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Avila Perspective, Chap 164: Legend of Nonito Donaire and More

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For two decades Nonito Donaire has journeyed through the ranks of flyweights to featherweights knocking off those perceived to be unbeatable and superior to his own talents.

Now 39, the prizefighter known as the “Filipino Flash” still has work to do.

“I’m going to go after all of the other bantamweight champions,” said Donaire.

Donaire (41-6, 27 KOs) defends the WBC bantamweight world title against fellow Filipino Reymart Gaballo (24-0, 20 KOs) at the Dignity Health Sports Park in Los Angeles on Saturday Dec. 11. Showtime will televise.

Gaballo was about six years old when Donaire had his first pro bout at the nearby Hollywood Park Casino, spitting distance from Dignity Health Sports Park. That was in February 2001.

“I’m very happy and it gives me great pleasure to have this chance to become world champion. I’ve been working my whole life to accomplish this goal,” said Gaballo, 25.

Three years ago, when Donaire lost to Carl Frampton for the vacant featherweight world title, most people dismissed the multi-division champion as simply a gate-keeper. So, he ventured to Scotland and knocked off Ryan Burnett for the WBA bantamweight title. Next, he knocked off Stephon Young.

He was the perfect foil for Japan’s Naoya “Monster” Inoue. Or so promoters and fans thought.

Donaire nearly toppled the reign of Inoue and put a crack on the Japanese fighter’s aura of invincibility. Never before, or since that fight two years ago in Tokyo, has Inoue experienced a more competitive battle where judges were absolutely necessary to determine the winner. Even today, many feel Donaire won that fight.

Classy as ever Donaire accepted the defeat and moved on.

When he met France’s Nordine Oubaali for his WBC bantamweight title there was much derision from the European. He had brushed aside American contender Rau’shee Warren like tumbleweed and defended the title twice more. It seemed he was not convinced of Donaire’s abilities. There was a hint of rudeness.

Aesthetics are not Donaire’s calling card. He usually walks into an arena with a smile and recognizes the fans for their support. When the fight commences the angular figure of Donaire probes and evaluates his foe with subtle bobs and weaves and feints.

Oubaali probably studied film of Donaire and saw an older veteran hanging on with his experience. But when the French fighter decided to attack and left the slightest of openings there was a flash of a left hook and down he went. He got up, proceeded to fight again and must have forgot the previous mistake because he left the same opening and Donaire repeated the same lightning left hook. This time the mistake was fatal. Oubaali would not be able to continue.

“For me, after the Naoya Inoue fight, I saw that I still had a purpose in this sport. I came in strong against Nordine Oubaali in my last fight because I have that purpose. That purpose is to become undisputed champion of the world,” Donaire said.

Donaire has weaved his magic 47 times during his career. Time doesn’t allow infinite opportunities in prizefighting. One goal he has in mind is a return match with Japan’s great Monster Inoue. Their first encounter left many questions.

First, a young Filipino slugger stands in his way.

“I’m here enjoying this moment and every moment I have left in my career,” said Donaire.

Let’s all enjoy this journey.

Showtime will also be showing a replay of the Gervonta Davis vs Isaac Cruz lightweight world title fight that took place on Sunday Dec. 5, at Staples Center in Los Angeles.

Liverpool Fights

The United Kingdom loves boxing and its prodigies.

Conor Benn (19-0, 12 KOs) has been touted as the next coming of Ricky Hatton, Prince Naseem and Conor’s father Nigel Benn. Now he faces American Chris Algieri (25-3, 9 KOs) not a particularly dangerous fighter on Saturday Dec. 11, at M&S Bank Arena in Liverpool, England. DAZN will stream the fight card.

But it always comes down to the number’s game. Many of the British fighters are the best in the United Kingdom, or best in Europe, but being the best in the world is a clearly different matter.

Those dang Americans and Mexicans keep blocking the way.

Instead of putting top Americans the British promoter has placed a less dangerous fighter in Algieri to test the mettle of Benn.

Algieri may not have the superior strength or speed of others, but mentally you won’t find anyone smarter. And not because he has various college degrees, but he also has ring smarts. His losses have only come against world champions like Amir Khan, Manny Pacquiao and Errol Spence Jr.

Is Benn equal to those three?

“Algieri is a better version of all my last opponents, and he beats everything they do in my opinion in terms of boxing IQ, cuteness, knowing his way around the ring. People say he can’t punch but anyone with 8oz gloves can punch,” said Benn wisely.

The world will find out about Benn on Saturday.

Also, Ireland’s great Katie Taylor defends the undisputed lightweight world championship against Kazakhstan’s Firuza Sharipova (13-0). If Taylor wins, that sets up a possible showdown with Brooklyn’s Amanda Serrano who fights next week.

If both Taylor and Serrano win their bouts they will set up perhaps the biggest fight in female boxing history early next year.

“There’s so many big fights out there for me, the bigger names that could possibly happen next year, so I’ve got to get through Saturday night first and focus on the bigger fights ahead,” Taylor said.

Lomachenko in NYC

With the lightweight division stacked with talent its easy to forget about Vasyl Lomachenko.

Don’t be hasty.

Lomachenko (15-2, 11 KOs) meets Richard Commey (30-3, 27 KOs) on Saturday, Dec. 11, at Madison Square Garden Hulu Theater in New York City. This battle between former world titlists on the Top Rank card will be shown on ESPN.

Over the length of his boxing career Lomachenko has built a following in awe of his technical prowess. But as often the case with highly technical amateur fighters, once they become professionals that technique can get in the way.

Pro fighting is broken down into one simple form: knock out the opponent or beat the other guy up.

When Lomachenko fought Teofimo Lopez a year ago he got tangled in his own technique before tearing off the spider webs and fighting. It was too late.

Commey can fight and he can hit. Lomachenko is the smaller fighter but has always been very smart in the ring. This fight will foretell their respective futures.

Fights to Watch

Sat. AXS.TV 8 a.m. Sunny Edwards (16-0) vs Jayson Mama (16-0); Donnie Nietes (43-1-5) vs Norbelto Jimenez (30-9-5).

Sat. DAZN 11 a.m. Conor Benn (19-0) vs Chris Algieri (25-3); Katie Taylor (19-0) vs Firuza Sharipova (14-1)
.
Sat. ESPN 6 p.m. Vasyl Lomachenko (15-2) vs Richard Commey (30-3).

Sat. Showtime 7 p.m. Nonito Donaire (41-6) vs Reymart Gaballo (24-0); replay of Gervonta Davis vs Isaac Cruz.

Check out more boxing news on video at the Boxing Channel

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 A Conversation With Acclaimed Journalist and Boxing Analyst Mark Kriegel

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If you’re a storyteller, and Mark Kriegel is certainly that, then boxing is the perfect passport.

A multi-skilled journalist who works for ESPN on several platforms, Kriegel’s video essays for Top Rank promotions, which are fewer than 200 words, are popular, and sets the New York City native apart from the crowd.

“I do think when those essays work, I’m able to boil down the theme of the fight into something that’s really small,” he said. “I’ve learned more about writing in the last two years because of those essays than I had in the previous decade.”

Kriegel added: “It’s because of those essays and because they really force you to make choices and they force you to cut out whatever is extraneous,” he said. “If it doesn’t matter in the story line, it goes. I’ve never been able to be that ruthless with my own words until I started writing these essays. Learning how to write for television has given me more discipline than I’ve ever had before in terms of the word and selecting the right word.”

Because boxers are willing to speak with the media, their stories are often worth telling.

“Boxing is the most organic form of storytelling, even more than the theater. Boxers are more honest than most other athletes, even when they’re lying. Boxers generally remain accessible,” said Kriegel, who earned a bachelor’s degree from Swarthmore College and a master’s degree from Columbia University. “Fighters need the storytellers because there is no league. The fighter’s story is more important than his or her record or even his or her belts. The story is really what we’re tuning in for.”

The sweet science can be a sideshow, but it’s still usually compelling.

“There’s a lot not to like about boxing, but that’s also why it makes for great storytelling,” said Kriegel, a two-time New York Times bestselling author. “Some days I think it’s a sport. Some days I’m convinced it’s not a sport. Boxing is better for the storytellers than it is for the fighters. That’s a guilty confession.”

By the nature of boxing, there are two combatants in the ring and because of this, there is conflict.

While fans watch and journalists cover the sport, everyone wants to see who prevails, but it’s often the back story that seems to bring out the fans’ rapture.

Who doesn’t want to see a young man or woman battle his or her way out of a hardscrabble life and reach heights reserved for a chosen few?

“What makes for a good story is conflict. Boxing is formalized, ritualized conflict. It’s a staged, managed conflict. It’s elemental. It’s two guys basically naked in the ring going at each other,” said Kriegel, who began his career as a general assignment reporter for the Miami Herald and the New York Daily News where he was a finalist for the Pulitzer Prize in the Feature Writing category. “Because of the way it’s physically constructed, you’re going to see the nature of each character exposed. If you’re a storyteller, boxing does all the work for you.”

There is something pure and fundamental about boxing. “The other sports are metaphors for what boxing actually is and that’s combat. The difference between MMA and boxing, apart from the modes of combat, is that unlike MMA, boxing has a past,” Kriegel said. “It has a history. It’s a corrupt history, but it’s a very romantic one.”

It’s likely Kriegel came to be a writer because of his father, Leonard Kriegel, who is 88 and still lives in the same apartment on Eighth Avenue, two blocks from Madison Square Garden.

The elder Kriegel’s story is a remarkable one. Born in 1933, he was a polio victim at a young age, but this didn’t stop him from becoming an accomplished writer and teacher.

“My father is from the Bronx. He lost the use of his legs when he was 11 because of polio,” Kriegel said. “He’s a professor at City College. Most of his work and his teaching is American Literature. Which meant American male Literature. He was a very charismatic, crippled man writing about the nature of masculinity and it informed almost everything I’ve ever written.”

Kriegel is the author of four books including a novel, “Bless Me, Father,” which was based on a front-page column he wrote for the New York Post.

Esteemed writer Nick Tosches, who penned numerous books, had a hand in Kriegel’s development as an author.

“He wrote these fantastically stylized biographies,” Kriegel said of Tosches, who wrote about Jerry Lee Lewis, Dean Martin and Sonny Liston, to name but a few of his subjects.

Kriegel’s initial biography was published in 2004 and titled, “Namath: A Biography,” followed three years later by “Pistol: The Life Of Pete Maravich,” and five years later by “The Good Son: The Life Of Ray ‘Boom Boom’ Mancini.”

“I’d done a newspaper piece on Mancini in the [New York] Daily News. I owed the publisher a book on Michael Jordan, which I wasn’t too excited about doing, and this idea of Mancini kept coming back to me,” Kriegel said. “It wouldn’t leave me alone and I wouldn’t leave Ray alone.”

The book’s genesis took shape at an Italian restaurant in Santa Monica, California, with Kriegel, Mancini and the actor Ed O’Neill, eating and drinking until the small hours.

“Ray’s relationship with his father was more straightforward. He was out to redeem his father and that was beautiful,” Kriegel said. “There aren’t that many happy stories in boxing.”

Mancini promised his father, Lenny, a lightweight contender who was injured in World War II that he would win the championship he never did.

After scooping up the World Boxing Association lightweight belt in May 1982 from Arturo Frias, Mancini gave the belt to his father.

In a nationally televised title fight six months later at the outdoor ring at Caesars Palace, Mancini stopped Duk Koo Kim in the 14th round. The 27-year-old South Korean suffered a severe head injury and died five days later.

There are ups and downs in every person’s life, but it was extremely difficult for Mancini to accept what happened to Kim.

Though he retained his title and was pleased with that, Mancini said there was nothing good about that fight.

Three months after the November bout, Kim’s mother committed suicide because of what happened to her son and because family members were bickering over the money he earned.

Since time heals all wounds, Kim’s son, Kim Chi-Wan, eventually forgave Mancini, but it took nearly three decades.

It’s been said the 1980s was a Golden Era for boxing, and it was, but where does the current crop stand for Kriegel?

“There aren’t enough good fights. You can make an argument and it’s perfectly reasonable that the 1980s was [the Golden Era] because you had the Four Kings [Ray Leonard, Thomas Hearns, Roberto Duran and Marvin Hagler] and they fought each other,” he said. “[Muhammad] Ali and [Joe] Frazier fought their trilogy in far less time than it took [Manny] Pacquiao and [Floyd] Mayweather Jr. to get together for one. By the time they did, neither was in their prime.”

While there are outstanding boxers plying their trade right now, there are also problems.

“I really admire Mayweather a lot. One of the unfortunate byproducts of his era is the emphasis on the perfect record,” Kriegel noted. “To me a fighter’s career doesn’t become a truly dramatic proposition until he or she loses. The great plague on boxing right now is all these undefeated champions. I see a bunch of perfect records, but I don’t see many perfect fighters. The loss is what makes it dramatic.”

Kriegel said in an earlier time, Terence Crawford and Errol Spence Jr., both undefeated, would have fought each other multiple times and taken on all comers the way Oscar De La Hoya and the recently retired Shawn Porter did.

Pete Hamill, a national treasure, was Kriegel’s dear friend and mentor.

What does Kriegel take away from his time with Hamill, who passed away in August 2020?

“He made the idea of New York so romantic,” said Kriegel of Hamill, who was a journalist, writer, novelist and editor. “He made the idea of boxing romantic. He was a great and generous teacher. A really wonderful teacher. He was the kind of writer I wanted to become.”

Kriegel became a sportswriter by circumstance. “The [New York] Post turned me into a sports columnist out of desperation,” he said. “I never really took to becoming a sportswriter. I always felt ambivalent except when it was covering boxing. Boxing was the only sport I really loved covering and still do.”

It’s the elements in and around boxing that spark Kriegel’s imagination.

“The same stuff I loved about covering cops and criminals and courts, I found in boxing,” he pointed out. “I mean that you could actually find great moments of humanity. Boxing had all the stuff that I had been looking for. Thematically and in terms of content: fame and masculinity, good and evil. They’re all great dramas.”

Luckily, Kriegel found boxing and boxing found Kriegel. It’s a perfect match.

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Vonda Ward: Much More Than a Highlight Reel

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Anyone who can beat 235-pound Martha Salazar three times is someone who can flat out fight. An ex-basketball player named Vonda Ward defeated her three times (all by decision).

Salazar was an immensely popular and talented female fighter out of San Francisco, CA by way of Jalisco, Mexico. On November 8, 2014, she won the WBC world heavyweight title against Tanzee Daniel by unanimous decision. She lost the title in March 2016 to Alejandra Jimenez in Mexico and retired the following year.

Bottom line: Martha Salazar was a pioneer in legitimizing the heavyweight division in Female Boxing.

“Some girls like to play soccer. Some like to play tennis. Some play volleyball. But we don’t play – we box. So, it’s a very big difference between other sports knowing that someone else is going to hit you. So we want everybody to feel secure, safe, and know that this is what we do, this is what we are and no one can change us.”  — Martha Salazar

Vonda Ward

The 6’6” Ward played basketball at Trinity HS in Garfield Heights, Ohio, and was twice named Ohio’s “Ms. Basketball. She made the prestigious Parade All American team twice and was named an All American by USA Today. In 1991, she joined the University of Tennessee basketball team coached by the legendary Pat Summit.

During her four years at UT, Ward started 49 of 125 games, averaging 6.7 points and 5.6 rebounds while blocking 98 shots – still the 10th most by a Tennessee player. During her time there, the Lady Vols put together a 122-11 record and won three Southeastern Conference championships. Ward was a member of the 1995 squad that played in the NCAA championship game, losing to perennial powerhouse Connecticut. Ward then competed with USA Basketball as a member of the 1993 Jones Cup Team that won the Bronze in Taipei.

vonda

After college, Vonda played for a professional basketball club in Aschaffenburg, Germany and then the ABL’s bootstrap Colorado Xplosion. Injuries cut short her pro basketball career, so given her muscularity, size and athleticism, she was attracted to boxing.

In 2000, her first year of competition, Ward, nicknamed the “All American Girl,” was 10-0 including eight first-round knockouts. None of her opponents lasted beyond the second round. While her fluidity was not especially smooth, she compensated by leveraging her size and a deceptive mean streak (inside the ring) to beat down her opposition. She simply was physically superior to her competition. She was no female Ivan Drago but her defined-sculpted body made her very intimidating.

Ward was 18-0 when she fought the ever-dangerous 5’9” Ann Wolfe on May 8, 2004. In the opening round, Wolf scored the most astounding KO in female boxing history and one of the most spectacular of all time, male or female. Ward had jumped forward into the impact of Ann’s overhand punch, and the result left her unresponsive for several minutes. She was then immobilized and stretchered out of the ring.

Most would have retired at this point, but Vonda wasn’t “most.” Seven months later, she returned to the ring and knocked out Marsha Valley in four rounds in Cleveland.

She went on to win four more bouts, finishing her career with a record of 23-1 with 17 KOs. In her next-to-last fight, in February of 2007, Ward won the inaugural WBC female heavyweight title, defeating Salazar for the third and final time by unanimous decision.

This is the part that is always overlooked. Unfortunately, Vonda’s career continues to be defined by her spectacular and scary KO and not her 23-1 record with 17 KO’s. It’s always about the highlight reel.

Vonda Ward announced her retirement in 2010. She is now a personal trainer working out of King’s Gym in Bedford Heights, Ohio. Known for giving back to her community, she often reminisces about the late Pat Summit and what could have been at Tennessee. She was inducted into the Ohio Basketball Hall of Fame in 2012.

For most, Vonda will be remembered for the Wolf knockout. For this writer, however, she will be noted as a rare female athlete who was able to compete at the top level of two different professional sports.

Ted Sares can be reached at tedsares@roadrunner.com and welcomes comments and posts.

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Don King Keeps On Truckin’ and That Portends More Junk

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There are two ways of looking at Don King. There was a day when the former Cleveland street hustler was the pre-eminent boxing promoter in the world. That he is still swinging away at the age of 90 is a wonderful thing, a tribute to his perspicacity. But it’s worth remembering that although King was the driving force behind some of the most storied fights in history, he also foisted a lot of junk on the boxing public. And nowadays, now that his bankroll has atrophied, pretty much all that’s left is the junk.

As a purveyor of junk, King appears to have outdone himself with his forthcoming show in Warren, Ohio. Granted, the main event of the Jan. 29 card, a rematch between cruiserweight title-holder Ilunga Makabu and his South African countryman Thabiso Mchunu, is a good match between fighters with seemingly comparable skill sets. And the supporting bouts might well be entertaining. But that’s entertaining in the way that a train wreck is entertaining.

The co-feature between Trevor Bryan (pictured) and Jonathan Guidry is a travesty, or at least a travesty from the standpoint of how it’s being packaged.

Bryan, who hails from Schenectady, New York, is undefeated (21-0, 15 KOs) and owns a share of the WBA world heavyweight title (the other piece is owned by Oleksandr Usyk). However, he has yet to fight a top-10 opponent and no one really knows how good he is. What we do know is that he is prone to slothfulness. He carried 267 ½ pounds for his last bout against ancient Bermane Stiverne which was 31 pounds more than he had carried in his previous engagement.

In defense of Bryan, this was his first fight in 29 months and many gyms were closed during the pandemic. Moreover, the suet around his waist was entirely in character with King-controlled heavyweights of yesteryear. During the mid-1980s when there was a revolving door of heavyweight title-holders and the term “alphabet soup” was born, love handles were standard. Jack Newfield postulated that King’s heavyweights became so demoralized by his chicanery that they lost all incentive to stay in shape.

That brings us to Jonathan Guidry whose 17-0-2 record was forged against opponents with a combined record of 108-118 at the time that he fought them. The 32-year-old Guidry, who has carried as much as 270 pounds on his 5’11” frame, hails from Dulac, Louisiana, deep in Cajun country, where his regular job is harvesting shellfish from the waterways of his parish.  He is trained by his 45-year-old brother, Martin Verdin, an active boxer with a 23-20-2 record, but for this fight he moved his tack to Houston to train under Bobby Benton who has also trained Regis Prograis.

Trevor Bryan’s original opponent was Mahmoud Charr, the perpetual WBA “Champion in Recess” who purportedly could not get a visa to travel from Germany. Jonathan Guidry was already on the card, penciled in to fight beefy, 42-year-old Alonzo Butler.

The WBA has a rule that a boxer must be ranked in the top-15 to compete for a world title. When Charr, who last fought in November of 2017, was lopped off the bill of fare, the incorrigibly shameless Panama-based sanctioning body boosted Guidry to #13 in its ratings. The folks at boxrec, where King has no influence, are not as sanguine. At boxrec, Guidry clocks in at 256.

The undercard, we are informed, will feature “boxers knocking on the door of stardom.” Presumably that includes the grizzled Butler whose new opponent is 13-1 Ahmed Hefny, an obscure 37-year-old fighter from Queens, New York, whose nickname is “Prince of Egypt.” Butler vs. Hefny is one of four scheduled 10-round NABA title fights. As currently constituted (there will inevitably be last-minute changes), these match-ups include only one competitor under the age of 30, that being 27-year-old welterweight Cody Wilson, a product of the West Virginia Toughman circuit.

A press release concocted by Don King is always full of goo. “The world’s greatest promoter, Don King, has come through with another spectacular championship night of boxing,” says the release for the Jan. 29 card. The receipts, we are informed, will benefit “homeless, poor, and downtrodden people.” Canelo Alvarez, it’s said, will be there to scout Ilunga Makubu who is on his short list of future opponents. (If Canelo turns up in Warren, Ohio, I will eat my hat.)

There are times that I think that a Don King press release is calculated to create a backlash on the theory that all publicity is good publicity. A movie universally panned as among the worst ever is almost certain to develop a cult following.

If King’s show is replete with memorable moments and you miss it, don’t blame me; I said the show was potentially entertaining. But if you enjoy boxing because of the artistry displayed by the top performers, then you would be better served by averting your eyes.

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