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No Sugarcoating; HBO’s 24/7 Shows The Ugly Slur-Filled Mayhem in Macao
Some thought maybe the HBO 24/7 crew would enter the sanitation business, and via editing choices, make either Team Pacquiao/Roach or Team Rios/Garcia look bad in the final episode of the documercial series focusing on the Manny Pacquiao-Brandon Rios fight and promotion, which debuted on Thursday evening.
They must not be familiar with the principals and track record of that staff; no punches were pulled in the production, and all involved in the heated display came out of it looking exactly as their conduct dictated, for better, or, mostly, worse.
To open, we see planes, and then Brandon Rios talking about digging business class, the food, the movies, the whole nine. He joshes with new strength and conditioning coach Alex Ariza, who was in Manny Pacquiao’s corner for Manny’s last fight, a KO loss to Juan Manuel Marquez, but was tossed overboard for being a divisive influence, and then hopped on the Rios ship.
Upon landing in Macao, the Cali-based Rios proclaimed himself ready to work. The Kansas native will fight in the largest gambling center in the world. At the Venetian Macao, where he’s staying, Rios works out in a gym in the hotel. And so does Pacman…
Rios has been training at 9 AM, to get used to the early start time Sunday, or, Saturday in the States, when the bout will air.
His trainer Robert Garcia is seen dissing Freddie Roach, who talked trash about his gym being better than Garcia’s. Hmm, get the feeling that their is some bad blood flowing through veins here? Don’t suppose this is a harbinger alert, is it? LOL…
Next, we see Mr and Mrs Pacquaio at home, with Manny coming home to see the family for the first time since the mega-typhoon struck his homeland. The family eats breakfast together and 7-year-old Princess says she will weep if dad loses, and will whoop it up if he wins.
We see Pacman (seen above hearing from Roach during final presser, in Chris Farina-Top Rank photo) getting ready for 12 rounds of sparring with three sparring partners. It is his next to last workout. A Filipino, a Liverpudlian and a Chinese boxer will give Manny work.
Next, Rios gets some conditioning in at a track. Ariza is discussed; Rios says he knows his stuff. They visit a youth boxing club near the track. Rios gamely shows the kids some techniques. Then, he does some Skyping with his family back in Cali. “I love you,” he says, and repeats to his offspring. Solid stuff from a guy who often shows off a goofball side but clearly has a solid core of decency in him.
Pacman films a public service announcement asking for donations to those hit by the savage typhoon. Then he and Roach do some work. “I can’t wait till we kick their ass,” Roach says.
The camp being in General Santos City has been enjoyable for Pacman, he says. “It’s a good break for boxing fans in Asia to watch boxing live,” he says. The flight to Macao is 3 1/2 hours long. He studies the Bible to pass much of the time. Roach says Rios is a “young stud” and this fight is risky.
On Tuesday morning, the Pacman crew heads to the gym. Freddie talks about their ride, more than ten years now. He has thought about the end, and when it will come. “This is not a hard fight,” the trainer maintains. Manny says “this fight is very important to me, to prove I can still fight,” he says. Roach calls Rios “fat” and “lazy” and says he will tell Manny to retire if he loses to Rios.
The Wednesday Rios workout starts late because Rios has been doing press. (Cue re-introduction of harbinger alert theme music….) “I ain’t going nowhere,” Garcia says to Roach when Roach requests the gym be handing over to Team Pacquiao at the prescribed time. “Piece of s–t,” Roach mutters, and then things take a turn toward Nastyville.
Ariza escalates the issue by mocking Roach’s Parkinson’s symptoms and when Roach steps towards him, escalates it further with a front kick aimed at Roach. We hear Roach say “Mexican emeffer” and Garcia assistant trainer Donald Leary, the recipient of that slur, go ballistic and want a piece of Roach. Ariza then calls a Roach pal a “f—-t,” slang for a homosexual. “Now it’s personal,” Garcia yells at Roach. “C’mon tough guy,” Roach says, inviting fellow ex fighter Garcia to do the fistic waltz. Classless Ariza mocks Roach’s Parkinson’s again, pretending to stutter while goading Roach. We see Roach refer to videographer Elie Seckbach, a virtual member of Team Garcia, as a “effin Jew emeffer,” again stepping over the line of appropriateness. Ariza, classy to the bitter end, continues to mock the Parkinson’s as Roach leaves the gym. Rios, smartly, continues his cardio.
Roach after says he will stay on message, and getting Pacquiao ready to rumble. Garcia says the spat will motivate his crew even more. “They’re scared, they’re worried,” he says. They exit the gym.
Manny shows up, him and Roach chat and process and then get back to work.
Narrator Liev Schrieber wraps it up by noting that the sport is all about butting heads, and violence. He calls that “the nasty realities of the world they’ve all chosen. Boxing is at its heart all about conflict.” Violence, he says, “is their most effective method of communication.” The final consequence of all the pre-fight drama, “will be revealed Saturday night.”
Indeed; who do you like in the Pacquiao vs. Rios fight, readers? What will go down in Macao? Or who…Pacman, again? Or will the Manny who had stellar moments against Marquez in December be mistake free, and use a presumed edge in hand speed, mobility, and accuracy to show Rios he is not an ‘A’ grade boxer? Or will Rios be the buzzsaw, undeterred by Manny’s volume, and break down the Congressman, test that chin, and prove that Manny’s days as a marquee attraction and top tier attraction are numbered, or even over? Weigh in, in our fabulous Forum, please.
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Steven Navarro is the TSS 2024 Prospect of the Year
“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.
There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.
It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.
Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.
A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.
Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.
We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.
But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.
Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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