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The Way of the Jackal: Reflections on Rigondeaux-Donaire

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When Nonito Donaire left his corner to face Guillermo “El Chacal” Rigondeaux at the first bell, he took two steps forward and spread his legs. That was the first hint as to what he was in for. The Boxing Writers Association of America’s 2012 Fighter of the Year fought more like John “the Beast” Mugabi than the celebrated boxer-puncher he is. In failing to apply an intelligent strategy or a sustained attack, he was undone. The Jr. Featherweight throne, which is set above the belts and the nonsense by the Transnational Boxing Rankings Board, has been seized by a master counterpuncher.

That wide stance you saw Donaire assume in round one indicated primitive thinking. When Mugabi tried to seize the throne of Marvelous Marvin Hagler back in 1986, Mugabi stood pat as if to say “move me.” Hagler, his bald head steaming under Vegas lights, moved him.

Rigondeaux moved.

Standing a little over 5’4 and sporting a professional record shorter than that (Rigondeaux was 11-0 at fight time), he made the best argument yet for long apprenticeships in the amateur ranks (his amateur record is reportedly 243-4). He is a future participant in the best parade in boxing, a parade led by supreme stylists Joe Gans and Jack Britton, by Willie Pep and Pernell Whitaker, where banners flap in the wind and declare that the alpha asset in the ring is skill; and the more advanced it is, the better.

Their fan base is smaller than the bloodthirsty, balcony-busting Dempsey/Gatti crowd, but more urbane. Gil Clancy, the late Hall of Fame trainer and expert analyst for both Showtime and HBO was among them. His commentary during the Hagler-Mugabi broadcast can shine a light on Saturday night and reveal just how it was that Rigondeaux defeated Donaire.

Marvin is moving the way he should move, he has to constantly move to his right and use that jabmake Mugabi reach for him.
Hagler’s right jab was designed to stunt Mugabi’s offense. Rigondeaux’s jab was used more as a distraction. He shot it out like he was shadow boxing, at times tapping Donaire’s glove like an amateur taps an opponent’s headgear for points. Its purpose was to entice a counter from Donaire to counter that counter just so. In round four, he half-extended his jab like an old-school fighter from the 1900s. That was also an enticement.

Rigondeaux, a southpaw like Hagler, did not move to his right as Clancy would have expected. He moved to his left, though with a purpose. He knows to move to his right and has in previous bouts against orthodox fighters, but he made a tactical adjustment against Donaire. Why? Gil Clancy has the answer.

We always say a left hook is the way to beat a southpaw, and Mugabi’s got a vicious left hook.
Donaire’s own vicious left hook sent Jorge Arce into an electric boogie. Rigondeaux was aware of the danger enough to break with tradition. More concerned about Donaire’s left hook than his right hand; he moved to his left to circle away from it. He didn’t do it without thumbing his nose now and then: In the first round he shifted to his left, and as he went, he landed a right hook. Donaire’s counter left hook fizzled behind him.

Rigondeaux also changed directions, suddenly and just as easily, to his right. In a laudable demonstration of boxing improv, he slid to his right off a right hook. (It is the same principle a certain writer uses when climbing out of his Camaro. He swings a leg to the pavement, places an elbow at the egress, spins out, and hopes no one notices.) When Donaire tried to counter the right hook with a left hook, Rigondeaux would merely dip his head under it while sliding away.

“…Mugabi is allowing Hagler to move the way he wants to move.”
Donaire was allowing Rigondeaux to move the way he wanted to move. He waited like a stationary bike in a bedroom, like a monument to fizzled intentions. What was he waiting for? Donaire, a natural counterpuncher like Rigondeaux, was waiting for a mistake to capitalize on. He got a sum total of one. When Rigondeaux got tangled up with him in the tenth round, he stood square long enough for Donaire to wing a left that knocked him off balance and to the canvas. But then, even Michelangelo got paint in his eyes during his own exertions.

Rigondeaux was allowed the freedom to experiment during the bout. In the first round, he fought on a dime at mid-range to find counters and send messages. Those one-twos were warnings about what was coming if Donaire got fresh. By the second round, he had moved outside, specifically, just off the perimeter (i.e., just out of reach), to set bait with dummy jabs and loose hooks. Donaire was constantly forced to turn and reset. He was mesmerized by mobility and wary with the memory of an overhand left that landed in the first round. His beastly posture remained, even if he was tamed.

It’s the pattern of the fight that counts…”
Rigondeaux finished the fight as if he had just finished a brisk walk in Central Park. Except for two significant punches landed by Donaire —both of them unorthodox and therefore not detected by advanced radar— Rigondeaux emerged unscathed. This demands a closer look.

How did a man with a preference for fighting off the back-foot tame a beast? Despite his own sense of being wronged by elements far beyond boxing, Rigondeaux does not fight with the righteous rage that motivated Marvin Hagler. Where Hagler was willing, Rigondeaux is not. “He seen me still smiling,” Hagler said about a Mugabi blast. “I like that kind of stuff. I love a good fight.” Rigondeaux fights like someone suffering from chiraptophobia, and yet managed to convince Donaire that his aggression would be punished.

Rigondeaux’s offense was triggered by Donaire feints and posturing as much as by his assaults. When Donaire thought he saw a bull’s eye, Rigondeaux would read his intentions and respond. In rounds four and six, Donaire found it within him to mount an attack, though was surprised when Rigondeaux finished the exchanges with an exclamation point. There was something else that surprised Donaire: Rigondeaux’s defensive aptitude was actually elevated during heated exchanges. The pattern was almost invariable: Under fire, Rigondeaux grits his teeth. He gets low, feints a shot with one hand while moving in to shoot his other hand, and then dips his head as he slides off to a safe angle. Donaire could only miss, absorb a shot flush to the face, and then miss again.

With his left hook neutralized early and his head bouncing backwards by counter shots designed to teach him a lesson, Donaire began acting in a way that a behaviorist might call learned helplessness. He seemed to believe the counterpuncher in front of him was doing him a favor by remaining in a defensive posture, by sparing him from Hagler-like ferocity. And in a gesture of appreciation, he ignored his corner’s pleas to pressure Rigondeaux. He willingly lost eleven of twelve rounds because the jackal was not worth provoking. The jackal had broken his spirit.

It was an anti-climactic championship bout—the kind that brings groans from the Dempsey-Gatti crowd— but it was, said Rigondeaux, an exhibition of skill for “the people who know boxing”; like Gil Clancy.

As for the vanquished, he called the new king’s performance “…beautiful…”

______________________________________

Springs Toledo can be contacted at scalinatella@hotmail.com.

 

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

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The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put  words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.
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Gabriela Fundora KOs Marilyn Badillo and Perez Upsets Conwell in Oceanside

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It was just a numbers game for Gabriela Fundora and despite Mexico’s Marilyn Badillo’s elusive tactics it took the champion one punch to end the fight and retain her undisputed flyweight world title by knockout on Saturday.

Will it be her last flyweight defense?

Though Fundora (16-0, 8 KOs) fired dozens of misses, a single punch found Badillo (19-1-1, 3 KOs) and ended her undefeated career and first attempt at a world title at the Frontwave Arena in Oceanside, California.

Fundora, however, proves unbeatable at flyweight.

The champion entered the arena as the headliner for the Golden Boy Promotion show and stepped through the ropes with every physical advantage possible, including power.

Mexico’s Badillo was a midget compared to Fundora but proved to be as elusive as a butterfly in a menagerie for the first six rounds. As the six-inch taller Fundora connected on one punch for every dozen thrown, that single punch was a deadly reminder.

Badillo tried ducking low and slipping to the left while countering with slashing uppercuts, she found little success. She did find the body a solid target but the blows proved to be useless. And when Badillo clinched, that proved more erroneous as Fundora belted her rapidly during the tie-ups.

“She was kind of doing her ducking thing,” said Fundora describing Badillo’s defensive tactics. “I just put the pressure on. It was just like a train. We didn’t give her that break.”

The Mexican fighter tried valiantly with various maneuvers. None proved even slightly successful. Fundora remained poised and under control as she stalked the challenger.

In the seventh round Badillo seemed to take a stand and try to slug it out with Fundora. She quickly was lit up by rapid left crosses and down she went at 1:44 of the seventh round. The Mexican fighter’s corner wisely waved off the fight and referee Rudy Barragan stopped the fight and held the dazed Badillo upright.

Once again Fundora remained champion by knockout. The only question now is will she move up to super flyweight or bantamweight to challenge the bigger girls.

Perez Beats Conwell.

Mexico’s Jorge “Chino” Perez (33-4, 26 KOs) upset Charles Conwell (21-1, 15 KOs) to win by split decision after 12 rounds in their super welterweight showdown.

It was a match that paired two hard-hitting fighters whose ledgers brimmed with knockouts, but neither was able to score a knockdown against each other.

Neither fighter moved backward. It was full steam ahead with Conwell proving successful to the body and head with left hooks and Perez connecting with rights to the head and body. It was difficult to differentiate the winner.

Though Conwell seemed to be the superior defensive fighter and more accurate, two judges preferred Perez’s busier style. They gave the fight to Perez by 115-113 scores with the dissenter favoring Conwell by the same margin.

It was Conwell’s first pro loss. Maybe it will open doors for more opportunities.

Other Bouts

Tristan Kalkreuth (15-1) managed to pass a serious heat check by unanimous decision against former contender Felix Valera (24-8) after a 10-round back-and-forth heavyweight fight.

It was very close.

Kalkreuth is one of those fighters that possess all the physical tools including youth and size but never seems to be able to show it. Once again he edged past another foe but at least this time he faced an experienced fighter in Valera.

Valera had his moments especially in the middle of the 10-round fight but slowed down during the last three rounds.

One major asset for Kalkreuth was his chin. He got caught but still motored past the clever Valera. After 10 rounds two judges saw it 99-91 and one other judge 97-93 all for Kalkreuth.

Highly-rated prospect Ruslan Abdullaev (2-0) blasted past dangerous Jino Rodrigo (13- 5-2) in an eight round super lightweight fight. He nearly stopped the very tough Rodrigo in the last two rounds and won by unanimous decision.

Abdullaev is trained by Joel and Antonio Diaz in Indio.

Bakersfield prospect Joel Iriarte (7-0, 7 KOs) needed only 1:44 to knock out Puerto Rico’s Marcos Jimenez (25-12) in a welterweight bout.

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‘Krusher’ Kovalev Exits on a Winning Note: TKOs Artur Mann in his ‘Farewell Fight’

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At his peak, former three-time world light heavyweight champion Sergey “Krusher” Kovalev ranked high on everyone’s pound-for-pound list. Now 42 years old – he turned 42 earlier this month – Kovalev has been largely inactive in recent years, but last night he returned to the ring in his hometown of Chelyabinsk, Russia, and rose to the occasion in what was billed as his farewell fight, stopping Artur Mann in the seventh frame.

Kovalev hit his peak during his first run as a world title-holder. He was 30-0-1 (26 KOs) entering first match with Andre Ward, a mark that included a 9-0 mark in world title fights. The only blemish on his record was a draw that could have been ruled a no-contest (journeyman Grover Young was unfit to continue after Kovalev knocked down in the second round what with was deemed an illegal rabbit punch). Among those nine wins were two stoppages of dangerous Haitian-Canadian campaigner Jean Pascal and a 12-round shutout over Bernard Hopkins.

Kovalev’s stature was not diminished by his loss to the undefeated Ward. All three judges had it 114-113, but the general feeling among the ringside press was that Sergey nicked it.

The rematch was also somewhat controversial. Referee Tony Weeks, who halted the match in the eighth stanza with Kovalev sitting on the lower strand of ropes, was accused of letting Ward get away with a series of low blows, including the first punch of a three-punch series of body shots that culminated in the stoppage. Sergey was wobbled by a punch to the head earlier in the round and was showing signs of fatigue, but he was still in the fight. Respected judge Steve Weisfeld had him up by three points through the completed rounds.

Sergey Kovalev was never the same after his second loss to Andre Ward, albeit he recaptured a piece of the 175-pound title twice, demolishing Vyacheslav Shabranskyy for the vacant WBO belt after Ward announced his retirement and then avenging a loss to Eleider Alvarez (TKO by 7) with a comprehensive win on points in their rematch.

Kovalev’s days as a title-holder ended on Nov. 2, 2019 when Canelo Alvarez, moving up two weight classes to pursue a title in a fourth weight division, stopped him in the 11th round, terminating what had been a relatively even fight with a hellacious left-right combination that left Krusher so discombobulated that a count was superfluous.

That fight went head-to-head with a UFC fight in New York City. DAZN, to their everlasting discredit, opted to delay the start of Canelo-Kovalev until the main event of the UFC fight was finished. The delay lasted more than an hour and Kovalev would say that he lost his psychological edge during the wait.

Kovalev had two fights in the cruiserweight class between his setback to Canelo and last night’s presumptive swan song. He outpointed Tervel Pulev in Los Angeles and lost a 10-round decision to unheralded Robin Sirwan Safar in Riyadh, Saudi Arabia.

Artur Mann, a former world title challenger – he was stopped in three rounds by Mairis Briedis in 2021 when Briedis was recognized as the top cruiserweight in the world – was unexceptional, but the 34-year-old German, born in Kazakhstan, wasn’t chopped liver either, and Kovalev’s stoppage of him will redound well to the Russian when he becomes eligible for the Boxing Hall of Fame.

Krusher almost ended the fight in the second round. He knocked Mann down hard with a short left hand and seemingly scored another knockdown before the round was over (but it was ruled a slip). Mann barely survived the round.

In the next round, a punch left Mann with a bad cut on his right eyelid, but the German came to fight and rounds three, four and five were competitive.

Kovalev had a good sixth round although there were indications that he was tiring. But in the seventh he got a second wind and unleashed a right-left combination that rolled back the clock to the days when he was one of the sport’s most feared punchers. Mann went down hard and as he staggered to his feet, his corner signaled that the fight should be stopped and the referee complied. The official time was 0:49 of round seven. It was the 30th KO for Kovalev who advanced his record to 36-5-1.

Addendum: History informs us that Farewell Fights have a habit of becoming redundant, by which we mean that boxers often get the itch to fight again after calling it quits. Have we seen the last of Sergey “Krusher” Kovalev? We woudn’t bet on it.

The complete Kovalev-Mann fight card was live-streamed on the Boxing News youtube channel.

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