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Roman Gonzalez: The New Pound-for-Pound King

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Back when Roman Gonzalez was a twenty-two year old minimumweight with a slate of 25-0 rather than a twenty-eight year old flyweight with a slate of 43-0, I wrote an article speculating as to whether or not Roman Gonzalez would ever assume the dizzy heights of the pound-for-pound #1 slot.

“I think he can,” I wrote in conclusion, “time and talent are on his side.”

Upon the retirement of Floyd Mayweather in the wake of his anaemic victory over the under-qualified Andre Berto, Ring Magazine elevated Gonzalez to the #1 spot; after taking a single week to see if Floyd Mayweather would reverse his decision, TBRB (of which I am a member) followed suit. Mayweather was such a dominant and long-lived #1 that his withdrawal from the p4p list was always going to cause a shuffling of the pound-for-pound pack and the subjective nature of such an exercise means that no new ascendant to the throne was going to be universally agreed upon overnight, but the early votes, certainly, are in: Gonzalez is the best in the world.

The first time I ran the rule over Gonzalez he was a known quantity for all that he was one that flew beneath the radar but he was also a work in progress. In breaking down Gonzalez by category I was handicapped by Roman’s own lack of experience and in many areas I had to pose questions rather than give answers. Today, we know almost all we will know about the Nicaraguan who is at the absolute peak of his powers, has most of his major formative experiences behind him and who has several years in which to express his destructive powers to the fullest of his ability. It’s good to be Roman Gonzalez.

I’m going to revisit the categories I ran him through all those years ago. There will be very different results. Gonzalez is a monster. A machine. A killer. Any and every cliché you feel you would like to apply is valid. He is the antithesis of Floyd Mayweather; a destroyer who does not seek to hit and not be hit, but rather to hit, hit, hit.

He breaks people.

THE EARLY DAYS

“The step up in class went totally unnoticed by Roman Gonzalez.”

What most impressed me about Gonzalez in the first five year instalment of his career between 2005 and 2010 was that he deployed himself independent of the level of his opposition. Against early opponents he was as careful as he would be against world-class opposition; against world-class opposition he was as dominant and confident physically as he was against early opposition. What this meant in practical terms was that a strapholder like Yutaka Niida was dispatched with the same unruffled calm (TKO 4 2008) as a professional loser like Francisco Mezza (RTD 6, KO2, 2006). This was something of an absurdity and for all that it was artificially enhanced by the discipline he showed against the soft opposition he cut his teeth on, it still framed the pertinent question perfectly: how far can he take this?

We know the answer now: all the way to the top. His air of utter dominance may have evaporated in the face of the very best opposition but he is yet to be stretched to the extent of his ability by my eye. An often heard criticism of Floyd Mayweather was that his style and careful selection of opponents meant we never saw him reach his full potential. Gonzalez, too, may not have reached his absolute apex but it is assuredly not a matter of style. Gonzalez is there, right there with his adversary and now he has moved through 105lbs and 108lbs to 112lbs, he enjoys no meaningful advantages in height or reach. As for his selection of opponents, a harsher criticism, perhaps, of Mayweather was that the opposition he bested did not go on to achieve after his having beaten them. If this was true of Mayweather, and I do not say that it is, it is absolutely untrue of Gonzalez.

In 2009, having barely emerged into the world class, he posted his ugliest win over the much fleeter Katsunari Takayama, using aggression and pressure to out-point his much quicker opponent. When Gonzalez exited the division Takayama came again and briefly summited as the world’s best minimumweight before losing out to Francisco Rodriguez Jnr. in the fight of 2014. Rodriguez, too, was a former Gonzalez victim, stopped in seven in a rugged, one-sided encounter from 2013. Gonzalez left in his ruinous wake the men who would fight for the scraps he left behind, primed boxers capable of boxing for titles even after he battered them. His eventual legacy has been enhanced by the opposition he met in his formative years.

STYLE

“If Gonzalez is one day to reach the heights of pound-for-pound #1, he will likely need to hold multiple titles at a higher weight class, so these more careful boxing skills will be crucial.”

Gonzalez is a pressure-boxer with a serious punch (37 stoppages in 43 fights) but that is a little like saying a Beethoven’s Sixth is a piece of classical music. There are shades and variety in his destructive stylings borne, in the main, upon outstanding footwork and balance.

On paper, Gonzalez was run close by the savage Francisco Rosas in October of 2010 although in reality, Gonzalez was a clear winner. Nevertheless, Rosas did become the first man to really ruffle Roman physically, employing rabbit-punches and aggression to force Gonzalez to focus on defence rather than offence for short stretches. Rosas perhaps earned the rematch the two fought around eighteen months later for one of the many straps issued by the perennially confused WBA at 108lbs. This is the fight that best illustrates the Gonzalez default style. He begins slowly behind a high guard, but that guard is not an invitation for the opponent to lead so much as a launching pad for his own punches. He remains loose, edging forwards and laterally with tight, small moves. All is economy; if he moves it is in order that he might bring himself into range where he is at his most destructive or to give the opponent a little too much space for his own punches whereupon he can land his own counters. Half way through the first he slips to the ground and when action resumes Rosas tries to bull into him whereupon Gonzalez eases into a new gear. Not quite planted, his stance primarily supports punches now, and he finds a blistering lead right and a three-punch combination that leads seamlessly into a two-piece.

He broke Rosas around a minute into the second; the combination which dropped him for the first knockdown was eight punches long. The combination for the second knockdown was eleven punches long. Rosas had never been stopped before, and has not been knocked out since.

The pressure is relentless, specialised, but there is little about it that is flashy, he doesn’t storm the barricades like Mike Tyson or invoke perpetual motion like Joe Frazier, nor, even, does he seek to decimate flesh like Marciano. His pressure is of an even more deadly kind because it is not an ending in and of itself. Tyson, Frazier and Marciano were more terrifying than Gonzalez in their pressure but that of Gonzalez is far more precise; it is distilled to the point where it functions purely to bring him into range for unerringly accurate punches. Marciano and Frazier lacked his precision and Tyson lacked his economy. In terms of types of pressure, denoted here by the great heavies, Gonzalez is most like Joe Louis but Louis is often criticised for his footwork. Gonzalez does not have that problem.

TEMPERAMENT AND MENTAL STRENGTH

“Such maturity in such a young fighter is rare.”

It is now mostly forgotten that Juan Francisco Estrada came from almost nowhere to give Gonzalez the sternest test of his career late in 2012. It was barely more than a year since he had dropped a decision to titlist Juan Carlos Sanchez and it had taken him nine rounds to dispatch German Meraz in his previous fight despite the fact that Meraz had twice been stopped in four rounds the year before. Since, Estrada has embraced the traditional path for the best Gonzalez victims, dominating a wide variety of world-class flyweights and even enshrining himself upon the TBRB pound-for-pound list. But, to say the least, on the night Estrada ran Gonzalez so close, it was something of a surprise.

This is important to note because it must have come as something of a surprise to Gonzalez himself. With a KO% of 86, it must come as something of a surprise every time an opponent goes the distance, but the taller, rangier Estrada didn’t just survive, he troubled Gonzalez, winning the first two rounds and showing a brilliance in moving just as Gonzalez begins to motor. Kept from his fluid best early, Gonzalez doesn’t freeze and nor, crucially, does he go looking for that single punch to change the fight but rather he accepts that he is going to have to take punishment and he adapts. In the second he throws a straight right lead to the body and as Estrada starts to move off he comes square and rockets in a southpaw jab up top. He finds new planes of attack to replace those Estrada is taking away with his mobility. Estrada finishes the third with swelling around the left eye and blood trickling from his nose.

Buying his way in with suffering and surges the antithesis of his normal balanced approach, by the fifth Gonzalez had happened upon the strategy that would win him the fight. He solved the bigger, faster, world class Estrada in the ring and he did it without even a single loss of control, without the merest hint of uncertainty. It is the only time in his career that there has been tension when the fight went to the scorecards but the officials uncovered the right winner; I suspect the world-class Estrada will get another shot at Gonzalez at some point in the future.

Early in his career, Gonzalez gave an indication that it might be the case but I think now it is fair to say that strategically, he is as adaptable as a fighter can be. Mentally, he seems something close to unbreakable.

FOOTWORK AND BALANCE

“Gonzalez excels at cutting off the ring and looks every inch the mobile destroyer.”

In essence, there is little to say about Gonzalez’s balance in 2015 that I didn’t say in 2010. He does indeed look every inch the “mobile destroyer” and as I also said at that time “[t]his is the area where Gonzalez has shown the most dramatic improvement.” He has continued to shorten his stance until he looks more like a standard-issue box-puncher and he has learned lessons about occasionally sacrificing his exquisite balance in favour of a sudden charge but this facet of his game was all but perfected by the time of his move in earnest up to 108lbs.

As to his footwork, the ultimate testimony to any fighter’s mobility is his excelling against opponents that move away from him. Traditionally, movers present the biggest difficulty for pressure-fighters – returning to our heavyweight analogy, think of the struggles inflicted upon Marciano and Louis by Jersey Joe Walcott. The exception is when a swarmer has the footwork to catch the runner. Think of Joe Frazier chasing down Muhammad Ali, or Tyson’s early-round attacks. Gonzalez has such speed of pressure. He struggled in 2009, as noted, against the world-class mover Takayama, or at least he struggled to pin him down for a serious lashing while winning a wide decision, but since then he has definitely improved, both in terms of knowing when to take a risk and push and in terms of technical execution. Gonzalez is one step ahead of his man, most of the time, and as a pressure-fighter with world-class mobility, he does his best boxing when an opponent gives ground voluntarily or when he is forced to do so by Gonzalez on the warpath.

This may be the key ingredient in Gonzalez’s success.

TECHNIQUE ON OFFENCE

“Just as Gonzalez shows great variety in terms of style, so he shows great variety in his offence.”

In September of last year, Roman Gonzalez became the lineal world champion at flyweight. He had already established himself as the best fighter in the world at 105lbs and done some damage at 108lbs, but 112lbs was to be the first division where his dominance would translate into history. His opponent was the Japanese Akira Yaegashi. Yaegashi was himself a monster of a flyweight who was on a tear up through the hottest division in the sport but has failed miserably to put his career back together behind the brutal beating that Gonzalez laid upon him. It was probably the pinnacle of Roman’s career so far as offence is concerned and that makes it one of the most brilliant displays of box-punching seen since the heyday of Manny Pacquiao.

The number of leads of which Gonzalez is capable is almost as long as the list of punches that exist in boxing. This tortures opponents who move because they expect to be placed under control by the left jab. Gonzalez has one, a good one, but he sees and knows openings for all the other punches too. Yaegashi, who has fast feet, spent the first forty seconds of their fight alive to the left, only to be drilled with a short right hand to the chest. At the fifty seconds elapsed Gonzalez lands with a jab to the body; after eighty seconds it’s the lead right again; at ninety seconds he leads with a left hook. After one-hundred seconds elapsed he leads with the right uppercut and then tries to stitch a one-two on behind it. With just less than two-minutes elapsed he leads with the left-uppercut and has deployed the set.

For Yaegashi, this is a nightmare. He now has to deal with virtual threats across his entire defensive front. This is the very definition of offence working as defence because there is no quarter from which Yaegashi can assume a lesser threat. Yaegashi is world class, but Gonzalez out-and-out favours the lead right hand against him. This is arguably his most exquisite punch, one that he throws in all forms, as a snipe, as a torque-fuelled knock-out blow, as a range-finder, and he throws it to body, head, chest. Worse, it is a punch without a sell and furthermore it is a punch that he can throw behind a left-handed feint; he can dip his left shoulder as though about to hook and then drive home the right. Still, others would disagree. The Gonzalez left-hook is as short a punch as exists in boxing today, a stack of hurt compacted into a blow that is driven through the knee and the hip. It’s superb technique that has left a dozen opponents and more broken on the canvas.

Gonzalez speaks of landing seven and eight punches in quick succession and he can be seen doing so on film, but his bread and butter are the two-piece combinations that act as the spear of the offence of most great fighters. But his one-twos are about more than the jab-right hand. Against Yaegashi, he graduated quickly to bunches, having successfully feinted him out of position and onto the ropes he throws a straight-right, a left hook, steps inside for a left uppercut, back out, jab, right-hand to the body which brings him inside for the wide left hook. Of these, he missed only the left uppercut and it is only the third round.

This type of fluidity on offence is rare. I’ll go a little further: it’s non-existent. Golovkin may be as dangerous, but he is also less elastic for all that he is more destructive. Kovalev, too, is comparable on offence, but he is more a traditional technician and has not yet proven a gift for adaptation or improvisation. Manny Pacquiao is, I think, now passed this level of brilliance and while Naoya Inoue may catch Roman, he’s not there yet.

There is a reason Roman Gonzalez is the pound-for-pound number one and this is it: he is the best in the world at hitting people.

TECHNIQUE ON DEFENCE

“Gonzalez can take it when he has to.”

Roman’s engine and chin were proven beyond all hope of contradiction against Estrada. He was forced to adopt a risky strategy to get the win which meant he had to take hard punches throughout, but come bell he was still throwing and still marching grimly forwards. It was the last piece of the jigsaw in terms of his raw ability and he is now confirmed.

Technically, Gonzalez still abandons his guard occasionally when he throws right handed, his left hand given to wandering. This makes me wonder if he might not prove especially vulnerable to a southpaw with fast hands and why he is proven vulnerable to anyone brave enough to lead with a right hand to the body (stand up Rocky Fuentes). He also abandons the shifty defensive movement he employs at the beginning of the fight when he goes late, another reason a concrete chin is such a boon.

On the plus side, he shows good head movement early, is generally disciplined where his defensive guard is concerned and has some parrying skills. Just as he is a factor of ten ahead of Floyd Mayweather on offence, he is a factor of ten behind him on defence, but he is only Rocky Marciano when he chooses to be, when it is necessary, and for most of the rest of the time he is reasonably difficult to hit clean.

RING GENERALSHIP

“In essence, Gonzalez’s style solves a lot of generalship problems almost by default.”

What I meant by the above remark is that Gonzalez’s dual ability to box his way in or storm his way in provides him with two distinct opportunities at solving any given opponent. When the first fails, as was the case versus Takayama, the second present a default alternative. Now, he has proven the existence of a Defcom Three against Estrada. More than this, the enormous value of his intrinsic abilities means he rarely finds himself in a fight he actually needs to change – whether he is boxing inside, outside, against a fleeing opponent or one who wants to match him, he always comes out on top of the majority of battles and without exception, of the war.

That being said, he has demonstrated a superb ability to force his opponent into the fight he himself wants to be in. Whether he is drawing the fleet-footed Juan Purisima inside or forcing the savage Francisco Rodriguez to give ground, Gonzalez is, at 43-0, a past-master in what Sam Langford surmised as stopping the other man from doing what he wants to do.

SPEED AND POWER

“He may find himself out-sped in fights, but this is unlikely to be the cause of his downfall.”

Re-reading the above line, I’m struck by its brashness. Being out-sped is as likely to lead to a fighter’s downfall as any other single differential. Gonzalez rewarded my confidence however, proving that he can overcome a speed differential.

Gonzalez has come from 105lbs; he’s fast, and although there are faster fighters at 112lbs and below I think he has closed that gap slightly between this and the last time I wrote about him. Thomas Hauser wrote recently in an article about drug use in professional sport that fighters don’t get older, faster and bigger all at the same time but there is a caveat here. It’s true that a fighter’s handspeed shouldn’t increase but a fighter can absolutely get better at landing the second punch in a combination and if he has the type of coordination Gonzalez does, he can get better at landing the third. As his grasp of his own body-mechanics improves a fighter can indeed give the impression of punching more quickly. I think this is the case with Gonzalez and I think this is why faster fighters cannot overcome him.

His feet, too, are quick rather than lightning fast, but he doesn’t waste a single step. This makes cornering quicker fighters simply a matter of persistence; the flyweights are the fastest and there is no flyweight, light-flyweight or minimumweight who has shared the ring with Gonzalez who hasn’t felt the panic at his back hitting the ring-post.

In terms of power, Gonzalez is not among the very elite but he is on the cusp. He has stopped numerous fighters at 112lbs and above and this is his third weight division. Yes, many of these stoppages are a matter of accumulation but one has only to look at the reaction of the veteran Edgar Sosa to the punches thrown at him by Roman Gonzalez during his two-round debut on HBO this year to understand that Gonzalez, if not quite uncovering dynamite, comes to the ring heavily armed.

THE FUTURE

While Mayweather was anointed pound-for-pound extremely early in his career and broke into the Ring list in just his third year as a professional, the same year he won his first strap, Gonzalez was ranked a lowly #9 by Ring as late as November last year by which time he had held straps in three weight divisions – a rather hasty re-appraisal has been ordered in the light of both his HBO debut and the high regard Gonzalez is held in by the wider boxing world. Whatever the detail, both TBRB and Ring have him at number one now, and number one is assuredly where he belongs.

But what’s next?

In his immediate future is a fighter who has himself flirted with a p4p ranking before the wheels were dramatically stricken off by the aforementioned Juan Francisco Estrada, Brian Viloria, “The Hawaiian Punch”. Assuming Gonzalez is victorious here, he has two basic choices. Firstly, he could step up to super-flyweight for a meeting with Naoya Inoue, tackling the man they fittingly call “The Monster” before he has a chance to season. The second is to remain at flyweight, which still has the bones of one of the best divisions in the sport, and clear it out. This, I believe is within his capabilities and is the path he should chose. The temptation of what would be a legitimate superfight with Inoue – these two men are stars in Japan for all that they are little known in the west – may be too much to resist. Win or lose, such a move would have consequences. I felt in 2005 that super-fly may be a bridge too far for Gonzalez and I stand by that.

Either way, boxing has a new pound-for-pound king and surely one it can be proud of. Gonzalez is not just the antithesis of Floyd Mayweather in terms of style but in terms of personality, also. He is humble, gracious and bereft of the more unfortunate appetites that beset Mayweather – a fighter I admired enormously but a man with considerable shortcomings in his life away from the ring.

Gonzalez is not like that. Obviously, sadly, cross-over appeal is limited for a flyweight but those that know fights and fighters have been consistent in embracing him. Long may it continue.

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Hall of Fame Boxing Writer Michael Katz (1939-2025) Could Wield His Pen like a Stiletto

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One of the last of the breed – a full-time boxing writer for the print edition of a major metropolitan daily – left us this week. Hall of Fame boxing writer Michael Katz was 85 when he drew his last breath at an assisted living facility in Brooklyn on Monday, Jan. 27.

Born in the Bronx, Katz earned his spurs writing for the school newspaper “The Campus” at the City College of New York. He was living in Paris and working for the international edition of the New York Times when he covered his first fight, the 15-round contest between Floyd Patterson and Jimmy Ellis at Stockholm in 1968. He eventually became the Times boxing writer, serving in that capacity for almost nine years before bolting for the New York Daily News in 1985 where he was reunited with the late Vic Ziegel, his former CCNY classmate and cohort at the campus newspaper.

From a legacy standpoint, leaving America’s “paper of record” for a tabloid would seem to be a step down. Before the digital age, the Times was one of only a handful of papers that could be found on microfilm in every college library. Tabloids like the Daily News were evanescent. Yesterday’s paper, said the cynics, was only good for wrapping fish.

But at the Daily News, Michael Katz was less fettered, less of a straight reporter and more of a columnist, freer to air his opinions which tended toward the snarky. Regarding the promoter Don King, Katz wrote, “On the way to the gallows, Don King would try to pick the pocket of the executioner.”

With his metaphoric inkwell steeped in bile, Katz made many enemies. “Bob Arum would sell tickets to a Joey Buttafuoco lecture on morals and be convinced it was for a noble cause,” wrote Katz in 1993. Arum had had enough when Katz took him to task for promoting a fight on the night of Yom Kippur and sued Katz for libel.

“It was out of my hands, HBO picked the date,” said Arum of the 1997 bout between Buster Douglas and John Ruiz that never did come off after Douglas suffered a hand injury in training. (Arum would subsequently drop the suit, saying it wasn’t worth the hassle.)

At press luncheons in Las Vegas, the PR people always made certain to seat Katz with his pals Ed Schuyler, the Associated Press boxing writer, and Pat Putnam, the Sports Illustrated guy. They reveled in each other’s company. But Katz also made enemies with some of his peers on press row, in some cases fracturing longstanding friendships.

“I like Hauser,” wrote Katz in a review of Thomas Hauser’s award-winning biography of Muhammad Ali, “and was afraid that after Tom put in those thousands of hours with Ali, somehow the book couldn’t be as good as I wanted. With relief, I can report it’s better than I had hoped.”

The two later had a falling-out.

Katz’s most celebrated run-in with a colleague happened in June of 2004 when he scuffled with Boston Globe boxing writer Ron Borges in the media room at the MGM Grand during the pre-fight press conference for the fight between Oscar De La Hoya and Felix Sturm. During the fracas, Katz, Borges, Arum, and Arum’s publicist Lee Samuels toppled to the floor. The cantankerous Katz, who initiated the fracas by attacking Borges verbally, then wore a neck brace and carried a cane.

“I had my ups and downs with him,” wrote Borges on social media upon learning of Katz’s death, “but we traveled the world together for nearly 50 years and I long admired his talent, his willingness to stand up for fighters and to call out the b.s. of boxing and its promoters and broadcast entities who worked diligently to try and destroy a noble sport.”

A little-known fact about Michael Katz is that he played a role in getting one of the best boxing books, George Kimball’s vaunted “Four Kings,” to its publishing house. Kimball, who passed away in 2011, an esophageal cancer victim at age 67, was hospitalized and too ill to finish the proofing and editing of the manuscript and enlisted the aid of Katz and an old friend from Boston, Tom Frail, an editor at the Smithsonian magazine, to complete the finishing touches. “If there are any mistakes in the book,” wisecracked Kimball, “blame them.”

Katz was one of the first sportswriters to hop on the internet bandwagon, moving his tack to HouseofBoxing.com which became MaxBoxing.com. That didn’t work out so well for him. Some of his last published pieces ran in the Memphis Commercial Appeal and in the Las Vegas weekly Gaming Today.

A widower for much of his adult life, Katz was predeceased by his only child, his beloved daughter Moorea, a cancer sufferer who passed away in 2021. Her death took all the spirit out of him, noted matchmaker and freelance boxing writer Eric Bottjer in a moving tribute.

During a moment in Atlantic City, Bottjer had been privy to a different side of the irascible curmudgeon, “a beautiful soul when open and vulnerable.” The best way to honor Katz’s memory, he writes, is to reach out to a long lost friend. Pass it on.

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Boxing Odds and Ends: Ernesto Mercado, Marcel Cerdan and More

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The TSS Fighter of the Month for January is super lightweight Ernesto “Tito” Mercado who scored his sixth straight knockout, advancing his record to 17-0 (16 KOs) with a fourth-round stoppage of Jose Pedraza on the undercard of Diego Pacheco vs. Steven Nelson at the Cosmopolitan Hotel in Las Vegas.

Mercado was expected to win. At age 35, Pedraza’s best days were behind him. But the Puerto Rican “Sniper” wasn’t chopped liver. A 2008 Beijing Olympian, he was a former two-division title-holder. In a previous fight in Las Vegas, in June of 2021, Pedraza proved too savvy for Julian Rodriguez (currently 23-1) whose corner pulled him out after eight rounds. So, although Mercado knew that he was the “A-side,” he also knew, presumably, that it was important to bring his “A” game.

Mercado edged each of the first three frames in what was shaping up as a tactical fight. In round four, he followed a short left hand with an overhand right that landed flush on Pedraza’s temple. “It was a discombobulating punch,” said one of DAZN’s talking heads. Indeed, the way that Pedraza fell was awkward. “[He] crushed colorfully backward and struck the back of his head on the canvas before rising on badly wobbled legs,” wrote ringside reporter Lance Pugmire.

He beat the count, but referee Robert Hoyle wisely waived it off.

Now 23 years old, Ernesto “Tito” Mercado was reportedly 58-5 as an amateur. At the December 2019 U.S. Olympic Trials in Lake Charles, Louisiana, he advanced to the finals in the lightweight division but then took sick and was medically disqualified from competing in the championship round. His opponent, Keyshawn Davis, won in a walkover and went on to win a silver medal at the Tokyo Games.

As a pro, only one of Mercado’s opponents, South African campaigner Xolisani Ndongeni, heard the final bell. Mercado won nine of the 10 rounds. The stubborn Ndongeni had previously gone 10 rounds with Devin Haney and would subsequently go 10 rounds with Raymond Muratalla.

The Ndongeni fight, in July of 2023, was staged in Nicaragua, the homeland of Mercado’s parents. Tito was born in Upland in Southern California’s Inland Empire and currently resides in Pomona.

Pomona has spawned two world champions, the late Richie Sandoval and Sugar Shane Mosley. Mercado is well on his way to becoming the third.

Marcel Cerdan Jr

Born in Casablanca, Marcel Cerdan Jr was four years old when his dad ripped the world middleweight title from Tony Zale. A good fighter in his own right, albeit nowhere near the level of his ill-fated father, the younger Cerdan passed away last week at age 81.

Fighting mostly as a welterweight, Cerdan Jr scored 56 wins in 64 professional bouts against carefully selected opponents. He came up short in his lone appearance in a U.S. ring where he was matched tough against Canadian champion Donato Paduano, losing a 10-round decision on May 11, 1970 at Madison Square Garden. This was a hard, bloody fight in which both men suffered cuts from accidental head butts.

Cerdan Jr and Paduano both trained for the match at the Concord Hotel in the Catskills. In the U.S. papers, Cerdan Jr’s record was listed as 47-0-1. The record conveniently omitted the loss that he had suffered in his third pro bout.

Eight years after his final fight, Cerdan Jr acquired his highest measure of fame for his role in the movie Edith et Marcel. He portrayed his father who famously died at age 33 in a plane crash in the Azores as he was returning to the United States for a rematch with Jake LaMotta who had taken away his title.

Edith et Marcel, directed by Claude Lelouch, focused on the love affair between Cerdan and his mistress Edith Piaf, the former street performer turned cabaret star who remains today the most revered of all the French song stylists.

Released in 1983, twenty years after the troubled Piaf passed away at age 47, the film, which opened to the greatest advertising blitz in French cinematic history, caused a sensation in France, spawning five new books and hundreds of magazine and newspaper articles. Cerdan Jr’s performance was “surprisingly proficient” said the Associated Press about the ex-boxer making his big screen debut.

The French language film occasionally turns up on Turner Classic Movies. Although it got mixed reviews, the film is a feast for the ears for fans of Edith Piaf. The musical score is comprised of Piaf’s original songs in her distinctive voice.

Marcel Cerdan Jr’s death was attributed to pneumonia complicated by Alzheimer’s. May he rest in peace.

Claressa Shields

Speaking of movies, the Claressa Shields biopic, The Fire Inside, released on Christmas day, garnered favorable reviews from some of America’s most respected film critics with Esquire’s Max Cea calling it the year’s best biopic. First-time director Rachel Morrison, screenwriter Barry Jenkins, and Ryan Destiny, who portrays Claressa, were singled out for their excellent work.

The movie highlights Shields’ preparation for the 2012 London Olympics and concludes with her training for the Rio Games where, as we know, she would win a second gold medal. In some respects, the movie is reminiscent of The Fighter, the 2010 film starring Mark Wahlberg as Irish Micky Ward where the filmmakers managed to manufacture a great movie without touching on Ward’s famous trilogy with Arturo Gatti.

The view from here is that screenwriter Jenkins was smart to end the movie where he did. In boxing, and especially in women’s boxing, titles are tossed around like confetti. Had Jenkins delved into Claressa’s pro career, a very sensitive, nuanced biopic, could have easily devolved into something hokey. And that’s certainly no knock on Claressa Shields. The self-described GWOAT, she is dedicated to her craft and a very special talent.

Shields hopes that the buzz from the movie will translate into a full house for her homecoming fight this coming Sunday, Feb. 2, at the Dort Financial Center in Flint, Michigan. A bevy of heavyweight-division straps will be at stake when Shields, who turns 30 in March, takes on 42-year-old Brooklynite Danielle Perkins.

At bookmaking establishments, Claressa is as high as a 25/1 favorite. That informs us that the oddsmakers believe that Perkins is marginally better than Claressa’s last opponent, Vanessa Lepage-Joanisse. That’s damning Perkins with faint praise.

Shields vs. Perkins plus selected undercard bouts will air worldwide on DAZN at 8 pm ET / 5 pm PT.

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Ringside at the Cosmo: Pacheco Outpoints Nelson plus Undercard Results

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Ringside at the Cosmo: Pacheco Outpoints Nelson plus Undercard Results

LAS VEGAS, NV – Eddie Hearn’s Matchroom Promotions was at the Cosmopolitan in Las Vegas tonight for the second half of a DAZN doubleheader that began in Nottingham, England. In the main event, Diego Pacheco, ranked #1 by the WBO at super middleweight, continued his ascent toward a world title with a unanimous decision over Steven Nelson.

Pacheco glides round the ring smoothly whereas Nelson wastes a lot energy with something of a herky-jerky style. However, although Nelson figured to slow down as the fight progressed, he did some of his best work in rounds 11 and 12. Fighting with a cut over his left eye from round four, a cut that periodically reopened, the gritty Nelson fulfilled his promise that he would a fight as if he had everything to lose if he failed to win, but it just wasn’t enough, even after his Omaha homie Terence “Bud” Crawford entered his corner before the last round to give him a pep talk (back home in North Omaha, Nelson runs the B&B (Bud and Bomac) Sports Academy.

All three judges had it 117-111 for Pacheco who mostly fought off his back foot but landed the cleaner punches throughout. A stablemate of David Benavidez and trained by David’s father Jose Benevidez Sr, Pacheco improved to 23-0 (18). It was the first pro loss for the 36-year-old Nelson (20-1).

Semi wind-up

Olympic gold medalist Andy Cruz, who as a pro has never fought a match slated for fewer than 10 rounds, had too much class for Hermosillo, Mexico’s rugged Omar Salcido who returned to his corner with a puffy face after the fourth stanza, but won the next round and never stopped trying. The outcome was inevitable even before the final round when Salcido barely made it to the final gun, but the Mexican was far more competitive than many expected.

The Cuban, who was 4-0 vs. Keyshawn Davis in closely-contested bouts as an amateur, advanced his pro record to 5-0 (2), winning by scores by 99-91 and 98-92 twice. Salido, coming off his career-best win, a 9th-round stoppage of former WBA super featherweight title-holder Chris Colbert, falls to 20-2.

Other TV bouts

Ernesto “Tito” Mercado, a 23-year-old super lightweight, aims to become the next world champion from Pomona, California, following in the footsteps of the late Richie Sandoval and Sugar Shane Mosely, and based on his showing tonight against former Beijing Olympian and former two-division title-holder Jose Pedraza, he is well on his way.

After three rounds after what had been a technical fight, Mercado (17-0, 16 KOs) knocked Pedraza off his pins with a short left hand followed by an overhand right. Pedraza bounced back and fell on his backside. When he arose on unsteady legs, the bout was waived off. The official time was 2:08 of round four and the fading, 35-year-old Pedraza (29-7-1) was saddled with his third loss in his last four outings.

The 8-round super lightweight clash between Israel Mercado (the 29-year-old uncle of “Tito”) and Leonardo Rubalcava was a fan-friendly skirmish with many robust exchanges. When the smoke cleared, the verdict was a majority draw. Mercado got the nod on one card (76-74), but was overruled by a pair of 75-75 scores.

Mercado came out strong in the opening round, but suffered a flash knockdown before the round ended. The referee ruled it a slip but was overruled by replay operator Jay Nady and what would have been a 10-9 round for Mercado became a 10-8 round for Rubalcava. Mercado lost another point in round seven when he was penalized for low blows.

The scores were 76-74 for Mercado (11-1-2) and 75-75 twice. The verdict was mildly unpopular with most thinking that Mercado deserved the nod. Reportedly a four-time Mexican amateur champion, Rubalcava (9-0-1) is trained by Robert Garcia.

Also

New Matchroom signee Nishant Dev, a 24-year-old southpaw from India, had an auspicious pro debut (pardon the cliché). Before a beaming Eddie Hearn, Dev stopped Oakland’s Alton Wiggins (1-1-1) in the opening round. The referee waived it off after the second knockdown.

Boxers from India have made large gains at the amateur level in recent years and Matchroom honcho Eddie Hearn anticipates that Dev, a Paris Olympian, will be the first fighter from India to make his mark as a pro.

Undefeated Brooklyn lightweight Harley Mederos, managed by the influential Keith Connolly, scored his seventh knockout in eight tries with a brutal third-round KO of Mexico’s Arturo de Isla.

A left-right combination knocked de Isla (5-3-1) flat on his back. Referee Raul Caiz did not bother to count and several minutes elapsed before the stricken fighter was fit to leave the ring. The official time was 1:27 of round three.

In the opener, Newark junior lightweight Zaquin Moses, a cousin of Shakur Stevenson, improved to 2-0 when his opponent retired on his stool after the opening round.

Photo credit: Melina Pizano / Matchroom

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