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Paulie Malignaggi: It’s Over

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It began in Brooklyn and it ended in Brooklyn.

Fourteen years ago, on a perfect summer night, a young man named Paulie Malignaggi made his professional boxing debut at Coney Island’s KeySpan Park with a first-round knockout of Thadeus Parker. Like all young fighters, Malignaggi harbored dreams of glory. Some of those dreams came true; others didn’t. On August 1 at Barclays Center (an arena that didn’t exist when Paulie turned pro), those dreams came to an end.

Malignaggi fought the odds throughout his career and had championship runs at 140 and 147 pounds. Unlike most “name” fighters today, he really would fight anyone. His final ring record – at least, one hopes it’s final – shows 33 wins and 7 losses. His biggest fights (against Miguel Cotto, Ricky Hatton, Amir Khan, Adrien Broner, Shawn Porter, and Danny Garcia) ended in defeat. But pivotal victories over Zab Judah, Vyacheslav Senchenko, Juan Diaz, and Lovemore N’dou brightened the mix.

Through it all, Paulie spoke his mind and did it his way. “I’m the kind of guy who doesn’t dip his toe into the pool,” he says. “I’ll jump in to see if it’s cold.”

Part of his appeal was that he wore his emotions on his sleeve. In and out of the ring, he appeared vulnerable.

“When you win in front of millions of people,” Paulie noted, “it’s an incredible high. And when you lose in front of millions of people, it hurts. But in the end, it’s not about the number of people watching. It’s about youself. I cried after every loss I had as an amateur. And I cried after I lost to Miguel Cotto and Ricky Hatton. Then I stopped crying after losses, but they still hurt.”

As Paulie aged, the term “elder statesman” didn’t quite fit. Rafe Bartholomew put his finger on one of the reasons why when he wrote, “Malignaggi’s hairstyles have run a gamut unlike any other in a sport where hideous coiffures are common. We’ve seen Malignaggi go from Pauly D blowout to spiked frosted tips to a peach-fuzz baldie decorated with constellations of shaved-in swirls. The undisputed high point of Malignaggi’s follicular odyssey came when he fought Lovemore Ndou with a head full of braided extensions that made him look like the Italian-American love child of Milli Vanilli and Medusa. When he entered the ring with simple cornrows or a red-tinged faux-hawk, it was interpreted as a sign of mature veteran stature.”

But Paulie kept on being Paulie.

“The media doesn’t know crap about boxing,” he told veteran writer Ron Borges. “There are a few exceptions. But they watch every week and don’t know what they’re doing. If I spent that much time watching something and wrote and said what they do I’d feel very ignorant. I’d feel stupid.”

By that time, Paulie had joined the media as a commentator for Showtime Boxing and was carving out a niche for himself as one of the best in the business.

On April 19, 2014, Malignaggi suffered what many people, including himself, thought was a career-ending fourth-round knockout loss at the hands of Shawn Porter.

“I was hurt pretty bad,” Paulie acknowledges. “Porter went off like a grenade. I went from the ropes to the canvas to the hospital. I’d never been hurt like that before.”

Thereafter, David Greisman wrote, “Paulie woke up every morning with nausea. It seemed as if he needed to shake cobwebs out of his head before his day could begin. Even then, there would be bad headaches that came unexpectedly. He would sit ringside during broadcasts, see a heated exchange between fighters, and think, ‘I’m glad I’m not there.’”

“I never said officially that I was retiring,” Paulie noted earlier this year. “But I told the people I was close to that I thought I was done.”

Then, to the dismay of family and friends, Malignaggi announced that he was fighting again; a tune-up fight against untested Danny O’Connor. In a series of interviews, Paulie explained his thinking:

* “At first, I didn’t want to fight again. I would see these fights from close range [as a commentator], see the violence, some crazy exchanges. ‘Man, better these guys than me. I’m done.’ Then little by little, as I started feeling better, I would focus on the crowd reaction, the adrenaline these fighters are feeling. I was starting to slowly change my thinking. It was starting to slowly become more like, ‘I got to feel this again; I got to feel that rush again. It’s something missing in my life. If you’re not living a certain way, you’re basically dead anyway.”

* “I’d love to win another world title. One more world title would be nice. Sometimes, I think about it and I say ‘one more year.’ And then I think about, if at the end of the year I’m on the verge of getting a big fight, I’m not going to stop. You don’t know when for sure.”

And the ultimate excuse:

* “Before the Porter fight, I hadn’t looked bad. I had one bad night.”

Malignaggi-O’Connor was cancelled when Paulie suffered a cut in training. Then Paulie was offered and accepted an August 1 fight against a far more formidable opponent: Danny Garcia.

“Everybody has asked me, ‘Why would you do this?’ Malignaggi told Tom Gerbasi. “’It’s not like you need money. It’s not like you’re starving.’ But in life, there are other things that make you feel fulfilled besides money. Money’s good; trust me. But you can’t buy happiness and you can’t buy that sense of fulfillment. You fight to be on this grand stage. You do all the hard work through the years. You fight in these little club shows early in your career. You’re fighting in gymnasiums as an amateur. And you do it all so you can be on these huge stages one day. That’s what you dream of. And the bigger the stage, the bigger the rush.”

“That elite level,” Paulie told The Players Tribune. “When you get declared the winner at the end, it’s God-like. It’s hard to describe. It hooks you. It’s addicting, knowing that only a small percentage of people in this world will ever get to feel that kind of adrenaline, and you’re one of them. You crave it. It’s like a drug.”

“A boxer knows it’s time to hang ‘em up when he fears getting hurt in the ring more than he fears losing,” Paulie continued. “If you’re afraid of getting hurt, you have no place in between those ropes. If you’re afraid to fail and you’re afraid to lose and you’ll lay your body on the line and do everything humanly possible to beat the man in front of you, you still got it.”

But that’s nonsense. Judged by that standard, Muhammad Ali didn’t fight too long. Ali always had the will to win. Brain damage shows up over time.

In the days leading up to Garcia-Malignaggi, Danny was a 6-to-1 betting favorite. Fighting mostly at 140 pounds, he’d fashioned a 30-and-0 (17 KOs) record highlighted by a fourth-round knockout of Amir Khan and decisions over Lucas Matthysse and Lamont Peterson.

Paulie hadn’t fought in almost sixteen months and had won one fight since a disputed split-decision triumph over Pablo Cesar Cano in 2012. His reflexes had slowed. His legs were no longer what they once were. The fresh young face and optimism of youth were gone.

“I know people are saying this is my last fight, that I’m just taking a payday,” Paulie noted during a media conference call. “But you know what? You can’t take people’s opinions in the ring with you. I keep reading, ‘This is Paulie’s swan song. It’s his last fight.’ We’ll see.”

“I don’t know how many more great performances I have left in me,” Paulie added at the final pre-fight press conference. “I know I’ll have one on Saturday night. I’ve put my body and mind through so much for this fight. I’ve been so focussed. I’m so sharp. People say I don’t hit hard, but I hit hard enough to break Danny’s nose. And if I break Danny’s nose, he has a problem. On Saturday night, you’ll see the best Paulie Malignaggi that I can be.”

And there was a special motivating factor for Malignaggi.

“So much hinges on Saturday night,” Paulie confessed. “A win could put me in the conversation for the Hall of Fame. I made a list of goals that I wanted to achieve when I started boxing, and I’ve been checking things off ever since. National amateur champion. Yes. Olympian. No. World champion. Yes. Financial security. Yes. Hall of Fame. That was my biggest longterm goal. If I win on Saturday night, that hope stays alive.”

Boxing at the world-class level is a game of centiseconds and fractions of an inch. On fight night, those numbers favored Garcia.

Danny was the aggressor throughout. One arguably could have given rounds two, five, and seven to Malignaggi. There were times when he was able to frustrate Garcia and neutralize Danny’s attack with movement, jabs, and a handful of body shots. But for the most part, Garcia was in charge. And when Paulie made him miss, he didn’t make him pay.

Malignaggi was cut above the right eye in round three and beneath it in round six, a round in which he tired noticeably. By round eight, Garcia was landing right hands to the body and hooks up top with abandon. The assault continued in round nine with Paulie fighting simply to survive. Two minutes and 22 seconds into the stanza, referee Arthur Mercante appropriately stopped the bout.

After the fight, Paulie sat on a chair in his dressing room with his head bowed. There was a large discolored lump on the right side of his forehead. Blood seeped from an ugly gash beneath his right eye and there was a second cut above it. The left side of his body looked like raw beef.

Dr. Avery Browne of the New York State Athletic Commission came into the room for a post-fight physical.

“How do you feel?”

“I’ve been better,” Paulie said. “But I’m all right.”

“Do you have a headache?”

“Yeah. But it’s not as bad as after the last fight.”

Dr. Browne administered the normal post-fight tests with a few extra questions for good measure.

“Who’s the president?”

“Come on,” Paulie answered. “Obama. Do you want me to say Batman?”

“You’ll need stitches,” Dr. Browne told him.

“I’m getting used to it.”

“I’m giving you a forty-five-day suspension.”

“How about forty-five years?” Paulie suggested.

The doctor left.

A period of silence followed. It wasn’t just that Paulie had lost the fight. By any rational standard, his career as a fighter was over.

Tom Hoover (the newly-installed chairman of the New York State Athletic Commission) entered to check on Paulie’s condition.

“It was a good stoppage,” Paulie told him. “The doctors were great. Thank you.”

Dr. Tony Perkins (a plastic surgeon in private practice) was the next arrival.

Paulie lay down on a vanity table that ran the length of the dressing room beneath a mirrored wall.

Dr. Perkins began to work. While the stitching was in progress, Al Haymon came in and walked over to Paulie.

“I don’t have it any more,” Paulie said.

Haymon leaned over and whispered words of assurance in Paulie’s ear.

“You’re okay. You’re in the family.”

An hour earlier, Haymon had visited Sergio Mora’s dressing room and spoken the same words to Mora, who’d been unable to continue after breaking his ankle in the second round of a fight against Danny Jacobs.

Haymon left.

Dr. Perkins finished his work. Five stitches above Paulie’s right eye and ten stitches beneath it.

Paulie looked at the people gathered around him. His brother, Umberto; longtime friend and business advisor, Anthony Catanzaro; Pete Sferazza, another friend; Bobby Ermankhah, CEO of Azad, which markets a Magic-Man watch.

“My jab wasn’t working the way I wanted it to,” Paulie said. “There were moments when it seemed like I was taking control, and then Danny took it back . . . I’m not as fast as I used to be. And my legs aren’t as good. I adjusted my style the last few years to compensate, but it wasn’t enough tonight . . . I can still beat a lot of guys, but I want to be more than the pesky crafty guy who comes up short in big fights . . . I’m not an elite fighter anymore.”

“Do you want to do the blood now?” a USADA collection agent asked.

“Yeah. Let’s get it out of the way.”

A year ago, there was a moment that spoke volumes about Paulie Malignaggi’s psyche. On May 31, 2014, Carl Froch scored a dramatic one-punch knockout of George Groves in front of 80,000 roaring fans at Wembly Stadium in London.

“Right now,” Paulie told a television audience that was listening to his commentary, “I wish I was Carl Froch.”

Paulie never had his Carl Froch moment. But he has been to the mountaintop.

Several months ago, reflecting back on his championship victories and also his fights against Miguel Cotto, Ricky Hatton, and others, Paulie told David Greisman, “When my career is over, years from now, whether I’ve won or lost these big fights, at least I’ll be able to say I was in the ring with those guys. When people talk about great fighters, I got to share a night with those guys in front of a big crowd, and it was really cool. Whether I won the fight or lost the fight, I had some cool experiences.”

Paulie is a smart guy. Fighting again would be stupid.

Thomas Hauser can be reached by email at thauser@rcn.com. His most recent book – Thomas Hauser on Boxing – was published by the University of Arkansas Press.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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