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Hatton Tries To Get Back To Where He Once Belonged

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PacquiaoHatton Hogan 43The ever-so-appropriate words were written and sung by another famous British subject, Sir Paul McCartney, in the days when the Beatles were cranking out even more smash hits than those authored in the ring by the latter-day boxer who came to be known as “The Hitman” to similarly adoring throngs.

Get back, get back

Get back to where you once belonged

For former two-division world champion Ricky Hatton, whose shrieking fan base reminded some of the pandemonium that was Beatlemania, the place where he once belonged must now seem long ago and far away. He was the pride of Manchester, England, non-soccer division, and as much of a hero there and throughout the United Kingdom as was McCartney and his three band mates. Was it only five years ago that Hatton’s popularity was such that he could seduce 25,000 of his countrymen to travel to Las Vegas for one of his fights, even if many of them couldn’t procure tickets inside the arena? Or just three years since his fun-loving, scampish halo was knocked askew in the wake of a crushing one-punch wipeout and revelations of lackadaisical training, binge drinking and forays into recreational drugs?

And was it less than a year ago that Hatton, his hero status and personal life increasingly in tatters, plunged into depression so deep he considered slitting his wrists and ending it all?

But Hatton, now 34, inactive for 42 months and edging ever closer to the comeback bout that many fallen pugilistic icons have risked in the hope of restoring whatever it is that they feel they’ve lost, insists that he can no longer leave things as they are. True champions – and a prime Ricky Hatton was certainly that – don’t quit on themselves, or on those they have disappointed and disillusioned. For those fighters seeking absolution inside the ropes, the immediate future might not turn out as glorious as was the receding past, but then opening one’s veins or totally succumbing to self-pity isn’t the answer, either.

Get back, get back

Get back to where you once belonged

On Nov. 24, in MEN Arena in his hometown of Manchester, site of many of his more memorable successes, Hatton (45-2, 32 KOs) tries to turn back the clock to a much happier time when he takes on former WBA welterweight champion Vyacheslav Senchenko (32-1, 21 KOs), of Ukraine, in what no one can describe as a tuneup. Senchenko might not be on a level with Floyd Mayweather Jr. and Manny Pacquiao, ultra-elite opponents who greased the skids for Hatton’s precipitous fall from grace, but he is no stiff to be casually cuffed around for the purpose of making the “Hitman’s” return engagement just another feel-good exercise.

No, Hatton’s purpose in this case seems to be an attempt to quickly find out whether he has the goods to come all the way back, or to again scurry into the hole he had dug for himself these past few years. It is an ambitious quest, even noble if his intentions are as pure as he insists. But the consequences of failure must be daunting to someone whose belief that he can complete the journey has to be at least somewhat fragile at this point. The more Hatton stands to gain, the more he stands to lose.

Some wagers, though, have to be placed because there really isn’t an acceptable alternative. In the game of redemption, you’re all-in or you don’t play.

“Win or lose, I’ve already won,” Hatton says of where he is now in relation to where he was not so very long ago. “I want to finish my career the way it should have ended – not flat on my back on the canvas.

“I feel like I let everybody down. The nation. All my fans. It was a really horrible, dark place I was in. I just needed to prove that I could get fit again. I want people to look at me as a four-time world champion, in two weight categories, and as a down-to-earth man of the people, not as the joke that I had become.”

Funny thing about punches, and punch lines. It’s always better to be the person delivering them than to be the butt of snide remarks from those whose lips previously uttered nothing but praise. A fighter can go from certain victory to emphatic defeat in the time required for the other guy to deliver a devastating shot to the jaw, which is about as swiftly as it takes for someone who always has been the life of the party to become just another unwanted guest with questionable table manners.

All those Hatton devotees from the UK thought it endearingly hilarious when their man cracked wise after his fourth-round stoppage of the formidable Jose Luis Castillo in Las Vegas’ Thomas & Mack Center on June 23, 2007. Asked by a reporter what he planned to do next, Hatton, who never made a secret of his fondness for lifting a pint or two, smiled and said, “I’ll have a few battles tonight with Mr. Guinness.”

Hatton, a nonstop punching machine whose swarming, take-two-to-land-one style is reminiscent of the late Arturo Gatti, made the breakthrough from British phenomenon to global superstar when, as a sizable underdog, he forced the feared Russian, Kostya Tszyu, to quit on his stool after 11 rounds in MEN Arena before the typical sellout crowd of 22,000 on June 4, 2005, capturing the IBF junior welterweight championship in the process. That victory alone would have been enough for Hatton to become the first Briton to be voted Fighter of the Year by the Boxing Writers Association of America, although he embellished his credentials for the BWAA award with a subsequent thrashing of Carlos Maussa 5½ months later in Yorkshire, England.

Thus began the extended U.S. phase of Hatton’s dizzying career ascent, with big crowds – enlarged by hordes of British revelers – coming out to see him beat Luis Collazzo in Boston and Juan Urango and Castillo on the Vegas Strip.

“We pride ourselves on being great sportsmen,” said Dennis Holson, the British partner of Art Pelullo, the Philadelphia-based promoter of Hatton’s bouts with Collazzo, Urango and Castillo. “But out-and-out winners? We don’t have that many. Our country is an absolute winner here. We should savor these moments because we’re not just making memories, we’re making history.”

But the good times took a downward turn in Hatton’s next trip to Vegas, where he was paired with the man widely considered to be the finest pound-for-pound fighter on the planet, Floyd Mayweather Jr. An estimated 25,000 Hatton supporters from the UK flooded the city to support their favorite fighter, and so what if only 3,900 tickets were made available to them initially? Some of Hatton’s people were willing to pay up to $10,000 for a ticket, and did, and those who never made it inside the MGM Grand Garden happily filled closed-circuit venues throughout town, screaming themselves hoarse singing “Rule, Brittania,” “God Save the Queen” and, most frequently, “Walking in a Hatton Wonderland” to the tune of “Walking in a Winter Wonderland.”

Unimpressed by all those Hatton crazies, a bemused Mayweather said, “The only reason Hatton is 43-0 is because he hasn’t fought anyone. He hasn’t fought 43 Floyd Mayweathers. If he had, he’d be 0-43.”

Mayweather’s take on what was to unfold proved spot-on; he dominated the action from the opening bell, wresting the WBA welterweight belt from Hatton on a 10th-round TKO, flooring the outclassed champion twice in that round with ripping left hooks.

Still the impish prankster, Hatton sized up his first professional defeat thusly: “What can I say? I was doing all right until I bleepin’ slipped.”

Hatton’s slippage was to continue, in other ways. After victories over Juan Lazcano and Paulie Malignaggi, an underprepared Hatton, by then losing too many of his behind-the-scenes battles with Mr. Guinness, was felled by a single blow in the second round from Manny Pacquiao on May 2, 2009, at the MGM Grand. He has not fought since, and his absence from the ring took on the cloak of notoriety when he was photographed snorting cocaine in a hotel.

Now a trimmer, cleaned-up Hatton tries to make amends for the detours he so readily if unwisely took. In his 14th appearance in MEN Arena, can he still fill every one of those 22,000 seats? Will the fighter on display be the same force of nature that battered Kostya Tszyu into submission? Or the one who was exposed as an overhyped fraud by Mayweather and Pacquiao?

Get back, get back

Get back to where you once belonged

Hatton says he wants to do show a more positive side of himself to his children, son Campbell and daughter Millie, who have too often seen the bloated, despondent drunk that their father had become. Maybe he never could have beaten Mayweather and Pacquiao, even at his best, but he did himself no favors by spending more time in the pub than in the gym. That was a surefire way to dissipate any hint of greatness that he once displayed, an aura he so desperately seeks to regain.

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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The Noted Trainer Kevin Henry, Lucky to Be Alive, Reflects on Devin Haney and More

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