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George Kimball Remembers Budd Schulberg: A TSS Classic

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On this day in boxing history, Aug. 5, 2009, the great screenwriter, novelist, and essayist Budd Schulberg passed away at age 95. His passing inspired this tribute from his friend George Kimball, the longtime boxing writer for the Boston Herald who was then retired as a full-time newspaperman and writing extensively for this web site.

NEW YORK — I could tell from the choking sound on the other end of the line that the news wasn’t going to be good.  It took him awhile, and when he finally got it out, the best his son could manage was “He’s gone…”

Budd Schulberg was 95 years old and had been in ill health for several months, so it was hardly unexpected, but the unsettling moment arrived late Wednesday afternoon when Benn phoned to tell me his father had passed away an hour earlier. Budd was a giant in our field, and a giant in many others as well. He was the only man ever to have both won an Oscar and been inducted into the International Boxing Hall of Fame, but he was also my dear friend of many years, and I miss him already.

*  *  *

Budd Schulberg was 15 years old in 1929 when he sailed to England with his father, the Hollywood mogul B.P. Schulberg.  On that crossing the Schulbergs made the acquaintance of a fellow passenger on the Ile de France, a Georgia boxer named William Lawrence Stribling, who boxed under the nomme de guerre Young Stribling.

Upon learning that both Schulbergs were enthusiastic boxing fans, Stribling promised them a pair of ringside tickets for his upcoming bout at the Royal Albert Hall, where he was to fight an ungainly Italian giant named Primo Carnera.

If watching his father drop what he described as “a casually reckless wager” of 1,000 pounds when Carnera won by disqualification wasn’t enough to inspire a healthy skepticism in the younger Schulberg, the result of the return match certainly did. In what appeared to have been a pre-arranged scenario, Carnera and Stribling  met again in Paris three weeks later, and this time Carnera returned the favor by getting himself disqualified in the seventh round.  The episode made an indelible impression on Schulberg, who years later would base his cautionary boxing novel “The Harder They Fall” on the illusory rise and inglorious fall of Carnera, the heavyweight champion known as “The Ambling Alp.”

Now, think about this.

Eighty years later, this time by more modern contrivance, Budd returned to London again. This past February he flew over for the premier of “On the Waterfront,” a stage adaptation of his Academy Award-winning 1954 screenplay, at the Theatre Royal in Haymarket. Perhaps determined to reprise all facets of that 1929 rite of passage, he and his wife Betsy went from London to Paris, where they spent a week in the city that had hosted Stribling-Carnera II. They returned to London, where they attended yet another performance of On the Waterfront.

Afterward Budd repaired to a nearby pub with the cast of the London production, and spent the night celebrating with the cast. When he became ill on the flight back to New York the next day the initial assumption was that the partying was to blame, but what it really was was the onset of old age. This was particularly unsettling for Budd, because he was a month shy of his 95th birthday, and he had never before felt — or seemed — particularly old. Not to himself, not to any of us.

Benn Schulberg and I were at Madison Square Garden that night, at the Cotto-Jennings fight, when he got the phone call telling him that his dad had been taken off the plane at Kennedy Airport in a stretcher and rushed to the emergency room at Jamaica Hospital. Somewhere over the Atlantic his blood pressure had dropped alarmingly, and he barely had a pulse.

Budd improved enough over the next few days to be moved to Mt. Sinai in New York, where he could be under the care of his cardiologist, and eventually he was allowed to be home, but he remained in a weakened state. He had been in congestive heart failure for some time, and he had a chronic lung condition, the result of having sucked down some toxic fumes in a home kitchen fire several decades earlier, and then a couple of months ago he was well enough to undergo what was supposed to be routine surgery to repair a hernia. That’s when they found the cancer in his belly

There were several phone calls over the next few weeks while Budd and Betsy deliberated the various options, and since I’d had to make similar choices in the past, they consulted me on the matter. I’m not sure how helpful I was, other than to recommend an insistence on getting a full recitation of the potential benefits and consequences from whichever specialist had their ear at the moment, but in the end Budd opted for treatment. In June he came straight from a chemo appointment to attend the Boxing Writers dinner (where he received a standing ovation), and then just a few weeks ago he attended a staged reading of On the Waterfront in Hoboken. The event, by the New Artists Theatre, featured some cast members of “The Sopranos,” on the turf Schulberg’s play had immortalized, and the aura of corruption of the 50’s era had just been revived when the FBI took town a bunch of New Jersey mayors (and rabbis) a few days earlier.

“He probably shouldn’t have, but at the last minute he told me he wanted to go,” reported Benn. “He was in pretty bad shape, and I think everyone could tell that.”

“I certainly could,” said Lou di Bella, who was also in attendance that night. “I knew then that it was probably the last time I’d see him.”

*   *   *

I find myself thinking about the better times, and they weren’t so very long ago at that.  Budd and Betsy had dinner with us at our place here in New York several times over the past few years, and when it finally became apparent that climbing the stairs of an old brownstone built before the age of elevators was a burden, we met for dinner in more nonogenarian-friendly locales. A year ago March we’d attended his 94th birthday party at an Upper West Side restaurant, along with his family and a few friends, including the artist LeRoy Neiman and the actress Patricia Neal, who’d starred in the film of Budd’s “A Face in the Crowd” half a century earlier.

Even though he could doubtless feel it closing in on him over those last few years he refused to make the normal concessions to age. A couple of years ago when we were in Vegas for the Mayweather-De La Hoya fight there was a late lunch with myself, Budd and Benn, and Michael Katz. We had to find a place with a television set so we could monitor the progress of the Kentucky Derby bets we’d placed at the sports book earlier in the day. During football season, especially come playoff time, and for a big fight we’d decided not to attend in person, we’d often gather at Benn’s apartment, order up obscene quantities of food and beer, and then try to stick one another with the tab through an intricate series of wagers, usually devised by Budd.

I’m 65, and at these gatherings I was often the second-youngest person in attendance. Budd didn’t hang out with many people his own age, mainly because people his own age were mostly dead. But any father will tell you he’d rather have no better friend than his own son, and Benn, who didn’t even come along until Budd was 67, was unquestionably Budd’s best friend, his constant companion at ringside.

* *  *

I’d read Budd in my youth, long before I met him, beginning, as most do, with “What Makes Sammy Run,” without even understanding at the time the bedrock of personal experience underlying that book, or that its publication would, as his father had warned him it might, severely retard what had been a promising Hollywood career. It didn’t kill it altogether, of course. Budd was assigned to co-write a script with another member of the newly-fallen, F. Scott Fitzgerald, and while that project turned into a disaster, it did provide the basis for another splendid book based on the experience, “The Disenchanted.”

He straddled the worlds of literature and pugilism throughout his life, but unlike some of his more boastful contemporaries he was not a dilettante when it came to either. He sparred regularly with Mushy Callahan well beyond middle age. The night of the Frazier-Ali fight of the century Budd started to the arena in Muhammad Ali’s limousine, and then when the traffic got heavy, got out and walked to Madison Square Garden with Ali. A year before Jose Torres died, Budd and Betsy flew to Puerto Rico and spent several days with Jose and Ramona at their home in Ponce. Art Aragon was the best man at his wedding. And when push came to shove, he put on the gloves with both Ernest Hemingway and Norman Mailer and kicked both of their asses, though not, as some would now claim, on the same night.

*   *    *

Budd and I had sat together at another Boxing Writers Dinner at least a quarter century earlier. I remember being pretty full of myself, because I’d just come back from a fight in Vegas where I’d had a pretty good week at the tables as well. I’d not only won what seemed to me a ton of money but had spent enough time at the tables that Gene Kilroy had gotten the casino to comp my room — after they’d already issued me a receipt that would satisfy the bean counters at the newspaper.

As I was remarking on the delicious irony of it all, Budd punctured my reverie long enough to ask “Let me ask you this, George. Could you have afforded to lose $5,000?”

He knew I had two small children, and that of course I couldn’t. He then proceeded to tell me the cautionary tale of his own father, whose gambling Jones put his family at the brink of bankruptcy a couple of times. That night told me the story that would later appear in Moving Pictures, the biography of his early days in Hollywood, of the floating poker game that convened at the Schulberg manse just before young Budd was sent to his room to do his homework. When he came downstairs for breakfast eight hours later, his father was still at the table, where he was writing out a check for $20,000 to Chico Marx.

He was afflicted with a lifelong stammer that seemed to grow worse when he became excited or impatient, which wasn’t often. It has occurred to me more than once over the years that this probably evolved into an asset to his writing and his unerring ear for dialogue, because most conversations were so essentially one-sided that he became a very good listener.

*   *   *

In World War II he served in the OSS, and in the war’s aftermath was part of the prosecution team at the Nuremburg Trials, where his job was assembling photographic and film evidence for use against the Nazis on trial for war crimes.

He had been a Communist Party member in the late1930s, but had long since repudiated his ties after he had seen firsthand the evils of Stalinism. Although unlike many former CP members he retained a leftist stance on social and political issues throughout his life, he was tarred by his agreement to testify before the House Un-American Activities Committee in 1947. Many of his colleagues who refused were blacklisted, and lives were ruined. Budd was branded a pariah in some circles, but in his own mind his politics hadn’t wavered.

The episode did make him fair game on another front, particularly when On The Waterfront, directed by another former party member-turned-friendly witness, Elia Kazan, emerged in 1954. Kazan had earlier worked on another waterfront-themed project called “The Hook” with the playwright Arthur Miller. The biographer Jeffrey Meyers would later claim that “Miller had refused to turn the gangsters into communists, as the Columbia Pictures mogul Harry Cohn and the Hollywood union bosses wanted him to. The film was later written that way by Budd Schulberg (another self-serving friendly witness’) as On The Waterfront.”

As preposterous as the allegation seems — there are no more any bad-guy communists in On the Waterfront than there were in “A View from the Bridge,” the play Miller eventually wrote from “The Hook.” Moreover, Budd had purchased the rights to a New York Sun series about the Jersey docks as early as 1947, years before Miller’s brief flirtation with Kazan.

“When I was working on ‘On the Waterfront,’ I didn’t know about Arthur Miller,” Budd told an English newspaper in London back in February. “They were absolutely two separate, if overlapping, projects.”

brando

Budd said at the time he resented the accusation “because it made me seem like I was trying to imitate Arthur Miller and walk in his footsteps. I didn’t like it.”

Miller died without the two men ever discussing the subject. This summer I was invited to read at a literary festival, the Listowel Writers Week in Ireland. Another of the invitees was the novelist and director Rebecca Miller, who in addition to being Daniel Day-Lewis’ wife is also Arthur Miller’s daughter. One morning at our hotel there I read her the offending passage from Meyers’ book.

“That’s absurd,” she said. “I’m sure my father never believed that. A View from the Bridge and On the Waterfont were always going to be two separate plays. One had nothing to do with the other.”

I know I told Benn about that conversation when I returned from Europe. But now it occurs to me that I never got a chance to tell Budd, who would have, I suspect, found it comforting.

*  *  *

Over the past few weeks Pete Hamill and I had spoken often of going out to Westhampton to visit Budd, but between our travel schedules and his medical issues the timing never seemed right. Benn was with him last weekend and reported that even then he was plainly struggling to breathe, in considerable discomfort. He seemed to sense that it was time to go, and as it turned out it was their final goodbye. When Benn got the news that his father had been taken to the hospital in Riverhead Wednesday afternoon he jumped straight into his car. By the time he got there Budd was already dead.

“But,” said his son as he choked back the tears, “he had a pretty good run, didn’t he?”

Yes, he did.

EDITOR’S NOTE: George Kimball died on July 6, 2011, after a six-year battle with esophageal cancer. In the last years of his life he was highly productive, authoring the widely acclaimed “Four Kings: Leonard, Hagler, Hearns, Duran, and the Last Great Era of Boxing,” and two boxing anthologies in collaboration with John Schulian.

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Avila Perspective, Chap. 281: The Devin Haney and Ryan Garcia Show

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Over the years bouts between old foes such as Devin Haney and Ryan Garcia tend to be surprising.

Yes, both are only 25 but have known each other for many years.

When undisputed super lightweight champion Haney (31-0, 15 KOs) steps into the prize ring at Barclays Center to meet challenger Garcia (24-1, 20 KOs) on Saturday, April 20, fans will be witnessing the continuation of a feud that began more than a decade ago.

And though the champion is a heavy favorite, familiarity is Garcia’s best weapon heading into their fight on the Golden Boy Promotions card that will be shown on PPV.COM with Jim Lampley and friends. DAZN pay-per-view is also streaming the card.

In many ways Haney and Garcia have ventured down the same path. From amateur sensations to fighting in Mexico while teens to asking for the biggest challenges available.

“Whichever version of Ryan shows up on April 20, I will be ready for him. Ryan Garcia is just another opponent to me,” said Haney who holds the WBC super lightweight title after his win over Regis Prograis.

The first time I saw Haney as a pro he battled the dangerous Mexican contender Juan Carlos Burgos at Pechanga Resort and Casino in Temecula. It was an impressive performance against a fighter who fought three times for a world title.

Haney was 19 at the time.

My first look at Garcia as a pro was in his first bout in the U.S. when he met Puerto Rico’s Jonathan Cruz at the Exchange in downtown Los Angeles. The Boricua looked at Garcia and tried intimidating him with stares, taunts and the usual patter. During the fight both swung and missed until the second round when Garcia zeroed in and took him out.

Garcia had just turned 18, the legal age to fight in California.

Both fighters did not have the Olympics credentials that lead to fame. But their talent has allowed them to fight through the dense smoke that is professional boxing.

Haney has defeated numerous world champions such as Prograis, Vasyl Lomachenko and George Kambosos Jr., while Garcia has stopped champions Javier Fortuna and Luke Campbell.

As amateurs, Garcia and Haney battled six times with each winning three.

“They know each other very well,” said Oscar De La Hoya of Golden Boy Promotions. “Ryan is going to beat Devin Haney.”

Haney has a buttery-smooth style with one of the best jabs in boxing. He’s very adept at keeping distance and not allowing anyone to fight him inside. His reflexes are outstanding, yet he seldom fights inside. That’s his weakness.

Garcia fights tall and has superb hand speed and a lightning quick left hook. Though his defense lacks tightness his ability to rip off three-punch combinations in a blink of an eye pauses opponents from bullying their way inside.

“These guys always just look at me and look at me like I don’t know how to box,” said Garcia on social media. “Why was I one of the best fighters in the amateurs. Why was I a 15-time National champion…why did I beat everyone I came across.”

Haney is a strong favorite by oddsmakers to defeat Garcia. But you can never tell when it comes to fighters that know each other well and are athletically gifted.

When Sergio Mora challenged Vernon Forrest he was a big underdog. When Tim Bradley fought Manny Pacquiao the first time, he was also the underdog. And when Andy Ruiz met Anthony Joshua few gave him a chance.

Haney and Garcia have history in the ring. It should be an interesting battle.

PPV.COM

Jim Lampley will be leading the broadcast on PPV.COM for the Haney-Garcia card at Barclays and texting with fans on the card live. He will be accompanied by journalists Lance Pugmire, Dan Conobbio and former champion Chris Algieri.

The PPV.COM broadcast begins at 5 p.m. PT. and is available in Canada and the USA.

Other News

MMA stars Nate Diaz and Jorge Masvidal will be holding a media day event on Friday, April 19, at NOVO at L.A. Doors open at 5:30 p.m.

Diaz and Masvidal will be boxing against each other in a grudge match on June 1 at the KIA Forum in Inglewood, Calif. The two MMA stars met five years at UFC 244 with Masvidal winning by TKO over Diaz due to cuts.

This is a grudge match, but under boxing rules.

Fight card in Commerce, Calif.

360 Promotions returns to Commerce Casino on Saturday April 20 with undefeated super lightweight Cain Sandoval leading the charge.

Sandoval (12-0) faces Angel Rebollar (8-3) in the main event that will be shown live on UFC Fight Pass. Also on the card are two female events including hot prospect Lupe Medina (5-0) versus Sabrina Persona (3-1) in a minimumweight clash.

Doors open at 4 p.m.

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Boxing Odds and Ends: The Heavyweight Merry-Go-Round

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Boxing Odds and Ends: The Heavyweight Merry-Go-Round

There were few surprises when co-promoters Eddie Hearn and Frank Warren and their benefactor HE Turki Alalshikh held a press conference in London this past Monday to unveil the undercard for the Beterbiev-Bivol show at Riyadh, Saudi Arabia on June 1. Most of the match-ups had already been leaked.

For die-hard boxing fans, Beterbiev-Bivol is such an enticing fight that it really doesn’t need an attractive undercard. Two undefeated light heavyweights will meet with all four relevant belts on the line in a contest where the oddsmakers straddled the fence. It’s a genuine “pick-‘em” fight based on the only barometer that matters, the prevailing odds.

But Beterbiev-Bivol has been noosed to a splendid undercard, a striking contrast to Saturday’s Haney-Garcia $69.99 (U.S.) pay-per-view in Brooklyn, an event where the undercard, in the words of pseudonymous boxing writer Chris Williams, is an absolute dumpster fire.

The two heavyweight fights that will bleed into Beterbiev-Bivol, Hrgovic vs. Dubois and Wilder vs. Zhang, would have been stand-alone main events before the incursion of Saudi money.

Hrgovic-Dubois

Filip Hrgovic (17-0, 13 KOs) and Daniel Dubois (20-2, 19 KOs) fought on the same card in Riyadh this past December. Hrgovic, the Croatian, was fed a softie in the form of Australia’s Mark De Mori who he dismissed in the opening round. Dubois, a Londoner, rebounded from his loss to Oleksandr Usyk with a 10th-round stoppage of corpulent Jarrell “Big Baby” Miller.

There’s an outside chance that Hrgovic vs. Dubois may be sanctioned by the IBF for the world heavyweight title.

The May 18 showdown between Oleksandr Usyk and Tyson Fury has a rematch clause. The IBF is next in line in the rotation system for a unified heavyweight champion and the organization has made it plain that the winner of Usyk-Fury must fulfill his IBF mandatory before an intervening bout.

The best guess is that the Usyk-Fury winner will relinquish the IBF belt. If so, Hrgovic and Dubois may fight for the vacant title although a more likely scenario is that the organization will keep the title vacant so that the winner can fight Anthony Joshua.

Wilder-Zhang

The match between Deontay Wilder (43-3-1, 42 KOs) and Zhilei Zhang (26-2-1, 21 KOs) is a true crossroads fight as both Wilder, 38, and Zhang, who turns 41 in May, are nearing the end of the road and the loser (unless it’s a close and entertaining fight) will be relegated to the rank of a has-been. In fact, Wilder has hinted that this may be his final rodeo.

Both are coming off a loss to Joseph Parker.

Wilder last fought on the card that included Hrgovic and Dubois and was roundly out-pointed by a man he was expected to beat. It’s a quick turnaround for Zhang who opposed Parker on March 8 and lost a majority decision.

Other Fights

Either of two other fights may steal the show on the June 1 event.

Raymond Ford (15-0-1, 8 KOs) meets Nick Ball (19-0-1, 11 KOs) in a 12-round featherweight contest. New Jersey’s Ford will be defending the WBA world title he won with a come-from-behind, 12th-round stoppage of Otabek Kholmatov in an early contender for Fight of the Year. Liverpool’s “Wrecking” Ball, a relentless five-foot-two sparkplug, had to settle for a draw in his title fight with Rey Vargas despite winning the late rounds and scoring two knockdowns.

Hamzah Sheeraz (19-0, 15 KOs) meets fellow unbeaten Austin “Ammo” Williams (16-0, 11 KOs) in a 12-round middleweight match. East London’s Sheeraz, the son of a former professional cricket player, is unknown in the U.S. although he trained for his recent fights at the Ten Goose Boxing Gym in California. Riding a skein of 13 straight knockouts, he has a date with WBO title-holder Janibek Alimkhanuly if he can get over this hurdle.

The Forgotten Heavyweight

“Unbeaten for seven years, the man nobody wants to fight,” intoned ring announcer Michael Buffer by way of introduction. Buffer was referencing Michael Hunter who stood across the ring from his opponent Artem Suslenkov.

This scene played out this past Saturday in Tashkent, Uzbekistan. It was Hunter’s second fight in three weeks. On March 23, he scored a fifth-round stoppage of a 46-year-old meatball at a show in Zapopan, Mexico.

The second-generation “Bounty Hunter,” whose only defeat prior to last weekend came in a 12-rounder with Oleksandr Usyk, has been spinning his wheels since TKOing the otherwise undefeated Martin Bakole on the road in London in 2018. Two fights against hapless opponents on low-budget cards in Mexico and a couple of one-round bouts for the Las Vegas Hustle, an entry in the fledgling and largely invisible Professional Combat League, are the sum total of his activity, aside from sparring, in the last two-and-a-half years.

Hunter’s chances of getting another big-money fight took a tumble in Tashkent where he lost a unanimous decision in a dull affair to the unexceptional Suslenkov who was appearing in his first 10-round fight. The scores of the judges were not announced.

You won’t find this fight listed on boxrec. As Jake Donovan notes, the popular website will not recognize a fight conducted under the auspices of a rogue commission. (Another fight you won’t find on boxrec for the same reason is Nico Ali Walsh’s 6-round split decision over the 9-2-1 Frenchman, Noel Lafargue, in the African nation of Guinea on Dec. 16, 2023. You can find it on YouTube, but according to boxrec, boxing’s official record-keeper, it never happened.)

Anderson-Merhy Redux

The only thing missing from this past Saturday’s match in Corpus Christi, Texas, between Jared Anderson and Ryad Merhy was the ghost of Robert Valsberg.

Valsberg, aka Roger Vaisburg, was the French referee who disqualified Ingemar Johansson for not trying in his match with LA’s Ed Sanders in the finals of the heavyweight competition at the 1952 Helsinki Olympics. Valsberg tossed Johansson out of the ring after two rounds and Johansson was denied the silver medal. The Swede redeemed himself after turning pro, needless to say, when he demolished Floyd Patterson in the first of their three meetings.

Merhy was credited with throwing only 144 punches, landing 34, over the course of the 10 rounds. Those dismal figures yet struck many onlookers as too high. (This reporter has always insisted that the widely-quoted CompuBox numbers should be considered approximations.)

Whatever the true number, it was a disgraceful performance by Merhy who actually showed himself to have very fast hands on the few occasions when he did throw a punch. With apologies to Delfine Persoon, a spunky lightweight, U.S. boxing promoters should think twice before inviting another Belgian boxer to our shores.

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Anderson Cruises by Vapid Merhy and Ajagba edges Vianello in Texas

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Jared Anderson returned to the ring tonight on a Top Rank card in Corpus Christi, Texas. Touted as the next big thing in the heavyweight division, Anderson (17-0, 15 KOs) hardly broke a sweat while cruising past Ryad Merhy in a bout with very little action, much to the disgruntlement of the crowd which started booing as early as the second round. The fault was all Merhy as he was reluctant to let his hands go. Somehow, he won a round on the scorecard of judge David Sutherland who likely fell asleep for a round for which he could be forgiven.

Merhy, born in the Ivory Coast but a resident of Brussels, Belgium, was 32-2 (26 KOs) heading in after fighting most of his career as a cruiserweight. He gave up six inches in height to Anderson who was content to peck away when it became obvious to him that little would be coming back his way.

Anderson may face a more daunting adversary on Monday when he has a court date in Romulus, Michigan, to answer charges related to an incident in February where he drove his Dodge Challenger at a high rate speed, baiting the police into a merry chase. (Weirdly, Anderson entered the ring tonight wearing the sort of helmet that one associates with a race car driver.)

Co-Feature

In the co-feature, a battle between six-foot-six former Olympians, Italy’s Guido Vianello started and finished strong, but Efe Ajagba had the best of it in the middle rounds and prevailed on a split decision. Two of the judges favored Ajagba by 96-94 scores with the dissenter favoring the Italian from Rome by the same margin.

Vianello had the best round of the fight. He staggered Ajagba with a combination in round two. At the end of the round, a befuddled Ajagba returned to the wrong corner and it appeared that an upset was brewing. But the Nigerian, who trains in Las Vegas under Kay Koroma, got back into the fight with a more varied offensive attack and better head movement. In winning, he improved his ledger to 20-1 (14). Vianello, who sparred extensively with Daniel Dubois in London in preparation for this fight, declined to 12-2-1 in what was likely his final outing under the Top Rank banner.

Other Bouts of Note

In the opening bout on the main ESPN platform, 35-year-old super featherweight Robson Conceicao, a gold medalist for Brazil in the 2016 Rio Olympics, stepped down in class after fighting Emanuel Navarrete tooth-and-nail to a draw in his previous bout and scored a seventh-round stoppage of Jose Ivan Guardado who was a cooked goose after slumping to the canvas after taking a wicked shot to the liver. Guardado made it to his feet, but the end was imminent and the referee waived it off at the 2:27 mark.

Conceicao improved to 18-1 (9 KOs). It was the U.S. debut for Guardado (15-2-1), a boxer from Ensenada, Mexico who had done most of his fighting up the road in Tijuana.

Ruben Villa, the pride of Salinas, California, improved to 22-1 (7) and moved one step closer to a match with WBC featherweight champion Rey Vargas with a unanimous 10-round decision over Tijuana’s Cristian Cruz (22-7-1). The judges had it 97-93 and 98-92 twice.

Cruz, the son of former IBF world featherweight title-holder Cristobal Cruz, was better than his record. He entered the bout on a 21-1-1 run after losing five of his first seven pro fights.

Cleveland southpaw Abdullah Mason, who turned 20 earlier this month, continued his fast ascent up the lightweight ladder with a fourth-round stoppage of Ronal Ron.

Mason (13-0, 11 KOs) put Ron on the canvas in the opening round with a short left hook. He scored a second knockdown with a shot to the liver. A flurry of punches, a diverse array, forced the stoppage at the 1:02 mark of round four. A 25-year-old SoCal-based Venezuelan, the spunky but out-gunned Ron declined to 14-6.

Charly Suarez, a 35-year-old former Olympian from the Philippines, ranked #5 at junior lightweight by the IBF, advanced to 17-0 (9) with a unanimous 8-round decision over SoCal’s Louie Coria (5-7).

This was a tactical fight. In the final round, Coria, subbing for 19-0 Henry Lebron, caught the Filipino off-balance and knocked him into the ropes which held him up. It was scored a knockdown, but came too little, too late for Coria who lost by scores of 76-75 and 77-74 twice.

Suarez, whose signature win was a 12th-round stoppage of the previously undefeated Aussie Paul Fleming in Sydney, may be headed to a rematch with Robson Conceicao. They fought as amateurs in 2016 in Kazakhstan and Suarez lost a narrow 6-round decision.

Photo credit: Mikey Willams / Top Rank via Getty Images

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