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RACHEL’S REVIEW of Premier Boxing Champions on NBC
A Review: Premier Boxing Champions
On the evening of Saturday, March 7th, those sitting in front of the television were treated to something that hasn’t happened in decades: boxing in primetime on network television.
The Overview
Al Haymon, a manager/advisor in the sport of boxing, bought airtime on NBC to showcase fighters in what has been titled Premier Boxing Champions (PBC). Together, Haymon and NBC put together a slick production featuring celebrity commentators, a big social media campaign and plenty of advertising to help build up the fights. In the main event, we saw Keith Thurman handily win over Robert Guerrero, and the undercard featured Adrien Broner easily taking a decision over John Molina Jr.
What This Could Mean for Boxing
As a real boxing fan, as opposed to a fair weather fan, I have a lot to say about this event. I’m familiar with all there is to love about boxing, and unfortunately all there is to despise. But after sleeping on it, and several long discussions with my husband, I’ve come away a little excited for one of the many possible futures for boxing.
At first glance, this event seems a little odd. What businessperson buys airtime to showcase an event on network television? Essentially, Haymon is paying NBC to air boxing, and this only makes sense if Haymon is some gazillionaire with money burning a hole in his pocket. But Haymon is a businessman, so making a profit is front and center. When you buy airtime, you’re taking the burden off of the network to go out and find sponsors. So we have to ask: Is this venture sustainable?
But that thinking is short-term. We have to think long-term. What possibly could be Haymon’s angle here?
Well, there are several angles, and for the sake of brevity I’m just going to focus on the most promising (believe me there’s an angle here that results in the PBC as a sanctioning body…please, just no).
So, let’s say that the first year of PBC on NBC is a success. Quality fights combined with a slick production bring in a slew of new fans to the sport. Now, these new fans aren’t willing to pay an extra dime for premier cable packages or PPVs. They’re satisfied with what they get on NBC. Sponsors start knocking on NBC’s door–they have products to sell and have taken notice that there’s an audience to sell to, and because of the slick production that’s kept to a PG rating they’re not scared to buy ad space.
So where do fighters want to fight? On a premier channel, where they’ll fight in front of the boxing fans that are tried and true, but a small group? Or on network television in front of the masses and the true fans? Obviously, you go where the people are, and that’s on network television. It doesn’t take too much for me to see a big move away from HBO and Showtime to network television.
Essentially, what will happen over time is that PBC on NBC becomes king of the hill so to speak, and everything else peters out until all we’re left with is PBC. At this point, PBC is now the equivalent of the NFL, MLB, NHL, etc. and Al Haymon is the commissioner.
This is kind of what I’ve always wanted. Imagine it: one champion in each weight class, the fights that need to happen actually happen, one set of rules for all. It’s blissful.
The key to this is the first year of PBC being a success. What does that look like? It looks like new fans, and a lot of them. The influx of new fans here has to be substantial.
What Worked and What Didn’t
So, what worked last night and what can NBC and company improve upon?
The production was slick. It felt big–like a real sporting event. We had familiar faces for our commentating team: Al Michaels and Marv Albert, both talented sports broadcasters, albeit a little rusty when it comes to boxing. We also had members of the boxing community on the commentating team: Sugar Ray Leonard, Laila Ali and BJ Flores all lended authenticity to the event. The quality of what we saw on our screens was great; we weren’t dealing with dropped feeds or losing high definition. NBC also went all out with the sound: Hans Zimmer was hired to try and give this event a feeling of importance and expectation (you shouldn’t really notice the soundtrack at these types of events, but hey, maybe the first time we heard the score for the NFL on FOX it was abrasive too).
They spared no expense in setting up the venue. Remember the Friday Night Fights where we could barely hear Teddy Atlas and Joe Tessitore because the ring itself was rocking and banging under the weight of the fighters? None of that on Saturday night. The ring was great, the lighting was great and all the extras (ring-walk ramps, Al Michaels’ desk, screens) were of good quality.
The time of the event. Boxing has tortured us tried and true fans for years, forcing hardworking Americans to stay up much later than necessary. Guess what boxing? Your fan base isn’t teens and twenty-somethings without jobs. NBC began their broadcast at 7:30 central time. When the event was over, I actually stayed up longer chatting about what happened instead of hurriedly brushing my teeth and falling into bed. You want people talking about your event.
The main event was a good fight. Sure, after seeing the sleep-inducing match that was Broner vs. Molina, the main event seemed like the greatest fight ever. But after sleeping on it, I think we can all agree it was a fun fight that Thurman easily won. (Please disregard this tweet from me last night: GREAT FIGHT! To my credit, I originally had three exclamation points on that, and scaled it back to just one.) New fans got to see two fighters who were active most of the rounds, a knockdown, and by the end, Guerrero found a way to get inside and give us some fun action. Oh, and let’s not forget: THE HEMOTOMA.
Choosing to forgo the ring card girls was a good choice as well. There’s no way you’re bringing in the masses while reducing four women to a few body parts. Out of all the major sports, boxing is the worst when it comes to objectifying women.
Last night there were no belts. This plays into the scenario above, where PBC becomes the equivalent of the NFL, MLB or NHL. Either PBC is going to become another sanctioning body with a belt to sell, or they become the only game in town. That’s the only choices given the fact that they refused to showcase the WBA belt Saturday night.
There was a lot to fix in this production too.
Marv Albert was clearly very rusty. He had trouble seeing the specifics of the action. What I mean by that is this: He could see that there were punches, but he couldn’t see what kind of punches they were (jab, uppercut, hook, who cares!?) and if they were even landing. I could never call a fight–there’s no way I could keep up with the speed of the action. But this is Marv Albert’s job, so he definitely needs to spend some time watching fights and calling them, preferably on his own time and not on mine.
NBC might want to take their commentating team to some local shows for practice. If I were them I would get in some real time for my commentating team, and even try out different combinations. Maybe Laila Ali needs to be part of the play-by-play team. Maybe Al Michaels should also join that play-by-play team and we lose Marv Albert. Maybe Sugar Ray Leonard is the guy you can pull in when you want and ask some questions, but he’s not there the whole time. Maybe you actually put a mic on Steve Farhood because he has more knowledge of boxing as a commentator than all five of the other people combined. Just some ideas. And can you imagine the stellar marketing move it would be to have Laila Ali as one the main commentators? Granted, she would need to be good at it, but if she could pull it off–wow.
If you’re going to have former boxing champions as commentators you should probably spend some time at the beginning of the broadcast teaching your new fan base who they are. Unless I’m talking to someone in their sixties, no one I talk to knows any names in boxing except Ali, Tyson, Foreman, Holyfield and Mayweather. I’m not even exaggerating.
The ring walks came across as odd. I didn’t mind that the fighters were alone. I get why NBC wanted this–they needed to exercise control, and I think we can all agree that ring walks have gotten a little out of control as of late. To be honest, I don’t come to boxing for ring walks, so this isn’t really a deal breaker for me. What NBC has to fix, is the fact that the night’s ring walks stuck out like a sore thumb. You can’t have that. An alternative might be to show the television audience a video of the fighter rather than he/she walking to the ring.
Adrien Broner. Do I even need to say anything else? Wow. Why would you take what’s on the bottom of the boxing barrel and showcase it for new fans on network television? Unless Haymon is planning on hiring a life coach for Broner, let’s have less of him on NBC. Actually, let’s just have none of him on NBC.
The fights themselves could have been better. I don’t know if Al Haymon made these fights, but I’m assuming he did, and I think we can all agree that matchmaking is not his forte. The main event turned out to be a solid bout for new fans. You got a knockdown, some blood and lots of activity. I would have appreciated an undercard with two bouts that included well-matched fighters instead of named fighters. I don’t care if their records are 15-10, give me two guys whose styles give us fireworks and I’m happy. If the future of PBC is Haymon boxers fighting tomato cans, you can count me out, as well as the rest of America because they’re not tuning in for that. Remember, for them these aren’t even “name” fighters–they don’t know who these guys are!
All in all, I think we can agree that PBC has the potential to be good for boxing. At the very least, it will just be more of the same, and in that case I’ll still be here week in, week out watching guys leaving it all in the ring.
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Steven Navarro is the TSS 2024 Prospect of the Year
“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.
There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.
It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.
Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.
A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.
Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.
We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.
But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.
Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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