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ANOTHER LUMP OF COLE: Texas Ref Steps In It Yet Again

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Deep in Southern Texas, a man who deserved better had a Texas Two Step tattooed on his heart, on Saturday afternoon.

The rude welcome occurred in a town called Hidalgo, near the Mexican border, and the man who will bear the scars from the treatment, who deserved so much better, traveled from Scotland. Not sure how many travelers to Texas, the Lone Star state, which collectively prides itself on a frontier spirit, a “tell it like it is” mindset, with so many of the citizens inclined to advertise a proud mindset of independence of spirit, will leave the state having been been stomped on in such a manner, but your heart goes out to the Scotsman, Ricky Burns.

After 12 rounds of rumbling, the scorcards were read: 117-109, 1116-110, 116-110, for the Texan, Omar Figueroa. So at least the two points taken from ref Laurence Cole, who turned in a subpar outing, making himself way too much part of the fight, instead of being, ideally, pretty much out of sight, out of mind, didn’t obviously affect the outcome.

Yes, the stomper, to my eyes, wasn’t so much opponent Figueroa, who coincidentally or not lives in Texas. No, it was the man tasked with being a fair and impartial arbiter of the proceeding, one Laurence Cole, who in my mind deserves a heaping helping of scorn for his (mis)condusct on Saturday afternoon.

Cole, from the get go, seemed to be acting as if Burns owed him moolah and told him his mom wears combat boots when asked to be paid back…

This was the Premier Boxing Champions main event, a super lightweight attraction which ran on CBS. Therefore, being on terrestrial TV, more folks than usual were able to check out the methods of Cole, who has a rich and lengthy history of stepping in cow pies while being the third man in the ring.

Burns started strong, color man Paul Malignaggi told us in round one. Cole interjected himself in the mix, too much, almost right away. He warned Burns for a behind the head shot which Malignaggi and fellow analyst Virgil Hunter said looked OK.

In round two, viewers saw Cole yank the arm of the Scotsman away from Omar, while the two were mixing it up. That, friends, is an unorthdox move, and one which can result in a clear deficiency situation for the person who is having an interloper tug on their body while they are trying to fend off the offense of their foe. The customary move is to demand that a fighter disengage a limb, once, twice, and then, really only on last resort, when a referee has noted that there is a break in the action, might he choose to resort to interceding physically. Again in round two, Cole grabbed Burns’ arm, like he was breaking up a scuffle between a couple of rough-housing toddlers, rather than two world class prizefighters. Hunter commented on it, and said he disagreed with the practice. “There he does it again,” said Hunter. Then he warned Burns again. “Cole has become a big factor in this fight,” Hunter said, before round two ended.

I almost expected Cole, whose face often features the look of a teen who has been caught canoodling himself in the bathroom by a finger-wagging parent,  to walk to the Omar corner, ask the kid if he wanted an espresso…

In round three, Hunter and Paulie couldn’t stop fixating on Cole, and blow by blow man Mauro Ranallo hopped in too. “I think he heard us, he’s letting them fight out,” said Ranallo, before Cole once again did the arm grab. This time, though, he did it to Omar…

Round four saw Cole being Cole-y; he warned the tourist, like a cop pulling over the guy with the Grateful Dead sticker. Omar punched after Cole yelled stop, but received no chiding. The two men worked hard, and the fight was a bit sloppy, but fun to watch…apart from the ref’s stepping into the spotlight. Omar dipped his head in, as he did time and again, but Burns got warned for pushing his head down.

In round five, Cole gave a second warning for holding…right before Omar held. Burns did some work behind the head, though maybe because Omar dipped his head on the way in. Billy goat-ing Figueroa kept on using the top of his head as a butting agent into the sixth. “I think they should be allowed to fight,” Hunter told us after the fifth. He intoned for a “fair fight,” for Omar to be held to the same regulations as the Scot.

In round six, Omar, in his first fight at 140, brawled ruggedly, made it ugly and the ref made it uglier. He took Burns’ right arm and yanked it away while the men were fighting. To be fair, it wasn’t an easy fight to over-see, but Cole did himself no favors with his work.

On to the seventh…Cole was Mr. Grabby Hands to start the round. He slapped Burns’ arm, then grabbed Omar, and I wondered if he was getting a bonus for each time he touched them. “It’s been a beautiful ugly fight,” Ranallo told us. To round eight..Mr. Grabby yanked Omar, then warned Burns for leading with his head. With a minute left the ref took a point from Burns, for holding. Malignaggi didn’t like the call, and he called it a harsh move. Omar plowed ahead, head down, and then threw some rabbit punches, and didn’t get chided.

In the ninth, the two men kept rumbling. Cole was pretty chill, bless him. In the tenth, grabby did it again, to the Texan, so give him points for consistency. Both were too tired to grab as hard so Cole was now backing off more so. In the 11th, Cole went a grabbin, agin. Burns winced at a left hook to the body. Then Cole took a point, another one, from the Scot, for grabbing. BECAUSE he was DEAD TIRED after eating a hellacious body shot. Poor call, and a shady look which benefitted the home towner. Not very kind to the tourist, Mr. Cole…

In the 12th, Cole was out of range, thankfully, for long stretches. Then he got hands-y, but of course. Happily, neither fighter landed a punch after Cole gave them an edge by holding the foe’s arm, so that’s a good thing.

So, we went to the cards, knowing Omar got an extra two points, compliments of Cole, from his iffy, maybe severely iffy, point deductions. The judges gave it to Omar, and many on social media howled. CompuBox said Burns went 270-886 to 289-799 for the Texan; I thought a win for either man would be understandable, and reserve my scorn not for the judges, but for the ref, who has a track record of missteps and seems to be rewarded for his incompetence, with continued activity, rather than being sent for remedial training, on the Golden Gloves circuit.

It was a fun/ugly fight to watch, made that much worse by the work of a man with a track record of doing just this. How many more times will I and others like me have to write this article? He has a history, he did the grabb-y thing in the Chris John-Rocky Juarez fight; and should have been banned for two years when in 2006 he told Juan Manuel Marquez he was ahead on the cards and wondered if he wanted to have the fight stopped after a butt; he was critiqued hard for his work in the Andre Dirrell-Arthur Abraham and Orlando Salido-Vasyl Lomachenko fights, and was removed from duty after being announced as the overseer of the Manny Pacquiao-Joshua Clottey fight.

Malignaggi might have had a flashback, to when he met Juan Diaz there in 2009. After losing a decision, he announced, “I had to deal with a lot of politics. That was ridiculous. I knew I was going to have to deal with this…I’m telling you, this state never gives a fair shake to anyone coming to this state to fight hometown fighters. It never happens.”

Time for Texas to do the right thing, and send Laurence Cole to the scrap heap. His missteps are too numerous to ignore, not if they seek to remain a viable landing place for big bouts.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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