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Art of Boxing Series: Tim “Desert Storm” Bradley

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Few things compare to watching the rise of a virtual unknown boxer to world champion status and that’s what transpired in the amazing career of Tim “Desert Storm” Bradley Jr.

From the first day Bradley stepped into the outdoor prize ring in Corona until his final clash against a super star almost exactly four years ago in Las Vegas, it was like watching a classic painting in the works, a Rembrandt, a Picasso, a Renoir – layer by layer of clashing colors and resistance to opposing forces.

Not all prizefighters are the same.

Bradley, though tough as they come and as fast as a zephyr, was forced to rely on limited physical tools and a mental aptitude for studying the opposition the way a Nobel prize winning physicist might study molecules.

He is a member of a limited few who mastered the art of boxing.

It all began in the starched and heated area of Palm Springs where temperatures soar above 115 degrees on a regular basis in the summer. It can also dip below 30 on a winter night. It was around 1994 that Bradley found boxing.

Always short for his age, others picked on Bradley and he quickly retaliated with flashing fists. He was expelled twice and nearly booted from an entire school district. But he found a loophole when a friend told him about a boxing gym.

“A friend of mine was doing it. His name was Julio and we was always slap boxing around in school, just kidding around trying to hit each other in the face,” said Bradley recounting his elementary school days. “I was quick and very athletic and was always able to get to him before he was able to get to me. And he was boxing. So I begged my dad for almost two months to take me to the boxing gym.”

Bradley’s father worked across the street from a Palm Springs boxing gym and it coincidentally was the same gym his friend Julio attended. Father and son visited the gym one day. Bradley was 10 years old.

“I felt like I was walking into my heaven. I remember it was a blue heavy bag when we walked in the door to my right. I saw the ring, it was off to the right in the corner. And the speed bags were directly in front of me and they had these platforms if you were short so you could reach the speed bags. And I remember seeing all these different pictures on the wall of fighters and trainers and champions,” Bradley recalls.

After signing waivers and getting weighed, the older gentleman, a husky caretaker named OJ Kutcher from Boston, took a good look at young Bradley and tapped him lightly on the chest.

“He looked at me and said ‘oh, you’re different. There is something about you kid. You are going to be a champion’ and my dad started laughing,” said Bradley about what the old trainer said in his Bostonian accent.  “My father said we just want to box. Don’t fill my son’s head up. You don’t got to sell us on this man. We just started laughing.”

It wasn’t a laughing matter once actual training commenced. Immediately Bradley excelled and surpassed the others in his ability to do more push-ups, run faster and train harder. In two weeks he got his first fight. Shortly after, he was pit against a youngster who would be a future amateur legend.

“I remember fighting Panchito Bojado in my second fight. He beat me. I fought hard as I can but I didn’t really know a lot. Then I met him again in my fourth fight in the tournament,” said Bradley chuckling at the memory. “So then I went to the junior golden gloves and he beat me again. He started boxing early, early. I fought hard but he had some experience on me. I never fought him again.”

Bradley quickly became the best fighter in the desert region. Now he set his goals on bigger game.

National Recognition

Though small in stature, Bradley was making a big impact on the amateur boxing world. Stars like Andre Ward, Andre Berto, Andre Dirrell were all future foes and obstacles for Bradley who fought at 147 and 152 pounds as he got older.

His favorite amateur fight took place in the early 2000s.

“My favorite fight was against Edgar Sanchez. He was from Arizona. He’s a lefty. He had just beaten Andre Ward in the Blue and Gold Tournament. I remember watching that fight. I fought Andre Ward in the same tournament. Andre ward beat me 2 to 1, and then Edgar Sanchez beat Andre next day. And that was the last time I saw Andre Ward lose actually,” said Bradley about his favorite amateur win. “That guy, I fought him in the Silver Gloves regionals in the finals and I remember him beating Andre Ward and he beat a couple of other guys that were top-notch from California. I remember getting in the ring with him and I ended up beating him.”

Bradley said he carefully watched Sanchez defeat Ward with an intense pressure style. He devised his own plan to defuse the aggressive boxer and when they met, he emerged the winner.

“I was able to out-box him. Set traps and just let him run into punches. I ended up beating him,” said Bradley remembering the victory. “That was probably my favorite amateur fight.”

Around this same period Bradley was trying to make his long-sought dream of making the US Olympic boxing team. He had two more opportunities when he fought in the Police Athletic League Nationals.

“I fought in the PAL Nationals semi-finals and I fought someone from the Army team. It was tied up 10-10 I think. Then, in the last round, I went straight at him pinned him on the ropes, drilled him and no doubt in my mind I won the fight. After the fight I put my hands up because I had no doubt in my mind I won,” Bradley said of the fight held at 152 pounds. “But they raised his hand instead. That’s just crushed me when I lost. My dream was to go to the Olympics at 152.”

Despite severe height disadvantages at the 152-pound weight class, Bradley felt he was capable of still making the Olympic team.

“I had one more chance and lost the challenge to Vanes (Martirosyan). I had never seen him before. He was tall and long and had good power and skill, he surprised me. He shook me. I was like wow, who is this kid,” said Bradley at the memory. “I fought against the Dirrell brothers, Andre Berto, Andre Ward, I fought all of them. But yeah, I ended up losing and that crushed me. I thought about quitting boxing.”

Enter Thompson Boxing

Months passed by and Bradley decided to partake in teen activities like partying and partying.

“I was finally doing things a teen-ager does,” said Bradley. “I had always been so disciplined and did nothing but train. But with no boxing, I started partying.”

Then one day, at a Palms Spring golf course, Bradley was attending a party when he saw a group of people with shirts that had Thompson Boxing emblems. He asked a man wearing a Thompson Boxing shirt about the company and also informed him that he was a boxer.

“This guy said put your hands up and then he slapped me in the face. Then he slapped me in the face again and we got into a little tussle. I started coming after him. I was furious. Then Ken Thompson’s son Steve ran over to help. I was trying to kill that dude. Steve (Thompson) said, I like your spirit.”

Thompson Boxing agreed to give Bradley an audition fight. But first, Bradley sought out a trainer to make the transition from amateur to professional boxing.

He found Joel Diaz and his brother Antonio Diaz in Indio.

“The Diaz brothers had a big reputation in the Valley. Julio won two world titles, Antonio fought Shane Mosley and Joel fought as well. I just trusted those guys. I knew I had to learn how to really step into the jab. Growing up in boxing you know the lingo,” said Bradley about making the transition in six months. “It was mentally draining, I had to learn distance.”

Finally, on August 20, 2004, Bradley made his pro debut at Omega Products International at Corona, California. It was an outdoor event and facing him was a guy named Francisco Martinez who was also making a pro debut.

“I fought a kid who had just turned pro too and the first jab he hit me with was like getting hit in the face with a brick. Oh my goodness. He’s not hitting me no more,” said Bradley about his first prize fight. “I knew I had more skill than he had. Joel taught me how to break down guys to the body. You got to take something out of them by beating them to the body.”

Bradley won by second round technical knockout.

To be continued…….

Photo credit: Al Applerose

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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

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Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.

This is huge in British boxing.

Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.

This is about family pride.

The parents of Eubank and Benn actually began the feud in the 1990s.

Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.

Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.

Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.

Animosity between the two families continues this weekend in the boxing ring.

Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.

“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.

This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.

Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.

“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”

Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.

“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.

Eubank smiles.

“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.

Supporting Bout

Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.

“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.

McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.

It’s youth versus experience.

“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.

Monster in L.A.

Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.

It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.

Pomona Fights

Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.

Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.

Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions

Fights to Watch

Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.

Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”

Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.

Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.

The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.

It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.

Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.

Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.

When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.

Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”

Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.

Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.

Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.

Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.

It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.

Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.

For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”

It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.

Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

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The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put  words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.
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