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The Hauser Report: Literary Notes and More
The Hauser Report: Literary Notes and More
Headshot, a novel by Rita Bullwinkel (published by Viking), imagines the 12th Annual Daughters of America Cup – a two-day elimination tournament in Reno for women fighters age eighteen and under. There are eight entrants, all of them vying for what Bullwinkel describes as “a small plastic gold cup affixed to a four-by-four plaqueless marble stand. There is a slit in the cup where the plastic mold came together.”
The book has an unusual structure. The early chapters are divided into short stream-of-consciousness-like segments that are separated by asterisks and are as brief as two lines each. Later, the asterisks are further in between and a single paragraph might run three pages.
The story isn’t about who wins and loses each fight as much as the background and character of each fighter. Eight portraits of eight young women. Why they fight; what they hate, fear, and long for.
Bullwinkel writes nicely and conveys the nuances of women’s boxing at the amateur level with gritty realism. Among her thoughts are:
* “There is glorification in the world outside of boxing of desperation and wildness while fighting – this notion that desire and scrappiness can and will conquer experience. No boxing coach has ever asked their athlete to be more desperate. Control and restraint are much more valuable than wild punches.”
* “This bout is like watching two people talking where one person is doing all of the mouth work and only every once in a while the other person interjects.”
* “This match will be a series of events gone wrong for Kate, things she thought she could control but that get thrown back in her face. Rachel Doricko will take Kate Heffer’s movements one hit at a time and pull them into herself and then spit them back out, better articulated and better made.”
* “That does happen in these youth matches, doesn’t it? Don’t people get hurt so bad that their faces are permanently damaged? Don’t people get damaged so bad that their injuries become lifelong souvenirs of a fight?”
Headshot starts strong. Then it hits a speed bump. Instead of the tension building as the tournament proceeds, the narrative drags as the tournament goes on – not unlike a fighter who fades in the late rounds of a fight. Reading about the four opening-round bouts, I developed a rooting interest. Then I stopped caring who would win. And I had the feeling that Bullwinkel didn’t care much either; that she was more interested in character development and each fighter’s journey than the outcome of the fights. That’s a fair choice for an author to make. But in sports, it matters who wins. The championship fight is anti-climactic and handled in cursory fashion. And the characters don’t grow more interesting as the book evolves.
That said; Headshot is worth reading.
*****
In the Company of Kings, which premiered at the Philadelphia Film Society on April 1, is a documentary about boxing billed as “tales of courage, friendship, and despair from sport’s meanest streets.”
It’s directed by Steve Read and narrated by Robert Douglas who says of his own childhood, “If you wandered down the road to a different street, you would get battered. You would get called ‘nigger.’ You would get humiliated. And you’d say, ‘I don’t care because the heavyweight champion of the world is Muhammad Ali.'”
The film begins with a portrait of the underside of North Philadelphia and the imposing presence of Bernard Hopkins, who declares, “There’s two graveyards. There’s the graveyard of the dead. And there’s the graveyard of the living dead.”
Interviews with Larry Holmes, Tim Witherspoon, Earnie Shavers, Hasim Rahman, Eddie Mustafa Muhammad, and others follow. Rahaman Ali serves as a stand-in for his legendary brother, while Carl King (who has long been absent from the spotlight) reemerges to speak for Don.
The film has good production values and there are some nice touches. Hopkins is compelling as always. And Larry Holmes rings true to form when asked why a long past his prime Muhammad Ali returned to fight him.
“How you gonna turn down ten million dollars,” Holmes answers. “You’d let someone beat you up right now for ten million dollars; tie your hands behind your back, won’t you? I know I would. Give me ten million dollars and my hands are right here behind my back. Bang! Bang!”
However, there’s a downside. The film is intended to explore what the promotional material calls “the dark heart of American boxing” coupled with issues of race and struggle. But these themes aren’t clearly enunciated, and too often In the Company of Kings lacks focus. The documentary has some worthwhile segments. But overall, its whole is less than the sum of its parts.
****
Many observers of the boxing scene (including this writer) are dissatisfied with the current state of boxing. Thus, it’s worth quoting A.J. Liebling who in 1955 wrote, “One thing about the sweet science upon which all initiates are in agreement is that it used to be better. The exact period at which it was better, however, varies in direct ratio with the age of the fellow telling about it. If he was a fighter, it always turns out to be the time when he was fighting. And if a fight writer, it was the years before he began to get bored with what he was doing.”
Then Liebling quoted the legendary fight manager Jack Kearns, who declared, “What right have the writers got to beef? In the old days, they used to have good fight writers.”
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – “MY MOTHER and me” – is a personal memoir just published by Admission Press that’s available at: https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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The Ortiz-Bohachuk Thriller has been named the TSS 2024 Fight of The Year
The Aug. 10 match in Las Vegas between Knockout artists Vergil Ortiz Jr and Serhii Bohachuk seemingly had scant chance of lasting the 12-round distance. Ortiz, the pride of Grand Prairie, Texas, was undefeated in 21 fights with 20 KOs. Bohachuk, the LA-based Ukrainian, brought a 24-1 record with 23 knockouts.
In a surprise, the fight went the full 12. And it was a doozy.
The first round, conventionally a feeling-out round, but was anything but. “From the opening bell, [they] clobbered each other like those circus piledriver hammer displays,” wrote TSS ringside reporter David A. Avila.
In this opening frame, Bohachuk, the underdog in the betting, put Ortiz on the canvas with a counter left hook. Of the nature of a flash knockdown, it was initially ruled a slip by referee Harvey Dock. With the benefit of instant replay, the Nevada State Athletic Commission overruled Dock and after four rounds had elapsed, the round was retroactively scored 10-8.
Bohachuk had Ortiz on the canvas again in round eight, put there by another left hook. Ortiz was up in a jiff, but there was no arguing it was a legitimate knockdown and it was plain that Ortiz now trailed on the scorecards.
Aware of the situation, the Texan, a protégé of the noted trainer Robert Garcia, dug deep to sweep the last four rounds. But these rounds were fused with drama. “Every time it seemed the Ukrainian was about to fall,” wrote Avila, “Bohachuk would connect with one of those long right crosses.”
In the end, Ortiz eked out a majority decision. The scores were 114-112 x2 and 113-113.
Citing the constant adjustments and incredible recuperative powers of both contestants, CBS sports combat journalist Brian Campbell called the fight an instant classic. He might have also mentioned the unflagging vigor exhibited by both. According to CompuBox, Ortiz and Bohachuk threw 1579 punches combined, landing 490, numbers that were significantly higher than the early favorite for Fight of the Year, the March 2 rip-snorter at Verona, New York between featherweights Raymond Ford and Otabek Kholmatov (a win for Ford who pulled the fight out of the fire in the final minute).
Photo credit: Al Applerose
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Women’s Prizefighting Year End Review: The Best of the Best in 2024
Women’s Prizefighting Year End Review: The Best of the Best in 2024
It’s the end of the year.
Here are our awards for the best in women’s boxing. But first, a rundown on the state of the sport.
Maybe its my imagination but it seems that fewer female fights of magnitude took place in 2024 than in previous years.
A few promoters like 360 Promotions increased their involvement in women’s boxing while others such as Matchroom Boxing and Golden Boy Promotions seem stagnant. They are still staging female bouts but are not signing new additions.
American-based promotion company Top Rank, actually lost 50 percent of their female fighter roster when Seniesa Estrada, the undisputed minimumweight champion, retired recently. They still have Mikaela Mayer.
A promotion company making headlines and creating sparks in the boxing world is Most Valuable Promotions led by Jake Paul and Nakisa Bidarian. They signed Amanda Serrano and have invested in staging other female fights
This year, the top streaming company Netflix gambled on sponsoring Jake Paul versus Mike Tyson, along with Amanda Serrano versus Katie Taylor and hit a monster home run. According to Netflix metrics an estimated 74 million viewers watched the event that took place on Nov. 16 at Arlington, Texas.
“Breaking records like this is exactly what MVP was built to do – bring the biggest, most electrifying events to fans worldwide,” said Nakisa Bidarian co-founder of MVP.
History was made in viewership and at the gate where more than 70,000 fans packed AT&T Stadium for a record-setting $17.8 million in ticket sales outside of Las Vegas. It was the grand finale moment of the year.
Here are the major contributors to women’s boxing in 2024.
Fighter of the Year: Amanda Serrano
Other candidates: Katie Taylor, Claressa Shields, Franchon Crews, Dina Thorslund, and Yesica Nery Plata.
Amanda Serrano was chosen for not only taking part in the most viewed female title fight in history, but also for willingly sacrificing the health of her eye after suffering a massive cut during her brutal war with Taylor. She could have quit, walked away with tons of money and be given the technical decision after four rounds. She was ahead on the scorecards at that moment.
Instead, Serrano took more punches, more head butts and slugged her way through 10 magnificent and brilliant rounds against the great Taylor. Fans worldwide were captivated by their performance. Many women who had never watched a female fight were mesmerized and inspired.
Serrano once again proved that she would die in the ring rather than quit. Women and men were awed by her performance and grit. It was a moment blazed in the memories of millions.
Amanda Serrano is the Fighter of the Year.
Best Fight of the Year – Amanda Serrano versus Katie Taylor 2
Their first fight that took place two years ago in Madison Square Garden was the greatest female fight I had ever witnessed. The second fight surpassed it.
When you have two of the best warriors in the world willing to showcase their talent for entertainment regardless of the outcome, it’s like rubbing two sticks of dynamite together.
Serrano jumped on Taylor immediately and for about 20 seconds it looked like the Irish fighter would not make the end of the first round. Not quite. Taylor rallied behind her stubborn determination and pulled out every tool in her possession: elbows, head butts, low blows, whatever was needed to survive, Taylor used.
It reminded me of an old world title fight in 2005 between Jose Luis Castillo a master of fighting dirty and Julio Diaz. I asked about the dirty tactics by Castillo and Diaz simply said, “It’s a fight. It’s not chess. You do what you have to do.”
Taylor did what she had to do to win and the world saw a magnificent fight.
Other candidates: Seniesa Estrada versus Yokasta Valle, Mikaela Mayer versus Sandy Ryan, and Ginny Fuchs vs Adelaida Ruiz.
KO of the Year – Lauren Price KO3 Bexcy Mateus.
Dec. 14, in Liverpool, England.
The IBO welterweight titlist lowered the boom on Bexcy Mateus sending her to the floor thrice. She ended the fight with a one-two combination that left Mateus frozen while standing along the ropes. Another left cross rocket blasted her to the ground. Devastating.
Other candidates: Claressa Shields KO of Vanessa LePage-Joanisse, Gabriela Fundora KO of Gabriela Alaniz, Dina Thorslund vs Mary Romero, Amanda Serrano KO of Stevie Morgan.
Pro’s Pro Award – Jessica Camara
Jessica Camara defeated Hyun Mi Choi in South Korea to win the WBA gold title on April 27, 2024. The match took place in Suwon where Canada’s Camara defeated Choi by split decision after 10 rounds.
Camara, who is managed by Brian Cohen, has fought numerous champions including Kali Reis, Heather Hardy and Melissa St. Vil. She has become a pro fighter that you know will be involved in a good and entertaining fight and is always in search of elite competition. She eagerly accepted the fight in South Korea against Choi. Few fighters are willing to do that.
Next up for Camara is WBC titlist Caroline Dubois set for Jan. 11, in Sheffield, England.
Electric Fighters Club
These are women who never fail to provide excitement and drama when they step in the prize ring. When you only have two-minute rounds there’s no time to run around the boxing ring.
Here are some of the fighters that take advantage of every second and they do it with skill:
Gabriela Fundora, Mizuki Hiruta, Ellie Scotney, Lauren Price, Clara Lescurat, Adelaida Ruiz, Ginny Fuchs, Mikaela Mayer, Yokasta Valle, Sandy Ryan, Chantelle Cameron, Ebanie Bridges, Tsunami Tenkai, Dina Thorslund, Evelin Bermudez, Gabriela Alaniz, Caroline Dubois, Beatriz Ferreira, and LeAnna Cruz.
Claressa Shields Movie and More
A motion picture based on Claressa Shields titled “The Fire Inside” debuts on Wednesday, Dec. 25, nationwide. Most boxing fans know that Shields has world titles in various weight divisions. But they don’t know about her childhood and how she rose to fame.
Also, Shields (15-0, 3 KOs) will be fighting Danielle Perkins (5-0, 2 KOs) for the undisputed heavyweight world championship on Sunday Feb. 2, at Dort Financial Center in Flint, Michigan. DAZN will stream the Salita Promotions fight card.
“Claressa Shields is shining a spotlight on Flint – first on the big screen and then in the ring on Sunday, February 2,” said event promoter Dmitriy Salita, president of Salita Promotions. “Claressa leads by example. She is a trailblazer and has been an advocate for equality since she was a young lady. This event promises to be one of the most significant sporting and cultural events of the year. You don’t want to miss it, either live, in person or live on DAZN.”
Shields is only 29 years old and turns 30 next March. What more can she accomplish?
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Lucas Bahdi Forged the TSS 2024 Knockout of the Year
A Knockout of the Year doesn’t have to be a one-punch knockout, but it must arrive with the suddenness of a thunderclap on a clear day and the punch or punches must be so harsh as to obviate the need for a “10-count.” And, if rendered by an underdog, that makes the KO resonate more loudly.
Within these parameters, Lucas Bahdi’s knockout of Ashton “H2O” Sylva still jumped off the page. The thunderclap happened on July 20 in Tampa, Florida, on a show promoted by Jake Paul with Paul and the great Amanda Serrano sharing the bill against soft opponents in the featured bouts.
The 30-year-old Bahdi (16-0, 14 KOs) and the 20-year-old Sylva (11-0, 9 KOs) were both undefeated, but Bahdi was accorded scant chance of defeating Jake Paul’s house fighter.
Sylva was 18 years old and had seven pro fights under his belt, winning all inside the distance, when he signed with Paul’s company, Most Valuable Promotions, in 2022. “We believe that Ashton has that talent, that flashiness, that style, that knockout power, that charisma to really be a massive, massive, superstar…” said the “Problem Child” when announcing that Sylva had signed with his company.
Jake Paul was so confident that his protege would accomplish big things that he matched Sylva with Floyd “Kid Austin” Schofield. Currently 18-0 and ranked #2 by the WBA, Schofield was further along than Sylva in the pantheon of hot lightweight prospects. But Schofield backed out, alleging an injury, opening the door to a substitute.
Enter Lucas Bahdi who despite his eye-catching record was a virtual unknown. This would be his first outing on U.S. soil. All of his previous bouts were staged in Mexico or in Canada, mostly in his native Ontario province. “My opponent may have changed,” said Sylva who hails from Long Beach, California, “but the result will be the same, I will get the W and continue my path to greatness.”
The first five rounds were all Sylva. The Canadian had no antidote for Sylva’s speed and quickness. He was outclassed.
Then, in round six, it all came unglued for the precocious California. Out of the blue, Bahdi stiffened him with a hard right hand. Another right quickly followed, knocking Sylva unconscious. A third punch, a sweeping left, was superfluous. Jake Paul’s phenom was already out cold.
Sylva landed face-first on the canvas. He lay still as his handlers and medics rushed to his aid. It was scarifying. “May God restore him,” said ring announcer Joe Martinez as he was being stretchered out of the ring.
The good news is that Ashton “H2O” Silva will be able to resume his career. He is expected back in the ring as early as February. As for Lucas Bahdi, architect of the Knockout of the Year, he has added one more win to his ledger, winning a 10-round decision on the undercard of the Paul vs Tyson spectacle, and we will presumably be hearing a lot more about him.
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