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Bradley Is Not Pacquiao's Most Taxing Concern

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Let me tell you how it will be

There’s one for you, 19 for me

’Cause I’m the taxman, yeah, I’m the Taxman

–Lyrics from a George Harrison-written song on the Beatles’ Rubber Soul album

Manny Pacquiao (55-5-2, 38 KOs) challenges WBO welterweight champion Timothy “Desert Storm” Bradley (31-0, 12 KOs) in an HBO Pay-Per-View bout on April 12 at Las Vegas’ MGM Grand, and the gist of most of the questions directed by inquiring media minds toward the Filipino legend ran toward what might be described as standard boxing matters. The give-an-take exchanges during Tuesday’s half-hour-long conference call with Pacquiao went something like this:

Q: Are you concerned that you could again get stiffed on the scorecards like you did in your first fight with Bradley? (Bradley was awarded a hotly disputed split decision, also at the MGM Grand, on June 9, 2012.)

MP: “I’m not thinking about the judges. What I want to do is focus on strategy and techniques that we practiced in the ring.”

Q: Does it bother you that Bradley is dropping broad hints that, since your first fight with him, you’ve lost your “hunger” for boxing and “killer instinct” to finish off opponents in trouble?

MP: “The more he says that, the more it inspires me. It’s good for me. But not for him, I think.”

Q: Did you think you were too far ahead on points to possibly lose a decision, and were you shocked when those two judges (Duane Ford and C.J. Ross) turned in cards favoring Bradley?

MP: “I’m not angry. After that decision was announced, I understood that no one is perfect in this world (a reference, presumably, to Ford and Ross). Sometimes mistakes are made. It’s part of boxing.”

Q: Having been a victim of malfeasance by pencil once before, do you feel any additional pressure to score a knockout this time and take matters out of the judges’ hands?

MP: “We’re not focusing on a knockout. Our focus this time is to put on more pressure, to be more aggressive, to throw a lot of punches. If a knockout comes, it comes.”

Pretty tame stuff, all things considered. Then again, Pacquiao never has been the sort to recklessly run his mouth before, during or after fights. He is, by all accounts, gentlemanly in his demeanor and, let’s not forget, he’s also a politician, a member of the Philippine Congress with aspirations of someday becoming his nation’s president. Good manners and rough-and-tumble political instincts seldom are mutually inclusive, but it probably helps those seeking to gain or retain public office if they maintain at least a veneer of humility and the proper social graces.

What has largely gone unsaid in the run-up to this fight, the outcome of which could drastically influence whatever remains of the 35-year-old Pacquiao’s boxing career, is the identity of the most fearsome opponent he actually is facing. The scary dude in question is the same one who long ago flattened the great Joe Louis harder than Rocky Marciano ever could. As he did when he went after the “Brown Bomber,” that foe is targeting “Pac-Man” with a blistering, two-fisted attack, throwing wide haymakers from near and far.

Put it this way: Bradley might be one tough cookie inside the ropes, but that shadowy presence – be he based in the U.S. or in the Philippines — is even more relentless, forever boring in with stinging shots to a prosperous fighter’s bank accounts. What is it that Louis once said? Oh, yeah. You can run, but you can’t hide.

Not from the Taxman, anyway.

Including endorsements, Pacquiao has earned more than $300 million, which certainly seems like a lot of money, and is a figure even more impressive when you consider that, as recently as 2010, the per-capita income in the Philippines was just $2,000, among the lowest of any Asian country. If the PPV numbers are as healthy as Top Rank founder Bob Arum anticipates, Pacquiao’s take for the second twirl around the ring with Bradley could add $15 million-plus to his presumably bulging coffers.

But really rich people aren’t exempt from the kind of money problems that confront less-well-paid workers everywhere, except that theirs are on a much grander scale. The Internal Revenue Service here and its Philippine counterpart have homed in on Pacquiao like heat-seeking missiles. As of December, the IRS was pursuing Pacquiao for $18.3 million in unpaid taxes, with $11 million of the debt relating to the very years (2008 and 2009) that the fighter promised the Philippine government he had fully paid his tax obligation to the United States.

If tax officials in the Philippines are to be believed, Pacquiao’s past-due tax bill there is even more staggering: $50 million.

Asked if his tax problems might be blurring his focus on the task at hand as the rematch with Bradley approaches, Pacquiao insisted it’s no big deal.

“I’m not going to worry about that,” he said. “I didn’t hide anything, and I hired a very good accountant.”

That accountant had better be world-class sharp because, well, the ones Louis sought out to alleviate his crushing tax debt to the IRS were more overmatched than the members of the Bum of the Month Club he so casually dispatched during his long heavyweight championship reign.

One month after the Japanese bombed Pearl Harbor on Dec. 7, 1941, Louis gave his entire $65,200 purse (around $700,000 in today’s money) from his first-round knockout of Buddy Baer to the Naval Relief Fund. Less than three months later, he gave his entire $45,882 purse for his sixth-round stoppage of Abe Simon to the Army Relief Fund. Louis then put his boxing career on hold to enlist in the Army as a private, earning $21 a month.

When hostilities ended, Louis, despite his patriotism-inspired contributions to the American war effort, found himself owing the IRS $500,000. Compound-interest penalties regularly inflated that amount like the clicking meter of a taxi ride that never ends, and Louis died a broke and broken man. Overly trusting, ignorant of things like tax shelters and municipal bonds, and generous to a fault, it has been estimated that one of boxing’s most dominant champions received only $800,000 or so from the estimated $4.6 million he earned during his ring career.

Not that the same fate awaits Pacquiao, but there is another old saying, this one coined by Spanish philosopher George Santayana: Those who do not learn from history are doomed to repeat it.

Attempts at slipping those big shots from the Taxman have already influenced where Pacquiao plies his trade, and likely will continue to do so, most probably for the remainder of his ring career. His most recent bout – a 12-round unanimous decision over Brandon Rios on Nov. 24 — took place in Macao, China, in large part because of the top marginal tax rate there is 12 percent as opposed to the United States’ newly increased top rate of 39.6 percent. That meant that Pacquiao pocketed an extra 28 cents on the dollar, a not insubstantial amount and especially appealing to anyone facing his burgeoning tax problems.

Somebody on the conference call asked if Pacquiao would consider fighting in New York City, either at Madison Square Garden in midtown Manhattan or Brooklyn’s Barclays Center. Pacquiao said sure, he’d like that, if it made financial sense for him to do so.

That response provided Arum with an opportunity to jump in and explain the tax-code-influenced economics of boxing, which largely dictates who fights whom, and where.

“Manny is a foreign national,” Arum explained. “If he fights in New York, he has to pay state tax, city tax, unincorporated business tax. It comes to 14 percent. Because he’s a foreign national, he can’t take a credit for any of those taxes. The penalty for him fighting in New York (instead of Nevada, which has no state tax), if Manny’s earnings are $20 million, is as much as $3 million.

“It’s conceivable if somebody is going to make up the difference, that we would fight in New York. But why should it come out of (Pacquiao’s) pocket?”

The same rationale helps explain why Floyd Mayweather Jr. is fighting Marcos Madaina at the MGM Grand on May 3, instead of the Barclays Center, which had also sought to host that bout.

When Pacquiao fought Rios, someone – uh, that would be me – suggested he would have to overcome the “mother of all distractions,” namely Typhoon Haiyan, which had struck the northern Philippines on Nov. 7, killing 5,000 of “Pac-Man’s” countrymen and leaving hundreds of thousands more homeless, hungry and desperate.

Perhaps Pacquiao’s concentration is so riveted on Bradley that the dark tax cloud that is hovering over his head won’t be the granddaddy of all distractions, and one that could prove more nettlesome than that which drifted in with Haiyan. But Bradley is a better overall fighter than Rios, and Pacquiao is 35, after all, an age when the reflexes of many elite fighters slow just enough to make a difference.

The only thing that seems absolutely certain at this point is that Pacquiao will not enter the ring to the sounds of George Harrison’s amplified voice singing of the Taxman reaching deep into his pocket.

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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