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Is Kosei Tanaka the World’s Brightest Prospect?

By my reckoning Naoya Inoue was the prospect of the year in January 2013 and the fighter of the year by January 2015; that is an astonishing rate of development. The temptation when a major force of boxing potential is born outside the United States is to ask, “He looks good, but will he travel well?”
But like the top British fighters, top Japanese don’t have to travel at all. They can make a lifetime of money boxing on their own shores. Where the Japanese differ from the British is in their ability to buy in the very best fighters from the rest of the world to provide the sternest tests for their potential conquistadors at home. Bringing the world’s #1 minimumweight Adrian Hernandez and the #1 junior bantamweight Omar Narvaez to Japan in order that they may suffer Naoya’s tender attentions has made him one of the feared fighters in the world with his professional record just 8-0 and at the age of just twenty-one. A Japanese prospect with world-class potential is not “held back”, is not allowed to “gain experience” and is not permitted to “get rounds under their belt.” Instead, they fight the best their fledging abilities allow.
Nineteen years of age with a professional record of just 4-0, Kosei Tanaka will probably fight a ranked opponent for an alphabet strap in 2015. A minimumweight, he has already been scheduled for twelve rounds in a fight that went ten, and he has never indulged in the traditional four round encounters that buoy prospects concerned about fitness and stamina. Even compared to Naoya he is ahead of the absurd learning curve set for the best Japanese prospects, so much so that if we don’t take a detailed look at him now, at just four fights, we will likely be looking at a contender or strapholder rather than a prospect. So here is a tentative breakdown of how good this teenager is – and just how good he might become.
Style
Tanaka is a box-mover in the truest sense, a methodology designed to embrace to the greatest extent his natural gifts. In danger of becoming a national style in Japan, it works well for any fighter with the necessary speed, stamina and temperament, and it forms the first line of defence for a fighter capable of its execution. Tanaka’s default style is one of retreat, but he is moving away in narrow circles, moving the opponent into range rather than moving himself out of it. While it forms a natural barrier to opposition forages, it also calls for a high degree of judgment and discipline and an ability to recognise viable openings in accordance with the fighter’s own physical abilities. Fortunately, Tanaka is naturally aggressive. Married to this mobile style is a spiteful determination to fight which happily bridges the gap between not enough and too much.
An accomplished amateur without being storied or draped in gold, he bested the much-hyped younger Inoue brother, Takuma, overall in their several unpaid encounters – but little of the amateur remains. Perhaps lacking a little in the fluidity and improvisational skill he now displays, it is nevertheless clear that despite the pillows and the headgear, Takuma’s brief stay in the amateurs was used not as a springboard to an Olympic gold medal but in the old fashioned way: to hone a professional.
Balance and Footwork
It is not a particularly interesting nor an insightful thing to say, but Tanaka’s balance is already elite. In his first fight he was matched with Oscar Raknafa, a fighter who moved up to flyweight and embraced a sad fate as a professional loser, but at minimumweight had never been stopped and had been the national champion of Indonesia for a year before gaining a regional strap. He was far from typical as a debut opponent, even for an elite prospect. Winning every one of the six rounds, Tanaka also dropped Raknafa in the first with a beautiful combination born first and foremost of his ability to make a punching out of movement.
Winning every one of the six rounds, Tanaka also dropped Raknafa in the first with a beautiful combination born first and foremost of his ability to create punching opportunities with movement alone.
On no notice he can dip through his right knee to support a firecracker right hand, as he did with thirty seconds departed of round two in the same fight, but he also has the skill in footwork to augment his balanced offence, using steps to escape again in a tight circle. This bobbing, mobile style is a variation of what made Manny Pacquiao so dangerous, and although those comparisons begin and end right there, the boy moves well enough that it is a valid one.
The only concern in this department is a possible lack of economy. If Tanaka has to fight defensively or force a lead he will be forced to take many more steps than his opponent to do so. Does he have the engine for it, and if he does, will he carry his power late enough for it to matter?
Technique on Defence
The choice for Tanaka’s second professional opponent was fascinating to me. The man who got the nod was Ronelle Ferreras (13-6-2 going in), a twenty-eight year old Filipino with a great jaw and a line in losing whenever he stepped up in class. A typical opponent then for most prospects bowed by the weight of the tag “future world champion” but what set Ferreras apart was that he was a southpaw. The only film in existence of Tanaka really struggling is against a southpaw, an amateur and 2014 Asian Youth Games bronze medallist, Erdenebat Tsendbaatar out of Mongolia. Tsendbaatar walked Tanaka onto repeated straight left hands out of the southpaw stance, and although Tanaka was never in trouble, nor discouraged, he was caught flush on several occasions.
Defensively, Tanaka uses movement and a disciplined high-guard to make him hard to hit, but he is no Cuban exile – he is a Japanese stylist and as such he comes to fight and inevitably will be, at times, there to be hit. If Ferreras was able to take advantage of a stylistic predisposition to violence in combination with a possible weakness against the southpaw left, perhaps he would be able to trouble Tanaka.
In reality, he hardly landed a straight left hand all night. Most of his success occurred on the inside, where Tanaka’s tightly regulated guard smothered most of his work. The Japanese ducked and stepped away from most of the Filipino’s offence on the outside while unleashing his latest pet punch, a caning right hand to the body.
It is a body attack to which he may be most vulnerable himself but he has never looked close to being overwhelmed against either good amateur competition or limited professional competition – although, I think Ryuji Hara hurt him with a body shot in the ninth round of their contest from October of last year. Despite that, the movement upon which his style is founded should lend him some protection.
This naturally occurring defence is an enormous boon for an aggressive young fighter and although some more advanced punch-picking wouldn’t hurt, his defence is essentially in line with his style, having improved dramatically since his amateur days.
Technique on Offence
Tanaka is brilliant on offence. Even before he turned professional a commitment to a withering body-attack and a sure fluidity at all ranges marked him out as a fighter destined to make a splash as a professional. That said, his inability to stop Ferreras or Raknafa despite dominating performances did make me wonder about the kid from Nagoya. His absurd first round knockout of Crison Omayao was the perfect tonic.
Omayao was the debut opponent for the devastating Naoya Inoue, a fight in which he managed no fewer than four rounds. Tanaka took him out in less than two minutes and he did it using his right, which looked the technically weaker of the two hands up until that point. Not that the finishing punches were necessarily textbook, but rather the type of marauding, booming crushers more suited to a heavyweight journeyman on the make. The end result was a stupefied Omayao regaining his feet but loose-limbed and vacant, staring across the ring as though confronted by the avenging angel itself. The referee took a brief look and then waved off the only fight that allows a direct comparison between Tanaka and Naoya, a comparison that on paper finds Naoya wanting.
His left hand is a thing of wonder. Against Raknafa he landed a left-hook double-jab combination to set up the brutalising right hand in the literal blink of an eye; it’s a can-opener of a punch, the rapier to the right-hand bazooka, two weapons that complement each other perfectly. Combinations beyond the reach of eight year professionals are at his fingertips.
A very healthy habit of adding punches with each successive fight can come to an end without further evolution and leave behind a varied attack based upon a snapping jab that unlocks a wide reserve of power punches. Great offence, when it evolves, tends to be based upon great punch selection, swift persistence in throwing or a combination of the two; Tanaka falls happily into this final category.
Temperament and Generalship
Generalship is a natural gift of Tanaka’s style. It provides a natural control over territory via small-moves ring-centre and the only way to challenge him directly is with a head on assault that rather plays into his style on offence, or a retreat, always a compromise on the scorecards and an invitation to measure pure technical ability with a fighter who looks to be a near world-class technician after just four fights. The flip side of this gold coin is tarnished by a necessity for patience and for the discipline to stick to a naturalised gameplan regardless of provocation.
Precious film of one of Tanaka’s confrontations with Takuma Inoue in the amateurs provides an answer to the question of whether Tanaka is this sort of man affirmatively. Inoue looks faster, stronger and more aggressive in the opening rounds of this contest, and although Tanaka appears already to be the more technically proficient the sheer pace at which the contest is being hustled sees him miss plenty of punches. Tanaka does not panic. He just sticks to his boxing and by the end of the third round the faster, more aggressive Takuma has been handled, is giving ground and getting hit.
Professionally he showed great patience in returning to his boxing after dropping Raknafa and in outwaiting and outfighting Hara. The pressure on this young man’s shoulders is incredible, the weight of expectation severe. All the outward signs are that he is equal to it.
Punch Resistance and Stamina
It is unusual for a four-fight professional to provide much in the way of evidence one way or the other in these categories, but Tanaka’s advancement has been so swift that we can draw certain tentative conclusions.
In his fourth fight, he met 18-0 prospect Ryuji Hara. Hara is an excellent talent, a fluid puncher with fast hands and a nice line in two piece combinations that often end in body punches. Tanaka dropped a handful of frames on the way to stopping him in the tenth round of a fight that demonstrated his ability to fight at pace and retain his power into the late rounds.
Despite having a fraction of his opponent’s experience over longer distances and despite having suffered the unwanted attentions of Hara’s violent body-attack, Tanaka was far the fresher man down the straight. His footwork was undiminished, his reactions were unimpaired, and although he sought to rest once in the eighth and once in the ninth, his output was basically unaffected. The end of the ninth and the beginning of the tenth was something of a zenith in Tanaka’s fledgling career – in the final minutes of a hard fight, he absolutely poured on punches for a stoppage that was a mercy.
Hara also landed his own punches during savage, lightning exchanges but one or two body shots aside, I was of the impression that Tanaka was never caught absolutely clean by the romping offence coming his way. This hints at superb radar, but doesn’t help in appraising the fighter’s chin. I turned to Asianboxing.com’s Takahiro Onaga for a second opinion.
“As a professional, no I don’t think he has been properly chin-checked,” offered Takahiro. “However, he’s never seemed bothered being tagged, and has shown a willingness to mix it up as and when he chooses. I suspect he’s very confident in his [chin].”
I agree, and this is reassuring – but like every potential champion, his moment of truth lies ahead.
Speed and Power
Tanaka is fast. Because he has a rangy feel and boxes tall, there is a sense that he might come second against the very fastest fighters in a straight-up quick-draw, but I am not entirely convinced there is any fighter in the world that puts together combinations faster. He is blindingly fast between punches and the fourth is as fast as the first.
In terms of his hitting power I have reservations. In his debut against Raknafa, he couldn’t get the stoppage despite landing punches with impunity. While it is true that Raknafa had never been stopped, he has been since – in fact, he’s been stopped in every outing since Tanaka in seven, six and four rounds against decent flyweight opposition. Presuming Tanaka did not break him (which seems premature), what this tells us is that on his debut, Tanaka did not have power that could rank him a puncher at flyweight. At nineteen years of age, flyweight is where he is eventually headed – if this read is accurate, he will not rate a knockout artist there.
His technique is superb and I can’t imagine an augmentation adding pounds per square inch, but he might get more power in line with weight gain. This is the best he could hope for I think, and it would make him a dangerous puncher. This could lead to many accumulation stoppages, but I don’t think he will ever be the kind of fighter to be rescued by his power.
Next
“There is no beef,” Takahiro told me in answer to my question about Tanaka and the Inoue brothers. “They are said to be somewhat friendly. I suspect they have a general respect for each other.”
Nevertheless, it is likely that the paths of one or both the Inoue brothers converge with that of Tanaka at some point in the near future. In the meantime, Wanheng Menayothin has been made the primary target for team Tanaka. The #2 ranked minimumweight is the holder of a belt and seemingly available, although a dominant performance against the unbeaten Jeff Galero may have made Katsunari Takayama and a Japanese superfight the more attractive option. Either way, Tanaka is looking at a major step up as early as his very next fight.
Personally, I make him a favourite to beat either of them.
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Thomas Hauser’s Literary Notes: Johnny Greaves Tells a Sad Tale

Johnny Greaves was a professional loser. He had one hundred professional fights between 2007 and 2013, lost 96 of them, scored one knockout, and was stopped short of the distance twelve times. There was no subtlety in how his role was explained to him: “Look, Johnny; professional boxing works two ways. You’re either a ticket-seller and make money for the promoter, in which case you get to win fights. If you don’t sell tickets but can look after yourself a bit, you become an opponent and you fight to lose.”
By losing, he could make upwards of one thousand pounds for a night‘s work.
Greaves grew up with an alcoholic father who beat his children and wife. Johnny learned how to survive the beatings, which is what his career as a fighter would become. He was a scared, angry, often violent child who was expelled from school and found solace in alcohol and drugs.
The fighters Greaves lost to in the pros ran the gamut from inept local favorites to future champions Liam Walsh, Anthony Crolla, Lee Selby, Gavin Rees, and Jack Catterall. Alcohol and drugs remained constants in his life. He fought after drinking, smoking weed, and snorting cocaine on the night before – and sometimes on the day of – a fight. On multiple occasions, he came close to committing suicide. His goal in boxing ultimately became to have one hundred professional fights.
On rare occasions, two professional losers – “journeymen,” they’re called in The UK – are matched against each other. That was how Greaves got three of the four wins on his ledger. On September 29, 2013, he fought the one hundredth and final fight of his career against Dan Carr in London’s famed York Hall. Carr had a 2-42-2 ring record and would finish his career with three wins in ninety outings. Greaves-Carr was a fight that Johnny could win. He emerged triumphant on a four-round decision.
The Johnny Greaves Story, told by Greaves with the help of Adam Darke (Pitch Publishing) tells the whole sordid tale. Some of Greaves’s thoughts follow:
* “We all knew why we were there, and it wasn’t to win. The home fighters were the guys who had sold all the tickets and were deemed to have some talent. We were the scum. We knew our role. Give some young prospect a bit of a workout, keep out of the way of any big shots, lose on points but take home a wedge of cash, and fight again next week.”
* “If you fought too hard and won, then you wouldn’t get booked for any more shows. If you swung for the trees and got cut or knocked out, then you couldn’t fight for another 28 days. So what were you supposed to do? The answer was to LOOK like you were trying to win but be clever in the process. Slip and move, feint, throw little shots that were rangefinders, hold on, waste time. There was an art to this game, and I was quickly learning what a cynical business it was.”
* “The unknown for the journeyman was always how good your opponent might be. He could be a future world champion. Or he might be some hyped-up nightclub bouncer with a big following who was making lots of money for the promoter.”
* “No matter how well I fought, I wasn’t going to be getting any decisions. These fights weren’t scored fairly. The referees and judges understood who the paymasters were and they played the game. What was the point of having a go and being the best version of you if nobody was going to recognize or reward it?”
* “When I first stepped into the professional arena, I believed I was tough. believed that nobody could stop me. But fight by fight, those ideas were being challenged and broken down. Once you know that you can be hurt, dropped and knocked out, you’re never quite the same fighter.”
* “I had started off with a dream, an idea of what boxing was and what it would do for me. It was going to be a place where I could prove my toughness. A place that I could escape to and be someone else for a while. For a while, boxing was that place. But it wore me down to the point that I stopped caring. I’d grown sick and tired of it all. I wished that I could feel pride at what I’d achieved. But most of the time, I just felt like a loser.”
* “The fights were getting much more difficult, the damage to my body and my psyche taking longer and longer to repair after each defeat. I was putting myself in more and more danger with each passing fight. I was getting hurt more often and stopped more regularly. Even with the 28-day [suspensions], I didn’t have time to heal. I was staggering from one fight to the next and picking up more injuries along the way.”
* “I was losing my toughness and resilience. When that’s all you’ve ever had, it’s a hard thing to accept. Drink and drugs had always been present in my life. But now they became a regular part of my pre-fight preparation. It helped to shut out the fear and quieted the thoughts and worries that I shouldn’t be doing this anymore.”
* “My body was broken. My hands were constantly sore with blisters and cuts. I had early arthritis in my hip and my teeth were a mess. I looked an absolute state and inside I felt worse. But I couldn’t stop fighting yet. Not before the 100.”
* “I had abused myself time after time and stood in front of better men, taking a beating when I could have been sensible and covered up. At the start, I was rarely dropped or stopped. Now it was becoming a regular part of the game. Most of the guys I was facing were a lot better than me. This was mainly about survival.”
* “Was my brain f***ed from taking too many punches? I knew it was, to be honest. I could feel my speech changing and memory going. I was mentally unwell and shouldn’t have been fighting but the promoters didn’t care. Johnny Greaves was still a good booking. Maybe an even better one now that he might get knocked out.”
* “Nobody gave a f*** about me and whether I lived or died. I didn’t care about that much either. But the thought of being humiliated, knocked out in front of all those people; that was worse than the thought of dying. The idea of being exposed for what I was – a nobody.”
* “I was a miserable bastard in real life. A depressive downbeat mouthy little f***er. Everything I’ve done has been to mask the feeling that I’m worthless. That I have no value. The drinks and the drugs just helped me to forget that for a while. I still frighten myself a lot. My thoughts scare me. Do I really want to be here for the next thirty or forty years? I don’t know. If suicide wasn’t so impactful on people around you, I would have taken that leap. I don’t enjoy life and never have.”
So . . . Any questions?
****
Steve Albert was Showtime’s blow-by-blow commentator for two decades. But his reach extended far beyond boxing.
Albert’s sojourn through professional sports began in high school when he was a ball boy for the New York Knicks. Over the years, he was behind the microphone for more than a dozen teams in eleven leagues including four NBA franchises.
Putting the length of that trajectory in perspective . . . As a ballboy, Steve handed bottles of water and towels to a Knicks back-up forward named Phil Jackson. Later, they worked together as commentators for the New Jersey Nets. Then Steve provided the soundtrack for some of Jackson’s triumphs when he won eleven NBA championships as head coach of the Chicago Bulls and Los Angeles Lakers.
It’s also a matter of record that Steve’s oldest brother, Marv, was arguably the greatest play-by-play announcer in NBA history. And brother Al enjoyed a successful career behind the microphone after playing professional hockey.
Now Steve has written a memoir titled A Funny Thing Happened on the Way to the Broadcast Booth. Those who know him know that Steve doesn’t like to say bad things about people. And he doesn’t here. Nor does he delve into the inner workings of sports media or the sports dream machine. The book is largely a collection of lighthearted personal recollections, although there are times when the gravity of boxing forces reflection.
“Fighters were unlike any other professional athletes I had ever encountered,” Albert writes. “Many were products of incomprehensible backgrounds, fiercely tough neighborhoods, ghettos and, in some cases, jungles. Some got into the sport because they were bullied as children. For others, boxing was a means of survival. In many cases, it was an escape from a way of life that most people couldn’t even fathom.”
At one point, Steve recounts a ringside ritual that he followed when he was behind the microphone for Showtime Boxing: “I would precisely line up my trio of beverages – coffee, water, soda – on the far edge of the table closest to the ring apron. Perhaps the best advice I ever received from Ferdie [broadcast partner Ferdie Pacheco] was early on in my blow-by-blow career – ‘Always cover your coffee at ringside with an index card unless you like your coffee with cream, sugar, and blood.’”
Writing about the prelude to the infamous Holyfield-Tyson “bite fight,” Albert recalls, “I remember thinking that Tyson was going to do something unusual that night. I had this sinking feeling in my gut that he was going to pull something exceedingly out of the ordinary. His grousing about Holyfield’s head butts in the first fight added to my concern. [But] nobody could have foreseen what actually happened. Had I opened that broadcast with, ‘Folks, tonight I predict that Mike Tyson will bite off a chunk of Evander Holyfield’s ear,’ some fellas in white coats might have approached me and said, ‘Uh, Steve, could you come with us.'”
And then there’s my favorite line in the book: “I once asked a fighter if he was happily married,” Albert recounts. “He said, ‘Yes, but my wife’s not.'”
“All I ever wanted was to be a sportscaster,” Albert says in closing. “I didn’t always get it right, but I tried to do my job with honesty and integrity. For forty-five years, calling games was my life. I think it all worked out.”
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – The Most Honest Sport: Two More Years Inside Boxing – will be published this month and is available for preorder at:
https://www.amazon.com/Most-Honest-Sport-Inside-Boxing/dp/1955836329
In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Argentina’s Fernando Martinez Wins His Rematch with Kazuto Ioka

In an excellent fight climaxed by a furious 12th round, Argentina’s Fernando Daniel Martinez came off the deck to win his rematch with Kazuto Ioka and retain his piece of the world 115-pound title. The match was staged at Ioka’s familiar stomping grounds, the Ota-City General Gymnasium in Tokyo.
In their first meeting on July 7 of last year in Tokyo, Martinez was returned the winner on scores of 117-111, 116-112, and a bizarre 120-108. The rematch was slated for late December, but Martinez took ill a few hours before the weigh-in and the bout was postponed.
The 33-year-old Martinez, who came in sporting a 17-0 (9) record, was a 7-2 favorite to win the sequel, but there were plenty of reasons to favor Ioka, 36, aside from his home field advantage. The first Japanese male fighter to win world titles in four weight classes, Ioka was 3-0 in rematches and his long-time trainer Ismael Salas was on a nice roll. Salas was 2-0 last weekend in Times Square, having handled upset-maker Rolly Romero and Reito Tsutsumi who was making his pro debut.
But the fourth time was not a charm for Ioka (31-4-1) who seemingly pulled the fight out of the fire in round 10 when he pitched the Argentine to the canvas with a pair of left hooks, but then wasn’t able to capitalize on the momentum swing.
Martinez set a fast pace and had Ioka fighting off his back foot for much of the fight. Beginning in round seven, Martinez looked fatigued, but the Argentine was conserving his energy for the championship rounds. In the end, he won the bout on all three cards: 114-113, 116-112, 117-110.
Up next for Fernando Martinez may be a date with fellow unbeaten Jesse “Bam” Rodriguez, the lineal champion at 115. San Antonio’s Rodriguez is a huge favorite to keep his title when he defends against South Africa’s obscure Phumelela Cafu on July 19 in Frisco, Texas.
As for Ioka, had he won today’s rematch, that may have gotten him over the hump in so far as making it into the International Boxing Hall of Fame. True, winning titles in four weight classes is no great shakes when the bookends are only 10 pounds apart, but Ioka is still a worthy candidate.
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Emanuel Navarrete Survives a Bloody Battle with Charly Suarez in San Diego

In a torrid battle Mexico’s Emanuel “Vaquero” Navarrete and his staccato attack staved off the herky-jerky non-stop assaults of Philippine’s Charly Suarez to win by technical decision and retain the WBO super feather world title on Saturday.
What do they feed these guys?
Navarrete (40-2-1, 32 KOs) and his elongated arms managed to connect enough to compensate against the surprising Suarez (18-1, 10 KOs) who wowed the crowd at Pechanga Arena in San Diego.
An accidental clash of heads opened a cut on the side of Navarrete’s left eye and forced a stoppage midway through the fight.
From the opening round Navarrete used his windmill style of attack with punches from different angles that caught Suarez multiple times early. It did not matter. Suarez fired back with impunity and was just as hungry to punch it out with the Mexican fighter.
It was savage.
Every time Navarrete connected solidly, he seemed to pause and check out the damage. Bad idea. Suarez would immediately counter with bombs of his own and surprise the champion with his resilience and tenacity.
Wherever they found Suarez they should look for more, because the Filipino fighter from Manila was ferocious and never out of his depth.
Around the sixth round the Mexican fighter seemed a little drained and puzzled at the tireless attacks coming from Suarez. During an exchange of blows a cut opened up on Navarrete and it was ruled an accidental clash of heads by the referee. Blood streamed down the side of Navarrete’s face and it was cleared by the ringside physician.
But at the opening of the eighth round, the fight was stopped and the ringside physician ruled the cut was too bad to continue. The California State Athletic Commission looked at tape of the round when the cut opened to decipher if it was an accidental butt or a punch that caused the cut. It was unclear so the referee’s call of accidental clash of heads stood as the final ruling.
Score cards from the judges saw Navarrete the winner by scores of 78-75, 77-76 twice. He retains the WBO title.
Interim IBF Lightweight Title
The sharp-shooting Raymond “Danger” Muratalla (23-0, 17 KOs) maneuvered past Russia’s Zaur Abdullaev (20-2, 12 KOs) by unanimous decision to win the interim IBF lightweight title after 12 rounds.
Both fighters were strategic in their approach with Muratalla switching from orthodox to southpaw at various times of the fight. Neither fighter was ever able to dominant any round.
Defense proved the difference between the two lightweights. Muratalla was able to slip more blows than Abdullaev and that proved the difference. The fighter from Fontana, California was able to pierce Abdullaev’s guard more often than not, especially with counter punches.
Abdullaev was never out of the fight. The Russian fighter was able to change tactics and counter the counters midway through the fight. It proved effective especially to the body. But it was not enough to offset Muratalla’s accuracy.
There were no knockdowns and after 12 rounds the judges scored it 118-110, 119-109 twice for Muratalla who now becomes the mandatory for the IBF lightweight title should Vasyl Lomachenko return to defend it.
Muratalla was brief.
“He was a tough fighter,” said Muratalla. “My defense is something I work on a lot.”
Perla Wins
Super flyweight Perla Bazaldua (2-0) eased past Mona Ward (0-2) with a polished display of fighting at length and inside.
Combination punching and defense allowed Bazaldua to punch in-between Ward’s attacks and force the St. Louis fighter to clinch repeatedly. But Ward hung in there despite taking a lot of blows. After four rounds the Los Angeles-based Bazaldua was scored the winner 40-36 on all three cards. Bazaldua signed a long term contract with Top Rank in March.
Photo credit: Mikey Williams / Top Rank
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