place on Nov. 16 at Arlington, Texas.
“Breaking records like this is exactly what MVP was built to do – bring the biggest, most electrifying events to fans worldwide,” said Nakisa Bidarian co-founder of MVP.
History was made in viewership and at the gate where more than 70,000 fans packed AT&T Stadium for a record-setting $17.8 million in ticket sales outside of Las Vegas. It was the grand finale moment of the year.
Here are the major contributors to women’s boxing in 2024.
Fighter of the Year: Amanda Serrano
Other candidates: Katie Taylor, Claressa Shields, Franchon Crews, Dina Thorslund, and Yesica Nery Plata.
Amanda Serrano was chosen for not only taking part in the most viewed female title fight in history, but also for willingly sacrificing the health of her eye after suffering a massive cut during her brutal war with Taylor. She could have quit, walked away with tons of money and be given the technical decision after four rounds. She was ahead on the scorecards at that moment.
Instead, Serrano took more punches, more head butts and slugged her way through 10 magnificent and brilliant rounds against the great Taylor. Fans worldwide were captivated by their performance. Many women who had never watched a female fight were mesmerized and inspired.
Serrano once again proved that she would die in the ring rather than quit. Women and men were awed by her performance and grit. It was a moment blazed in the memories of millions.
Amanda Serrano is the Fighter of the Year.
Best Fight of the Year – Amanda Serrano versus Katie Taylor 2
Their first fight that took place two years ago in Madison Square Garden was the greatest female fight I had ever witnessed. The second fight surpassed it.
When you have two of the best warriors in the world willing to showcase their talent for entertainment regardless of the outcome, it’s like rubbing two sticks of dynamite together.
Serrano jumped on Taylor immediately and for about 20 seconds it looked like the Irish fighter would not make the end of the first round. Not quite. Taylor rallied behind her stubborn determination and pulled out every tool in her possession: elbows, head butts, low blows, whatever was needed to survive, Taylor used.
It reminded me of an old world title fight in 2005 between Jose Luis Castillo a master of fighting dirty and Julio Diaz. I asked about the dirty tactics by Castillo and Diaz simply said, “It’s a fight. It’s not chess. You do what you have to do.”
Taylor did what she had to do to win and the world saw a magnificent fight.
Other candidates: Seniesa Estrada versus Yokasta Valle, Mikaela Mayer versus Sandy Ryan, and Ginny Fuchs vs Adelaida Ruiz.
KO of the Year – Lauren Price KO3 Bexcy Mateus.
Dec. 14, in Liverpool, England.
The IBO welterweight titlist lowered the boom on Bexcy Mateus sending her to the floor thrice. She ended the fight with a one-two combination that left Mateus frozen while standing along the ropes. Another left cross rocket blasted her to the ground. Devastating.
Other candidates: Claressa Shields KO of Vanessa LePage-Joanisse, Gabriela Fundora KO of Gabriela Alaniz, Dina Thorslund vs Mary Romero, Amanda Serrano KO of Stevie Morgan.
Pro’s Pro Award – Jessica Camara
Jessica Camara defeated Hyun Mi Choi in South Korea to win the WBA gold title on April 27, 2024. The match took place in Suwon where Canada’s Camara defeated Choi by split decision after 10 rounds.
Camara, who is managed by Brian Cohen, has fought numerous champions including Kali Reis, Heather Hardy and Melissa St. Vil. She has become a pro fighter that you know will be involved in a good and entertaining fight and is always in search of elite competition. She eagerly accepted the fight in South Korea against Choi. Few fighters are willing to do that.
Next up for Camara is WBC titlist Caroline Dubois set for Jan. 11, in Sheffield, England.
Electric Fighters Club
These are women who never fail to provide excitement and drama when they step in the prize ring. When you only have two-minute rounds there’s no time to run around the boxing ring.
Here are some of the fighters that take advantage of every second and they do it with skill:
Gabriela Fundora, Mizuki Hiruta, Ellie Scotney, Lauren Price, Clara Lescurat, Adelaida Ruiz, Ginny Fuchs, Mikaela Mayer, Yokasta Valle, Sandy Ryan, Chantelle Cameron, Ebanie Bridges, Tsunami Tenkai, Dina Thorslund, Evelin Bermudez, Gabriela Alaniz, Caroline Dubois, Beatriz Ferreira, and LeAnna Cruz.
Claressa Shields Movie and More
A motion picture based on Claressa Shields titled “The Fire Inside” debuts on Wednesday, Dec. 25, nationwide. Most boxing fans know that Shields has world titles in various weight divisions. But they don’t know about her childhood and how she rose to fame.
Also, Shields (15-0, 3 KOs) will be fighting Danielle Perkins (5-0, 2 KOs) for the undisputed heavyweight world championship on Sunday Feb. 2, at Dort Financial Center in Flint, Michigan. DAZN will stream the Salita Promotions fight card.
“Claressa Shields is shining a spotlight on Flint – first on the big screen and then in the ring on Sunday, February 2,” said event promoter Dmitriy Salita, president of Salita Promotions. “Claressa leads by example. She is a trailblazer and has been an advocate for equality since she was a young lady. This event promises to be one of the most significant sporting and cultural events of the year. You don’t want to miss it, either live, in person or live on DAZN.”
Shields is only 29 years old and turns 30 next March. What more can she accomplish?
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