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The Hauser Report: Literary Notes and Other Nuggets

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“More than anyone else,” Kenneth Bridgham writes, “John Morrissey personified the links between sports, gambling, high finance, politics, and crime in nineteenth-century America.”

That’s the theme of Bridgham’s new book – The Life and Crimes of John Morrissey  – published by Win by KO Publications.

Morrissey was born in Ireland in 1831 and, as a young boy, came to the United States with his parents. He was a thug and a drunk who made his mark as a bare-knuckle prizefighter. Then he became a gaming house owner and was Involved with thoroughbred horseracing at the highest levels. He was, Bridgham writes, “the first true Irish mob boss in American history.”

In 1866, backed by New York’s corrupt and powerful Tammany Hall political machine, Morrisey ran for Congress. His criminal record at the time included four indictments for assault with intent to kill and three for burglary. Despite his past transgressions, he was elected.

Morrissey was an ineffectual Congressman, largely disinterested in and incapable of performing the job properly. After serving two terms, he had a falling out with his Tammany Hall backers and left the House of Representatives. He subsequently served for three years in the New York State legislature after being elected as an anti-Tammany-Hall candidate.

He died in 1878 and was inducted into the International Boxing Hall of Fame in the “pioneer” category in 1996.

Bridgham recounts Morrissey’s transformation from violent thug to mob boss to a millionaire businessman who “doubtless attained a significant portion of his wealth through means that were illegal.” The book is thoroughly researched and gives readers a feel for the squalid underside of life in New York as well as bare-knuckle prizefighting in the mid-19th century.

But as Bridgham acknowledges, many of the nineteenth-century tales regarding Morrissey’s life are allegorical. Thus, it’s sometimes difficult to distinguish fact from fiction. And Bridgham’s writing style is a bit heavy.

Despite the book’s entertaining storyline, The Life and Crimes of John Morrissey reads slowly at times and never quite catches fire. Still, it’s an interesting window onto a bygone era.

*     *     *

Question: What do Leslie Odom Jr (who won a Tony Award for his portrayal of Aaron Burr in the Broadway production of Hamilton), Michael Imperioli (who won an Emmy for his portrayal of Christopher Moltisanti on The Sopranos), and Seanie Monaghan (29-3, 17 KOs) have in common?

Answer: They each have roles in the Amazon biopic One Night in Miami that centers on the hours after Cassius Clay knocked out Sonny Liston in Miami Beach to claim the heavyweight championship of the world.

Monaghan retired from boxing in 2019 and works nights as the supervisor on a construction project. During the past year, he has helped home school his children (Seanie Jr, age 9, and Maria, age 6) during the day because their school was closed as a consequence of the coronavirus.

Monaghan was cast in the film as Henry Cooper after Gerry Cooney recommended him to Hollywood veteran Robert Sale.

“They filmed my scene in New Orleans in February right before the coronavirus hit,” Seanie recounts. “I was down there for a week, and it was pretty cool. The first few days, I worked with the stunt coordinator going through the routine. I shared a dressing room with Michael Imperioli and told myself not to annoy him. But he was very nice. And in my free time, I walked around New Orleans to see what it was like.”

“Filming the scene where Cooper knocks Clay down was bizarre,” Seanie recalls. “At first, I was throwing punches that for a boxer would be correct. And they kept saying, ‘Throw them wider so it looks good on camera.’ It was the opposite of everything I’d been drilled on for years. Also, I can throw a punch and miss by an inch. But the actor who played Cassius Clay was getting nervous, so they told me to miss by a foot. Throw wide and miss by a foot. So that’s what I did, and they’d say, ‘That’s great, Seanie. That looks great.'”

Will there be more acting in Monaghan’s future?

“The stunt coordinator and Robert Sale said they’d like to use me again,” Seanie reports. “They even suggested that I move to Los Angeles so I could train actors to box and get more parts. But I’m a Long Island guy. That’s where my life is now.”

One Night in Miami focuses on the relationship between Cassius Clay, football great Jim Brown, soul singer Sam Cooke, and Malcolm X.

“I’m reading The Autobiography of Malcolm X,” Seanie says. “It’s a special book. I didn’t read as much as I should have when I was young, but I read a lot now. ”

*     *     *

Over the years, several feature films about boxing have been entitled Knockout. Recently, I watched the 1941 film of that name.

The plot is typical for its era. Middleweight contender Johnny Rocket (played by Arthur Kennedy) decides to quit boxing and begin a new life with his soon-to-be bride, Angela Grinnelli (Olympe Bradna). Johnny’s plan is to become an instructor at a gym and eventually open up a health spa of his own. But his unscrupulous manager, Harry Trego (Anthony Quinn), doesn’t want to lose the money that Johnny generates. So, he arranges to have Johnny fired from his new job and makes it impossible for him to find employment elsewhere. With Angela now pregnant, Johnny is desperate for money and returns to the ring. Back in action, he catches the eye of socialite Gloria Van Ness (Virginia Field), whose father owns a major newspaper and has assigned his daughter to write about boxing as a lark.

“Maybe I’ll write a story about you one of these days,” Gloria tells Johnny.

“Well, maybe I’ll give you an interview one of these days,” Johnny counters.

Eventually, a love rectangle develops. The evil Gloria seduces Johnny as her boy toy. Angela, who still loves Johnny, leaves him because of his philandering and is pursued by the gentlemanly Tom Rossi (Cornel Wilde) who has a crush on her.

Meanwhile, Johnny gets greedier and more insufferable with each ring victory. Finally, he decides to manage himself, at which point Trego arranges for a “chemically prepared mouthpiece” to do Johnny in. Incapacitated as a consequence of being drugged, Johnny is knocked out. Worse, because of his poor performance, he’s accused of taking a dive and barred from fighting by the state athletic commission. At that point, Gloria Van Ness loses interest in him.

Thereafter, Johnny fights under assumed names in small arenas across the country, getting knocked out for short money. Eventually, he suffers a brain bleed and is told that his fighting career is over.

“I guess I’ve been a fool,” Johnny tells Angela after she pays his hospital bill despite their being separated.

But Tom Rossi (remember him?) isn’t about to abandon his pursuit of Angela. He confronts Johnny and tells him, “I’ve thought about it a lot. And I figured, if you ever came back, we’d better have it out. You had your chance with Angela and you threw it away. You haven’t any right to ask for another. All you’ve ever given her is a lot of grief and tears. She trusted you and believed in you, and you let her down. The one decent thing you can do now is get out of her life completely so she can have a little happiness. The only feeling she has left for you is pity.”

Johnny decides that Tom is right and takes one more fight, knowing that doctors have told him that one more punch could kill him. Angela finds out about it, rushes to the arena, and throws a towel into the ring to stop the fight as Johnny is being brutalized. Johnny and Angela are happily reunited, and he takes a job working at a camp for children.

If that all sounds corny; well, it is.

The fight scenes in Knockout are cartoonish. The actors who portray the fighters don’t look like fighters. And their boxing technique makes Logan Paul look like Andre Ward. The film is mindless entertainment. But there are times when it’s fun.

*     *     *

Total Olympics by Jeremy Fuchs (Workman Publishing) is short on boxing. But there’s one piece of trivia that might be of interest to fans of the sweet science.

In 1920, a Yale college student named Eddie Eagan won an Olympic gold medal in boxing in the light-heavyweight division. Four years later, he sought to medal again – this time as a heavyweight – but lost in the first round of competition. Thereafter, Eagan hung up his gloves and embarked upon a career as a lawyer. But his competitive fire remained strong. So strong that he took up bobsledding and won a gold medal at the 1932 Winter Olympics as a member of the United States four-man bobsledding team. He later served (from 1945 through 1951) as chairman of the New York State Athletic Commission.

To this day, Eagan is the only Olympian to win a gold medal at both the Summer and Winter Olympic Games.

*     *     *

And a non-boxing literary note . . .

With fewer good fights to watch these days and no press conferences or other boxing-related events to attend, I’ve been reading more lately.

I love books. At last count, I had roughly 4,500 on floor-to-ceiling bookshelves in my apartment. It’s a nice collection and a passageway to the wisdom of the ages.

Some of my books are valuable. There’s a nine-volume set printed in 1802 that has all of William Shakespeare’s plays. Each volume is 27-by-13 inches in size and illustrated with extraordinary engravings. The great majority of my books are of little monetary worth. But the collection as a whole has enormous sentimental value to me.

Several shelves in my library are devoted to young adult classics, many in editions published in the early twentieth century by Charles Scribner’s Sons with illustrations by N.C. Wyeth. These books have a special feel. Their heavy paper, large type, exquisite art, and yellowing pages draw a reader back in time.

Recently, I took Treasure Island by Robert Louis Stevenson off the shelf and began to read.

Stevenson was born in Scotland in 1850. Treasure Island is his most famous work. It appeared in installments in a magazine called Young Folks in 1881 and 1882 and was published in book form one year later. “It was to be a story for boys,” Stevenson later explained. “No need of psychology or fine writing.”

Treasure Island shaped the image of pirates for generations of young readers. It’s a wonderful page-turner and an easy read. There’s lots of drama with pitched battles, a map telling the location of buried treasure, and sayings that have become part of the vernacular (“Fifteen men on the dead man’s chest. Yo-ho-ho and a bottle of rum”).

Jim Hawkins – in his mid-teens at the time the events in question occur – is the story’s narrator. He’s joined by characters like Dr. Livesey, John Trelawney, Captain Smollett, Ben Gunn, and – most memorably – Long John Silver.

Silver is the tale’s primary antagonist and one of the most treacherous, manipulative, greedy, cunning, clever, opportunistic, deceitful, charismatic characters in young adult literature. Sort of like Don King.

Treasure Island carries with it the imprimatur of the ages and is a gateway to earlier times. Stevenson left the date of the adventure open, but indications are that the tale he recounts is set in the late-1700s. The book itself, though written in the early 1880s, was immensely popular with boys through the first half of the twentieth century.

I remember being seven or eight years old and my father reading Treasure Island to me – one chapter at a time – when he put me to bed at night. It was a way of linking his childhood to my own.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – Staredown: Another Year Inside Boxing – was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

Check out more boxing news on video at the Boxing Channel

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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The Hauser Report: What’s Going On With Premier Boxing Champions?

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Eight years ago, Al Haymon unveiled what many thought would be the future of boxing. The boxing community had been awash in rumors for months. Haymon was amassing a war chest totaling hundreds of millions of dollars with the help of a venture capital fund in an effort to take over the sport . . . Haymon was signing hundreds of fighters to managerial and advisory contracts . . . Haymon was planning some sort of TV series . . . Time-buys on multiple networks for an entity called Premier Boxing Champions (PBC) were confirmed.

On March 7, 2015, Haymon began the rollout of his plan when NBC televised the inaugural PBC offering – a fight card featuring Keith Thurman and Adrien Broner in separate bouts. Free boxing. On network television.

But the plan fell short of expectations. Advertisers didn’t come onboard. DAZN and then Saudi Arabia became the flavor of the month. Now PBC is seeking to reassert itself through an alliance with Amazon. The first “PBC on Prime Video” offering will be a pay-per-view event on March 30 from the T-Mobile Arena in Las Vegas. But PBC isn’t the power it once was. No one talks about Al Haymon taking over boxing anymore.

Amazon will distribute the PBC show. It wants to build a live pay-per-view platform for multiple events, and this is an early foray into that realm. It has no interest in playing the sort of role that HBO and Showtime played in boxing. Amazon (like In Demand) will take and distribute the product it’s given.

The PBC pay-per-view events that are streamed on Prime Video will also be available to viewers through other streaming platforms like PPV.com as well as linear-TV cable and satellite PPV distributors.

In addition, Prime Video has said that it will stream a series of “free” (with a subscription to Amazon Prime) PBC Championship Boxing events in the United States and other designated countries on an exclusive basis.

The degree to which Amazon will provide a marketing push for PBC’s shows is unclear at the present time.

Four fights will be on the March 30 PPV stream. The main event was to have matched Keith Thurman vs. Tim Tszyu. Eight years ago when he headlined PBC’s inaugural telecast on NBC, Thurman was young and fresh. Now he’s 35 years old and has won only one fight in the preceding five years (a ten-round decision over Mario Barrios). Tszyu (the son of Kostya Tszyu) was eased into the WBO 154-pound title through an “interim” portal and is being groomed for a big-money fight down the road.

Then, earlier today (March 18), it was reported that Thurman had been injured in training camp and Sebastian Fundora (who’d been slated to fight Serheii Bohachuk on the undercard) will likely face Tszyu. Fundora was speeding along a fast track until his most recent fight which saw him pitching a shutout against Brian Mendoza when a one-punch knockout in round seven derailed his dream.

Sebastian Fundora

Sebastian Fundora

The primary supporting bouts on the pay-per-view stream are expected to be Erislandy Lara vs. Michael Zerafa and Rolly Romero vs. Isaac Cruz.

Lara is forty years old. During the past five years, he has fought Ramon Alvarez, Greg Vendetti, Thomas LaManna, and Gary O’Sullivan (which somehow enabled him to claim the WBA 160-pound belt). Zerafa’s primary qualification seems to be that (like Tszyu) he’s from Australia.

Romero is a tiresome loudmouth who often fails to back up his talk. He was knocked out by Gervonta Davis and was trailing Ismael Barroso on all three judges’ scorecards when a premature stoppage by referee Tony Weeks gifted him the WBA 140-pound belt. Cruz went the distance in a losing effort against Davis.

Former Showtime Sports president Stephen Espinoza has been consulted with regard to production on the March 30 PPV stream. As of this writing, the commentating team hasn’t been announced (which is odd since the event is less than two weeks away).

Meanwhile, the rest of the sports landscape is rapidly changing.

On January 23, it was announced that Netflix (Prime Video’s most formidable competitor with 247 million subscribers) had signed a deal to stream WWE’s flagship wrestling show – Raw. The ten-year deal will cost Netflix roughly five billion dollars. Netflix can opt out of the deal after five years or, if it chooses, extend it for another ten years.

Then, on March 7, Netflix furthered its commitment to “trash sports” when it announced that Mike Tyson and Jake Paul will meet in the ring in Texas on July 20 in an encounter to be streamed live on Netflix. It’s unclear whether the encounter will be a “fight” or a glorified sparring session.

Adding to the mix; Disney, Fox, and Warner Brothers announced on February 6 that they will launch a joint subscription streaming service later this year that will bundle sports content from ESPN and affiliated networks (such as ABC, ESPN2, ESPNU, SECN, ACCN, ESPNEWS), the Warner Brothers’ Discovery networks that showcase sports (TNT, TBS, TruTV), and Fox (the Fox broadcast network in addition to FS1, FS2 and BTN).

But back to PBC on Prime Video. If the March 30 fight card were streamed as part of the Amazon Prime membership package, it would be a plus for boxing fans. But it won’t be. It’s a pay-per-view event. And even before Thurman’s injury, it wasn’t pay-per-view-worthy as that term was once understood.

You get only one chance to make a first impression. This isn’t a good first impression for PBC on Prime Video.

***

On December 17, I posted a column in which I urged that Gerry Cooney and Cedric Kushner be included on the ballot for induction into the International Boxing Hall of Fame. There’s another, more obvious omission that I’d like to address.

Al Haymon has been at the center of the boxing universe for two decades. He built his power through a series of alliances with HBO (his point person was Kery Davis), Golden Boy (Richard Schaefer), and investors (Waddell & Reed) and maintained it through dealings with Showtime (Stephen Espinoza) and various other networks. There were times when it seemed as though he was on the verge of “taking over boxing.” Now Saudi Arabian oil money is the dominant force. But Haymon is breaking new ground through an association between Premier Boxing Champions and Amazon Video.

Haymon likes to style himself as an “advisor” or “manager.” In reality, he functions as a promoter. But labels are irrelevant. The bottom line is that no one has had a greater influence on boxing over the past twenty years than Al Haymon. He belongs in the International Boxing Hall of Fame, and the first step toward that end is to put his name on the ballot for induction.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book — “MY MOTHER and me” — is a personal memoir that will be published by Admission Press this spring and is available for pre-order at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Dillian Whyte Returns from Purgatory and Brushes Away a Wimpy Opponent in Ireland

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Dillian Whyte Returns from Purgatory and Brushes Away a Wimpy Opponent in Ireland

Tomorrow (Monday) is a national holiday in Ireland which is always the case whenever Saint Patrick’s Day happens to fall on a Sunday. That explains why today’s fight card in the County Mayo town of Castlebar is being staged on a Sunday. After the show, the attendees with regular jobs can stay up late quaffing down a few pints at their favorite pub knowing they can sleep-in tomorrow. (And they likely needed a few pints to wash away the pain of paying good money to see this craphole show.)

All of the A-Side fighters were Irishmen including the headliner Dillian Whyte, a Londoner of Jamaican extraction who claims that one of his grandparents was born in Ireland. The “Body Snatcher” was matched against German-Romanian slug Christian Hammer.

Whyte, who turns 36 next month, last fought in November of 2022 when he won a lackluster decision over Jermaine Franklin. His rematch with Anthony Joshua in August of last year fell out when an “adverse analytical finding” turned up in his VADA test. Whyte bellowed loudly that he was innocent, but there was the presumption of guilt because he had served a two-year ban for illegal substances earlier in his career. But lo and behold, in a curious development, Whyte was cleared this month when a forensics expert associated with the Texas Boxing Commission asserted that the adverse result was caused by a nutritional supplement that contained a contaminent that wasn’t disclosed on the supplement’s list of ingredients. (Whyte was training in the United States and licensed to fight in Texas when the random drug test was administered.)

Hammer brought a 27-10 (17) record but had been stopped five times, most recently by Joe Joyce who blew him away in four rounds. He was in Castlebar just for the payday and retired on his stool after three frames. He was never down in the fight, but was tattooed with a bunch of punches on his flabby midsection. (The weights were not announced.)

With the win, Dillian Whyte advanced his record to 30-3 (20 KOs). More relevantly, he is back in the mix in the heavyweight picture. His American trainer Buddy McGirt hopes to have him back in the ring in a couple of months.

Other Bouts of Note

Roy Moylette, a 33-year-old junior welterweight from the nearby town of Islandeady, made the locals happy when he got off the deck to win the decision in an 8-round bout with Argentine journeyman Requen Facundo (17-15-2). Moylette (14-2-1) entered the pro ranks with a wealth of international amateur experience, but his pro career never took off. Heading into this match, he announced it would be his farewell fight.

The Argentine, a late sub who had begun his pro career as a featherweight, had Moylette on the canvas in the second round but couldn’t sustain the momentum. The referee, who had the unusual but unmistakably Irish name of Padraig O’Reachtagain, scored it 76-75.

In what was likely his final pro fight, 39-year-old Cork super middleweight Gary “Spike” O’Sullivan left on a downbeat note, losing an 8-round decision to Sofiane Khati. O’Reachtagain had it 77-76 for the outsider.

O’Sullivan (31-6, 21 KOs) will be remembered as the Irishman who wore a handlebar mustache during his fighting days in Boston, a look that harked to John L. Sullivan who Spike believed to be a distant relative. In his previous bout in May of 2022 he was stopped in eight frames by Erislandy Lara in Brooklyn, his fourth setback inside the distance and third in his last six.

A 31-year-old French-Algerian, Khati improved to 15-4 (5).

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Boxing Notes and Nuggets from Thomas Hauser: ‘The Blue Corner’

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Boxing, like all sports, is more fun to watch when the viewer has a rooting interest. That interest can spring from a variety of factors. Some people like or dislike a particular fighter on a personal level. Others – let’s be honest – root for or against a fighter based on ethnicity.

If I don’t know either of the fighters in a fight, I root for the underdog.

That can be dispiriting. Too many fight cards today consist largely of A-side vs. B-side fights. As a general rule, the A-side fighter comes out of the red corner and the B-side fighter is seated in the blue corner. Upsets are few and far between.

Tom Loeffler’s March 15 fight card at Madison Square Garden’s Hulu Theater is a case in point. There are underdogs and then there are hopeless underdogs. I went to the fights hoping something that wasn’t supposed to happen would happen. But a look at the opponents’ records told me that was unlikely.

BoxRec.com is a wonderful tool for scoping out how competitive a fight is likely to be. Here’s what I learned from BoxRec.com before the fights and how things unfolded in the ring.

Fight #1: Giovanni Scuderi (9-0, 4 KOs) vs. Brandon Carmack – Scuderi’s last opponent had 57 losses. And that opponent might have beaten Carmack. I’m sure Brandon could decimate most people in a bar fight. But he lumbered around the ring like a heavybag with feet. Scuderi telegraphs every righthand he throws. But he has a basic jab. The match had the appearance of a picador sticking lances into a slow sluggish bull. W4 for Scuderi.

Fight #2: Nisa Rodriguez (0-0) vs. Jozette Cotton – Rodriguez is a 33-year-old New York City police officer with an extensive amateur background who was making her pro debut. Cotton was winless in four pro fights. Rodriguez fought tentatively. Cotton had a roll of flab around her waist (which spoke to her conditioning) and fought like she didn’t know how to box. W4 for Rodriguez.

Fight #3 Joseph Ward (10-1, 6 KOs) vs. Derrick Webster – Webster is 41 years old and has now won one of six fights since 2018. KO 2 for Ward.

Fight #4: Reshat Mati (14-0, 8 KOs) vs. Irving Macias – Macias has lost three of his last four fights, and the guy he beat during that stretch has 19 losses (including his last seven fights in a row). W8 for Mati.

Fight #5: Cletus Seldin (27-1, 23 KOs) vs. Jose Angulo – Angulo has lost six of his last eight fights, including four KOs by. W8 for Seldin, Here, I should note that, after the fight, Seldin took the ring announcer’s microphone, dropped to one knee, opened a small box containing a diamond engagement ring, and asked one Jessica Ostrowski to marry him. The future Mrs. Seldin (who was clad in black leather) said yes, and the happy couple paraded around the ring together.

Fight #6: Feargal McCrory (15-0, 7 KOs) vs. Carlos Carlson –  Carlson has had ten fights since 2016 and lost seven of them. The three guys he beat during that stretch have 92 losses between them. And he hadn’t fought in more than two years. Referee David Fields did the fans a favor by stopping the bout prematurely in round three. If Carlson had fought as vigorously during the fight as he complained about the stoppage afterward, it would have been a better fight.

Fight #7: The main event matched Callum Walsh (9-0, 7 KOs) against Dauren Yeleussinov. Walsh is a 23-year-old junior-middleweight who UFC CEO Dana White is trying to build as a boxing version of Conor McGregor. Yeleussinov has lost three of his last four fights (including a first-round KO by). And the opponent Dauren beat during that stretch has 22 losses (including a current losing streak of 19 a row). Yeleussinov was tailor-made for Walsh – slow on his feet with slow hands and not much of a punch. Callum got off first all night. KO 9.

In six of the seven fights, the underdog lost every round.

I’m tired of fighters who talk tough and posture at press conferences but won’t fight an opponent who’s remotely competitive. And yes; I know that prospects can’t go in tough every time out. But a prospect’s opponent should pose some kind of challenge.

And let’s be honest; most of the fighters on the March 15 card were there because they were local ticket-sellers, not prospects. Only Walsh has world-class potential. He’s 23 years old with skills and is getting better. Right now, he’s a very good club fighter. Let’s see if he becomes something more.

*        *        *

One moment from promoter Larry Goldberg’s March 7 club-fight card at Sony Hall in New York stands out in my mind.

In the second fight of the evening, Jason Castanon and Luis Rivera-Reyes squared off against one another in a scheduled four-round junior-welterweight bout. Each man was making his pro debut. Castanon’s opponent had pulled out the previous week, leaving matchmaker Eric Bottjer scrambling for a new opponent. Rivera-Reyes had been scheduled to fight on the undercard of a show in Puerto Rico but his opponent had also fallen out, so he was available.

Bottjer thought that Castanon vs. Rivera-Reyes would be a competitive fight. Each man was old for a boxer making his pro debut. Castano is 30; Rivera-Reyes is 35. But they had comparable amateur backgrounds.

Rivera-Reyes held his own in round one. But Castanon was the stronger, better-schooled fighter. In round two, Luis started getting beaten up. The punishment mounted in round three. Rivera-Reyes was still trying to win but it was a futile effort. With seconds left in the third stanza, a righthand staggered Luis and a second righthand put him down hard. He rose through an incredible act of will because that’s what real fighters do. But he was badly hurt and on wobbly legs. Referee Eddie Claudio asked if he wanted to continue.

Rivera-Reyes shook his head. No.

Afterward, an uncharitable observer said that Luis “quit.”

I think that Luis acted with honor. Sitting several feet from the ring, I had a perfect view of the pain and despair etched on his face as he confronted the reality that he was a beaten man. He didn’t jump to his feet at the count of ten-and-a-half, pretending that he was ready to keep fighting. He didn’t ignore the referee’s question and feign outrage when the fight was stopped. He acknowledged that he had given his all and was beaten. Fighters aren’t video-game figures. They get hurt. And sometimes they just can’t take anymore.

The moment reminded me of the 1983 rematch between Alexis Arguello and Aaron Pryor. Pryor had won their classic first encounter with a brutal knockout that left Arguello unconscious on the ring canvas. In round ten of Pryor-Arguello II, Alexis found himself on the canvas again. He was a warrior, one of the greatest fighters of all time. He could have gotten up. But he didn’t. He had done the best he could and realized that it was over. He sat with tears streaming down his face and later acknowledged. “It’s hard to accept, but it’s good to accept. I did it with grace and just accepted that the guy beat me. Even though I did my best, in the tenth round I accepted it right there. I said, ‘This is too much. I won’t take it. I‘ll just sit and watch Richard Steele count to ten.'”The look in Luis Rivera-Reyes’s eyes when he shook his head will stay with me for a long time. He had been beaten into submission in his first pro fight. And I wondered, how long will he hold onto the dream.

*          *          *

A nod to “March Madness” which begins this week . . .

College basketball has a problem – court storming.

It’s now in vogue for fans of the home team to surge onto the court after a big win. Tearing down the goal posts in football endangers fans who are tearing down the goal posts. Court storming endangers the players.

On January 21, Caitlin Clark (Iowa’s superstar guard) was knocked to the floor when Ohio State fans stormed the court after a big win.

On February 24, Kyle Fitzpatrick (Duke’s All-American center) injured his knee when Wake Forest fans stormed the court after a dramatic upset.

To date, the NCAA has done nothing about the problem. Several conferences have taken action on their own, the most notable example being the SEC which instituted an escalating fine that begins at $100,000 for the first incident. By contrast, the ACC has no penalty for court-storming; the Big Ten has no penalty until the third incident; and the Big East penalizes offending schools the paltry sum of $5,000.

It shouldn’t be hard to end court storming.

The NCAA should institute a rule – and fans should be advised late in each contest – that court storming will result in forfeiture of the game.

***

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – MY MOTHER and me – is a personal memoir that will be published by Admission Press on April 2 and is available for pre-order at Amazon.com.https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

          In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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