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An Ode to the Polo Grounds on the (Belated) 100th Anniversary of Dempsey-Firpo

If you happen to be up in Harlem this Saturday, they are holding a little shindig at the Polo Grounds Towers Community Center in honor of the 100th anniversary of the Dempsey-Firpo fight.
Better late than never, as they say. The centennial of this storied fight was actually September 14, a week ago Thursday. But that rubbed up against Mexican Independence Day which prompted little shindigs that would take precedence in a neighborhood where many of the inhabitants speak Spanish.
The Sept. 14, 1923 bout between heavyweight champion Jack Dempsey, the Manassa Mauler, and his Argentine challenger Luis Angel Firpo, the Wild Bull of the Pampas, was staged at the Polo Grounds. The match was slated for 15 rounds, but no one expected it would go that far. “The styles of both,” said a Brooklyn Times Union scribe in his pre-fight report, “eliminate the possibility of the affair becoming tedious.”
That proved to be an understatement. Dempsey vs. Firpo consumed only three minutes and 57 seconds of actual fighting, but the action was breathtakingly intense and the crowd, estimated at 80,000, was on its feet the whole while.
There were so many knockdowns and they came so fast that there was disagreement among ringside reporters as to the exact number. In the first round alone, Dempsey put Firpo on the canvas at least five times, if not seven, and Firpo returned the favor twice. However, it was the Argentine that scored the most memorable knockdown. With one mighty swing of his vaunted right hand, Firpo knocked Dempsey clear out of the ring, the Mauler landing head first on a table of ringside reporters and their telegraphers with his feet up in the air. The moment inspired one of the most famous paintings in sports, George Bellows “Dempsey and Firpo,” on display at the Whitney Museum of American Art in New York since the museum opened in 1931.
Dempsey was reeling and almost out before the first round ended, but he gathered his senses and ended the contest in the next frame. His final punch, with Firpo bleeding heavily from his mouth, “lifted the Argentine giant from his feet and hurled him headlong to the floor with the crash of a mighty oak falling from great heights.” So wrote Grantland Rice.
The Polo Grounds sat in a hollow in the northern reaches of Harlem across the Harlem River from Yankee Stadium. It was the home of the New York Giants of the National League from 1891 until the franchise left for San Francisco at the end of the 1957 season. It also housed the New York Giants football team from its inception in 1925 through 1955 and in its end days, served as the temporary home of New York’s two expansion teams, the Mets and the Jets.
Professional boxing was first served up at the Polo Grounds in 1922. There were four boxing shows there in 1923 preceding Dempsey-Firpo, but these were small potatoes by comparison, notwithstanding the fact that each of the four shows included a title fight. Dempsey-Firpo was the first collaboration between Tex Rickard and Charles Stoneham who owned the controlling interest in the baseball team.
Rickard and Stoneham had a lot in common. Rickard ran gambling saloons in mining camps in Alaska and Nevada before making his mark as a boxing promoter and settling in New York where he headed up the boxing department at Madison Square Garden. Charles Stoneham was a gambler too. He made his fortune operating bucket shops, funneling his winnings into a string of thoroughbred race horses and a horse track and casino in Havana. His silent partner in many of his business ventures was purportedly the infamous Arnold Rothstein. (A so-called bucket shop was a business where people could bet on the rise and fall of stocks and other commodities like wheat and oil without taking an ownership stake in any of the companies that comprised the marketplace.)
Rickard died in 1929, opening the door to Broadway ticket scalper Mike Jacobs who supplanted Rickard as New York’s most powerful boxing promoter. Jacobs acquired the exclusive rights to stage boxing shows at both the Polo Grounds and Yankee Stadium. Charles Stoneham and his counterpart with the Yankees both profited when a card was held at either property.
Yankee Stadium was more modern and could accommodate a larger crowd, so Jacobs tended to pot his biggest promotions there. Joe Louis had 12 fights at Yankee Stadium, but only two at the Polo Grounds, namely his famous 1941 fight with Billy Conn and his fight later that year with Lou Nova. However, important matches continued to land at the Polo Grounds. Thirty-four boxers who would go on to be enshrined in the International Boxing Hall of Fame had one or more fights at the Polo Grounds.
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I’m dating myself, but this reporter is among an ever-shrinking cadre of people who once sat in the grandstand of the Polo Grounds. The allurement was baseball. Although born in Brooklyn, I was a Giants fan.
I vaguely remember descending the steep iron staircase that led from the 155th Street subway station to the ticket booths. When one exited the subway, he was on Coogan’s Bluff, named for the former Manhattan borough president who owned the land on which the stadium sat. Coogan’s Bluff became a euphemism for the Polo Grounds itself, as Chavez Ravine would become a euphemism for Dodger Stadium.

Coogan’s Bluff
The Polo Grounds had an odd, triangular-shaped configuration. The distance to both foul poles was short whereas centerfield was cavernous, the perfect playland for the wonderful Willie Mays whose range was unsurpassed. In the words of the late, great Jim Murray, Willie’s glove was where triples went to die.
When Charles Stoneham died in 1936, the ballclub passed to his son Horace Stoneham who moved the team in San Francisco and eventually sold it to local interests. Stoneham was vilified in New York for abandoning the city, but the park and surrounding neighborhood had deteriorated. The stadium was torn down in 1964 and became the site of a giant, low-income housing project, Polo Grounds Towers, a complex consisting of four 30-story buildings run by the New York City Housing Authority. The Polo Grounds Community Center is housed in Tower #2.
The Dempsey-Firpo fight was an incandescent moment in America’s Golden Era of Sports. It was a big deal in South America too. In Buenos Aires, tens of thousands of people reportedly jammed the streets around the newspaper offices to follow the progress of the fight on bulletin boards. The last boxing show at the Polo Grounds was staged on June 20, 1960. Floyd Patterson avenged his loss to Ingemar Johannson with a fifth-round stoppage. The predicted crowd of 40,000 failed to materialize. The official attendance was 31,892.
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Arne K. Lang is a recognized authority on the history of prizefighting and the history of American sports gambling. His latest book, titled Clash of the Little Giants: George Dixon, Terry McGovern, and the Culture of Boxing in America, 1890-1910, was released by McFarland in September, 2022.
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Avila Perspective, Chap. 326: Top Rank and San Diego Smoke

Avila Perspective, Chap. 326: Top Rank and San Diego Smoke
Years ago, I worked at a newsstand in the Beverly Hills area. It was a 24-hour a day version and the people that dropped by were very colorful and unique.
One elderly woman Eva, who bordered on homeless but pridefully wore lipstick, would stop by the newsstand weekly to purchase a pack of menthol cigarettes. On one occasion, she asked if I had ever been to San Diego?
I answered “yes, many times.”
She countered “you need to watch out for San Diego Smoke.”
This Saturday, Top Rank brings its brand of prizefighting to San Diego or what could be called San Diego Smoke. Leading the fight card is Mexico’s Emanuel Navarrete (39-2-1, 32 KOs) defending the WBO super feather title against undefeated Filipino Charly Suarez (18-0, 10 KOs) at Pechanga Arena. ESPN will televise.
This is Navarrete’s fourth defense of the super feather title.
The last time Navarrete stepped in the boxing ring he needed six rounds to dismantle the very capable Oscar Valdez in their rematch. One thing about Mexico City’s Navarrete is he always brings “the smoke.”
Also, on the same card is Fontana, California’s Raymond Muratalla (22-0, 17 KOs) vying for the interim IBF lightweight title against Russia’s Zaur Abdullaev (20-1, 12 KOs) on the co-main event.
Abdullaev has only fought once before in the USA and was handily defeated by Devin Haney back in 2019. But that was six years ago and since then he has knocked off various contenders.
Muratalla is a slick fighting lightweight who trains at the Robert Garcia Boxing Academy now in Moreno Valley, Calif. It’s a virtual boot camp with many of the top fighters on the West Coast available to spar on a daily basis. If you need someone bigger or smaller, stronger or faster someone can match those needs.
When you have that kind of preparation available, it’s tough to beat. Still, you have to fight the fight. You never know what can happen inside the prize ring.
Another fighter to watch is Perla Bazaldua, 19, a young and very talented female fighter out of the Los Angeles area. She is trained by Manny Robles who is building a small army of top female fighters.
Bazaldua (1-0, 1 KO) meets Mona Ward (0-1) in a super flyweight match on the preliminary portion of the Top Rank card. Top Rank does not sign many female fighters so you know that they believe in her talent.
Others on the Top Rank card in San Diego include Giovani Santillan, Andres Cortes, Albert Gonzalez, Sebastian Gonzalez and others.
They all will bring a lot of smoke to San Diego.
Probox TV
A strong card led by Erickson “The Hammer” Lubin (26-2, 18 KOs) facing Ardreal Holmes Jr. (17-0, 6 KOs) in a super welterweight clash between southpaws takes place on Saturday at Silver Spurs Arena in Kissimmee, Florida. PROBOX TV will stream the fight card.
Ardreal has rocketed up the standings and now faces veteran Lubin whose only losses came against world titlists Sebastian Fundora and Jermell Charlo. It’s a great match to decide who deserves a world title fight next.
Another juicy match pits Argentina’s Nazarena Romero (14-0-2) against Mexico’s Mayelli Flores (12-1-1) in a female super bantamweight contest.
Nottingham, England
Anthony Cacace (23-1, 8 KOs) defends the IBO super featherweight title against Leigh Wood (28-3, 17 KOs) in Wood’s hometown on Saturday at Nottingham Arena in Nottingham, England. DAZN will stream the Queensberry Promotions card.
Ireland’s Cacace seems to have the odds against him. But he is no stranger to dancing in the enemy’s lair or on foreign territory. He formerly defeated Josh Warrington in London and Joe Cordina in Riyadh in IBO title defenses.
Lampley at Wild Card
Boxing telecaster Jim Lampley will be signing his new book It Happened! at the Wild Card Boxing gym in Hollywood, Calif. on Saturday, May 10, beginning at 2 p.m. Lampley has been a large part of many of the greatest boxing events in the past 40 years. He and Freddie Roach will be at the signing.
Fights to Watch (All times Pacific Time)
Sat. DAZN 11 a.m. Anthony Cacace (23-1) vs Leigh Wood (28-3).
Sat. PROBOX.tv 3 p.m. Erickson Lubin (26-2) vs Ardreal Holmes Jr. (17-0).
Sat. ESPN 7 p.m. Emanuel Navarrete (39-2-1) vs Charly Suarez (18-0); Raymond Muratalla (22-0) vs Zaur Abdullaev (20-1).
Photo credit: Mikey Williams / Top Rank
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“Breadman” Edwards: An Unlikely Boxing Coach with a Panoramic View of the Sport

Stephen “Breadman” Edwards’ first fighter won a world title. That may be some sort of record.
It’s true. Edwards had never trained a fighter, amateur or pro, before taking on professional novice Julian “J Rock” Williams. On May 11, 2019, Williams wrested the IBF 154-pound world title from Jarrett Hurd. The bout, a lusty skirmish, was in Fairfax, Virginia, near Hurd’s hometown in Maryland, and the previously undefeated Hurd had the crowd in his corner.
In boxing, Stephen Edwards wears two hats. He has a growing reputation as a boxing coach, a hat he will wear on Saturday, May 31, at Mandalay Bay in Las Vegas when the two fighters that he currently trains, super middleweight Caleb Plant and middleweight Kyrone Davis, display their wares on a show that will air on Amazon Prime Video. Plant, who needs no introduction, figures to have little trouble with his foe in a match conceived as an appetizer to a showdown with Jermall Charlo. Davis, coming off his career-best win, an upset of previously undefeated Elijah Garcia, is in tough against fast-rising Cuban prospect Yoenli Hernandez, a former world amateur champion.
Edwards’ other hat is that of a journalist. His byline appears at “Boxing Scene” in a column where he answers questions from readers.
It’s an eclectic bag of questions that Breadman addresses, ranging from his thoughts on an upcoming fight to his thoughts on one of the legendary prizefighters of olden days. Boxing fans, more so than fans of any other sport, enjoy hashing over fantasy fights between great fighters of different eras. Breadman is very good at this, which isn’t to suggest that his opinions are gospel, merely that he always has something provocative to add to the discourse. Like all good historians, he recognizes that the best history is revisionist history.
“Fighters are constantly mislabled,” he says. “Everyone talks about Joe Louis’s right hand. But if you study him you see that his left hook is every bit as good as his right hand and it’s more sneaky in terms of shock value when it lands.”
Stephen “Breadman” Edwards was born and raised in Philadelphia. His father died when he was three. His maternal grandfather, a Korean War veteran, filled the void. The man was a big boxing fan and the two would watch the fights together on the family television.
Edwards’ nickname dates to his early teen years when he was one of the best basketball players in his neighborhood. The derivation is the 1975 movie “Cornbread, Earl and Me,” starring Laurence Fishburne in his big screen debut. Future NBA All-Star Jamaal Wilkes, fresh out of UCLA, plays Cornbread, a standout high school basketball player who is mistakenly murdered by the police.
Coming out of high school, Breadman had to choose between an academic scholarship at Temple or an athletic scholarship at nearby Lincoln University. He chose the former, intending to major in criminal justice, but didn’t stay in college long. What followed were a succession of jobs including a stint as a city bus driver. To stay fit, he took to working out at the James Shuler Memorial Gym where he sparred with some of the regulars, but he never boxed competitively.
Over the years, Philadelphia has harbored some great boxing coaches. Among those of recent vintage, the names George Benton, Bouie Fisher, Nazeem Richardson, and Bozy Ennis come quickly to mind. Breadman names Richardson and West Coast trainer Virgil Hunter as the men that have influenced him the most.
We are all a product of our times, so it’s no surprise that the best decade of boxing, in Breadman’s estimation, was the 1980s. This was the era of the “Four Kings” with Sugar Ray Leonard arguably standing tallest.
Breadman was a big fan of Leonard and of Leonard’s three-time rival Roberto Duran. “I once purchased a DVD that had all of Roberto Duran’s title defenses on it,” says Edwards. “This was a back before the days of YouTube.”
But Edwards’ interest in the sport goes back much deeper than the 1980s. He recently weighed in on the “Pittsburgh Windmill” Harry Greb whose legend has grown in recent years to the point that some have come to place him above Sugar Ray Robinson on the list of the greatest of all time.
“Greb was a great fighter with a terrific resume, of that there is no doubt,” says Breadman, “but there is no video of him and no one alive ever saw him fight, so where does this train of thought come from?”
Edwards notes that in Harry Greb’s heyday, he wasn’t talked about in the papers as the best pound-for-pound fighter in the sport. The boxing writers were partial to Benny Leonard who drew comparisons to the venerated Joe Gans.
Among active fighters, Breadman reserves his highest praise for Terence Crawford. “Body punching is a lost art,” he once wrote. “[Crawford] is a great body puncher who starts his knockouts with body punches, but those punches are so subtle they are not fully appreciated.”
If the opening line holds up, Crawford will enter the ring as the underdog when he opposes Canelo Alvarez in September. Crawford, who will enter the ring a few weeks shy of his 38th birthday, is actually the older fighter, older than Canelo by almost three full years (it doesn’t seem that way since the Mexican redhead has been in the public eye so much longer), and will theoretically be rusty as 13 months will have elapsed since his most recent fight.
Breadman discounts those variables. “Terence is older,” he says, “but has less wear and tear and never looks rusty after a long layoff.” That Crawford will win he has no doubt, an opinion he tweaked after Canelo’s performance against William Scull: “Canelo’s legs are not the same. Bud may even stop him now.”
Edwards has been with Caleb Plant for Plant’s last three fights. Their first collaboration produced a Knockout of the Year candidate. With one ferocious left hook, Plant sent Anthony Dirrell to dreamland. What followed were a 12-round setback to David Benavidez and a ninth-round stoppage of Trevor McCumby.
Breadman keeps a hectic schedule. From Monday through Friday, he’s at the DLX Gym in Las Vegas coaching Caleb Plant and Kyrone Davis. On weekends, he’s back in Philadelphia, checking in on his investment properties and, of greater importance, watching his kids play sports. His 14-year-old daughter and 12-year-old son are standout all-around athletes.
On those long flights, he has plenty of time to turn on his laptop and stream old fights or perhaps work on his next article. That’s assuming he can stay awake.
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Arne’s Almanac: The Good, the Bad, and the (Mostly) Ugly; a Weekend Boxing Recap and More

Arne’s Almanac: The Good, the Bad, and the (Mostly) Ugly; a Weekend Boxing Recap and More
It’s old news now, but on back-to-back nights on the first weekend of May, there were three fights that finished in the top six snoozefests ever as measured by punch activity. That’s according to CompuBox which has been around for 40 years.
In Times Square, the boxing match between Devin Haney and Jose Carlos Ramirez had the fifth-fewest number of punches thrown, but the main event, Ryan Garcia vs. Rolly Romero, was even more of a snoozefest, landing in third place on this ignoble list.
Those standings would be revised the next night – knocked down a peg when Canelo Alvarez and William Scull combined to throw a historically low 445 punches in their match in Riyadh, Saudi Arabia, 152 by the victorious Canelo who at least pressed the action, unlike Scull (pictured) whose effort reminded this reporter of “Cat on a Hot Tin Roof” – no, not the movie starring Paul Newman, just the title.
CompuBox numbers, it says here, are best understood as approximations, but no amount of rejiggering can alter the fact that these three fights were stinkers. Making matters worse, these were pay-per-views. If one had bundled the two events, rather than buying each separately, one would have been out $90 bucks.
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Thankfully, the Sunday card on ESPN from Las Vegas was redemptive. It was just what the sport needed at this moment – entertaining fights to expunge some of the bad odor. In the main go, Naoya Inoue showed why he trails only Shohei Ohtani as the most revered athlete in Japan.
Throughout history, the baby-faced assassin has been a boxing promoter’s dream. It’s no coincidence that down through the ages the most common nickname for a fighter – and by an overwhelming margin — is “Kid.”
And that partly explains Naoya Inoue’s charisma. The guy is 32 years old, but here in America he could pass for 17.
Joey Archer
Joey Archer, who passed away last week at age 87 in Rensselaer, New York, was one of the last links to an era of boxing identified with the nationally televised Friday Night Fights at Madison Square Garden.

Joey Archer
Archer made his debut as an MSG headliner on Feb. 4, 1961, and had 12 more fights at the iconic mid-Manhattan sock palace over the next six years. The final two were world title fights with defending middleweight champion Emile Griffith.
Archer etched his name in the history books in November of 1965 in Pittsburgh where he won a comfortable 10-round decision over Sugar Ray Robinson, sending the greatest fighter of all time into retirement. (At age 45, Robinson was then far past his peak.)
Born and raised in the Bronx, Joey Archer was a cutie; a clever counter-puncher recognized for his defense and ultimately for his granite chin. His style was embedded in his DNA and reinforced by his mentors.
Early in his career, Archer was domiciled in Houston where he was handled by veteran trainer Bill Gore who was then working with world lightweight champion Joe Brown. Gore would ride into the Hall of Fame on the coattails of his most famous fighter, “Will-o’-the Wisp” Willie Pep. If Joey Archer had any thoughts of becoming a banger, Bill Gore would have disabused him of that notion.
In all honesty, Archer’s style would have been box office poison if he had been black. It helped immensely that he was a native New Yorker of Irish stock, albeit the Irish angle didn’t have as much pull as it had several decades earlier. But that observation may not be fair to Archer who was bypassed twice for world title fights after upsetting Hurricane Carter and Dick Tiger.
When he finally caught up with Emile Griffith, the former hat maker wasn’t quite the fighter he had been a few years earlier but Griffith, a two-time Fighter of the Year by The Ring magazine and the BWAA and a future first ballot Hall of Famer, was still a hard nut to crack.
Archer went 30 rounds with Griffith, losing two relatively tight decisions and then, although not quite 30 years old, called it quits. He finished 45-4 with 8 KOs and was reportedly never knocked down, yet alone stopped, while answering the bell for 365 rounds. In retirement, he ran two popular taverns with his older brother Jimmy Archer, a former boxer who was Joey’s trainer and manager late in Joey’s career.
May he rest in peace.
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