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Gatti-Robinson All But Forgotten As Gatti-Ward Legend Ascends

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There are some names that are meant to be coupled forever: Sonny and Cher, Magic and Bird, Bonnie and Clyde, Romeo and Juliet, Tracy and Hepburn, DiMaggio and Williams, Borg and McEnroe.

And, of course, Ali and Frazier.

Arch-rivalries, and arch-alliances, stir the soul and fuel the imagination. That is as true in sports as it is entertainment, crime and literature, and there is no realm of athletic competition that lends itself to such mental associations as much as boxing, which pits one individual against another. When a clash of figurative titans is repeated often enough, it takes on the trappings of legend, more so than can ever be the case with single confrontations, or when teammates are involved. If Ali-Frazier is accepted as the gold standard, then the next level, just slightly down from the summit, consists of such revered series as Zale-Graziano, Pep-Saddler, Robinson-LaMotta, Holyfield-Bowe and maybe a few others.

Now ask yourself this: When anyone mentions the late action hero, Arturo Gatti, which opponent immediately comes to mind? The answer, in most cases, has become obvious.

“Irish” Micky Ward.

But while the Gatti-Ward trilogy continues to ascend in the pantheon of boxing’s most acclaimed rivalries, with ample justification, the effect is the gradual diminishment of other bouts involving Gatti that also were so fiercely competitive they also deserve to be carefully stored away in fans’ memories as if they were family heirlooms. Gatti-Ward, Parts I, II and II, is terrific when considered as stand-alone segments or in its entirety, but not so much that the names of Wilson Rodriguez, Angel Manfredy and Rafael Ruelas deserve to be pushed off to the side, gathering dust.

But the principal victim of the continuing rise of Gatti-Ward is Ivan Robinson, who made the mistake – he didn’t know it was a mistake at the time – of winning both of his immensely entertaining slugfests with Gatti in 1998, the first of which was voted Fight of the Year by both the Boxing Writers Association of America and The Ring magazine, although the rematch was a virtual carbon copy of the original.

If Robinson could have peered into the future, like some sort of pugilistic Nostradamus, he might have recognized that it would have served him better to have split those two fights with Gatti, creating a huge public demand for a rubber match. He would have recognized that he needed to take up golf and play a few well-publicized rounds with Gatti, and later on to agree to train the Italian-born, Montreal-reared, Jersey City-based fighter in the closing stages of his career. But it was Ward who did all that, and the back story of his friendship with Gatti took on a life of its own, each intersection of their lives embellishing what had taken place inside the ropes.

Dec. 12 marks the 16th anniversary of Robinson’s second bout with Gatti in Atlantic City Boardwalk Hall, a fight so exhilarating that it left the combatants physically and mentally drained, but everyone else in attendance and those watching on HBO craving a third meeting that, alas, was not to be.

Lou DiBella, then the senior vice president of HBO Sports who later would form his promotional company and serve as an adviser to Ward, was almost hyperventilating after Robinson’s razor-thin, unanimous 10-round decision, which would have ended in a majority draw had not referee Benji Esteves deducted a penalty point from Gatti in the eighth round for low blows. Gatti got the nod on the official cards by margins of 97-92 and 95-94 (twice).

“This is unbelievable,” DiBella said after the last punch had been fired, and probably landed. “You have to go back to Zale-Graziano, something like that, to even find something to compare to it. I mean, it’s ridiculous.

“It doesn’t get much better than that. Maybe these guys should just fight each other all the time.”

An interesting suggestion, but one in stark contrast to the scene in the ring after the final bell had sounded. After the traditional postfight hug of exhausted and respectful rivals, Robinson’s manager, Eddie Woods, announced on-camera that his guy had forever concluded his business with Gatti.

“We ain’t fighting Gatti again,” Woods said with an air of finality.

Asked if he went along with what Woods had said, Robinson wearily agreed. “You heard my manager. There won’t be a Robinson-Gatti III.”

Interestingly, after Robinson failed to take advantage of the opportunity that had been afforded him by his back-to-back conquests of Gatti – the Philadelphia lightweight lost a one-sided decision to Manfredy in his next bout four months later – two things became increasingly apparent. One, having twice gone to hell and back against Gatti while wearing a gasoline overcoat, Robinson was never the same as he had been on those two supercharged nights. And two, as his newfound star power began to ebb and Gatti remained a box-office draw and HBO staple, that third meeting he had said he would never consider became the object of a desperate quest that would not reach fruition.

“I know I can get another fight with Gatti,” Robinson said on Aug. 17, 2004, after he lost a desultory eight-round split decision to journeyman Reggie Nash at the Valley Forge (Pa.) Convention Center. “If I can just put together a couple of good wins …”

But it didn’t happen for Robinson, whose fast-handed style at his peak was so likened to that of another Philly fighter, two-division world champion and 1984 Olympic gold medalist Meldrick Taylor, that some took to calling him “Meldrick Lite.” Robinson, whose preferred nickname is “Mighty,” was 27-2 after his second points nod over Gatti, but just 5-10-2 following the second Gatti fight, finishing with a record of 32-12-2 with 12 victories inside the distance.

It was a good career, all things considered, good enough to earn Robinson enshrinement in both the Pennsylvania and New Jersey Boxing Halls of Fame. Still, the lingering impression is that Robinson too often was in the wrong place at the wrong time. Rated No. 1 by USA Boxing in the 132-pound weight class heading into the 1992 U.S. Olympic boxing trials, he lost a controversial decision to Julian Wheeler and then another in the box-offs, thus failing to gain inclusion on the American team that competed in Barcelona, Spain. He also likely made a likely misstep by declining, at Woods’ urging, to accept a high-visibility bout with Oscar De La Hoya in Madison Square Garden because his manager believed he wasn’t quite ready for a matchup with the “Golden Boy,” whom Robinson had faced several times in the amateurs. Jesse James Leija got the MSG gig with the emerging superstar instead, and Robinson never again got the chance to mix it up with De La Hoya.

In what would prove to be his only shot at a world championship, Robinson lost a unanimous decision to IBF lightweight titlist Philip Holiday of South Africa on Dec. 21, 1996, in Uncasville, Conn. He was released by his promotional company, Main Events, following his third-round stoppage by Israel Cardona on July 1, 1997, and he was viewed by as damaged goods, or at least in decline, when he was offered an HBO date against Gatti, who was coming off an eighth-round stoppage defeat, on cuts, in another slam-bam war against Manfredy on Jan. 17, 1998.

Hardly anyone expected what took place that night in Boardwalk Hall on Aug. 22, 1998. But Pat Lynch, Gatti’s longtime manager, had an uneasy feeling that Robinson might be something more than a mere bounce-back opponent for his man.

“Eddie Woods will tell you I didn’t want the (first) fight with Ivan,” Lynch recalled when interviewed for this story. “I thought he was a little too slick and too good a boxer for Arturo. I had watched a tape that Carl Moretti (then a Main Events executive) had given me of a fight Ivan had lost to some Spanish kid (Manuel De Leon), where Ivan didn’t look that good. But even so, you could see flashes of that skill, that slickness. I thought to myself, `Maybe this is not a guy we want to fight right now.’

“So, yeah, I always looked at Ivan as someone who would be a really difficult opponent for Arturo because of his style. I wasn’t surprised that he was as tough as I thought he’d be. What did surprise me was the way he stood in there and traded with Arturo. He didn’t run and make Arturo go after him. He was right there.”

Robinson, then 27, had decided beforehand that his best strategy was to meet Gatti head-on. If he lost, and was lackluster in doing so, his chance of regaining semi-elite status might be gone forever. And, besides, he knew that Gatti, as big a puncher and as much of a shock absorber as he was, was available to be hit. So why not just turn it loose?

Second seconds into the first round, Gatti’s left eye was discolored and puffy. That eye began to bleed in Round 3, but Gatti recovered enough to floor Robinson in the fourth and the action remained fast and furious to the final bell. When it was over, Robinson, a 5-1 underdog, had won by margins of 98-93 and 96-94 on the scorecards submitted by Melvin Lathan and Steve Weisfeld, respectively, with Ed Leahy going with Gatti by 96-93.

“Exceptional. Exceptional,” said Lathan, who is now heads the New York State Athletic Commission. “I don’t think I breathed the whole 10 rounds. Just wonderful.”

Said a tired but very happy Robinson: “This was my best fight, even though it wasn’t a championship fight. I thought I would get him out of there, but he always came back. He’s like a stick of dynamite.”

There was an instant demand for a rematch, of course, and Robinson, who made $51,000 for the first fight, snagged a career-high $400,000 payday for the do-over, which he imagined would be fought more on his terms.

“I could have made the first fight a lot easier,” Robinson said as the days to the rematch counted down. “(Trainer) Butch (Cathay) was telling me that after every round. But in that fight, I had something to prove. Six months ago, nobody knew who Ivan Robinson was. Everybody had written me off.

“I know I have the best chin in the lightweight division. I wanted to prove – not to the fans, but to myself – that I could take Arturo’s best shot. That’s why, at times, I stood there with him and got hurt. And you kind of get lured into that because, well, Gatti is just so easy to hit. There wasn’t a problem hitting Gatti then. There won’t be a problem hitting him now. There’s never been a problem hitting Gatti. The question I had in my mind was whether I could withstand his pressure. I’ve done that. For this second fight, I don’t have anything to prove to anybody.”

But you know what they say about the best-laid plans. Gatti again turned the heat up on Robinson, and the same kind of war was fought at close distance. As was the case the first time, the Philadelphia in Robinson was brought out when he was challenged.

“I learned from being in the first fight that when you hurt Arturo, I guess that makes him mad,” Robinson said. “It makes him go deeper into the gas tank.”

It’s funny how things work out sometimes. Now saddled with a three-bout losing streak, it was thought that Gatti was the fighter that needed to be rebuilt; Robinson was seen as the hot property. But Robinson was easily outpointed his next time out by Manfredy while Gatti continued to be what DiBella called “The Human Highlight Reel.” Their paths separated, Robinson drifting toward lesser revelance and Gatti moving on to megafights with De La Hoya and Floyd Mayweather Jr., the trilogy with Ward and eventual induction into the International Boxing Hall of Fame.

Asked for his memories of Robinson, DiBella said, “He was a warrior, and a quality fighter. Those two fights with Gatti brought the very best out of him.

“But Gatti was the draw. He was the HBO fighter. Even though Ivan won those fights, you didn’t see him gain anything from that. It wasn’t like he started getting all these big fights with big-name fighters. His career didn’t take off all of a sudden because of him beating Gatti twice. Gatti was still that guy. He could lose a fight or even a couple of fights and still be someone everyone wanted to see more of.”

Lynch also thinks that maybe Gatti-Robinson has been somewhat shortchanged by history, at least in comparison to Gatti-Ward.

“I think maybe that has been the case,” Lynch said. “I think those two fights have been kind of lost. Arturo’s fights with Ivan were just incredible. They were very competitive, the crowd was on its feet pretty much from the beginning of each fight through the end. It’s just that everybody was so sold on Arturo’s trilogy with ward, which deserves everything that it gets. But that doesn’t change the fact that Arturo’s fights with Ivan were great, great fights.”

Prior to his Nov. 13, 2012, induction into the New Jersey Boxing Hall of Fame, Robinson said he didn’t think Ward had bumped him all the way out of the spotlight as far as co-billing with Gatti is concerned.

“I’m pleased that so many people recognize what I did in my fights with Gatti,” he said. “I will always love Gatti. If it wasn’t for him, I wouldn’t be as known as I am today. And I don’t (begrudge) Micky Ward for the acclaim he gets for his fights with Gatti. They were great fights and he deserves all the praise for what he did.

“My only regret is that me and Micky Ward never fought. I wanted to fight him, he didn’t want to fight me. I guess it was about money; it usually is when a fight doesn’t get made. But don’t get me wrong. I love Micky Ward, too. I’m just glad to be in the mix of fighters who are always mentioned for being in great fights like the ones we had with Gatti.”

Now 43, Robinson is still in boxing as a trainer, working with young fighters at the Harrowgate Boxing Club in Philly. He said he is blessed to be in good health, and he is too busy with looking ahead to fret about what he might or might not have done in the past.

“I always felt that I was a great fighter,” he said. “I had some losses that I shouldn’t have had before Gatti, and that’s on me. But when I was able to get in that position again, I relished it. I thought I could beat Gatti, and I did. I did it twice. He was going to have to kill me to beat me. I think he did more in the first fight than he did in the second fight. After the fourth round of the second fight, I think he knew there was nothing he could do to beat me.

“I was a good fighter then, a smart fighter. I got what I could get and then I got out. Everything else is what it is. I got to be satisfied with that.”

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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