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Sonny Liston’s Blues Send Sad Notes 50 Years Into Future

Some day they’re gonna write a blues for fighters. It’ll just be for slow guitar, soft trumpet and a bell.” — Sonny Liston
One can’t deny that there is something about Sonny’s quote that resonates deeply. And on many levels. It’s unseen but blares within us, though gently. Perhaps it’s due to history’s recording that Sonny’s ending wasn’t a good one. And perhaps, also, that’s what Sonny really was, gentle and soothing. Or at the very least — in the cacophony of extreme degrees of his complex world — he was in search of it. As all fighters are, really.
Clang!
Wind chimes, second cousins, of the boxing ring’s bell, disrupt the silence on the patio where I sit writing this story. And from black skies above me, hundreds of stars twinkle whispers of appreciation.
Whispering what?
Adulation?
Sonny didn’t trust it. How could he? Illiterate and battered by an unfulfilled father and abandoned by an abused mother, he was forever lost. But there was another who would come along. The same color as Sonny, only with a different set of circumstances. Better circumstances than Sonny, but perhaps still not better than most. Still, it was enough to prepare and propel him. May 25, 2015, was the fiftieth anniversary of second fight between Liston and Muhammad Ali. The fight christened the dawning (to the dismay and delight of many) of a disruptive and uncomfortable bolt of thunder and lightning named Cassius Clay, aka Muhammad Ali.
Cassius Clay — to the total surprise of the experts — would handle Sonny rather easily during their first Miami encounter in February of 1964. Sonny had his moments. But the young cat — literally cat-like — controlled the tempo and the boxing ring’s general geography. He systematically shut down Sonny and relegated one of the greatest heavyweight champions in history, to ordinary journeymen status.
Yes, you read that correctly. One of the greatest heavyweight champions in history.
Top three?
In my view, absolutely. In his prime, Sonny’s technique, talent and temperament stops Marciano. Forty nine and oh? More like forty nine and uh oh. Same with Joe Louis.
Interestingly enough, Sonny would have had problems with Joe Walcott, the former heavyweight champ who refereed Ali-Liston II. Walcott was a victim of Marciano and Louis, but Walcott was a slick, talented, cutie-pie boxer who could crack. I see him taking Sonny deep but I think Sonny wears him down and stops him late. Maybe.
Louis and Marciano looked to “punch.” They couldn’t have ‘punched’ and survived with Sonny.
Larry Holmes could and would have because of the three T’s I mentioned before: talent, technique, temperament. Larry’s stock and trade, his jab, his mind and movement would ensnarl Sonny. It’s a good fight though. Like Ali, Holmes, in his prime, and even after it, knew when, where and how to pull the trigger, in the moment. He was brilliant.
Fifty years ago no one had seen or imagined anything like what was fashioned in the great grandson of abolitionist Cassius Marcellus Clay. His namesake would emphatically put a stamp on his unique approach (in and out the ring) with his first-round knockout of Sonny in Lewiston.
To boxing purists,- the likes of Cus D’Amato chief among them- Ali’s ring behavior was dangerously outside the conventional approach to fighting. In the ring Ali, did everything wrong. He performed with hands by his sides and awkwardly — to the conventionalist — leaned back from opponents punches.
He eschewed body shots and danced –glided as if on skates, actually — to lyrics and a rhythm only he heard. To the gate keepers of America’s status quo, Ali conducted himself with equal- no, scratch that. With a singleness of purpose that was ferocious.
Ali’s protestations — echoes of Malcolm X , his Nation of Islam mentor who was slain a few weeks before the Lewiston rematch — would bring about death threats from those in allegiance with Malcolm as well unwanted attention from the eyes ears of The Company (CIA). The heavyhandedness of the period notwithstanding, history records that one of the greatest heavyweights – Sonny Liston – lost by KO in mysterious fashion to Muhammad Ali in the Lewiston, Maine. There were supposed to be death threats against both fighters. Whether it was Brothers from the Nation of Islam or organized crime, if the fight was fixed Jimmy Breslin’s ‘The Gang That Couldn’t Straight’ must’ve been pulling strings.
In preparation for my portrayal of Sonny Liston in Michael Mann’s ‘ALI’, I was given written works and videos on Sonny. I knew who Sonny was but the rich material supplied to me more than helped fill in the blanks. I’d sit in front of a video monitor and study, frame by frame, Sonny’s movements, idiosyncrasies, in and out of the ring and parse, with the volume muted, rewind and parse again. I’d look at the black and white images of Sonny and the unheard linguistics of his body,- they blared mightily- as he skipped rope to James Brown’s ‘Night Train’, this I’d turn up the volume for- or as when a laugh thundered from him while he was in the company/protection of children.
There were also awkward moments that were in just as awkward and grainy and distorted color images of when he would be seated, talking with a reporter. His searching, protective, untrusting eyes-even in moments where he donned the mask of hubris, one painfully birthed from the canal of private overcoming’s and public triumphs, his eyes would momentarily glazed over with the expectations that abject disappointment was always up ahead and a step or two behind him.
Muting the volume really put me in touch with the essence of who he was and he came alive for me. As Sonny was an illiterate, he behaved as a man who thought that he wasn’t being heard but simply seen. In the upheaval of the sixties, he was not being seen on his terms, either. Sound and speech are only masks for what’s underneath them.
I’m not that unfamiliar with the feelings that coursed through Sonny.
No fighter is. And that’s why we fight or did fight. To be seen, much more than heard, on what we think are, our own terms.
On extremely rare occasions though, the likes of William Shakespeare, Marlon Brando, Muhammad Ali, Miles Davis, or John, Paul, George and Ringo or Elia Kazan or Bob Marley comes along with the gift (or burden-take your pick) that unapologetically marry ‘what they are saying to us with what they are doing to us.’
Our collective volumes are turned up to full blast, their higher frequencies agitate our molecules into some form of action, whether we like it or not.
‘Your Momma wont lose this one/ Your the lucky one, under the sun/If ya
make me move then you know you’ve got the groove’ – Bob Marley.
Esoteric b—–t? No, all relatable on some levels, if open to it. Ali was completely open to the complexities-if not in full comprehension of them, but who is?- of his world fifty years ago.We can see it in his confusion, which then flashes into outrage while he glares downward, right fist-to his chest- positioned and taunting contemptuously over Sonny.
Fifty years later, Neil Leifer’s iconic photo of two giants, one fallen, -on posters and tee-shirt’s – still symbolizes, the world over, majestic dominance. And just think, it all started with yet another ‘shot’-from the pot boiling-over called The 60’s- that was heard and seen around that world.
In my breaking down of the who, what, why, where and how of the events of Ali-Liston II for the film, I came to a conclusion. The phantom punch was a clean one delivered by Muhammad. Notice, I said clean. As in, it landed flush. But would the punch thrown by Ali -not known as a one-punch knock out artist – in that specific moment result in a stoppage of a fighter of Sonny’s quality? Doubtful.
A flash knockdown as a result of that shot? That’s more believable. But not really because Sonny didn’t sell us it or cell it to himself, very well. And it looked just like what it was, bad acting on Sonny’s part.
Buy why? The look in his eyes afterward, for just a moment: self loathing.
Why?
The Phantom punch was borderline bourgeois,- more style than substance. Not that Muhammad chucked it in that context. He threw that right hand as he threw all of his right hands: with primal elegance, in search of the disruption of hardwire within the faculties of the head it crashed into.
But Ali’s capacity for punching lacked the potency to get someone out of there with literally one shot. He’d never done it before.
Dispatching an opponent with an avalanche of them? Yep – see Ali- Cleveland ‘Big Cat’ Williams. No one- with his a combination of guile, grace and killer instinct- did it better.
Ever.
Would Muhammad’s right hand get Sonny’s attention? Sure. Cause a stoppage? Non cipher.
What caused the stoppage was the macro chaos revolving around the micro chaos of Joe Walcott’s panic, Muhammad histrionics, and Sonny’s capitulation. The aforementioned death threats-hovering over both fighters- didn’t assist in facilitating an uneventful evening either. Sonny was looking for a way out.
It happens.
Recently, Manny Pacquiao, -though he was coming forward against Floyd- looked for a pleasant,agreeable-barely confrontational- way out and succeeded in finding it.
But I digress.
Sonny was coming forward when the shot hit him fifty years ago. Force against force, physics 101.
Yeah….but.
In Sonny’s next to last fight, he was knocked out by one of his former sparring partners. Leotis Martin put two shots together and in graphic fashion, deposited Sonny, face first, onto the canvas, and virtually out cold. Ali — four and a half years prior in Lewiston — never hit Sonny like that.
Or, should I say Sonny never responded to Ali’s Phantom punch like he responded to Martin’s undubbed one.
While prepping for ‘Ali’, I was put in contact with a Las Vegas associate of Ash Resnick, the manager of Sonny.The associate proceeded to give me his insights on Sonny and would also also forward the contact number of Davey Pearl. Mr. Pearl,-famously was the third man in the ring during Leonard-Hearns I- in his 80’s when we spoke, used to be one of Sonny’s best friends.
Near the close of Sonny’s life, he and Mr. Pearl would go for early morning runs on and around Las Vegas golf courses. He travelled with Sonny to ‘keep him straight’ as he told it to me. They went together to New Jersey for Sonny’s last fight against Chuck Wepner.
The Ali-Liston rematch was originally scheduled for November 16, 1965 at Boston Garden, Mr. Pearl would tell me that Sonny’s conditioning clicked, focused and returned to that of his two round in two fights blitzkrieg of Floyd Patterson, saying that Sonny ‘was in the best shape of his career’.
But wherever Muhammad and Liston went drama followed. Sonny would never get to show what kind of shape he was in. Three days before the rematch, Ali suffered a hernia and the fight was postponed six months.
Perpetually Effed! – That’s Sonny’s word not mine. I mean I played him but……
History.
What a concept.
Blues: Sonny Liston: slow, easy and methodical.
Rock and Roll: Ali: outwardly disruptive
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Avila Perspective, Chap. 320: Women’s Hall of Fame, Heavyweights and More

Many of the best female fighters of all time including Christy Martin, Laila Ali and others are gathering in the glitzy lights of Las Vegas this week.
Several hundred fans including current and former world champions are attending the International Women’s Boxing Hall of Fame ceremony on Friday, April 4 and 5th at the Orleans Casino in Las Vegas.
It’s one of my favorite events.
Where else can you talk to the female pioneers and stars of the 1980s and 1990s?
The last time I attended two years ago, Germany’s super star Regina Halmich spoke to the packed house about her career in boxing. She and Daisy Lang were two female world champions who sold out arenas wherever they fought. The pair of blonde fighters proved that female prizefighting could succeed.
Many times, I debated with promoters who believed women’s boxing could not succeed in the USA. Though it was popular in Germany and Mexico, various organizers felt female boxing was not appealing to the American masses.
Now promoters and media networks know women’s boxing and women’s sports have crowd appeal.
Expected to attend the IWBHOF event at Orleans will be Mexico’s Jessica Chavez and Jackie Nava who will be inducted into the women’s hall of fame along with Vaia Zaganas of Canada among many others.
It’s also a gathering place for many of the top proponents of women’s boxing including the organizers of this event such as Sue Fox whose idea spawned the IWBHOF.
Each event is unique and special.
Many of my favorite people in boxing attend this celebration of women’s boxing. Stop by the Orleans Casino on the second floor. You won’t be disappointed.
Heavyweight prospects
Heavyweights take the forefront this weekend in two pivotal battles in different continents.
In England, a pair of contenders looking to maintain their footing in the heavyweight mountain will clash as Joe Joyce (16-3, 15 KOs) meets Croatia’s Filip Hrgovic (17-1, 14 KOs) at the Co-op Live Arena in Manchester. DAZN will stream the event.
Both lost their last match and need a win to remain relevant. Joyce has lost his three of his last four, most recently coming up short in a riveting slugfest with Derek Chisora.
Meanwhile, in Las Vegas, Nevada, two young heavyweights looking to crack contender status clash as undefeated Richard Torrez (12-0,11 KOs) fights Italy’s Guido Vianello (13-2-1,11 KOs) at the Palms Casino.
Both are Olympians who can crack and each can take a blow.
The winner moves up into contention and the other will need to scrape and claw back into relevance.
Coming up
April 12 in Atlantic City: Jarron Ennis (33-0, 29 KOs) vs Eimantis Stanionis (15-0, 9 KOs) IBF welterweight title.
April 12 Albuquerque: Fernando Vargas Jr. (16-0) vs Gonzalo Gaston (23-7); Shane Mosley Jr. (22-4) vs DeAundre Pettus (12-4).
April 19 Oceanside, Calif: Gabriela Fundora (15-0, 7 KOs) vs Marilyn Badillo (19-0-1, 3 KOs). Also, Charles Conwell (21-0, 16 KOs) vs Jorge Garcia (32-4, 26 KOs).
April 26 Tottenham Stadium, London, England; Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Aaron McKenna (19-0, 10 KOs) vs Liam Smith (33-4, 20 Kos).
Fights to Watch
Sat. DAZN 11 a.m. Joe Joyce (16-3) vs Filip Hrgovic (17-1).
Sat. ESPN+ 2:30 p.m. Richard Torrez (12-0) vs Guido Vianello (13-2-1).
Sat. AMAZON PRIME VIDEO 8:00 8 p.m. Tim Tszyu (24-2) vs. Joey Spencer (19-1)
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History has Shortchanged Freddie Dawson, One of the Best Boxers of his Era

History has Shortchanged Freddie Dawson, One of the Best Boxers of his Era
This reporter was rummaging around the internet last week when he stumbled on a story in the May 1950 issue of Ebony under the byline of Mike Jacobs. Boxing was then in the doldrums (isn’t it always?) and Jacobs, the most powerful promoter in boxing during the era of Joe Louis, was lassoed by the editors of the magazine to address the question of whether the over-representation of black boxers was killing the sport at the box office.
This hoary premise had been kicking around even before the heyday of Jack Johnson, bubbling forth whenever an important black-on-black fight played to a sea of empty seats as had happened the previous year when Chicago’s Comiskey Park hosted the world heavyweight title fight between Ezzard Charles and Jersey Joe Walcott.
Jacobs ridiculed the hypothesis – as one could have expected considering the publication in which the story ran – and singled out three “colored” boxers as the best of the current crop of active pugilists: Sugar Ray Robinson, Ike Williams, and Freddie Dawson.
Sugar Ray Robinson? A no-brainer. Skill-wise the greatest of the great. Even those that didn’t follow boxing, would have recognized his name. Ike Williams? Nowhere near as well-known as Robinson, but he was then the reigning lightweight champion, a man destined to go into the International Boxing Hall of Fame with the inaugural class of 1990.
And Freddie Dawson? If the name doesn’t ring a bell, dear reader, you are not alone. I confess that I too drew a blank. And that triggered a search to learn more about him.
Freddie Dawson had four fights with Ike Williams. All four were staged on Ike’s turf in Philadelphia. Were this not the case, the history books would likely show the series knotted 2-2. Late in his career, Dawson became greatly admired in Australia. But we are jumping ahead of ourselves.
Dawson was born in 1924 in Thomasville, Arkansas, an unincorporated town in the Arkansas Delta. Likely a descendent of slaves who worked in the cotton plantations, he grew up in the so-called Bronzeville neighborhood of Chicago, the heart of Chicago’s Black Belt.
The first mention of him in the newspapers came in 1941 when he won Chicago’s Catholic Youth Organization (CYO) featherweight title. In those days, amateur boxing was big in the Windy City, the birthplace of the Golden Gloves. The Catholic Archdiocese, which ran gyms in every parish, and the Chicago Parks Department, were the major incubators.
In his amateur days, he was known as simply Fred Dawson. As a pro, his name often appeared as Freddy Dawson, although Freddie gradually became the more common spelling.
Dawson, who stood five-foot-six and was often described as stocky, made his pro debut on Feb. 1, 1943, at Marigold Gardens. Before the year was out, he had 16 fights under his belt, all in Chicago and all but two at Marigold. (Currently the site of an interdenominational Christian church, Marigold Gardens, on the city’s north side, was Chicago’s most active boxing and wrestling arena from the mid-1930s through the early-1950s. Joe Louis had three of his early fights there and Tony Zale was a fixture there as he climbed the ladder to the world middleweight title.)
The last of these 16 fights was fatal for Dawson’s opponent who collapsed heading back to his corner after the fight was stopped in the 10th round and died that night at a local hospital from the effects of a brain injury.
Dawson left town after this incident and spent most of the next year in New Orleans where energetic promoter Louis Messina ran twice-weekly shows (Mondays for whites and Fridays for blacks) at the Coliseum, a major stop on boxing’s so-called Chitlin’ Circuit.
That same year, on Sept. 19, 1944, Dawson had his first encounter with Ike Williams. He was winning the fight when Ike knocked him out with a body punch in the fourth round.
The first and last meetings between Dawson and Ike Williams were spaced five years apart. In the interim, Freddie scored his two best wins, stopping Vic Patrick in the twelfth round at Sydney, NSW, and Bernard Docusen in the sixth round in Chicago.
The long-reigning lightweight champion of Australia, Patrick (49-3, 43 KOs) gave the crowd a thrill when he knocked Dawson down for a count of “six” in the penultimate 11th round, but Dawson returned the favor twice in the final stanza, ending the contest with a punch so harsh that the poor Aussie needed five minutes before he was fit to leave the ring and would spend the night in the hospital as a precaution.
Dawson fought Bernard Docusen before 10,000-plus at Chicago Stadium on Feb. 4, 1949. An 8/5 favorite, Docusen lacked a hard punch, but the New Orleans cutie had suffered only three losses in 66 fights, had never been stopped, and had extended Sugar Ray Robinson the 15-round distance the previous year.
Dawson dismantled him. Docusen managed to get back on his feet after Dawson knocked him down in the sixth, but he was in no condition to continue and the referee waived the fight off. Dawson was then vacillating between the lightweight and welterweight divisions and reporters wondered whether it would be Robinson or Ike Williams when Dawson finally got his well-earned title shot.
Sugar Ray wasn’t in his future. Here are the results of his other matches with Ike Williams:
Dawson-Williams II (Jan. 28, 1946) – The consensus on press row was 7-2-1 or 7-3 for Dawson, but the match was ruled a draw. “[The judges and referee] evidently saw [Williams] land punches that nobody else did,” said the ringside reporter for the Philadelphia Inquirer.
Dawson-Williams III (Jan. 26, 1948) – Dawson lost a majority decision. The scores were 6-4, 5-4-1, and 4-4-2. The decision was booed. Ike Williams then held the lightweight title, but this was a non-title fight. (It was tough for an outsider to get a fair shake in Philadelphia, home to Ike Williams’ co-manager Frank “Blinky” Palermo who would go to prison for his duplicitous dealings as a fight facilitator.)
Dawson-Williams IV (Dec. 5, 1949) – This would be Freddie Dawson’s only crack at a world title and he came up short. Ike Williams retained the belt, winning a unanimous decision. The fight was close – 8-7, 8-7, 9-6 – but there was no controversy.
Dawson made three more trips to Australia before his career was finished. On the first of these trips, he knocked out Jack Hassen, successor to Vic Patrick as the lightweight champion of Australia. A 1953 article in the Sydney Sunday Herald bore witness to the esteem in which Dawson was held by boxing fans in Australia: “None of our boxers could withstand his devastating attacks which not only knocked them out but also knocked years off their careers,” said the author. “It is doubtful whether any Australian boxer in any division could have beaten Dawson.”
Dawson had his final fights in the Land Down Under, finishing his career with a record of 103-14-4 while answering the bell for 962 rounds. Following what became his final fight, he had an eye operation in Sydney that was reportedly so intricate that it required a two-week hospital stay. He injured the eye again in Manila while sparring in preparation for a match with the welterweight champion of the Philippines, a match that had to be aborted because of the injury. Dawson then disappeared, by which we mean that he disappeared from the pages of the newspaper archives that allow us to construct these kinds of stories.
What about Freddie Dawson the man? A 1944 story about him said he was an outstanding all-around athlete, “a champion in all athletic undertakings – basketball, baseball, track and even jitterbugging.” A story in a Sydney paper as he was preparing to meet Vic Patrick informs us that he had two young children, ages 2 and 1, owned his own home in Chicago, and drove a two-year-old Cadillac. But beyond these flimsy snippets, Dawson the man remains elusive.
What we learned, however, is that he was one of the most underrated boxers to come down the pike in any era, a borderline Hall of Famer who ought not have fallen through the cracks. Inside the ring, this guy was one tough hombre.
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Ringside at the Fontainebleau where Mikaela Mayer Won her Rematch with Sandy Ryan

LAS VEGAS, NV — The first meeting between Mikaela Mayer and Sandy Ryan last September at Madison Square Garden was punctuated with drama before the first punch was thrown. When the smoke cleared, Mayer had become a world-title-holder in a second weight class, taking away Ryan’s WBO welterweight belt via a majority decision in a fan-friendly fight.
The rematch tonight at the Fontainebleau in Las Vegas was another fan-friendly fight. There were furious exchanges in several rounds and the crowd awarded both gladiators a standing ovation at the finish.
Mayer dominated the first half of the fight and held on to win by a unanimous decision. But Sandy Ryan came on strong beginning in round seven, and although Mayer was the deserving winner, the scores favoring her (98-92 and 97-93 twice) fail to reflect the competitiveness of the match-up. This is the best rivalry in women’s boxing aside from Taylor-Serrano.
Mayer, 34, improved to 21-2 (5). Up next, she hopes, in a unification fight with Lauren Price who outclassed Natasha Jonas earlier this month and currently holds the other meaningful pieces of the 147-pound puzzle. Sandy Ryan, 31, the pride of Derby, England, falls to 7-3-1.
Co-Feature
In his first defense of his WBO world welterweight title (acquired with a brutal knockout of Giovani Santillan after the title was vacated by Terence Crawford), Atlanta’s Brian Norman Jr knocked out Puerto Rico’s Derrieck Cuevas in the third round. A three-punch combination climaxed by a short left hook sent Cuevas staggering into a corner post. He got to his feet before referee Thomas Taylor started the count, but Taylor looked in Cuevas’s eyes and didn’t like what he saw and brought the bout to a halt.
The stoppage, which struck some as premature, came with one second remaining in the third stanza.
A second-generation prizefighter (his father was a fringe contender at super middleweight), the 24-year-old Norman (27-0, 21 KOs) is currently boxing’s youngest male title-holder. It was only the second pro loss for Cuevas (27-2-1) whose lone previous defeat had come early in his career in a 6-rounder he lost by split decision.
Other Bouts
In a career-best performance, 27-year-old Brooklyn featherweight Bruce “Shu Shu” Carrington (15-0, 9 KOs) blasted out Jose Enrique Vivas (23-4) in the third round.
Carrington, who was named the Most Outstanding Boxer at the 2019 U.S. Olympic Trials despite being the lowest-seeded boxer in his weight class, decked Vivas with a right-left combination near the end of the second round. Vivas barely survived the round and was on a short leash when the third stanza began. After 53 seconds of round three, referee Raul Caiz Jr had seen enough and waived it off. Vivas hadn’t previously been stopped.
Cleveland welterweight Tiger Johnson, a Tokyo Olympian, scored a fifth-round stoppage over San Antonio’s Kendo Castaneda. Johnson assumed control in the fourth round and sent Castaneda to his knees twice with body punches in the next frame. The second knockdown terminated the match. The official time was 2:00 of round five.
Johnson advanced to 15-0 (7 KOs). Castenada declined to 21-9.
Las Vegas junior welterweight Emiliano Vargas (13-0, 11 KOs) blasted out Stockton, California’s Giovanni Gonzalez in the second round. Vargas brought the bout to a sudden conclusion with a sweeping left hook that knocked Gonzalez out cold. The end came at the 2:00 minute mark of round two.
Gonzalez brought a 20-7-2 record which was misleading as 18 of his fights were in Tijuana where fights are frequently prearranged. However, he wasn’t afraid to trade with Vargas and paid the price.
Emiliano Vargas, with his matinee idol good looks and his boxing pedigree – he is the son of former U.S. Olympian and two-weight world title-holder “Ferocious” Fernando Vargas – is highly marketable and has the potential to be a cross-over star.
Eighteen-year-old Newark bantamweight Emmanuel “Manny” Chance, one of Top Rank’s newest signees, won his pro debut with a four-round decision over So Cal’s Miguel Guzman. Chance won all four rounds on all three cards, but this was no runaway. He left a lot of room for improvement.
There was a long intermission before the co-main and again before the main event, but the tedium was assuaged by a moving video tribute to George Foreman.
Photos credit: Al Applerose
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