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Camacho Had Own Mix of Style and Substance

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That old camera commercial featuring charismatic tennis player Andre Agassi advised viewers that “style is everything.”

Boxing fans knew better than to blindly buy into that sales pitch. Style counts for something, of course, but it’s hardly everything. Even substance doesn’t always count for everything; there are more than a few very good fighters who haven’t made the breakthrough to superstardom because they lacked a certain panache, an ability to make the public care about them in large part because of the power of their personalities.

Hector “Macho” Camacho, who was 50 when he was removed from life support on Saturday in Puerto Rico, four days after being shot in the face by an as-of-yet-unknown assailant, managed to bridge the gap between style and substance maybe as well as any boxer in recent memory. He posted a 79-6-3 record, with 38 victories inside the distance, in a 30-year professional career that spanned from 1980 to 2010, winning world championships in three weight classes. That is more than enough certification of the substantial talents he brought into the ring.

Style? He had oodles of that, too, inciting friend and foe alike with outrageous comments, even more outrageous costumes and shouts of “It’s Macho Time!” whenever he made one of his flamboyant entrances. There were many fans of the Macho Man who liked his package of bluster and brilliance, and even more who reviled him for it. Ultimately, though, it didn’t matter much to him if you watched him to cheer or to boo, so long as you ponied up for a ticket.

“Over the years, people have said I’m crazy,” Camacho once said. “And I am. Crazy like a fox. My act is a smart act. It sold lots of tickets.”

If it was an act, it was a convincing one. Camacho didn’t turn off the constantly flowing faucet of controversy whenever his rumbles inside the ropes had concluded; he generated headlines outside the arena as well with frequent brushes with the law, crafting a reputation as a bad boy and hell-raiser that called to mind the many similar indiscretions of, say, Mike Tyson. If there was a difference, it was that Tyson hit a lot harder and his demeanor generally was cloaked in anger and surliness instead of an impish wink.

Perhaps it is that wink, a sense that he was pulling a prank on everybody that we either laughed at or we didn’t, but paid attention to nonetheless, that separated Camacho from a host of imitators who lacked his distinctive ability to entertain or enrage. It is no small feat of legerdemain, given the fact that Camacho’s boxing style, upon closer examination and through the prism of historical reflection, shouldn’t have drawn so many in to begin with.

A defensively brilliant tactician who engaged only at his discretion, he was a master of clutch-and-grab tactics, infuriating and frustrating opponents with quick, not particularly damaging flurries followed by arm-entangling bear hugs, a process to be repeated over and over.

Prior to his atypical June 13, 1986, slugfest with iron-fisted Edwin Rosario in Madison Square Garden, Camacho frequently chose to stand and trade when the more prudent course of action for someone with his lack of a putaway punch might have been to continually stick and move. And although Camacho – who had gone into the Rosario fight with a 28-0 record and 15 KOs — escaped that trial by fire with a split-decision victory, retaining the WBC lightweight title he won 10 months earlier on a unanimous nod over Jose Luis Ramirez, he came away convinced that his long-term health and longevity hinged on making the sort of strategic adjustments that would significantly reduce the punishment he might otherwise incur.

Did it work? No question. Think about it: In 88 pro bouts spread over three decades, including matchups with some of the biggest bangers in the business, Camacho never lost inside the distance and only was knocked down twice, in his 32nd pro bout, against Reyes Cruz, a 10-round unanimous-decision victory on June 25, 1988, and in his 68th one, a 12-round, unanimous-decision loss to Oscar De La Hoya on Sept. 13, 1997. That is not to say there weren’t occasions when Camacho was tagged hard; he was, particularly in the latter stages of his career when he was less mobile and his flawless defense developed cracks. But from his pro debut, a four-round points nod over David Brown on Sept. 12, 1980, to his final ring appearance, a unanimous-decision loss to Saul Duran on May 14, 2010, Camacho was dropped just those two times, in 673 rounds. Then-heavyweight champion Floyd Patterson was knocked down seven times in one round in the first of his three bouts with Ingemar Johansson.

Prior to Camacho’s March 6, 1989, bout with Ray “Boom Boom” Mancini for the vacant WBO junior welterweight title, I summed up the differences between the fancy-stepping Puerto Rican icon Man and the relatively plodding Mancini, who was ending a –year retirement from the ring, thusly in my story for the Philadelphia Daily News.

Camacho is a sniper, a guerrilla, a master of the sneak attack. If they allowed bushes and trees to be placed strategically around the ring, the misnomered “Macho Man” would make full use of them. He would spring from cover for a volley of low-caliber punches before slipping beyond the range of the other guy’s big guns. Fighting Camacho is like bleeding to death from a thousand small nicks. Mancini, on the other hand, is boxing’s answer to Pickett’s Charge. He is a proponent of the frontal assault. Fighting Mancini is like running through a minefield in snowshoes.

On that night in the Lawlor Events Center on the University of Nevada-Reno campus, Camacho again sent Mancini into mothballs by winning a split decision that the crowd didn’t like but was entirely justified.

So what was it about Camacho that enthralled us for so long?

He had a great back story, which is always helps to pique public interest. Born in Bayamon, Puerto Rico, as a toddler he moved with his family to New York’s high-crime Spanish Harlem, interspersing displays of undeniable boxing talent (three consecutive New York Golden Gloves championships as a teenager) with a flagrant disregard for legalities. In 1977, the year he won the first of those GG titles, he served 3½ months for grand theft auto.

“Getting in trouble the way I did was my way of having fun,” Camacho said of his youthful indiscretions. “If I stole a car, in my mind I was borrowing it. It was just part of a game.”

It comes as no surprise then that Camacho could be irritating to his own promoters, managers and trainers, not to mention opponents. He almost always had difficulty making contract weight, having to lose as many as five pounds on the day of the official weigh-in, which back then often was held on the morning of the event. In addition to food, he also had a taste for controlled substances (he pleaded no-contest to possession of cocaine in 1988, the first of several such incidents) and night life. It wasn’t unusual to spot him on the dance floor in hotel discos at 2 a.m. a few days before he was to fight.

Patrick Flannery, for 31 years an employee of the New York City public school system, first met Camacho when he was a 15-year-old problem student whose class attendance was spotty and his adherence to established rules even more so. Flannery became an adviser of sorts to the wild child, making for a long-term relationship that became something of a running comedy routine.

Flannery told reporters of the time that Camacho, who preferred to sleep in the nude, awoke, ready to boogie, late one night in his hotel suite. But Flannery had hidden all of Camacho’s clothes, in the hope that the missing threads would somehow persuade the fighter to remain in bed and get his rest.

“He went out stark naked in the hall,” Flannery said. “He went all the way to the elevator before I caught up with him and threw him a pair of pants.”

Camacho’s choice of apparel was even more curious during ring entrances that were pure spectacle. At various times he stepped inside the ropes clad as an Indian chief, Roman centurion, matador, gladiator and designer-loincloth Tarzan. If you liked the getups, you might cheer. If you were there to cheer for the other guy, you probably booed.

“When I do good, they boo me,” Camacho said of his frequent tweaking of the cash customers. “When I do great, they boo me. If they don’t boo me, I get mad. When I make love to my girlfriend, she boos me.”

And Camacho’s method of making love apparently was as unconventional as everything else he did. There was the time he was driving down a stretch of rural road in Florida when he was stopped and arrested for “doing the wild thing,” which is to say making whoopee with a female who was straddling him. Hey, when the mood strikes you …

“My personality has been misunderstood,” Camacho said of his penchant for occasionally making the wrong kinds of headlines. “When people meet me face to face, they like me. And that surprises some of them, because they keep hearing all this crap about what a bad guy I’m supposed to be.”

More than a few of those who didn’t quite get Camacho were his neighbors in Clewiston, Fla., where he built a house in the country with the perhaps unrealistic idea of gaining a bit of privacy.

“I just wanted to be alone for a while, you know?” he said of his break from the New York/San Juan rat race. “I raised chickens, geese, cows, horses.”

Presumably, the good citizens of Clewiston never had seen a farmer the likes of Camacho, whose return to nature did not entail significant behavioral or sartorial modification. It was a case of culture shock on both sides.

“People didn’t want me to be myself and I refuse to do that for anybody,” Camacho said of his failed attempts to gain acceptance with the locals on his own terms. “It was mostly a racial thing. The rednecks down there didn’t understand me, which is all right because this is America. You can feel about something or somebody any way you want to feel.”

Camacho’s life in retirement was less than tranquil in other ways. On Feb. 12, 2011, he was shot three times near a housing project in San Juan. Shortly after that he faced a felony child-abuse count for allegedly picking up a teenage son by the neck, slamming him to the ground and stomping on him at his ex-wife’s home in Orange County, Fla. That would be the ex-wife who twice filed domestic abuse complaints about him before their divorce was finalized. And don’t forget that the shooting that ultimately cost Camacho his life also ended in the death of the other person sitting in the car, Adrian Mojica Moreno, whom police said had nine bags of cocaine in his possession at the time. Those circumstances figure to at least raise suspicions that Camacho again had crossed over into the dark side of his notoriously split personality.

But one thing about Camacho has remained beyond dispute, now and forever.

“Some people come to cheer for The Macho an, some come to boo him,” he said. “But in the end, they all go away saying, `Boy, can that guy fight.’”

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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