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“MONEY MAY” AND THE PROFITABLE POWER OF HATE

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The power of love is a curious thing

Make a one man weep, make another man sing

Change a hawk to a little white dove

More than a feeling, that’s the power of love

“The Power of Love,” Huey Lewis, 1983

Lewis, front man for the News, the San Francisco-based rock group that had a string of hits in the 1980s, is correct. The power of love is indeed a curious thing. They say it makes the world go ’round, and those in its thrall know that to be the case, perhaps especially in those instances when their affection is unrequited and the world goes spinning off its axis. Even human beings with fragile feelings that have been stomped on in the romantic ring can hope to fall head-over-heels again, with a more fortuitous outcome.

There may not be a correspondingly familiar ode to the benefits of hatred, although an obvious candidate might be whatever in-your-face tune served as Floyd Mayweather Jr.’s entrance music for Saturday’s record-shattering pay-per-view clash with Manny Pacquiao at Las Vegas’ MGM Grand. More than anyone who has ever laced up a pair of padded gloves, Mayweather understands the immense profitability in being the arch-villain in a sport where inflammatory words and dubious conduct, when leavened with liberal splashes of actual talent, can make a boxer with something less than a fan-friendly approach almost unfathomably rich and powerful.

The mad stampede for fringe and even non-boxing fans to purchase $99.95 PPV subscriptions for May-Pac – and, in some instances, much more than that for tickets inside the 16,700-seat MGM Grand Garden Arena – is not so much an indication that boxing has regained all of the relevance it has squandered since its most recent golden age in the Huey Lewis-tinged 1980s. A social-media poll conducted prior to the main event, which was jointly televised by HBO and Showtime, indicated that a whopping 67 percent of respondents believed Pacquiao, a 2-to-1 underdog, would win. Was that an indication of a deep conviction in the capabilities of, or widespread hero-worship for, the Fab Filipino? Maybe, to some degree, but more likely it was further proof that significant chunks of the global population are fascinated by the reality and even the perception of evil. Mayweather, and other proudly defiant “bad guys” who flaunt their misdeeds, understand all too well there is gold to be mined from those who profess intense dislike of a fighter, yet shell out for live-action tickets or PPV in the hopes of actually seeing the objects of their scorn receive a bloody comeuppance inside the ropes.

Unfortunately for those who count themselves in that vast and growing number – call them perpetually grumpy members of the “haters gotta hate” club – Mayweather is not temperamentally or stylistically disposed to feed their revenge fantasies by engaging in slugfests at close quarters. All of which makes the deflated expectations left in the wake of the highest-grossing prizefight of all time, another unanimous-decision victory for the man known as “Money May,” so inexplicable. Did anyone really expect Mayweather, one leopard who is never going to change his spots to satisfy the more primal instincts of the public, to be anything other than what he is, has always been and probably always will be? In terms of rip-roaring, two-way action, the No. 1 fight of all time from a bottom-line perspective didn’t come close to cracking the top 100 of fights most fans will fondly file away in their memory banks.

Put it this way: Mayweather (48-0, 27 KOs), who will have made somewhere between $150 million and $180 million when all the financial returns are tallied, not only will be laughing all the way to the bank, he’ll be splitting a gut. When it comes to tolerance and even acceptance of reprehensible behavior, there is nothing remotely comparable to boxing, at once the most exhilarating and most exasperating of all sporting enterprises. The evidence of that is everywhere, like candy eggs on Easter left in such conspicuous places that even a nearsighted kindergartner could find them with ease.

Domestic abuse, such a hot-button topic in the NFL in the wake of the image-tarnishing episodes that led to the suspensions of star running backs Ray Rice and Adrian Peterson, among others, was but a briefly mentioned dark cloud that floated over May-Pay and was quickly dispersed. Where Rice and Peterson were barred by NFL commissioner Roger Goodell from doing what they do best, in a professional sense, after the news leaked of Rice’s knockout of his fiancée (now wife) in a casino elevator and Peterson’s mark-leaving paddling of his toddler son, Mayweather – who has served prison time for one of several such offenses – has never been suspended or even formally reprimanded by boxing’s sanctioning bodies. It is a double-standard that, to its detriment, sets boxing apart from other sports that at least strive to present a veneer of outrage when its athletes are judged guilty of transgressions against society.

Thus has it always been because, well, boxing is boxing. The late, great New York sports columnist, Jimmy Cannon, once deemed it as the principal come-on in the “red light district of sports,” and that description if as true now, or nearly so, as it has ever been. If sanctimonious reformers were to separate the fight game’s saints from the sinners, the International Boxing Hall of Fame would have a considerably reduced membership, and the next main event coming to an arena near you might be less compelling if one or both of the scheduled participants was deemed to have too many warts on their out-of-the-ring resumes.

None of this is to suggest that Mayweather, so obviously gifted, is undeserving of the acclaim or the wealth he has accumulated. He is the most accomplished fighter of his generation, if not necessarily the most entertaining, and if he chooses to spend millions of dollars on more jewelry than Elizabeth Taylor ever had, or on a fleet of luxury cars, or on the care and maintenance of a small army of fawning yes-men, that is his right. But perhaps it should give John Q. Public pause before he opens his wallet for Mayweather’s next PPV extravaganza. It has been said that we, the people, get the government that we deserve, which in these times is a searing indictment if ever there was one, and that reasoning can be applied to the selection of those athletes we choose as our heroic role models or villainous objects of derision. In most cases, fighters on either side of that imaginary fence probably don’t care so long as the check is large enough and clears.

Boxing has always sold itself in part on the basis of natural conflicts – black vs. white, stylist vs. slugger, one nationality vs. another – and there has been a tendency to gravitate toward those miscreants who frequently veer onto the wild side. Does anyone believe that Mike Tyson would have been just as much a can’t-miss attraction had he been a choir boy in his personal life when not dispatching opponents with fearsome ferocity? We keep up with the Kardashians (although I don’t) because their lives are ongoing train wrecks, not models of domestic tranquility.

Those who are cast in the role of black-hatted villain sometimes do so because, while it may be against their true nature, it suits their purposes to play along. Others are predestined to act out because it is at the essence of their being. Mike Tyson may have owned white tigers, but that didn’t make them – or him – purring kitties disposed to restrict their messes to a convenient litter box.

Ten years ago, before Mayweather brutally dispatched an outclassed Arturo Gatti in Atlantic City Boardwalk Hall, I wrote that “At 28, he still has the angelic countenance and glowing smile of a cute sitcom kid. Now try imagining Floyd Mayweather Jr. as a fourth-grader. The image that pops into at least some people’s minds is not so much of a rough ’n’ tumble boxing great but of Emmanuel Lewis, crawling onto Alex Karras’ lap during an episode of `Webster.’”

Mayweather’s face is still reminiscent of that younger version of himself, but then, as now, he never was going to be confused with Webster. “Every time I fight I go in there with a chip on my shoulder,” he said at the time, and that chip has enlarged to the size of a log. He is exactly who he wants to be, and that is probably not the person sitcom dad Karras would have wanted crawling onto his lap at any age. Mayweather doesn’t attempt to conceal his colossal ego and he answers to no one but himself. As far as he is concerned, if you don’t appreciate him for who and what he is, well, that’s your problem. As a rejected Kirk Douglas said to Janet Leigh in “The Vikings,” an entertaining 1958 movie about marauding Norsemen, “If I can’t have your love, I’ll take your hate.” And why not? Hate, in boxing, sells just as well as love. Sometimes even more so.

Some of you profess to hate Mayweather because he lacks even the faintest trace of humility. Others hate him because he waves stacks of $100 bills at the camera as he leans against the shiny new Ferrari he has just added to his collection of ultra-pricey rides, still another reminder of the fabulous wealth he has and that you don’t. And, yeah, some of you hate him because he has slapped around “on six occasions” the mother of three of his four children, Josie Harris, who describes herself as a “battered woman” in constant fear of what might happen whenever Mayweather comes around.

But those of you who fall into any of those categories are still apt to want to see his next fight, maybe because he is so skilled at what he does or maybe because you want to witness the night, should it ever come, when the calculating beast is finally brought to heel.

It was almost understandable that Tyson, at his unhinged best, attracted such a following because he was danger personified and that is a powerful aphrodisiac to the masses. We looked and could not turn away because we understood that a knockout – swift, emphatic, devastating – was imminent.

Mayweather is cut from a different cloth, which makes his status as the foremost cash cow in boxing history somewhat perplexing. His thing is as much about making the other guy look bad as about making himself look good, and there were times when his movement, laser-accurate punching and ring generalship reduced the very capable Pacquiao (57-6-2, 38 KOs) to whiffing on clumsy lunges, rendering hollow “PacMan’s” protestations that he thought he deserved to get the decision.

“No one can get me to say Sugar Ray Robinson or anybody else was or is better than me,” Mayweather said before his May 1, 2010, bout with Shane Mosley. “No one was better. No one is better. Maybe no one else ever will be better.”

If there is a contemporary fighter to whom I would compare Mayweather, it would be the ageless wonder, Bernard Hopkins, who came to understand that boxing’s subtle nuances can be as or more effective than full-frontal assaults. You just have to know what to look for, and to appreciate it when you are afforded the opportunity to glimpse it. Anyone who can’t appreciate the artistry of either man simply does not understand what they’re watching as they systematically break down opponents. If you prefer Jerry Lee Lewis setting fire to his piano at a honky-tonk bar to Van Cliburn in concert in Carnegie Hall, Hopkins and Mayweather probably aren’t your cup of tea. But that doesn’t mean there still isn’t much to admire and appreciate about their level of craftsmanship.

Mayweather gave us another such technically flawless performance, but it was to be expected that many viewers who had hoped to get heaping measures of blood and guts came away disappointed, maybe even angry. As round by round passed into history, there was a creeping sense of “We waited six years for THIS?”

Not that any negative feedback is apt to concern Mayweather. Anyone with a complaint can kiss that part of his anatomy where the sun don’t shine. It is his world, and he figures that it is our privilege to be allowed to occasionally drop in for a visit.

“It’s all about money, power and respect,” Hopkins said in 2003, in a remark about himself that could just as easily have been said about Mayweather circa 2015. “You get the money, you got the power and the respect.”

You also get a fair amount of contempt. But where would boxing be if there was nothing but love and niceties simmering in the cauldron of competition?

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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