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Literary Notes: “Grimmish” (Book Review by Thomas Hauser)

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Grimmish by Michael Winkler (Westbourne Books) is strange book. And an intriguing one. The book focuses on a one-year period in 1908-1909 when boxer Joe Grim toured Australia engaging in fights. Winkler describes his writing as “experimental non-fiction.” Experimental fiction with a factual underpinning would be more accurate.

Grim (ne Severio Giannone) was born in Italy in 1881. His family came to the United States when he was ten. Fighting was in his nature. He was famed in his day for the ability to endure punishment and being virtually impossible to knock out.

Boxrec.com credits Grim with 179 known bouts between 1899 and 1913 resulting in 17 wins, 33 losses, 6 draws, and scores of “newspaper” defeats. He entered the prize ring well over three hundred times and was battered by myriad opponents whose names have been lost to history and also by Bob Fitzsimmons, Joe Gans (twice), and Jack Johnson. During and after his ring career, he was committed to facilities for the treatment of mental health issues. He died in Philadelphia Hospital for Mental Diseases in 1939 at age 57.

Winkler views Grim through the eyes of a first-person narrator and a man who may or may not be the narrator’s much older uncle. The book opens with a pseudo-review by the author himself that functions as a preface, foreword, introduction – call it what you will.

In this opening, Winkler warns readers of “the question of authenticity and the impossibility that this presentation of Grim will bear much or any connection to the flesh-and-blood fighter Joe Grim. The inclusion of extracts from contemporary newspaper accounts,” he adds, “lends context, although less tenacious readers may find they impede progress. There is no narrative arc, close to zero love interest, skittish occasional action, incident rather than plot.”

All true. And I might add that there are passages in Grimmish involving a talking goat where I had no idea what Winkler was trying to accomplish.

That said; through a collection of fragments and vignettes, Winkler crafts a compelling impressionistic portrait of Grim.

“Joe Grim,” he writes, “reminds us of where the bounds of the normal are drawn, and stands conspicuously and spectacularly outside that compass. Without obstacle, without evasion, without contradiction.”

Other thoughts advanced by Winkler include:

*         “Grim’s philosophy in its entirety – or more than a philosophy, which implies a distance between self and thought however small; his tao, his raison d’etre, his self – was simply this: I can take more punishment than they can deliver.”

*         “Grim withstood hundreds of blows every fight. He was a one-off, the ultimate boxing outlier. But his metier was resilience rather than resistance. He absorbed and accepted. His contests changed in a profound sense, becoming not about winning or losing, but hinging on whether or not he could endure the punishment meted out. And on that score he invariably triumphed. Grim became a spectacle rather than a fighter, but he was popular and he made a living.”

*         “There was always a third person in the ring, but the role of the referee was neutered by Grim’s resilience. The crowd had paid, quite explicitly, to come and see if Grim could endure the beating, and no referee had the imprimatur to stop that fun.”

*         “Try picturing a baseball bat swung with great force into your exposed ribs, under the armpit. Try to conceive of a well-aimed mallet landing erratically just above your left ear, and you with no means to stop it. Imagine these things are happening to you in front of a crowd baying like starved dogs. Imagine a single vicious punch to your face, and then multiply it by many hundred, and then think of the cheering that each punch drags from thousands of jeering onlookers. Then we have some gesture towards understanding Grim.”

Winkler also recreates Grim’s voice:

*         “I think of myself as a travelling artiste. The crowds love me, and then they speak of me once I’ve gone, and that adds value to my days on the planet, somehow.”

*         “In that boxing time, I am outside of time. Six rounds, three minutes each, and in that span I belong to that span only. There is no connection to clock time, to earth time. And that is how I live, with and for those ripped out portions where time has no dominion. Six three-minute rounds, five one-minute breaks, twenty-three minutes that are as long as you need them to be, or they can be devoid of time altogether.”

*         “I stand in front of the hardest hitting men on the planet, and then the promoter still tries to f*** me sideways on fight payments as I make my way home. It is a pitiful racket and I have been in it too long, and I have no other path ahead, and that is that is that.”

*         “I worry that I am outside the scope of nature. I am not just at the edge of my species, but over the margin. I do not belong. I worry that one day my fighting might end, and that without the pain I will have no map to find myself.”

Pain – “the rich realm of pain,” Winkler calls it – is a recurring theme throughout Grimmish. At the beginning of the narrative, he concedes, “The sustained depiction of physical violence is likely to alienate some, while others may weary of the defiant wallowing in the sludge of masculinity. [But] there is likely to be a readership, however small, that finds within these covers something sincere and worthwhile.”

This pain isn’t confined to the prize ring. There are tales in Grimmish of men mutilating each other with hot poker irons in tests of will and the ability to endure pain. Other fragments include:

*         ” What is the thing we call pain? It is something that captures the attention of the sufferer but otherwise has no meaning. It makes no sound, has no colour or smell, occupies no physical space. And yet at its most extreme, pain becomes the only thing of which the sufferer is aware, bigger for the victim in that instant than any object in the universe.”

*         “Some might think that the glory of pain is that it teaches you things. And I say as one who might know, if there is enough of it then pain is just pain. A lot of pain is a lot of pain, and it is not a friend and not a teacher and not a guide and not a redemption. It is just pain.”

*         “My audience wants to travel with me on a pain journey, so I give them as much as they need. And for the rest, I block blows, I absorb the force of punches through my neck and spine, I stall and distract, I allow myself to be knocked down in order to intensify the spectacle and to wear some extra seconds off the clock. It is a show, and my body is the stage and the instrument, and that is why they pay, and that is how I get to eat well and put money in my name into the bank.”

And some parting thoughts from Grimmish:

*         “Interesting what humans will pay for, what we actually like. When James Corbett went to England, they wanted to entertain him and their idea was to take him to a rat pit and have a champion bulldog kill a thousand rats in a thousand seconds.”

*         “Anybody can learn to box. But to fight, it is different.”

*         “There’s a trick to life. I think you’ll find it, even if you have to wait until you’re very old. Just keep looking. You’ll probably get there in the end.”

If you’re intrigued and want more, read Grimmish.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – Broken Dreams: Another Year Inside Boxing – was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Vito Mielnicki Hopes to Steal the Show on Friday at Madison Square Garden

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Vito Mielnicki Hopes to Steal the Show on Friday at Madison Square Garden

Olympic silver medalist Keyshawn Davis headlines Top Rank’s St. Valentine’s Day card on Friday in the Theater at Madison Square Garden. Davis (12-0, 8 KOs) seeks to win his first world title as a pro at the expense of fellow unbeaten Denys Berinchyk (19-0, 9 KOs). An amateur teammate of Oleksandr Usyk and Vasiliy Lomachenko, Berinchyk, 36, became the latest boxer from Ukraine to capture a world title when he upset defending WBO lightweight champion Emanuel Navarrete in his last start.

Xander Zayas makes his seventh appearance at this venue in the co-feature, opposing Germany’s obscure Slawa Spomer. But although Zayas has built a following among Gotham’s substantial Boricua population, the boxer who will almost certainly draw the loudest ovation on his ring walk is Vito Mielnicki Jr. whose bout – his debut as a middleweight — will kick off the three-fight portion of the card that will air on ESPN’s main platform.

The 22-year-old Mielnicki, nicknamed White Magic, hails from the town of Roseland across the Hudson River in Northern New Jersey, a 35-minute drive from Madison Square Garden assuming optimal weather and traffic conditions. He’s been attracting eyeballs since he was seven (but reportedly eight) years old. A photo of him hitting a speed bag appeared in the July 10, 2010 issue of the Newark Star-Ledger. The accompanying story said he was having trouble finding sparring partners.

The photo was taken at an amateur boxing club in Newark where Vito trained under the watchful eye of his father. A former high school sports star, the elder Mielnicki would become a fixture on the local scene as an amateur boxing coach and eventually a co-manager and co-promoter at the professional level.

Vito Mielnicki Jr is a throwback to the days when Italian-American boxers were well-represented in the community of prizefighters and the Garden State produced more than its share. World title challengers Tippy Larkin (Antonio Pilliteri), Charlie Fusari, and the colorful Tony Galento all came to the fore within a few miles of each other in Northern New Jersey.

Mielnicki Jr brings a 20-1 (12 KOs) record into his bout with Connor Coyle. He’s won 12 straight since his “hiccup” in Los Angeles when he lost a close decision to James Martin. A rematch on July 31, 2021 in Newark fell out when Martin came in far over the contracted weight at the weigh-in.

Connor Coyle fights out of Pinellas Park, Florida, by way of Derby, Northern Ireland. A 34-year-old father of three who has a job remodeling kitchens when he’s back home in Derby, Coyle is ranked #3 at 160 pounds by the WBA whose champion is Erislandy Lara.

Although Coyle is undefeated (21-0, 9 KOs), his high ranking says more about the WBA than about him. However, on paper this is a good match-up, a bit of a step-up fight for Mielnicki who wasn’t particularly impressive in his last outing – his first at Madison Square Garden – although he won every round of the 10-round fight on one of the scorecards.

This is Connor Coyle’s first appearance at MSG as a pro. The Irishman won’t lack for rooters and although he lacks a big punch, he will assuredly bring his “A” game.

The tripleheader on ESPN starts at 9 pm ET / 6 pm PT.

Undercard

The gifted, baby-faced lightweight Abdullah Mason who has a very high ceiling will appear on the undercard as will former Olympians Rohan Polanco and Tiger Johnson in separate bouts. Nico Ali Walsh returns to the ring after avenging his lone defeat, gutting out a 6-round decision over Sona Akale in June of last year, a match in which Walsh fought the last two rounds with a dislocated shoulder. Per boxrec, the card will also mark the return of heavyweight Jared Anderson who meets a sacrificial lamb imported from Greece, but the most recent Top Rank press release does not indicate if this bout will be televised.

Undercard action streams on ESPN+ beginning at 5:15 ET / 2:15 PT.

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With Valentine’s Day on the Horizon, let’s Exhume ex-Boxer ‘Machine Gun’ McGurn

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With Valentine’s Day on the Horizon, let’s Exhume ex-Boxer ‘Machine Gun’ McGurn

Feb. 14, which this year falls on a Friday, is Valentine’s Day, more formally St. Valentine’s Day. It’s a day identified with romance, but for students of organized crime, it summons up an image of a different sort. On Valentine’s Day in 1929, at a warehouse in the Lincoln Park district of Chicago, seven men were lined up against a wall and murdered in cold blood by four intruders with machine guns and shotguns. The infamous St. Valentine’s Day Massacre was the most sensational news story during the Prohibition Era when many of America’s cities, most notably Chicago, were roiled by deadly turf wars between rival bootlegging factions.

It shouldn’t surprise us that a former boxer was one of the alleged perpetrators. During the Prohibition years, bootleggers were well-represented among the ranks of boxing promoters and managers. Philadelphia’s Max “Boo Boo” Hoff reportedly had the largest boxing stable in the country. In New York, Owney Madden was purportedly the brains behind the consortium that controlled future heavyweight champion Primo Carnera.

That brings us to Jack McGurn, but first a little context. Prohibition was the law of the land from 1920, when the Volstead Act took effect, until 1933 when the ill-conceived law was repealed. Prohibition did not fetter America’s thirst for alcoholic beverages but arguably encouraged it. Confirmed beer drinkers didn’t stop drinking beer because it was illegal. Restaurateurs at high-end establishments didn’t stop selling cognac and brandy; they just did it more discreetly. Speakeasies became fashionable.

Big money awaited entrepreneurs willing to risk arrest by flouting the law, either by opening distilleries and breweries or importing alcohol with Canada the leading supplier.

In Chicago and environs, circa 1929, two of the kingpins of the bootlegging trade were “Scarface” Al Capone and George “Bugs” Moran. They were bitter rivals. The warehouse at which the seven men were assassinated housed some of Moran’s delivery trucks. The victims were members of his gang.

Al Capone wasn’t directly involved. On Feb. 14, he was in Florida where, among other things, he was finalizing arrangements to host a bevy of A-list sportswriters at his lavish Miami Beach estate; the scribes were coming to town to cover the heavyweight title eliminator between Jack Sharkey and Young Stribling. But the hired guns, who stormed into Moran’s warehouse at 10:30 on a snowy Valentine’s Day morning, were presumed to be working for Capone and the one henchman whose name stood out among the usual suspects was Jack McGurn. He had purportedly saved Capone’s life on two occasions by intercepting would-be assassins out to kill his boss and shooting them dead. Of all his underlings, Capone was said to be especially fond of McGurn.

Maching Gun McGurn

Machine Gun Jack McGurn

It had long been the custom of Jewish and Italian boxers to adopt Irish-sounding ring names. McGurn was born Vincenzo Gibaldi in 1902 in the Sicilian seaside city of Licata and lived in Brooklyn before moving with his widowed mother to Chicago. He had his first documented prizefight in 1921. The bout was held on a naval training ship, the U.S.S. Commodore. Prizefighting was then illegal in the Windy City, a residue of the malodorous 1900 fight between Terry McGovern and Joe Gans, but the ship was docked outside the Chicago city limits.

McGurn would have five more documented fights, the last against Bud Christiano on a strong card in Aurora, Illinois. Their six-round bout was the semi-windup. The main go was a 10-round contest between bantamweights Bud Taylor, the Terre Haute Terror, and Memphis Pal Moore, both of whom are enshrined in the International Boxing Hall of Fame.

By law, these were no-decision fights with wagers resting on the opinion of one or more ringside reporters. McGurn really had no business in the same ring with Christiano, an 84-fight veteran who had won two of three from future world lightweight title-holder Jimmy Goodrich. He took the worst of it, but was still standing at the final bell. And that was that. After only six pro fights, he hung up his gloves to pursue other endeavors and, in time, when his name appeared in the newspapers, it invariably appeared as Machine Gun Jack McGurn, the reference to the newfangled Thompson Machine Gun, colloquially the Tommy Gun, a tool with which McGurn was said to be very proficient.

The police found McGurn holed up in a Chicago hotel where he was staying with his girlfriend, Louise Rolfe, a 22-year-old “professional model and cabaret entertainer” with a 5-year-old daughter from a previous relationship that was being raised by her mother.

Louise testified that on the day of the massacre, they were in bed until noon. She said that she and McGurn had seldom left the room during their 13-day stay, having their food brought up from the hotel’s kitchen.

Louise held tight to her story and the police never did have sufficient evidence to charge the ex-boxer in connection with the crime. However, whenever the authorities were frustrated in sending a perp to prison, they had other weapons at their disposal to get their pound of flesh.

In the case of Scarface Al Capone, it was the 1913 law that authorized a federal income tax. The feds had enough circumstantial evidence to show that Al hadn’t been paying his fair share of taxes and succeeded in removing him from society. (After serving almost eight years in federal prisons, mostly Alcatraz, Capone returned to civilian life a sick man and passed away in Florida at age 48.)

In the case of Machine Gun Jack McGurn and his paramour, later his wife, the wedge was the Mann Act of 1910.

The Mann Act, most famously used to waylay heavyweight champion Jack Johnson, was aimed at brothel-keepers and immigrant flesh peddlers but was worded in such a way that it could be deployed when there was no commerce involved. It prohibited the interstate transportation of “any woman or girl for the purpose of prostitution or debauchery, or for any other immoral purpose.” (The law remains on the books but has been watered-down to decriminalize sexual activity between consenting adults.)

The feds spent thousands of hours digging up evidence to show that the couple had violated the Mann Act. They eventually got hotel receipts showing that they had registered as Mr. and Mrs. under assumed names at hotels in Florida and Mississippi during a motor trip down south. Jack was sentenced to two years in Leavenworth and Louise to four months in the county jail, but their convictions were later overturned by the Illinois Supreme Court.

What comes around, goes around, goes the saying, and it figured that Machine Gun Jack McGurn would die a violent death. The ex-boxer met his maker at 1 a.m. on Feb. 15, 1936, at a second-floor bowling alley in Chicago where he was fatally shot by two gunmen who opened fire as his back was turned. There were at least 20 people present said the story in the Chicago Tribune, but “the wall of silence, traditional among the gangsters and the people who know them, was erected high and tight.”

Was McGurn’s murder retaliation for the St. Valentine’s Day Massacre? The answer appears to be a resounding “yes.” Had the deed happened before the stroke of midnight, it would have happened on a St. Valentine’s Day, the seventh anniversary of the infamous event.

The police found a crumpled comic Valentine’s card next to McGurn’s body. On the front of the card were the figures of a man and a woman in their underwear. The verse inside read:

You’ve lost your job, You’ve lost your dough;

Your jewels and cars and handsome houses;

But things could still be worse you know

At least you haven’t lost your trousers.

Was this card intentionally left there by the assassins? We don’t know, but the view from here (pardon the wisecrack) is that if one were to receive a card on Valentine’s Day bearing this poem, perhaps it would be best not to leave the house.

Postscript #1: Jack McGurn’s wife, the former Louise Rolfe, routinely referenced in the press as his blonde alibi, continued to have her name pop up in the news after he died. In February of 1940, police found a gun used in a burglary in a drawer in her apartment. In 1943, she was arrested on a charge of disorderly conduct after police found her in the company of a 25-year-old Army deserter.

Postscript #2:

Al Capone refused to pose for photographs, but made an exception for his friend Jack Sharkey, the future heavyweight champion. Sharkey is pictured on the right next to Capone in this 1929 photo.

****

The Mob Museum, officially the National Museum of Organized Crime and Law Enforcement, opened 13 years ago on Feb. 14, 2012 in an old three-story building in downtown Las Vegas that was originally a federal courthouse. So, each Valentine’s Day is a special occasion at the Mob Museum, an anniversary celebrated with special events, free admission for Nevada residents, and steep discounts for tourists. (On other days of the year, a single admission during peak hours is $34.95, but there are always discounts available on-line.)

A permanent display is a reconstructed portion of the wall where the seven victims were murdered.  The garage where the killings happened was demolished in 1967, but before it was torn down a collector rescued many of the bricks, some with blood-stained bullet holes, which the Mob Museum acquired. Other artifacts on display this Friday will be the two Tommy Guns used in the assault, a one-day loan from the Berrian County Sheriff’s Department in Michigan which recovered the weapons from the home of a bank robber.

For the record, there is also a mob museum, called the Gangster Museum of America, in Hot Springs, Arkansas.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.

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More ‘Dances’ in Store for Derek Chisora after out-working Otto Wallin in Manchester

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Tonight’s fight at Co-op Live Arena in Manchester between Derek Chisora and Otto Wallin bore the tagline “Last Dance.” The reference was to Chisora who at age 41 was on the cusp of his last hurrah. However, when the IBF went and certified the match as an eliminator, that changed the equation and, truth be told, Chisora would have likely soldiered on regardless of the outcome.

The UK boxing fans have embraced Chisora, an honest workman, never an elite fighter, but always a tough out. They certainly hope to see him in action again and they will get their wish. Tonight, he made more fans with a hard-earned, unanimous decision over 34-year-old Swedish southpaw Otto Wallin who went to post a small favorite.

Chisora came out fast, pressuring the Swede while keeping his hands busy. He was comfortably ahead after five rounds, but was seemingly ripe for a comedown after cuts developed above and below his right eye. Fortunately for him, he had the prominent Canadian cutman Russ Amber in his corner.

Chisora scored two knockdowns before the fight was finished. The first came in round nine when Chisora caught Wallin with a punch that landed high on his temple. In a delayed reaction, Wallin went flying backward, landing on his butt. Wallin recovered nicely and had his best round in the next frame.

Wallin appeared to be winning the final round when Chisora put the explanation point on his performance just as the final bell was about to ring, catching the Swede off-balance with a cuffing right hand that sent him to the floor once again. If not for that knockdown, there would have been some controversy when the scores were read. The tallies were 117-109, 116-110, and 114-112, the latter of which was too generous to Wallin (27-3).

“I love the sport and I love the fans,” said Derek Chisora (36-13, 23 KOs), addressing the audience in his post-fight interview. His next bout will likely come against the winner of the match between Daniel Dubois and Joseph Parker happening later this month in Saudi Arabia.

Semi-wind-up

Stoke-on-Kent middleweight Nathan Heaney disappointed his large contingent of rooters when he was upset by French invader Sofiane Khati. The 35-year-old Heaney, who was 18-1-1 heading in, started well and was slightly ahead after six frames when things turned sour.

Both landed hard punches simultaneously in round seven, but the Frenchman’s punch was more damaging, knocking out Heaney’s mouthpiece and putting him on the canvas. When he arose, Khati, a 6/1 underdog, charged after him and forced the referee to intrude, saving Heaney from more punishment. The official time was 1:08 of round seven. It was the sixth win in the last seven tries for Khati (18-5, 7 KOs) who, akin to Chisora, is enjoying a late-career resurgence.

Other Bouts of Note

Lancashire junior welterweight Jack Rafferty was an 18/1 favorite over Morecambe ditch digger Reece MacMillan and won as expected. MacMillan’s corner tossed in the towel at the 1:08 mark of round seven. Rafferty’s record now stands at 25-0 (16 KOs), giving him the longest current unbeaten run of any British boxer. It was the second loss in 19 starts for MacMillan.

In a lackluster performance, Zach Parker, now competing as a light heavyweight, improved his record to 26-1 (19) with a 10-round decision over France’s Mickael Diallo (21-2-2) who took the bout on five days’ notice after Parker’s original opponent Willy Hutchinson suffered a bad shoulder injury in sparring and had to withdraw. The scores were 98-92, 98-93, and 97-94.

Parker’s lone defeat came in a domestic showdown with John Ryder, a match in which he could not continue after four rounds because of a broken hand. The prize for Ryder was a date with Canelo Alvarez. Mickael Diallo has another fight booked in four weeks in Long Beach, California.

Also

Featherweight Zak Miller scored the biggest win of his career, capturing a pair of regional trinkets with a 12-round majority decision over Masood Abdulah. The judges had it 115-113, 115-114, and 114-114.

Heading in, Miller was 15-1 but had defeated only one opponent with a winning record. It was the first pro loss for Abdulah (11-1), an Afghanistan-born Londoner.

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