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Thomas Hauser and Others Remember Dave Wolf at 75

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Dave Wolf

This week marks a bittersweet milestone. Dave Wolf would have been 75 years old on August 24.

Dave died ten years ago, on December 23, 2008. As I wrote at the time, he was passive-aggressive, anti-social, and one of the smartest people I’ve ever met. He also did as good a job of managing Ray Mancini as any manager ever did for a fighter and performed managerial magic on other occasions for the likes of Donny Lalonde, Duane Bobick, Lonnie Bradley, Ed “Too Tall” Jones, and Donnie Poole.

The legendary Jimmy Cannon once wrote, “The fight manager wouldn’t defend his mother. He has been a coward in all the important matters of his life. He has cheated many people but he describes himself as a legitimate guy at every opportunity.”

Dave was the antithesis of that. His first question was always “What’s best for the fighter?” rather than “What’s best for me?”

He had as full an appreciation of boxing and its traditions as any person I’ve known. Beneath his gruff exterior, there was a warmth about him that led to his being embraced by those who knew him best. And he’s assured a slice of immortality because of his accomplishments in the sweet science and as the author of Foul: The Connie Hawkins Story, one of the best books ever written about basketball.

Recently, I asked some people who knew him what comes to mind when they think about him today.

Jon Wolf was Dave’s brother.

Gina Andriolo met Dave in the 1970s while she was working for a small newspaper in Brooklyn. Later, she represented Dave as his attorney. Eight years after they met, they were married. They separated after four years of marriage.

Toby Falk and Dave were high school sweethearts. Decades later, they reunited and lived together in Dave’s apartment on the upper west side of Manhattan from 1989 until his death in 2008.

Teddy Atlas trained two of Dave’s fighters, Donny Lalonde and Donnie Poole.

Ray Mancini was Dave’s signature fighter.

Ray Leonard fought Donny Lalonde, another of Dave’s fighters.

Seth Abraham and Lou DiBella knew Dave in their capacity as executives at HBO.

Bruce Trampler was a matchmaker for Bob Arum during Ray Mancini’s glory years with the promoter.

Promoters Russell Peltz and Artie Pelullo worked with Dave on several fights.

Ron Katz and Don Majeski have been matchmakers, advisers, and jacks-of-all trades in boxing for decades.

Al Bernstein, Larry Merchant and Jerry Izenberg knew Dave through their roles in the media.

Harold Lederman (HBO’s “unofficial ringside judge”) was judging fights officially when Dave was in his prime as a manager.

Randy Gordon was editor of The Ring when Ray Mancini was at his peak as a fighter.

Mark Kriegel wrote what is widely regarded as the definitive biography of Ray Mancini.

Craig Hamilton managed several fighters and is the foremost boxing memorabilia dealer in the United States. He dealt extensively with Dave in the latter capacity and helped Dave’s family liquidate his memorabilia collection after Dave’s death.

Some of their memories follow:

Jon Wolf: “My father had severe back problems that limited his mobility. Dave was six years older than I was, so when I was a boy, he played the role of father in teaching me to do things like riding a bike and playing baseball. He took me to the NFL championship game between the New York Giants and Green Bay Packers at Yankee Stadium when I was twelve years old. It was freezing cold, and Dave kept missing parts of the game to get up from our seats and go get hot chocolate for me to keep me warm. I played basketball in high school. Dave was in journalism school at Columbia by then and came to all my games. He’d sit in the stands and shout instructions. There were times when it was like he was coaching the game.”

Gina Andriolo: “I was young when I met Dave, and I was very impressed. Right away, I could see he was one of the smartest people I’d ever known. He was very intense in his interaction with people. He could be brusque and combative. He always let people know where they stood with him. He liked being alone. And he loved sports; all sports, not just boxing. Dave could watch curling on TV and be happy.”

Toby Falk: “Dave was creative, intellectually curious, very intense, stubborn, determined. He was a private person, not at all social. He had no interest in talking with most people. Every now and then, he’d go to an opening at the Museum of Modern Art with me because he loved me, but it was a chore for him. If he bonded with you, he really liked you. But there weren’t many people who fit into that category. He’d stay up into the wee small hours of the morning watching old fights on television. But it wasn’t just boxing. It was all sports. His idea of a beautiful summer Sunday was to sit inside and watch a baseball game on television.”

Jerry Izenberg: “He was a very good writer. That’s what stands out in my mind. People remember that he wrote Foul, which was a very good book. But he also wrote some very good magazine articles.”

Al Bernstein: “Dave wrote one of my favorite books and one of the best sports books ever written. It was about Connie Hawkins, who’d been banned from playing in the NBA, and it broke new ground for what a sports book should be. Beyond that, Dave did what managers are supposed to do. He worked hard and maximized every opportunity for his fighters. I liked him a lot.”

Bruce Trampler: “I’ve never dealt with anyone who did his homework the way Dave did. He was one of the most conscientious, dedicated, well-prepared managers ever. I spent hours on the phone with him going through every detail of every fight again and again. Every conversation turned into a cross-examination. He was always asking questions and taking notes. He was painstaking in his preparation at every level. I give him the highest marks in every category that has anything to do with managing a fighter. He could be an annoying bastard and he was a complete pain-in-the-ass to deal with. But he was doing his job as he saw it, and he was one of the greatest managers ever.”

Ray Mancini: “Nobody – I mean, nobody – paid more attention to details than Dave. When I fought Alexis Arguello, Dave got Top Rank to agree that I’m going to leave the dressing room after the national anthem ends. If Arguello isn’t in the ring and the fight doesn’t start seven minutes after I’m in the ring, I’m leaving and Arguello has to wait for me to come back. That’s fine with me because, as a fighter, I don’t want to stand in the ring and get cold waiting for the fight to start. And everyone knew that Dave was crazy enough to take me out of the ring if Arguello was late. I loved it. I fought Ernesto Espana outdoors in a football stadium in Warren, Ohio. The day before the fight, Dave went to the stadium and stood in the ring at the same time of day the fight would start. Then he said, “Okay, this will be Ray’s corner and this will be Espana’s corner.’ He was making sure I had as much shade in my corner as possible and Espana was facing the sun. As a fighter, you love stuff like that.”

Lou DiBella: “He was a stand-up guy. For a guy without much charm, he was colorful in his own way. He was a guy who knew how to sit back and watch and figure out what was going on. He understood the strengths and weaknesses of his fighters. And unlike too many managers in this miserable business, he recognized that he had a fiduciary duty to his fighters and acted like it. There were never any side deals that the fighter didn’t know about.”

Mark Kriegel: “Dave was trained as a journalist. He was a story-teller, and that’s part of what a great manager does. He understood why Ray Mancini mattered, and he was able to tell the story in a way that people understood. He went from being a journalist to a producer, and he was great at it. I never met him, but I can’t think of another manager I would have liked to have met more.”

Randy Gordon: “Dave would come up to my offce at The Ring to look at old Ring magazines. This was before the Internet and Ebay, so it wasn’t easy to find them. He’d sit there and read, and then we’d talk about what he’d read. I learned a lot of my boxing history from those conversations. Some people thought Dave was on the weird side, different, strange, whatever word you want to use. But I enjoyed him as a fight guy, and I knew how much he cared about his fighters. He poured his heart into them.”

Don Majeski: “It’s easy to move a great fighter. Some fighters are so great that you don’t really have to manage. You just point them in the right direction and ask for more money. A great manager gets the most out of the least. Dave got people to treat .200 hitters like they were .300 hitters and .300 hitters like they hit .350. He made Ray Mancini, who was good but not great, into an iconic fighter. Bob [Arum] gave Ray the exposure, but it was Dave who gave Bob the product. He made millions of dollars for Donny Lalonde, who was an okay fighter. He got Ed “Too Tall” Jones onto CBS. He always looked after his guys. He never wanted one of his fighters to be an opponent. He was one hundred percent for his fighters. He was a great boxing guy.”

Craig Hamilton: “Ray Mancini was a likable white Italian-American fighter with a crowd-pleasing style. Any competent manager could have made good money with Ray, although probably not as much as Dave did. But look at the job Dave did for Lonnie Bradley. Lonnie was a black kid out of Harlem who was a competent fighter with a quiet personality. Dave maneuvered him to a winnable title fight [for the WBO middleweight belt against 13-and-6 David Mendez] and then got him a half-dozen title defenses against guys who weren’t very good.”

Teddy Atlas: “There were some things Dave did that I took issue with in terms of our relationship. But I recognized his gifts and his ability to move a fighter. He was a smart guy. He knew how to play the game with the sanctioning organizations and was willing to play it. He loved playing the game. I think he enjoyed the maneuvering and getting to the kill more than the success of it. And he made money for his fighters. A fighter can be successful in the ring and not make a lot of money. Dave made good money for the fighters he managed. His talent was to take a fighter who was okay and make it appear to the world that the fighter was better than he was, maybe even great. He knew how to build a fighter and capitalize on it when the fighter won. He was a master at developing a storyline for his fighters and having it resonate with the press. He was difficult; some would say crazy. But he did the job for his fighters.”

Ray Mancini: “Dave was a control freak. That was his thing. He was doing it for me, but he wanted total control and we had our battles. Sometimes I had to tell him, ‘You work for me. I’m the fighter.’ Then he’d get hurt and sulk and say things like, ‘I guess you don’t need me anymore.’ If he got a bug up his ass about something, he wouldn’t talk to me for a while and he wouldn’t return phone calls. He was a complicated guy.”

“Gina Andriolo: Dave approached boxing like a three-dimensional chess game. Regardless of the immediate issue he was dealing with, he was always looking three moves down the road. He had an amazing capacity for detail and kept meticulous records on everything. Every detail mattered. Most fight managers go to their fighters’ weigh-ins. Dave would find out when the scales were being calibrated and send me to make sure they were calibrated right.”

Harold Lederman: “Dave knew boxing; no question about it. He was a great boxing guy. But he was a tough guy to deal with when it came to officials. He was always arguing he didn’t want this referee or that judge to work his fighter’s fight. He never argued that he didn’t want me, but there were a lot of guys he didn’t want. And he argued long enough and hard enough that he was usually able to get rid of the guys he didn’t want. That’s one of the things that made him a great manager.”

Jon Wolf: “Before one of Ray Mancini’s fights in Las Vegas, Dave told everyone in the entourage, ‘No one is to gamble until the fight is over.’ He didn’t want anyone leaving whatever good luck we might have on the casino floor or bringing any kind of bad luck in. That same trip, Dave sent me downstairs to buy copies of all the newspapers they had so he could read what was being written about the fight. I had four nickels left over after I bought the papers. So I put a nickel in a slot machine, and five dollars worth of nickels came out. I played a few more nickels with similar results and went back upstairs with the newspapers and a bucket full of nickels. Dave took one look and asked, ‘What the f*** is that?’ I explained, and he told me, ‘Get rid of them.’ So I took the nickels downstairs, found an old lady who was playing the nickel slots, and said to her, “Excuse me, ma’am. I just won these and God told me to give them away.'”

Artie Pelullo: “Dave was a strange quirky guy, very opinionated. A lot of people thought he was a pain-in-the-ass to deal with, but I never had a problem with him. He came to me with Lonnie Bradley, and we did a couple of fights together. He wasn’t the kind of guy you went to a bar with for a couple of drinks and light conversation. But you could make a deal with him and his word was good. I liked him.”

Seth Abraham: “Dave didn’t care much about pleasantries and what I would call conventional business practices. Several times, he came to meetings at HBO wearing shorts. It wasn’t important but it was unconventional and it sticks in my mind. He was very perceptive and very bright. He always presented his case well. And as best I could tell, he was always honest with me. If you’re in boxing, you have to learn who the honest people are and who are the dishonest people. As a TV executive, I did business with both. And I can honestly say, I never had any integrity issues with Dave.”

Russell Peltz: “I didn’t know Dave well, but I don’t think he liked me very much. I say that because, one time, I wanted to make a match with one of his fighters and Dave told the fighter he didn’t trust me. What had happened was, a few years earlier, Dave was managing Duane Bobick and wanted a comeback fight for Bobick after he’d been knocked out by John Tate. I offered him George Chaplin as an opponent and told Dave that Chaplin couldn’t fight, which I believed was true. So Bobick and Chaplin fought in Atlantic City, Chaplin knocked him out, and Dave never trusted me again.”

Gina Andriolo: “He loved his fighters. He believed in his fighters. And he looked after his fighters in every way. His philosophy was, a fighter should get in and out of boxing as quickly as possible with as little damage as possible and as much money as possible. God, he fought for his fighters. I remember, one time, Dave got particularly angry when a promoter who shall remain nameless sent him a contract he didn’t like. It wasn’t what Dave thought they’d agreed to. I was doing Dave’s legal work at the time. He was shouting at me, ‘Call that m*********** up and tell him no f***ing way. He can take his contract and shove it.’ So I called the promoter up and – I was being tactful – I said, ‘Dave has a slight problem with paragraph 4(B). Is there any way we can change it?’ And Dave started screaming at me, ‘That’s not what I said. I said tell him he’s a m*********** and he can shove his contract up his ass.’”

Ray Mancini: “There were times when I said to myself, ‘This guy is out of his mind.’ Some of the things he asked for from promoters bordered on the ridiculous. Dave could take years off a promoter’s life. Lots of managers threaten to call a fight off. When Dave threatened to call a fight off, the promoter knew he might.”

Ray Leonard: “My best memories of Dave Wolf are from when I fought Donny Lalonde. He truly believed in Donny and the other fighters he worked with. We were cool with each other. What stands out most with me is that there was always respect between the two of us.”

Gina Andriolo: “There were always enormous piles of old newspapers and boxing magazines all over the apartment. Sometimes, that was a source of conflict between us. I’m not talking about a reasonable number of papers. I’d ask, ‘Why do we have to have ten-year-old newspapers stacked in the kitchen cabinets?’ But Dave needed them there to be happy. And he knew where every piece of paper was. God forbid I should move a piece of paper and he couldn’t find it.”

Jon Wolf: “Dave and I shared a bedroom when we were young. One time – I was three or four years old – my parents came home and Dave had built a wall in the bedroom out of chairs and whatever other furniture he could move so I’d stay on my side of the room and leave his toys alone and not knock his blocks over or mess up whatever game he was playing.”

Toby Falk: “There were piles of newspapers and magazines all over the apartment; thousands of magazines going back for years. In what I suspect was a major concession, he’d let Gina put flowery wallpaper in the kitchen when they were married. But he covered it over with fight posters as soon as she moved out.”

Craig Hamilton: “Dave’s main thing as a collector was fight programs, which a lot of people aren’t interested in because they don’t display that well. He had a solid fight program collection; Johnson-Jeffries and some other good ones. He wasn’t much of an autograph guy. He had a few good on-site posters, including one from Ali-Frazier III in Manila, and a lot of Ray Mancini stuff that had some value because Ray has a following, particularly in Ohio. But for someone who was obsessed with collecting, Dave’s collection wasn’t that good. Most of the rest was garbage. Dave had thousands of magazines that were virtually worthless. I’m not talking about old Ring magazines from the 1920s and 30s that are worth something. I’m talking about magazines from the 1970s and later that you can’t give away. Maybe a hospital will take them. They were stacked all over his apartment – in piles on the floor, on shelves, in closets, every place imaginable. There were piles and piles of magazines – three, four feet high – blocking access to bureau drawers and file cabinets. And they hadn’t been dusted in years. You could see that from the cobwebs. Obviously, they had meaning to Dave. They were very personal for him.  But it wasn’t the place you’d bring a woman on a first date if you were trying to impress her. God bless Toby; I don’t know how she put up with it.”

Larry Merchant: “In a game that rewards individual initiative, Dave was a guy who jumped in, did his thing, and did it well. He was one of the more interesting characters in a business full of characters.”

Toby Falk: “Both of us had been married and divorced twice, so we didn’t feel the need to get married again. But we lived together for almost twenty years. He wasn’t well for much of our time together. There were complications from diabetes and some other problems. When he was fifty-five, he was diagnosed with leukemia. He didn’t fear death. He just didn’t want to be incapacitated or linger. He was cremated, so I can’t say he’s turning over in his grave over what’s happening now in America. But Dave was anti-authoritarian and very politically aware. And he hated injustice. Wherever he is now, I’m sure he’s very upset by Donald Trump.”

Ray Mancini: “Dave showed how the job should be done. He battled for everything for me. There were things other managers let happen to their fighters that Dave would never have let happen to me. What he did for my career, I can never thank him enough. I loved him. I loved him dearly.”

And a note in closing . . .

Dave and I became friends in his later years. I don’t use the term “friends” lightly. We had lunch together on a regular basis and talked often about people and events that had shaped us. As I wrote when he died, “Much of Dave’s anger stemmed from the fact that he hadn’t learned to read in a meaningful way until the age of twelve and thus had been labeled ‘dumb.’”

When Dave was young, dyslexia and other reading disabilities weren’t understood. The fact that he was able to surmount them to write Foul was remarkable in itself.

It was extraordinarily painful for a young boy with a high IQ who was sensitive in many ways to be labeled “dumb.” One way Dave dealt with the pain was to construct a hard exterior that served as a protective shell. Explaining that to me over lunch one day, Dave told me a story.

Once, when Dave was in grade school and the teacher briefly left the classroom, one of the boys started teasing him in front of the other children, saying that Dave couldn’t read.

“I can read,” Dave said.

“Prove it,” the boy countered. Then he went to the blackboard and wrote something in chalk. “Prove you can read. Read this.”

So very laboriously, Dave read aloud: “Dave . . . Wolf . . . is . . . stupid.”

More than a half-century later, Dave remembered that moment very clearly. And it still scarred him.

Photo: Dave Wolf with Donny Lalonde and Teddy Atlas. Photo undated but circa 1986.

Thomas Hauser can be reached by email at thauser@rcn.com. His most recent book – There Will Always Be Boxing – was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing
journalism.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

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Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.

This is huge in British boxing.

Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.

This is about family pride.

The parents of Eubank and Benn actually began the feud in the 1990s.

Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.

Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.

Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.

Animosity between the two families continues this weekend in the boxing ring.

Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.

“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.

This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.

Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.

“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”

Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.

“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.

Eubank smiles.

“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.

Supporting Bout

Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.

“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.

McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.

It’s youth versus experience.

“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.

Monster in L.A.

Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.

It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.

Pomona Fights

Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.

Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.

Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions

Fights to Watch

Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.

Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”

Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.

Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.

The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.

It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.

Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.

Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.

When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.

Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”

Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.

Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.

Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.

Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.

It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.

Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.

For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”

It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.

Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

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Arne's-Almanac-The-First-Boxing-Writers-Assoc-of-America-Dinner-was-Quite-the-Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put  words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.
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