Joe

Published

11 years ago

November 13, 2013

Stillman’s Gym, 1947. Rocky Graziano was cutting figure eights in front of a drumming speed bag with a Chesterfield perched on his lip. It was lit, but that was damn-near expected at smoky Stillman’s—it was damn-near appreciated too, given the stench the joint was famous for. An eleven-year-old boy sauntered up to the fighter wearing a matching sneer. His name was Joe Rein and he was playing hooky. After a while, Graziano looked down.

“Why ain’t you in school?” he said.

“—Why ain’t you!”

Graziano, Joe recalled, “roared with laughter” and hoisted him up on his shoulders. He was introduced to a gallery of kings and contenders, and before the stars were out of his eyes he was on a first-name basis with all of them.

Jake LaMotta was introduced to him by Willie Pep. “Kid, you have hands like mine,” LaMotta said. “You gotta learn to go to the body.” Small-handed and short-armed Joe was taught to slip rights and lefts on both sides to land unexpected counters. “Most fighters are predictable,” LaMotta said.

Some of what Joe learned was anything but predictable. Gym wisdom warns against crossing your feet in the ring though Sugar Ray Robinson himself told him that was a myth. Fighters “should cross their feet sometimes,” he said, “to move more easily.” Robinson also showed him a trick to maximize the power of the left hook. He positioned the kid, who was a right-hander, into the southpaw position to throw a right hook, doubling it up to the body and head. He instructed him to throw his left hook the same way, “as it comes,” and not to worry about it being textbook. His own left hook was really a half-uppercut, Robinson said, and a slow motion YouTube review of just what it was that tipped over Gene Fullmer affirms it.

Joe “Old Bones” Brown kept the wolves away. When managers came around looking for meat to feed their prospects, Brown wouldn’t let the kid in the ring. “He wouldn’t let me get smashed at Stillman’s,” said Joe. Brown thus did a favor to posterity; he helped preserve the golden memory of someone destined to become the golden era’s greatest ambassador in the 21^st century.

Sixty-six years after he was introduced to the greatest fighters who ever lived, Joe was logging-on and introducing them to a generation of fans whose parents weren’t even born in 1947 and who lived thousands of miles from the site of long-gone Stillman’s Gym. Joe was a regular on eastsideboxing.com’s forums since August 2004. He posted 5,919 times under the name of a movie star from way back named “John Garfield.”

It was no idle choice. Garfield, born in New York City, was a corner kid who found refuge in boxing and friends in low places. He made his bones in local theatre troupes, moved to Hollywood, and took New York with him. In other words, he never went soft. Garfield reached his peak of fame during the Red Scare and was called to testify before the House Committee on Un-American Activities in 1951. He refused to name names and his career took a dive because of it. Joe idolized Garfield for this working class loyalty, for that old-school cool.

In 1952, Joe was fifteen and feeling it. “Makes me cringe at whatta A-hole I mustta looked like, Springs,” he said. “Amboy Dukes to my toes, DA haircut, Tony Curtis spit curl; high rise, chartreuse pegged pants (12-inch cuffs, 32-inch knees —think MC Hammer), saddle stitching, and pistol pockets. I walked two blocks before my legs moved!”

John Garfield had a fatal heart attack on May 21^st 1952 and was buried twenty miles north of the city in Westchester Hills. But Joe wouldn’t let him die.

He sent me a publicity shot of himself doing his best Garfield impression in 1958 and another altogether different one in a gym in the 1970s. “You’re Lon Chaney,” I quipped about his different looks. He replied: “In ’60, Springs, I worked on a low-budget anti-Castro feature in Florida with Lon Chaney, Jr. and Jake LaMotta. Chaney was such a falling-down drunk, he never left the set after a day’s shoot, just collapsed in bushes with a bottle, and that’s the way we found him the next morning.” I thought that was something until he told me he was flashed by Jane Wyatt of “Father Knows Best” fame. The first time I watched Blast of Silence (1961), an obscure film noir by fellow Brooklynite and Rein-look-a-like Allen Baron, I called him up excitedly. Joe must have thought I was cute. “I worked on that film!” he said and reduced me yet again to stunned silence. Another time I told him I was a sucker for easy-listening music and Ed Ames’ “My Cup Runneth Over.” His response? “Studied with Ed at the John Cassavetes Theater workshop in New York in the early 60s.”

Joe was never boastful, never a name-dropper; and, like his idol, he never compromised a trust. He would share stories matter-of-factly and at times with a twinkle in his eye because he knew they were sure to entertain.

Entertainment was on his mind when he moved out to Los Angeles in the 1970s. Like Garfield, he took New York with him. He produced commercials for an advertisement agency, taught writing classes at UCLA, and kept his hand in boxing. He was a fixture at the Wild Card Gym and wrote fly-on-the-wall articles for The Sweet Science that are classics. He sat ringside for Manny Pacquiao’s debut at the MGM Grand in 2001 and became one of his earliest American believers. By his own admission, he “needed Cruise shoes to be taller than Manny” but he became for him what he was for so many others —an encourager. Ten years later, Joe had been diagnosed with cancer and didn’t get around much anymore. Pacquiao found out and reached in to ask him to sit ringside at Pacquiao-Marquez III, again at the MGM Grand. “There are a million people banging on his door,” Joe said. “It’s just amazing.”

Joe always could spot talent. “You’ve got the goods,” he’d say. When he said it to me in 2009, I listened. I sat down and typed an essay spurred more by his confidence than my own, and sent it to him. He took it like it was the start of something grand and brought it to Michael Woods, editor-in-chief of TheSweetScience, and with that, my life got better. The second boxing essay I wrote was a tribute to my new friend’s golden memories. I called it “1949: The Perfect Storm of Pugilism.” I should have called it “A Love Letter to Joe Rein.”

My encourager never let up. “Words are precious to me,” he would say, and barring a hospital stay, he never failed to call or email within hours after my latest essay was published. I grew to rely on it. I went and bought a vintage desk phone just to hear him better when he called. “You rolled-up-sleeves ‘n settled for nothing but your best,” he’d tell me. When I wrote “The Fourth God of War” I told him that my choice for background music was “The Summer of ’42” on a loop. Joe wrote back: “‘The Summer of ’42’ has special meaning for me: The author, Herman Raucher, was my youth-camp counselor in ’47.” I threw up my hands. The last fight I covered thrilled him (“like a Friday night in the 40s when Graziano headlined the ol’ MSG… Bless you!”), which thrilled me.

He was the consigliere in my ear for every major decision I’ve made over the past five years. Despite being housebound, Joe was a guiding spirit behind the TransnationalBoxingRankings and helped navigate what he called “shark-infested waters.” When Teddy Atlas mentioned my name and endorsed the new rankings on Friday Night Fights last August, Joe said he “nearly broke the lease cheering so loud…”

I told him he’d always be Seneca to my Nero. “Who ya callin’ Sanka?” he shot back.

He loved my 2010 Camaro. Two years ago I sent an email to members of the Boxing Writers Association of America encouraging them to read my series on Cocoa Kid and vote him into the International Boxing Hall of Fame. On the subject line of the email to Joe I wrote “A Camaro for a vote for Cocoa Kid.” His reply: “That you think you can bribe me is OFFENSIVE! Ya can take the Camaro ‘n STICK IT in my garage.” He got a package from Boston on his next birthday. “Told my wife ta run if the package is ticking,” he wrote back. He opened it to find a matchbox-sized Camaro. He roared. “Gonna get a thimble of water,” he said, “and polish it up.”

My mother went in for high-risk surgery soon after that and Joe was right there, a loyal friend. Knowing I’m Catholic, he sent along a prayer to Mother Mary. “Your mom’s gonna be OK,” he said. When he spoke, I listened, and as usual, he was right.

Joe’s health took a turn for the worse over the past year and he became more introspective. Not long ago, he shared some sentiments that he always tried to live by. One of them put something in my eye: “Friendship isn’t about whom you have known the longest. It’s about those who came and never left your side.”

Boston, November 7^th2013. I hadn’t heard from my friend in some weeks and my calls went unanswered. Early in the morning, something told me to go and pray for him. He always told me “trust your instincts; your gut’ll tell ya,” and I always listened, so I stopped the car he fancied (in the name of religion, which he didn’t), in front of the Mission Church on Tremont Street. I climbed the stairs and made my way toward the altar in pre-dawn shadows beneath the statues. I wrote “Joe Rein” on a petition, folded it, and put it in the basket nearby. I whispered the Memorare and lit a candle.

They told me Joe died later that morning.

I cried.

…..

After this essay is published on The Sweet Science, I’ll half-expect the phone to ring, like it always has. But there will be only silence—an unfamiliar, aching silence. My plan is to rent a John Garfield movie, old-school cool, and reminisce.

I won’t let him die. None of us should.

Photograph on main page taken by Juan C. Ayllon in 2008. Photograph at top taken in Puerto Rico in the early 1960s, and appears courtesy of Joe Rein’s daughter, Kimley Maretzo.

Springs Toledo can be contacted at scalinatella@hotmail.com .

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Springs Toledo

The Challenge of Playing Muhammad Ali

Published

7 hours ago

December 18, 2024

Thomas Hauser

There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

Published

2 days ago

December 16, 2024

Arne K. Lang

L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

Published

4 days ago

December 15, 2024

Arne K. Lang

A-Shocker-in-Tijuana-Bruno-Sarace-KOs-Jaime-Munguia

It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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