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George Kimball Remembers Budd Schulberg: A TSS Classic

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On this day in boxing history, Aug. 5, 2009, the great screenwriter, novelist, and essayist Budd Schulberg passed away at age 95. His passing inspired this tribute from his friend George Kimball, the longtime boxing writer for the Boston Herald who was then retired as a full-time newspaperman and writing extensively for this web site.

NEW YORK — I could tell from the choking sound on the other end of the line that the news wasn’t going to be good.  It took him awhile, and when he finally got it out, the best his son could manage was “He’s gone
”

Budd Schulberg was 95 years old and had been in ill health for several months, so it was hardly unexpected, but the unsettling moment arrived late Wednesday afternoon when Benn phoned to tell me his father had passed away an hour earlier. Budd was a giant in our field, and a giant in many others as well. He was the only man ever to have both won an Oscar and been inducted into the International Boxing Hall of Fame, but he was also my dear friend of many years, and I miss him already.

*  *  *

Budd Schulberg was 15 years old in 1929 when he sailed to England with his father, the Hollywood mogul B.P. Schulberg.  On that crossing the Schulbergs made the acquaintance of a fellow passenger on the Ile de France, a Georgia boxer named William Lawrence Stribling, who boxed under the nomme de guerre Young Stribling.

Upon learning that both Schulbergs were enthusiastic boxing fans, Stribling promised them a pair of ringside tickets for his upcoming bout at the Royal Albert Hall, where he was to fight an ungainly Italian giant named Primo Carnera.

If watching his father drop what he described as “a casually reckless wager” of 1,000 pounds when Carnera won by disqualification wasn’t enough to inspire a healthy skepticism in the younger Schulberg, the result of the return match certainly did. In what appeared to have been a pre-arranged scenario, Carnera and Stribling  met again in Paris three weeks later, and this time Carnera returned the favor by getting himself disqualified in the seventh round.  The episode made an indelible impression on Schulberg, who years later would base his cautionary boxing novel “The Harder They Fall” on the illusory rise and inglorious fall of Carnera, the heavyweight champion known as “The Ambling Alp.”

Now, think about this.

Eighty years later, this time by more modern contrivance, Budd returned to London again. This past February he flew over for the premier of “On the Waterfront,” a stage adaptation of his Academy Award-winning 1954 screenplay, at the Theatre Royal in Haymarket. Perhaps determined to reprise all facets of that 1929 rite of passage, he and his wife Betsy went from London to Paris, where they spent a week in the city that had hosted Stribling-Carnera II. They returned to London, where they attended yet another performance of On the Waterfront.

Afterward Budd repaired to a nearby pub with the cast of the London production, and spent the night celebrating with the cast. When he became ill on the flight back to New York the next day the initial assumption was that the partying was to blame, but what it really was was the onset of old age. This was particularly unsettling for Budd, because he was a month shy of his 95th birthday, and he had never before felt — or seemed — particularly old. Not to himself, not to any of us.

Benn Schulberg and I were at Madison Square Garden that night, at the Cotto-Jennings fight, when he got the phone call telling him that his dad had been taken off the plane at Kennedy Airport in a stretcher and rushed to the emergency room at Jamaica Hospital. Somewhere over the Atlantic his blood pressure had dropped alarmingly, and he barely had a pulse.

Budd improved enough over the next few days to be moved to Mt. Sinai in New York, where he could be under the care of his cardiologist, and eventually he was allowed to be home, but he remained in a weakened state. He had been in congestive heart failure for some time, and he had a chronic lung condition, the result of having sucked down some toxic fumes in a home kitchen fire several decades earlier, and then a couple of months ago he was well enough to undergo what was supposed to be routine surgery to repair a hernia. That’s when they found the cancer in his belly

There were several phone calls over the next few weeks while Budd and Betsy deliberated the various options, and since I’d had to make similar choices in the past, they consulted me on the matter. I’m not sure how helpful I was, other than to recommend an insistence on getting a full recitation of the potential benefits and consequences from whichever specialist had their ear at the moment, but in the end Budd opted for treatment. In June he came straight from a chemo appointment to attend the Boxing Writers dinner (where he received a standing ovation), and then just a few weeks ago he attended a staged reading of On the Waterfront in Hoboken. The event, by the New Artists Theatre, featured some cast members of “The Sopranos,” on the turf Schulberg’s play had immortalized, and the aura of corruption of the 50’s era had just been revived when the FBI took town a bunch of New Jersey mayors (and rabbis) a few days earlier.

“He probably shouldn’t have, but at the last minute he told me he wanted to go,” reported Benn. “He was in pretty bad shape, and I think everyone could tell that.”

“I certainly could,” said Lou di Bella, who was also in attendance that night. “I knew then that it was probably the last time I’d see him.”

*   *   *

I find myself thinking about the better times, and they weren’t so very long ago at that.  Budd and Betsy had dinner with us at our place here in New York several times over the past few years, and when it finally became apparent that climbing the stairs of an old brownstone built before the age of elevators was a burden, we met for dinner in more nonogenarian-friendly locales. A year ago March we’d attended his 94th birthday party at an Upper West Side restaurant, along with his family and a few friends, including the artist LeRoy Neiman and the actress Patricia Neal, who’d starred in the film of Budd’s “A Face in the Crowd” half a century earlier.

Even though he could doubtless feel it closing in on him over those last few years he refused to make the normal concessions to age. A couple of years ago when we were in Vegas for the Mayweather-De La Hoya fight there was a late lunch with myself, Budd and Benn, and Michael Katz. We had to find a place with a television set so we could monitor the progress of the Kentucky Derby bets we’d placed at the sports book earlier in the day. During football season, especially come playoff time, and for a big fight we’d decided not to attend in person, we’d often gather at Benn’s apartment, order up obscene quantities of food and beer, and then try to stick one another with the tab through an intricate series of wagers, usually devised by Budd.

I’m 65, and at these gatherings I was often the second-youngest person in attendance. Budd didn’t hang out with many people his own age, mainly because people his own age were mostly dead. But any father will tell you he’d rather have no better friend than his own son, and Benn, who didn’t even come along until Budd was 67, was unquestionably Budd’s best friend, his constant companion at ringside.

* *  *

I’d read Budd in my youth, long before I met him, beginning, as most do, with “What Makes Sammy Run,” without even understanding at the time the bedrock of personal experience underlying that book, or that its publication would, as his father had warned him it might, severely retard what had been a promising Hollywood career. It didn’t kill it altogether, of course. Budd was assigned to co-write a script with another member of the newly-fallen, F. Scott Fitzgerald, and while that project turned into a disaster, it did provide the basis for another splendid book based on the experience, “The Disenchanted.”

He straddled the worlds of literature and pugilism throughout his life, but unlike some of his more boastful contemporaries he was not a dilettante when it came to either. He sparred regularly with Mushy Callahan well beyond middle age. The night of the Frazier-Ali fight of the century Budd started to the arena in Muhammad Ali’s limousine, and then when the traffic got heavy, got out and walked to Madison Square Garden with Ali. A year before Jose Torres died, Budd and Betsy flew to Puerto Rico and spent several days with Jose and Ramona at their home in Ponce. Art Aragon was the best man at his wedding. And when push came to shove, he put on the gloves with both Ernest Hemingway and Norman Mailer and kicked both of their asses, though not, as some would now claim, on the same night.

*   *    *

Budd and I had sat together at another Boxing Writers Dinner at least a quarter century earlier. I remember being pretty full of myself, because I’d just come back from a fight in Vegas where I’d had a pretty good week at the tables as well. I’d not only won what seemed to me a ton of money but had spent enough time at the tables that Gene Kilroy had gotten the casino to comp my room — after they’d already issued me a receipt that would satisfy the bean counters at the newspaper.

As I was remarking on the delicious irony of it all, Budd punctured my reverie long enough to ask “Let me ask you this, George. Could you have afforded to lose $5,000?”

He knew I had two small children, and that of course I couldn’t. He then proceeded to tell me the cautionary tale of his own father, whose gambling Jones put his family at the brink of bankruptcy a couple of times. That night told me the story that would later appear in Moving Pictures, the biography of his early days in Hollywood, of the floating poker game that convened at the Schulberg manse just before young Budd was sent to his room to do his homework. When he came downstairs for breakfast eight hours later, his father was still at the table, where he was writing out a check for $20,000 to Chico Marx.

He was afflicted with a lifelong stammer that seemed to grow worse when he became excited or impatient, which wasn’t often. It has occurred to me more than once over the years that this probably evolved into an asset to his writing and his unerring ear for dialogue, because most conversations were so essentially one-sided that he became a very good listener.

*   *   *

In World War II he served in the OSS, and in the war’s aftermath was part of the prosecution team at the Nuremburg Trials, where his job was assembling photographic and film evidence for use against the Nazis on trial for war crimes.

He had been a Communist Party member in the late1930s, but had long since repudiated his ties after he had seen firsthand the evils of Stalinism. Although unlike many former CP members he retained a leftist stance on social and political issues throughout his life, he was tarred by his agreement to testify before the House Un-American Activities Committee in 1947. Many of his colleagues who refused were blacklisted, and lives were ruined. Budd was branded a pariah in some circles, but in his own mind his politics hadn’t wavered.

The episode did make him fair game on another front, particularly when On The Waterfront, directed by another former party member-turned-friendly witness, Elia Kazan, emerged in 1954. Kazan had earlier worked on another waterfront-themed project called “The Hook” with the playwright Arthur Miller. The biographer Jeffrey Meyers would later claim that “Miller had refused to turn the gangsters into communists, as the Columbia Pictures mogul Harry Cohn and the Hollywood union bosses wanted him to. The film was later written that way by Budd Schulberg (another self-serving friendly witness’) as On The Waterfront.”

As preposterous as the allegation seems — there are no more any bad-guy communists in On the Waterfront than there were in “A View from the Bridge,” the play Miller eventually wrote from “The Hook.” Moreover, Budd had purchased the rights to a New York Sun series about the Jersey docks as early as 1947, years before Miller’s brief flirtation with Kazan.

“When I was working on ‘On the Waterfront,’ I didn’t know about Arthur Miller,” Budd told an English newspaper in London back in February. “They were absolutely two separate, if overlapping, projects.”

brando

Budd said at the time he resented the accusation “because it made me seem like I was trying to imitate Arthur Miller and walk in his footsteps. I didn’t like it.”

Miller died without the two men ever discussing the subject. This summer I was invited to read at a literary festival, the Listowel Writers Week in Ireland. Another of the invitees was the novelist and director Rebecca Miller, who in addition to being Daniel Day-Lewis’ wife is also Arthur Miller’s daughter. One morning at our hotel there I read her the offending passage from Meyers’ book.

“That’s absurd,” she said. “I’m sure my father never believed that. A View from the Bridge and On the Waterfont were always going to be two separate plays. One had nothing to do with the other.”

I know I told Benn about that conversation when I returned from Europe. But now it occurs to me that I never got a chance to tell Budd, who would have, I suspect, found it comforting.

*  *  *

Over the past few weeks Pete Hamill and I had spoken often of going out to Westhampton to visit Budd, but between our travel schedules and his medical issues the timing never seemed right. Benn was with him last weekend and reported that even then he was plainly struggling to breathe, in considerable discomfort. He seemed to sense that it was time to go, and as it turned out it was their final goodbye. When Benn got the news that his father had been taken to the hospital in Riverhead Wednesday afternoon he jumped straight into his car. By the time he got there Budd was already dead.

“But,” said his son as he choked back the tears, “he had a pretty good run, didn’t he?”

Yes, he did.

EDITOR’S NOTE: George Kimball died on July 6, 2011, after a six-year battle with esophageal cancer. In the last years of his life he was highly productive, authoring the widely acclaimed “Four Kings: Leonard, Hagler, Hearns, Duran, and the Last Great Era of Boxing,” and two boxing anthologies in collaboration with John Schulian.

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Jorge Garcia is the TSS Fighter of the Month for April

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Jorge Garcia has a lot in common with Mexican countrymen Emanuel Navarrete and Rafael Espinoza. In common with those two, both reigning world title-holders, Garcia is big for his weight class and bubbled out of obscurity with a triumph forged as a heavy underdog in a match contested on American soil.

Garcia had his “coming of age party” on April 19 in the first boxing event at the new Frontwave Arena in Oceanside, California (roughly 35 miles north of San Diego), a 7,500-seat facility whose primary tenant is an indoor soccer team. It was a Golden Boy Promotions event and in the opposite corner was a Golden Boy fighter, Charles Conwell.

A former U.S. Olympian, Conwell was undefeated (21-0, 16 KOs) and had won three straight inside the distance since hooking up with Golden Boy whose PR department ballyhooed him as the most avoided fighter in the super welterweight division. At prominent betting sites, Conwell was as high as a 12/1 favorite.

The lanky Garcia was 32-4 (26 KOs) heading in, but it was easy to underestimate him as he had fought extensively in Tijuana where the boxing commission is notoriously docile and in his home state of Sinaloa. This would be only his second fight in the U.S. However, it was noteworthy in hindsight that three of his four losses were by split decision.

Garcia vs. Conwell was a robust affair. He and Conwell were credited with throwing 1451 punches combined. In terms of punches landed, there was little to choose between them but the CompuBox operator saw Garcia landing more power punches in eight of the 12 rounds. At the end, the verdict was split but there was no controversy.

An interested observer was Sebastian Fundora who was there to see his sister Gabriela defend her world flyweight titles. Sebastian owns two pieces of the 154-pound world title where the #1 contender per the WBO is Xander Zayas who keeps winning, but not with the verve of his earlier triumphs.

With his upset of Charles Conwell, Jorge Garcia has been bumped into the WBO’s #2 slot. Regardless of who he fights next, Garcia will earn the biggest payday of his career.

Honorable mention: Aaron McKenna

McKenna was favored to beat veteran campaigner Liam Smith in the co-feature to the Eubank-Benn battle this past Saturday in London, but he was stepping up in class against a former world title-holder who had competed against some of the top dogs in the middleweight division and who had famously stopped Chris Eubank Jr in the first of their two encounters. Moreover, the venue, Tottenham Hotspur, the third-largest soccer stadium in England, favored the 36-year-old Liverpudlian who was accustomed to a big fight atmosphere having fought Canelo Alvarez before 50,000-plus at Arlington Stadium in Texas.

McKenna, from the small town of Monaghan, Ireland, wasn’t overwhelmed by the occasion. With his dad Feargal in his corner and his fighting brother Stephen McKenna cheering him on from ringside, Aaron won a wide decision in his first 12-round fight, punctuating his victory by knocking Smith to his knees with a body punch in the 12th round. In fact, if he hadn’t had a point deducted for using his elbow, the Irishman would have pitched a shutout on one of the scorecards.

“There might not be a more impressive example of a fighter moving up in class,” wrote Tris Dixon of the 25-year-old “Silencer” who improved his ledger to 20-0 (10).

Photo credits: Garcia/Conwell photo compliments of Cris Esqueda/Golden Boy; McKenna-Smith provided by  Mark Robinson/Matchroom

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Chris Eubank Jr Outlasts Conor Benn at Tottenham Hotspur Stadium

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Feudal bragging rights belong to Chris Eubank Jr. who out-lasted Conor Benn to
emerge victorious by unanimous decision in a non-title middleweight match held in
London on Saturday.

Fighting for their family heritage Eubank (35-3, 26 KOs) and Benn (23-1, 14 KOs)
continued the battle between families started 35 years ago by their fathers at Tottenham
Hotspur Stadium.

More than 65,000 fans attended.

Though Eubank Jr. had a weight and height advantage and a record of smashing his
way to victory via knockout, he had problems hurting the quicker and more agile Benn.
And though Benn had the advantage of moving up two weight divisions and forcing
Eubank to fight under a catch weight, the move did not weaken him much.

Instead, British fans and boxing fans across the world saw the two family rivals pummel
each other for all 12 rounds. Neither was able to gain separation.

Eubank looked physically bigger and used a ramming left jab to connect early in the
fight. Benn immediately showed off his speed advantage and surprised many with his
ability to absorb a big blow.Chris Eubank Jr Outlasts Conor Benn at Tottenham Hotspur Stadium

Benn scrambled around with his quickness and agility and scored often with bigcounters.

It took him a few rounds to stop overextending himself while delivering power shots.

In the third round Benn staggered Eubank with a left hook but was unable to follow up
against the dangerous middleweight who roared back with flurries of blows.

Eubank was methodic in his approach always moving forward, always using his weight
advantage via the shoulder to force Benn backward. The smaller Benn rocketed
overhand rights and was partly successful but not enough to force Eubank to retreat.
In the seventh round a right uppercut snapped Benn’s head violently but he was
undeterred from firing back. Benn’s chin stood firm despite Eubank’s vaunted power and
size advantage.

“I didn’t know he had that in him,” Eubank said.

Benn opened strong in the eighth round with furious blows. And though he connected
he was unable to seriously hurt Eubank. And despite being drained by the weight loss,
the middleweight fighter remained strong all 12 rounds.

There were surprises from both fighters.

Benn was effective targeting the body. Perhaps if he had worked the body earlier he
would have found a better result.

With only two rounds remaining Eubank snapped off a right uppercut again and followed
up with body shots. In the final stanza Eubank pressed forward and exchanged with the
smaller Benn until the final bell. He simply out-landed the fighter and impressed all three
judges who scored it 116-112 for Eubank.

Eubank admitted he expected a knockout win but was satisfied with the victory.
“I under-estimated him,” Eubank said.

Benn was upset by the loss but recognized the reasons.

“He worked harder toward the end,” said Benn.

McKenna Wins

In his first test in the elite level Aaron McKenna (20-0, 10 KOs) showed his ability to fight
inside or out in soundly defeating former world champion Liam Smith (33-5-1, 20 KOs)
by unanimous decision to win a regional WBA middleweight title.

Smith has made a career out of upsetting young upstarts but discovered the Irish fighter
more than capable of mixing it up with the veteran. It was a rough fight throughout the
12 rounds but McKenna showed off his abilities to fight as a southpaw or right-hander
with nary a hiccup.

McKenna had trained in Southern California early in his career and since that time he’s
accrued a variety of ways to fight. He was smooth and relentless in using his longer
arms and agility against Smith on the outside or in close.

In the 12 th round, McKenna landed a perfectly timed left hook to the ribs and down went
Smith. The former champion got up and attempted to knock out the tall
Irish fighter but could not.

All three judges scored in favor of McKenna 119-108, 117-109, 118-108.

Other Bouts
Anthony Yarde (27-3) defeated Lyndon Arthur (24-3) by unanimous decision after 12 rounds. in a light heavyweight match. It was the third time they met. Yarde won the last two fights.

Chris Billam-Smith (21-2) defeated Brandon Glanton (20-3) by decision. It was his first
fight since losing the WBO cruiserweight world title to Gilberto Ramirez last November.

Viddal Riley (13-0) out-worked Cheavon Clarke (10-2) in a 12-round back-and-forth-contest to win a unanimous decision.

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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

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Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.

This is huge in British boxing.

Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.

This is about family pride.

The parents of Eubank and Benn actually began the feud in the 1990s.

Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.

Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.

Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.

Animosity between the two families continues this weekend in the boxing ring.

Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.

“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.

This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.

Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.

“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”

Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.

“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.

Eubank smiles.

“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.

Supporting Bout

Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.

“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.

McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.

It’s youth versus experience.

“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.

Monster in L.A.

Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.

It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.

Pomona Fights

Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.

Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.

Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions

Fights to Watch

Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).

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