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Thomas Hauser’s Foreword to ‘Sporting Blood,’ Carlos Acevedo’s New Book

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The Internet has changed sportswriting, particularly when it comes to writing about boxing. Very few newspapers or magazines now have a writer on staff who understands the sport and business of boxing. Meanwhile, the number of websites devoted to the sweet science keeps growing. Some of these websites are quite good. Others are awful. Reprinting a press release with a new lead is not journalism. Simply voicing an opinion without more is not journalism.

As Carlos Acevedo – the author of Sporting Blood – wrote in another forum, “Boxing is immune to critical consensus because of the number of fanboys who pretend to be journalists. No other sport has such an unsophisticated mediascape covering it.”

Acevedo was born in the Bronx in 1972 and now lives in Brooklyn. He was drawn to boxing as a boy, grew up reading The Ring, and recalls being captivated by Larry Holmes, Marvelous Marvin Hagler, and Marvin Johnson. Decades later, when the Internet gave a platform to anyone with a computer and modem, he decided to write about the sweet science.

Acevedo’s journey as a boxing writer began in 2007. Two years later, he founded a website called The Cruelest Sport. Since then, he has written for numerous print publications and websites including Hannibal Boxing (his current primary outlet), MaxBoxing, Undisputed Champion Network, Boxing Digest, Boxing World, Remezcla, and Esquina Boxeo.

“I love the fights and the narrative that comes with them,” Carlos says. “Each fight is a story unto itself; a drama that exposes character and offers the ideal of self-determination.”

I’m not sure when I first became aware of Acevedo’s writing. I do remember laughing out loud years ago while reading his description of promoter Gary Shaw, who Carlos opined “deserves credit for tenacity, like certain insects that become immune over time to Raid and Black Flag.” I first quoted him in my own writing in 2011 in conjunction with less-than-stellar refereeing by Russell Mora and Joe Cortez.

“Incompetence is usually the answer for most of the riddles in boxing,” Acevedo wrote of Mora’s overseeing Abner Mares vs. Joseph Agbeko. “But Mora was a quantum leap removed from mere ineptitude. He was clearly biased in favor of Mares and, worse than that, seemed to enter the ring with a predetermined notion of what he was going to do. Mares had carte blanche to whack Agbeko below the belt as often as he wanted.”

As for Cortez’s refereeing in Floyd Mayweather vs. Victor Ortiz, Acevedo proclaimed, “Cortez, whose incompetence has been steadily growing, is now one of the perpetual black clouds of boxing. Why let Cortez, whose reverse Midas touch has marred more than one big fight recently, in the building at all on Saturday night?”

Acevedo doesn’t have a big platform. He doesn’t have a wealth of contacts in the boxing industry or one-on-one access to big names. In part, that’s because he has never compromised his writing to curry favor or ingratiate himself to the powers that be in an effort to gain access or ensure that he receives press credentials for a fight.

But Carlos has several very important things going for him: (1) He appreciates and understands boxing history; (2) He has an intuitive feel for the sport and business of boxing; and (3) He’s a provocative thinker and a good writer who puts thoughts together clearly and logically.

Look at the “Contents” page of Sporting Blood and you’ll see essays (in order) on Carlos Negron, Jack Johnson, Roberto Duran, Esteban De Jesus, Aaron Pryor, Don Jordan, Joe Frazier, Johnny Saxton, Wilfredo Gomez, Lupe Pintor, Davey Moore, Johnny Tapia, Mike Tyson, Evander Holyfield, Bert Cooper, Sonny Liston, Jake LaMotta, Ad Wolgast, Tony Ayala Jr, Al Singer, Michael Dokes, Eddie Machen, Mike Quarry, and Muhammad Ali.

That’s an eclectic mix. But each essay goes beyond the name of the fighter attached to it to underscore a fundamental truth about, and capture the essence of, boxing.

Acevedo calls boxing “a dark art.” Phrases like “the hard logic of the ring” characterize the gritty realism of his writing. Some of the thoughts in Sporting Blood that captured my attention include:

*         “Sadism, whether one admits it or not, is an essential part of boxing. So is masochism.”

*         “Nothing can take away from the terrible symmetry boxing gives its practitioners: a hardscrabble life, followed by a hardscrabble profession, followed by a hardscrabble retirement.”

*         “Disillusion is as much a part of boxing as the jab is.”

*         “In boxing, the enemies of promise are numerous: entourages, managers, promoters, injuries, other fighters. But self-destruction ranks up there with the best of the worst.”

*         “There is very little afterlife for a fighter who has failed to succeed.”

Acevedo has an economical writing style that leads readers to the intended destination without unnecessary verbiage or digressions. Consider his description of Aaron Pryor’s origins, a fighter who Carlos describes as “one of the most exciting fighters during an era when action was a prerequisite for fame.”

After noting that Pryor “matched his unbridled style in the ring with an apocalyptic personal life that kept him in boldface for over a decade,” Acevedo explains, “Aaron Pryor was an at-risk youth before the term came into vogue. Dysfunction was in his DNA. He was born out of wedlock in 1955 to an alcoholic mother whose moodiness could lead to impromptu gunplay. Sarah Pryor, who gave birth to seven children from five different fathers, occasionally whipped out the nickel-plated hardware when some of her brood became unruly. Years later, she wound up shooting her husband five times in the kind of supercharged domestic dispute in which the Pryor clan excelled.”

“Pryor,” Acevedo continues, “had a family tree whose branches were gnarled by tragedy. Its roots were blood-soaked. One of his brothers, Lorenzo, was a career criminal who eventually wound up doing hard time for an armed robbery conviction in Ohio. Another brother, David, became a transsexual hooker. His half-brother was shot and paralyzed by his father. His sister, Catherine, stabbed her lover to death. As if to solidify the epigenetics involved in the Pryor family – and to concretize the symbolism of the phrase ‘vicious cycle’ – Sarah Pryor had seen her own mother shot and murdered by a boyfriend when Sarah was a child.”

Want more?

“As an eight-year-old already at sea in chaotic surroundings,” Acevedo notes, “Pryor was molested by a minister.”

There . . . In a little more than two hundred words, Acevedo has painted a portrait. Do you still wonder why Aaron Pryor had trouble conforming to the norms that society expected of him?

In a chilling profile of Tony Ayala Jr, Acevedo writes, “In the ring, he was hemmed in by the ropes. For more than half his life, he was trapped behind bars. The rest of the time? He was locked inside himself.”

Ayala spent two decades in prison in conjunction with multiple convictions for brutal sexual assaults against women. Acevedo sets up the parallel between Ayala’s misogynist conduct and his ring savagery with a quote from the fighter himself about boxing.

“It’s the closest thing to being like God – to control somebody else,” Ayala declared. “I hit a guy and it’s like, I can do anything I want to you. I own you. Your life is mine, and I will do with it what I please. It’s a really sadistic mentality, but that’s what goes on in my mind. It’s really evil. There’s no other way to put it. I step into that dark, most evil part of me and I physically destroy somebody else, and I will do with them what I want.”

Acevedo also has a gift for dramatically recreating the action in classic ring battles. After recounting the carnage that Ad Wolgast and Battling Nelson visited upon each other on February 22, 1910, he observes, “What Wolgast and Nelson produced was not, in retrospect a sporting event, but a gruesome reminder of how often the line between a blood sport and bloodlust was crossed during an era when mercy was an underdeveloped concept in boxing.”

A vivid description of the December 3, 1982, title bout between Wilfredo Gomez and Lupe Pintor is followed by the observation, “At the core of these apocalyptic fights, where two men take turns punishing each other from round to round, lies the question of motivation. Not in the sporting sense; that is, not in the careerist sense or anything so mundane as competition, but in an existential sense. And while boxing lends itself far too often to an intellectual clam chowder (common ingredients: social Darwinism, atavism, gladiatorial analogies, talk of warriors), the fact remains that what Gomez and Pintor did to each other, under the socially-sanctioned auspices of entertainment, bordered on madness.”

This is powerful writing. Enjoy it.

EDITOR’S NOTE: Reproduced by permission of Thomas Hauser and Hamilcar Publications, the book publishing arm of Hannibal Boxing Media, LLC.  Learn more about Sporting Blood and how to purchase it here: https://hamilcarpubs.com/books/sporting-blood-tales-from-the-dark-side-of-boxing/

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – A Dangerous Journey: Another Year Inside Boxing – was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. He will be inducted into the International Boxing Hall of Fame with the Class of 2020.

Check out more boxing news on video at The Boxing Channel 

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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The Ortiz-Bohachuk Thriller has been named the TSS 2024 Fight of The Year

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The Aug. 10 match in Las Vegas between Knockout artists Vergil Ortiz Jr and Serhii Bohachuk seemingly had scant chance of lasting the 12-round distance. Ortiz, the pride of Grand Prairie, Texas, was undefeated in 21 fights with 20 KOs. Bohachuk, the LA-based Ukrainian, brought a 24-1 record with 23 knockouts.

In a surprise, the fight went the full 12. And it was a doozy.

The first round, conventionally a feeling-out round, but was anything but. “From the opening bell, [they] clobbered each other like those circus piledriver hammer displays,” wrote TSS ringside reporter David A. Avila.

In this opening frame, Bohachuk, the underdog in the betting, put Ortiz on the canvas with a counter left hook. Of the nature of a flash knockdown, it was initially ruled a slip by referee Harvey Dock. With the benefit of instant replay, the Nevada State Athletic Commission overruled Dock and after four rounds had elapsed, the round was retroactively scored 10-8.

Bohachuk had Ortiz on the canvas again in round eight, put there by another left hook. Ortiz was up in a jiff, but there was no arguing it was a legitimate knockdown and it was plain that Ortiz now trailed on the scorecards.

Aware of the situation, the Texan, a protégé of the noted trainer Robert Garcia, dug deep to sweep the last four rounds. But these rounds were fused with drama. “Every time it seemed the Ukrainian was about to fall,” wrote Avila, “Bohachuk would connect with one of those long right crosses.”

In the end, Ortiz eked out a majority decision. The scores were 114-112 x2 and 113-113.

Citing the constant adjustments and incredible recuperative powers of both contestants, CBS sports combat journalist Brian Campbell called the fight an instant classic. He might have also mentioned the unflagging vigor exhibited by both. According to CompuBox, Ortiz and Bohachuk threw 1579 punches combined, landing 490, numbers that were significantly higher than the early favorite for Fight of the Year, the March 2 rip-snorter at Verona, New York between featherweights Raymond Ford and Otabek Kholmatov (a win for Ford who pulled the fight out of the fire in the final minute).

Photo credit: Al Applerose

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Women’s Prizefighting Year End Review: The Best of the Best in 2024

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Women’s Prizefighting Year End Review: The Best of the Best in 2024

It’s the end of the year.

Here are our awards for the best in women’s boxing. But first, a rundown on the state of the sport.

Maybe its my imagination but it seems that fewer female fights of magnitude took place in 2024 than in previous years.

A few promoters like 360 Promotions increased their involvement in women’s boxing while others such as Matchroom Boxing and Golden Boy Promotions seem stagnant. They are still staging female bouts but are not signing new additions.

American-based promotion company Top Rank, actually lost 50 percent of their female fighter roster when Seniesa Estrada, the undisputed minimumweight champion, retired recently. They still have Mikaela Mayer.

A promotion company making headlines and creating sparks in the boxing world is Most Valuable Promotions led by Jake Paul and Nakisa Bidarian. They signed Amanda Serrano and have invested in staging other female fights

This year, the top streaming company Netflix gambled on sponsoring Jake Paul versus Mike Tyson, along with Amanda Serrano versus Katie Taylor and hit a monster home run. According to Netflix metrics an estimated 74 million viewers watched the event that took place on Nov. 16 at Arlington, Texas.

“Breaking records like this is exactly what MVP was built to do – bring the biggest, most electrifying events to fans worldwide,” said Nakisa Bidarian co-founder of MVP.

History was made in viewership and at the gate where more than 70,000 fans packed AT&T Stadium for a record-setting $17.8 million in ticket sales outside of Las Vegas. It was the grand finale moment of the year.

Here are the major contributors to women’s boxing in 2024.

Fighter of the Year: Amanda Serrano

Other candidates: Katie Taylor, Claressa Shields, Franchon Crews, Dina Thorslund, and Yesica Nery Plata.

Amanda Serrano was chosen for not only taking part in the most viewed female title fight in history, but also for willingly sacrificing the health of her eye after suffering a massive cut during her brutal war with Taylor. She could have quit, walked away with tons of money and be given the technical decision after four rounds. She was ahead on the scorecards at that moment.

Instead, Serrano took more punches, more head butts and slugged her way through 10 magnificent and brilliant rounds against the great Taylor. Fans worldwide were captivated by their performance. Many women who had never watched a female fight were mesmerized and inspired.

Serrano once again proved that she would die in the ring rather than quit. Women and men were awed by her performance and grit. It was a moment blazed in the memories of millions.

Amanda Serrano is the Fighter of the Year.

Best Fight of the Year – Amanda Serrano versus Katie Taylor 2

Their first fight that took place two years ago in Madison Square Garden was the greatest female fight I had ever witnessed. The second fight surpassed it.

When you have two of the best warriors in the world willing to showcase their talent for entertainment regardless of the outcome, it’s like rubbing two sticks of dynamite together.

Serrano jumped on Taylor immediately and for about 20 seconds it looked like the Irish fighter would not make the end of the first round. Not quite. Taylor rallied behind her stubborn determination and pulled out every tool in her possession: elbows, head butts, low blows, whatever was needed to survive, Taylor used.

It reminded me of an old world title fight in 2005 between Jose Luis Castillo a master of fighting dirty and Julio Diaz. I asked about the dirty tactics by Castillo and Diaz simply said, “It’s a fight. It’s not chess. You do what you have to do.”

Taylor did what she had to do to win and the world saw a magnificent fight.

Other candidates: Seniesa Estrada versus Yokasta Valle, Mikaela Mayer versus Sandy Ryan, and Ginny Fuchs vs Adelaida Ruiz.

KO of the Year – Lauren Price KO3 Bexcy Mateus.

Dec. 14, in Liverpool, England.

The IBO welterweight titlist lowered the boom on Bexcy Mateus sending her to the floor thrice. She ended the fight with a one-two combination that left Mateus frozen while standing along the ropes. Another left cross rocket blasted her to the ground. Devastating.

Other candidates: Claressa Shields KO of Vanessa LePage-Joanisse, Gabriela Fundora KO of Gabriela Alaniz, Dina Thorslund vs Mary Romero, Amanda Serrano KO of Stevie Morgan.

Pro’s Pro Award – Jessica Camara

Jessica Camara defeated Hyun Mi Choi in South Korea to win the WBA gold title on April 27, 2024. The match took place in Suwon where Canada’s Camara defeated Choi by split decision after 10 rounds.

Camara, who is managed by Brian Cohen, has fought numerous champions including Kali Reis, Heather Hardy and Melissa St. Vil. She has become a pro fighter that you know will be involved in a good and entertaining fight and is always in search of elite competition. She eagerly accepted the fight in South Korea against Choi. Few fighters are willing to do that.

Next up for Camara is WBC titlist Caroline Dubois set for Jan. 11, in Sheffield, England.

Electric Fighters Club

These are women who never fail to provide excitement and drama when they step in the prize ring. When you only have two-minute rounds there’s no time to run around the boxing ring.

Here are some of the fighters that take advantage of every second and they do it with skill:

Gabriela Fundora, Mizuki Hiruta, Ellie Scotney, Lauren Price, Clara Lescurat, Adelaida Ruiz, Ginny Fuchs, Mikaela Mayer, Yokasta Valle, Sandy Ryan, Chantelle Cameron, Ebanie Bridges, Tsunami Tenkai, Dina Thorslund, Evelin Bermudez, Gabriela Alaniz, Caroline Dubois, Beatriz Ferreira, and LeAnna Cruz.

Claressa Shields Movie and More

A motion picture based on Claressa Shields titled “The Fire Inside” debuts on Wednesday, Dec. 25, nationwide. Most boxing fans know that Shields has world titles in various weight divisions. But they don’t know about her childhood and how she rose to fame.

Also, Shields (15-0, 3 KOs) will be fighting Danielle Perkins (5-0, 2 KOs) for the undisputed heavyweight world championship on Sunday Feb. 2, at Dort Financial Center in Flint, Michigan. DAZN will stream the Salita Promotions fight card.

“Claressa Shields is shining a spotlight on Flint – first on the big screen and then in the ring on Sunday, February 2,” said event promoter Dmitriy Salita, president of Salita Promotions. “Claressa leads by example. She is a trailblazer and has been an advocate for equality since she was a young lady. This event promises to be one of the most significant sporting and cultural events of the year. You don’t want to miss it, either live, in person or live on DAZN.”

Shields is only 29 years old and turns 30 next March. What more can she accomplish?

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Lucas Bahdi Forged the TSS 2024 Knockout of the Year

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A Knockout of the Year doesn’t have to be a one-punch knockout, but it must arrive with the suddenness of a thunderclap on a clear day and the punch or punches must be so harsh as to obviate the need for a “10-count.” And, if rendered by an underdog, that makes the KO resonate more loudly.

Within these parameters, Lucas Bahdi’s knockout of Ashton “H2O” Sylva still jumped off the page. The thunderclap happened on July 20 in Tampa, Florida, on a show promoted by Jake Paul with Paul and the great Amanda Serrano sharing the bill against soft opponents in the featured bouts.

The 30-year-old Bahdi (16-0, 14 KOs) and the 20-year-old Sylva (11-0, 9 KOs) were both undefeated, but Bahdi was accorded scant chance of defeating Jake Paul’s house fighter.

Sylva was 18 years old and had seven pro fights under his belt, winning all inside the distance, when he signed with Paul’s company, Most Valuable Promotions, in 2022. “We believe that Ashton has that talent, that flashiness, that style, that knockout power, that charisma to really be a massive, massive, superstar…” said the “Problem Child” when announcing that Sylva had signed with his company.

Jake Paul was so confident that his protege would accomplish big things that he matched Sylva with Floyd “Kid Austin” Schofield. Currently 18-0 and ranked #2 by the WBA, Schofield was further along than Sylva in the pantheon of hot lightweight prospects. But Schofield backed out, alleging an injury, opening the door to a substitute.

Enter Lucas Bahdi who despite his eye-catching record was a virtual unknown. This would be his first outing on U.S. soil. All of his previous bouts were staged in Mexico or in Canada, mostly in his native Ontario province. “My opponent may have changed,” said Sylva who hails from Long Beach, California, “but the result will be the same, I will get the W and continue my path to greatness.”

The first five rounds were all Sylva. The Canadian had no antidote for Sylva’s speed and quickness. He was outclassed.

Then, in round six, it all came unglued for the precocious California. Out of the blue, Bahdi stiffened him with a hard right hand. Another right quickly followed, knocking Sylva unconscious. A third punch, a sweeping left, was superfluous. Jake Paul’s phenom was already out cold.

Sylva landed face-first on the canvas. He lay still as his handlers and medics rushed to his aid. It was scarifying. “May God restore him,” said ring announcer Joe Martinez as he was being stretchered out of the ring.

The good news is that Ashton “H2O” Silva will be able to resume his career. He is expected back in the ring as early as February. As for Lucas Bahdi, architect of the Knockout of the Year, he has added one more win to his ledger, winning a 10-round decision on the undercard of the Paul vs Tyson spectacle, and we will presumably be hearing a lot more about him.

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