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Jim Lampley Talks Froch-Kessler II, The New Landscape, “The Fight Game,” More

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Jim Lampley is like all of us, in that he is a boxing fan. It so happens that he operates on something of a higher mental plane than most of us, I dare say, and it’s because of his ability to reason at a lofty zone that I enjoy picking his brain every now and again, getting an extra dose of his analysis apart from his time on HBO’s fights and his periodic “The Fight Game” half hour magazine show.

I chatted with Lampley on Monday for a spell, getting his take on HBO’s forthcoming slate, and the state of the game as a whole, especially pertaining to the bifurcated landscape which was fashioned when HBO decided eight weeks ago to spurn content provided by promoter Golden Boy.

First off, Lampley seemed jazzed about HBO’s Saturday super middleweight scrap, which pits Carl Froch, the cocky Brit who has enjoyed a remarkable late-career uptick in popularity and regard from fans who appreciate his take-on-all-comers attitude and offensive-minded in-ring style, in a rematch against the 34-year-old Dane Mikkel Kessler who enters with more to prove, having battled the injury bug in recent years. The show, to unfold at the O2 Arena, kicks off at 6 PM ET.

“It’s a great fight,” Lampley told me. “The first fight (which took place on April 24, 2010, and saw Kessler win a UD12) was a high intensity battle fought at a very entertaining pace, and if anything both are now more offensive minded than before. I think we’ll see even better action in this fight. They’ve both moved on a bit…Froch has improved as an attacking offensive fighter and Kessler has suffered injuries, is in his middle 30s, so at this stage they’re both a little more effective at finding targets than in defending. I’m not saying it’ll be the Thrilla in Manilla, they’re not that far along but as Pacquiao and Marquez produced fireworks, because both have reached points where certain styles are dictated, the same thing is true here.”

Froch is actually 35, and turns 36 in July, whereas Kessler just turned 34 in March, but I tend to think of Kessler as the elder in this one, because he has battled highly-publicized injuries. He had to exit the “Super Six” super middle tourney because of an injured left eye, you’ll recall. He said the eye bothered him getting ready for Andre Ward in November 2009 (he lost that fight via TD11), and even more in his next fight, against Froch, in Denmark. He had to pull out of his next scheduled bout, against Allan Green, and let it heal.

Kessler returned to the ring and beat Mehdi Bouadla (TKO6) in June 2011. He hurt his right hand in training and a Nov. 2011 match with Robert Stieglitz was cancelled. Kessler next beat Green in May 2012.  In his last outing, he stopped Brian Magee (TKO3), last December. It appears he enters this fight, to take place in London, injury-free.

“This year has produced tremendous fights for followers of the cult,” Lampley continued. “And we have this to look forward to as well.”

The play by play man, who joined HBO in 1988, said he’s found lots of folks are liking Froch to win this rematch, a slight surprise since typically people lean toward the guy who won the first encounter.

As for the stakes, he noted that the division is held in a lockdown, of sorts, by Andre Ward. “The nature of Ward’s fights with both Froch and Kessler means there’s not a demand to see a rematch with either, so if the Saturday fight is great, there is a greater likelihood that we see them fight for a third time,” he said. That could change, he supposed, if Ward expressed a desire to travel to London or Denmark to meet Froch or Kessler again.

I asked Lampley to put on his matchmaker hat, and choose a course for Ward, while on the subject of the man who will be in the booth with him and Max Kellerman in London. “That’s a hard question,” he said. “He says he’ll be at 168 for now, not 175, and unless a new force arrives at 168, we have emerging prospects at 175, in Adonis Stevenson and Sergey Kovalev. We’d like to maybe see Ward against either of them. But at 168, there is the same opponent pool as before, and I can’t see what unlocks that puzzle.” Me neither, unless this Stanyslav Kastantov is a real comer, a hidden gem.

I figured I’d ask Lampley for some of that big-picture widsom he dispenses on “Fight Game.”

How do you reckon, I wondered, how it has gone so far with HBO turning their noses up at Golden Boy and Al Haymon content, and Showtime doing their thing with Floyd Mayweather pulling their train? Have the fans suffered for it?

“As an advocate for the sport I look forward to the day the pay premium networks do business with all promoters, and put aside the war that’s ongoing,” he said. “I think my network, HBO, made a very intelligent decision in deciding not to do business with a promoter who was priming business for the other premium cable channel. I don’t disagree with the management decision to not do business with one promoter. In this polarized world, a small edge goes to Showtime on a week by week basis,” he graciously stated.

Lampley thinks it is entirely possible that HBO and fans get graced with another rumble which will build on the fights the net furnished earlier, Rios-Alvarado, and Bradley-Provodnikov. “There’s room in the marketplace,” Lampley said, “and I’m happy with what we’ve had but I can’t dismiss and will pay credit to what’s going on across the street. Watching Lucas Matthysse was fun. I’m a fight fan, too. The fans have been getting their moneys worth, and for the time-being, can’t complain too much about the arrangement. But I do long for the day and anticipate both networks doing business with all promoters. I think that day will come back.”

Still looking down the road, Lampley said he will put together a “Fight Game” June 29, following the Golovkin-Macklin card. “That fight should be phenomenally entertaining, it’s going to be a war,” he said.

Does he know what will be on the next “Fight Game?” “The nature of the live shows in that format means the show tends to come together five or six days before,” he said. “But we know it’ll be a good one.”

Lampley said he is also looking forward to seeing if Adonis Stevenson can emerge, and demand our attention; he fights Chad Dawson June 8 in Montreal, and on HBO. I told him I’d be happy, from a good-for-the-sport perspective, to see Stevenson perform emphatically at the Bell Centre. He agreed. “That would be good for the sport in the sense that you know Dawson, what he can do, there’s not a lot of discovery left. Emanuel Steward used to talk about Adonis and say very, very complimentary things. I think we have a chance in a year, year and a half to have a spectacular showdown between Stevenson and Kovalev, the most entertaining fight in that class we’ve had in some time.”

And wouldn’t it be great, as another homage to Steward, who trained and managed Stevenson, to have the guy excel, and be another flourish on the Steward ledger? “I agree,” Lampley said. “We had one wonderful moment with an Emanuel protege, when Jonathan Banks beat Seth Mitchell. The ether with Emanuel hasn’t dissipated yet, and there could be more to come.

“Then we have Mikey Garcia, I’m looking forward to see him continue his career against a most entertaining boxer, Juan Manuel Lopez, that’s not a paint job, it’ll be an all out war. That’s not a defensive tussle, that’s a fan-friendly, offensive show. Then the Golovkin fight….We have an amazing month coming.”

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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