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Notes and Nuggets from Thomas Hauser: Callum Walsh Returns to Madison Square Garden

On Sunday, March 16 (the night before St. Patrick’s Day), Callum Walsh continued his move up the junior-middleweight ranks with a brutal first-round knockout of Dean Sutherland at the Hulu Theatre at Madison Square Garden. The seven-bout card promoted by Tom Loeffler featured seven Irish boxers. Walsh stole the show but two non-Irish fighters on the undercard caught the eye.
In the third fight of the evening, Cletus Seldin (known as “The Hebrew Hammer) took on Yeis Gabriel Solano. The last time Seldin fought at Madison Square Garden (March 15, 2024), he took the ring announcer’s microphone after a majority-decision win, dropped to one knee, held out a diamond engagement ring, and asked one Jessica Ostrowski to marry him. The future Mrs. Seldin (who was clad in black leather) said yes, and the happy couple paraded around the ring together. They were married on September 7.
“So I’ve got a ring now,” Seldin says. “And I love married life because I love Jessica.”
A cynic at ringside on Sunday night wondered if Jessica might serve Cletus with a summons and complaint for divorce in the ring after the fight. Not to worry. The couple seems happily married and, after Seldin eked out a majority decision over Solano (now winless in five fights dating back to 2019), Cletus and Jessica announced in the ring that they’re expecting the birth of their first child.
In the next fight of the evening, Irish heavyweight Thomas Carty (255 pounds) brought a 10-0 (9 KOs) record into the ring to face 409-pound Dajuan Calloway (10-3, 9 KOs, 1 KO by).
Carty-Calloway was a poor match for a prospect. A fighter gets relatively little credit for beating a 400-pound opponent. And the problems posed by a physical confrontation with a 400-pound mountain are considerable.
With fifty seconds left in round two, Carty collapsed to the canvas as Calloway spun him around on the inside. Thomas rose, limping badly on a clearly-injured left knee. And referee Jamil Antoine foolishly allowed the bout to continue.
Carty tried to circle away, fell again. And Antoine – more foolishly – instructed the fighters to fight on. There was a third fall that the referee ruled a knockdown. The bell rang. And then the fight was stopped. It goes in the record book as a knockout at 3:00 of the second round.
Worse for Carty, he now appears to be facing surgery followed by a long rehabilitation. There’s no way to know how much further damage was done to his knee in the forty seconds that he was clearly impaired and under assault by a 409-pound man who was trying to knock him unconscious.
But the night belonged to 23-year-old Callum Walsh.
Walsh is from Cork, Ireland, trains in California with Freddie Roach, and came into the ring with a 12-0 (10 KOs) record.
“He’s a pretty good fighter,” Roach says. “He’s getting better. And he works his ass off in the gym.”
Equally important in an age when social media and hype often supersede a fighter’s accomplishments in the ring as the key to marketability. Walsh has the enthusiastic backing of Dana White.
Callum seems more at ease with the media now than when he fought at Madison Square Garden a year ago. And he has a new look. His hair is shorter and no longer dyed blond.
“It’s a new year, so time for a new look,” Walsh explained. Later, he added, “I don’t want to be a prospect anymore. I want to be a contender. I expected the road to be tough. I’ve never had anything easy in my life. I’ve worked as a fisherman. I’ve worked on a cargo ship. I like this job a lot more. They have big plans for me. But I still have to do my job.”
Sutherland, age 26, was born in Scotland and has lived there his entire life. He came to New York with a 19-1 (7 KOs, 1 KO by) record and, prior to fighting Walsh, noted, “I’m under no illusions. Fighting an Irishman on St. Patrick’s Day in New York; it’s all being built up for him. If it goes to the scorecards, no matter how the fight goes, I’m unlikely to get the decision. But when the bell rings, it will be only me and Callum. I’ve watched his fights. I’ve studied his habits and rhythm. I’ve been through hard fights. He’s untested. This is my big opportunity. I’m not here to be part of Callum’s record.”
Talking is easier than fighting. When the hour of reckoning came, Walsh was faster, stronger, better-skilled, and hit harder than Sutherland. Indeed, Callum was so dominant in the early going that round one had the look of a 10-8 round without a knockdown. Then Sutherland was flattened by a right hook at the 2:45 mark and any thoughts as to scoring became irrelevant.
It was Walsh’s best showing to date, although it’s hard to know the degree to which Sutheralnd’s deficiencies contributed to that showing. What’s clear is that Callum is evolving as a fighter. And he’s the kind of fighter who fits nicely with the concept that Turki Alalshikh and Dana White have voiced for a new boxing promotional company. Whether they’ll be willing to put Walsh in tough is an open issue. UFC puts its fighters in tough.
****
There was a void at ringside on Sunday night. After more than four decades on the job, George Ward is no longer with the New York State Athletic Commission.
Ward was the model of what a commission inspector should be. I watched him in the corner and in dressing rooms countless times over the years. A handful of inspectors were as good as he was. Nobody was better. Later, as a deputy commissioner, he performed the thankless back-of-the-house administrative duties on fight night while other deputy commissioners were enjoying the scene at ringside.
George and Robert Orlando (who, like George, is a former New York City corrections officer) also normally presided over pre-fight weigh-ins. That’s worth mentioning here because it ties to one of the more unfortunate incidents that occurred during the tenure of former NYSAC executive director Kim Sumbler.
On November 1, 2019, Kelvin Gastelum weighed in for a UFC 244 match against Darren Till to be contested at Madison Square Garden. The contract weight for the fight was 186 pounds. It was known throughout the MMA community that Gastelum had been having trouble making weight. Before stepping on the scale, he stripped down completely naked and a towel was lifted in front of him to shield his genitals from public view. Then, to everyone’s surprise, his weight was announced as 184 pounds (two pounds under the contract weight).
How did Gastelum make weight? Video of the weigh-in showed him resting his elbow on his coach as he stood on the scale.
Why am I mentioning this now?
Ward and Orlando know all the tricks. While they were readying for the Gastelum-Till weigh-in, Sumbler told them that they were being replaced on the scales by two other commission employees who had been brought to New York City from upstate. They asked why and were told, “Because I said so.”
George Ward was one of the behind-the-scenes people who make boxing work. He’ll be missed.
****
Six years ago, Gene Pantalone wrote a traditional biography of former world lightweight champion Lew Jenkins. Now he has written – shall we say – a creative biography of lightweight great Freddie Welsh.
Welsh was born in Wales in 1886 but spent most of his ring career in the United States. He captured the lightweight crown by decision over Willie Ritchie in 1914 and relinquished it to Benny Leonard three years later. BocRec.com credits him with a 74-5-7 (34 KOs) ring record in bouts that are verified and were officially scored. If “newspaper decisions” are added to the mix, the numbers rise to 121 wins, 29 losses, and 17 draws. Many of the losses came when Welsh was long past his prime. He’s on the short list of boxing’s greatest fighters. The only knock out he suffered was when he lost the title to Leonard.
Chasing The Great Gatsby is styled as a biography of Welsh and also an advocacy brief in support of the proposition that Welsh was the inspiration and model for the title character in F. Scott Fitzgerald’s seminal novel The Great Gatsby. I’m unsure how factually accurate Pantalone’s work is in some places. Also, too often, he uses big words when small ones will suffice. For example:
“He was a pugilistic virtuoso, a pummeling poet with fists of fury and a keen intellect. His duality was evident in every aspect of his being, an amalgamation of the vicious and the benevolent.”
Over the course of 349 pages, that weighs a reader down.
Still, there are some interesting observations and nuggets of information to be mined in Chasing The Great Gatsby. Among my favorites are Pantalone’s description of Jack Dempsey training for his historic 1921 fight against George Carpentier at a “health farm” that Welsh owned in New Jersey; Pantelone’s description of how the stadium that hosted Dempsey-Carpentier was built; and Pantalone’s evaluation of the fight itself, which he calls “a spectacle of titanic proportions,” before adding,” The truth was inescapable. The fight had not lived up to its grandeur, but the event did.”
****
Several of the books that Robert Lipsyte has written during his storied career as a journalist focus on boxing; most notably, Free to Be Muhammad Ali and The Contender (a young adult novel). Lipsyte’s most recent book – Rhino’s Run (published by Harper) – is a young adult novel keyed to high school football, not the sweet science. But the opening sentence bears repeating:
“Punching Josh Kremens didn’t feel as good as I thought it would, and I’d been thinking about it for five years.”
Be honest! Don’t you want to read more?
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and ME is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Jaron ‘Boots’ Ennis Wins Welterweight Showdown in Atlantic City

In the showdown between undefeated welterweight champions Jaron “Boots Ennis walked away with the victory by technical knockout over Eamantis Stanionis and the WBA and IBF titles on Saturday.
No doubt. Ennis was the superior fighter.
“He’s a great fighter. He’s a good guy,” said Ennis.
Philadelphia’s Ennis (34-0, 30 KOs) faced Lithuania’s Stanionis (15-1, 10 KOs) at demonstrated an overpowering southpaw and orthodox attack in front of a sold-out crowd at Boardwalk Hall in Atlantic City, New Jersey.
It might have been confusing but whether he was in a southpaw stance or not Ennis busted the body with power shots and jabbed away in a withering pace in the first two rounds.
Stanionis looked surprised when his counter shots seemed impotent.
In the third round the Lithuanian fighter who trains at the Wild Card Gym in Hollywood, began using a rocket jab to gain some semblance of control. Then he launched lead rights to the jaw of Ennis. Though Stanionis connected solidly, the Philly fighter was still standing and seemingly unfazed by the blows.
That was a bad sign for Stanionis.
Ennis returned to his lightning jabs and blows to the body and Stanionis continued his marauding style like a Sherman Tank looking to eventually run over his foe. He just couldn’t muster enough firepower.
In the fifth round Stanionis opened up with a powerful body attack and seemed to have Ennis in retreat. But the Philadelphia fighter opened up with a speedy combination that ended with blood dripping from the nose of Stanionis.
It was not looking optimistic for the Lithuanian fighter who had never lost.
Stanionis opened up the sixth round with a three-punch combination and Ennis met him with a combination of his own. Stanionis was suddenly in retreat and Ennis chased him like a leopard pouncing on prey. A lightning five-punch combination that included four consecutive uppercuts delivered Stanionis to the floor for the count. He got up and survived the rest of the round.
After returning shakily to his corner, the trainer whispered to him and then told the referee that they had surrendered.
Ennis jumped in happiness and now holds the WBA and IBF welterweight titles.
“I felt like I was getting in my groove. I had a dream I got a stoppage just like this,” said Ennis.
Stanionis looked like he could continue, but perhaps it was a wise move by his trainer. The Lithuanian fighter’s wife is expecting their first child at any moment.
Meanwhile, Ennis finally proved the expectations of greatness by experts. It was a thorough display of superiority over a very good champion.
“The biggest part was being myself and having a live body in front of me,” said Ennis. “I’m just getting started.”
Matchroom Boxing promoter Eddie Hearn was jubilant over the performance of the Philadelphia fighter.
“What a wonderful humble man. This is one of the finest fighters today. By far the best fighter in the division,” said Hearn. “You are witnessing true greatness.”
Other Bouts
Former featherweight world champion Raymond Ford (17-1-1, 8 KOs) showed that moving up in weight would not be a problem even against the rugged and taller Thomas Mattice (22-5-1, 17 KOs) in winning by a convincing unanimous decision.
The quicksilver southpaw Ford ravaged Mattice in the first round then basically cruised the remaining nine rounds like a jackhammer set on automatic. Four-punch combinations pummeled Mattice but never put him down.
“He was a smart veteran. He could take a hit,” said Ford.
Still, there was no doubt on who won the super featherweight contest. After 10 rounds all three judges gave Ford every round and scored it 100-90 for the New Jersey fighter who formerly held the WBA featherweight title which was wrested from him by Nick Ball.
Shakhram Giyasov (17-0, 10 KOs) made good on a promise to his departed daughter by knocking out Argentina’s Franco Ocampo (17-3, 8 KOs) in their welterweight battle.
Giyasov floored Ocampo in the first round with an overhand right but the Argentine fighter was able to recover and fight on for several more rounds.
In the fourth frame, Giyasov launched a lead right to the liver and collapsed Ocampo with the body shot for the count of 10 at 1:57 of the fourth round.
“I had a very hard camp because I lost my daughter,” Giyasov explained. “I promised I would be world champion.”
In his second pro fight Omari Jones (2-0) needed only seconds to disable William Jackson (13-6-2) with a counter right to the body for a knockout win. The former Olympic medalist was looking for rounds but reacted to his opponent’s actions.
“He was a veteran he came out strong,” said Jones who won a bronze medal in the 2024 Paris Olympics. “But I just stayed tight and I looked for the shot and I landed it.”
After a feint, Jackson attacked and was countered by a right to the rib cage and down he went for the count at 1:40 of the first round in the welterweight contest.
Photo credit: Matchroom
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Boxing Notes and Nuggets from Thomas Hauser

Jack Dillon’s name doesn’t resonate with boxing fans today. But he was important in his time.
Ernest Coulter Price was born in 1891 and turned pro at age seventeen. According to legend, when asked his name by the referee before his first fight, he answered “Sidney Dillon” (the name of a racehorse in a stable where he’d worked). The referee misunderstood him, announced him as “Jack Dillon,” and Jack Dillon was his fighting name from then on.
Dillon stood a shade over 5 feet 7 inches tall. He earned renown as a small light-heavyweight, was known as “Jack the Giant Killer,” and compiled a 94-9-16 (65 KOs, 2 KOs by) ring record not counting an estimated 125 “newspaper decisions.” He defeated Battling Levinsky in 1914 to claim the world 175-pound championship and lost the title to Levinsky two years later. He fought Levinsky ten times, winning six with two losses and two draws.
Dillon was always willing to go in tough. But he fought too long, got hit too often, and drank too much. He died at age 51 in a state psychiatric hospital in Florida.
Jack Dillon by Mark Allen Baker (McFarland & Company) tracks Dillon’s life and ring career from beginning to end. To his credit, Baker has done an enormous amount of research. But his writing style is heavy. He falls short of recreating a long-ago era when boxing captivated America. The character portraits are one-dimensional. And the book reads as though, after studying hundreds if not thousands of newspaper clippings, Baker decided to insert every bit of information he found. There are descriptions of fight after fight after fight after fight after fight after fight. After a while, most of the fights no longer seem to matter.
And when Baker tries to liven things up, he lapses into hyperbole (e.g. writing of Dillon, “From the opening gong, it was clear to every opponent, regardless of size or skill, that they were destined for destruction . . . When he looked up [toward the heavyweight division], there wasn’t a heavyweight alive who didn’t fear for his life.”)
I also had the feeling that, to prove the case for Dillon’s greatness, Baker massages the facts a bit. For example, lobbying for the idea that Dillon was deserving of a shot at heavyweight champion Jess Willard, Baker argues that several fighters had beaten much larger men to claim the heavyweight crown. He then cites James Corbett’s victory over John L. Sullivan (a supposed 35-pound weight differential), Bob Fitzsimmons’s triumph over Corbett (26 pounds), and Tommy Burns over Marvin Hart (45 pounds).
The problem is, those numbers are suspect. Adam Pollack (a leading authority on boxing’s early gloved champions) says that there were no official weigh-ins for heavyweight fights way back when. Weights were sometimes announced by a fighter’s camp in the lead-in to a fight or otherwise shared with the public. But the numbers were often inaccurate.
Both The Ring Record Book and Pollack’s research point to far smaller weight differentials than the numbers put forth by Baker. That’s important because it goes to the issue of scholarship. And yes; when Jack Dempsey brutalized Jess Willard, he was outweighed by at least fifty pounds. But Jack Dillon was no Jack Dempsey.
Still, even with its flaws, Jack Dillon performs a service in that it brings attention to a forgotten fighter and puts a great deal of information at the fingertips of readers who want to know more about “Jack the Giant Killer.”
* **
Jody Heaps spent three decades as a senior creative director and executive producer for boxing-related projects at Showtime. In recent years, he has redirected his attention to projects of his own. His two most recent efforts are worthy of mention.
One Night in the Many Deaths of Sonny Liston is a 40-minute play that imagines the last night of Liston’s life in December 1970 and his death at the hands of a “statuesque, provocatively-dressed, Las Vegas showgirl in her late-twenties” who visits his home unannounced with a “gift” from Sonny’s mob associates – a small packet of adulterated heroin that by design will kill him.
The writing flows exceptionally well. The play humanizes Liston in a credible way. And the tension builds nicely. But the narrative strains credibility with the plot twist that Liston accepts his death as inevitable and shoots up knowing that the heroin will kill him.
More recently, Heaps has written, directed, and co-produced a ten-minute play titled A Mop of Angels that can be seen in its entirety on YouTube at https://www.youtube.com/watch?v=hImmcG2pivM
Rich O’Brien is wonderful in the role of Spencer Olrich (an aging actor who has been replaced as the star of a successful action-movie franchise) and is now reading a play for minimal pay in a ninety-nine-seat black box theater in the middle of nowhere.
Or is that really who Olrich is?
Two themes – aging and the magic of theatre – are intertwined throughout the narrative. Olrich’s thoughts include:
* “Old age is the most surprising event in a man’s life. And the cruelest. I thought that getting old would take a whole lot longer than it did. And the worst part, you never see it coming until it’s too late.”
* “Nobody knows what happens after we exit this mortal coil. And nobody’s in any hurry to find out. But that fear of the unknown; that’s not the scariest part. You know what is? Being forgotten. You may die when your heart stops beating. But you cease to exist when nobody remembers your name.”
* “This school board contends that theater is a luxury. And you’re right. Theater doesn’t stop wars or end famines or cure deadly diseases. Yet a life without theater would be no life at all. For theater is where we celebrate the joy of our humanity and mourn the pain of our existence; where we pretend to be others only to discover ourselves. To you school board members in your suits and your ties, theater may be a luxury. But for those of us who dream, theater is no more of a luxury than wings are to an angel.”
Theatrical writing is an often-thankless endeavor. But Heaps loves doing it and says, “I’ve gotten better as I keep plugging away at it. At least, I hope I have.”
Does Jody miss boxing?
“Not at all,” he answers. “I always had mixed feelings about boxing. I still enjoy conversations about it from time to time. But do I follow it? No.”
* **
If you’ve been to one final pre-fight press conference, you’ve been to all of them. That’s a slight exaggeration. But the comments do tend to be predictable. Herewith, an example of what you’ll hear from the promoter and main event fighters.
The promoter will speak longer than all of the fighters on the card combined. His opening remarks will be along the lines of:
“I’d like to thank [name of site] for hosting this great event. There’s a saying in boxing that you haven’t fought until you’ve fought at [repeat name of site]. I’d also like to give a shout out to [names of sponsors]. And most importantly, thank you to [insert name of entity or individual funding the fight card]. We have a massive stacked event on tap. This might be the best fight card in the history of [repeat name of site]. [Name of main event A-side fighter] is the fastest-rising star in boxing today. But he’ll be facing a huge challenge when he looks across the ring on [insert date] and sees [name of B-side opponent] standing across from him.”
Toward the end of the proceedings after almost everyone in attendance has lost interest, the B-side fighter in the main event will speak:
“What’s up, everybody. I’d like to thank [name of promoter], [name of network],[my whole team], and God. I had a great training camp. Fighting [name of opponent] at [name of site] is an opportunity I’ve been waiting for my whole life. I’ve been through some things that wasn’t all my fault. But this is a dream come true. It means everything to me. From the time I was a little boy, I dreamed of seeing my face on posters. Not in the post office like my uncle was, but for a fight like this. I’m in the best career of my shape. Or whatever. You know what I mean. I’m looking forward to putting on a show and winning this fight for my fans. [Name of opponent] is a good fighter. I take my hat off to him. But I’m going to shock the world on Saturday night.”
And last, a word from the main event A-side fighter:
“I got nothing to say today. I’m tired of being disrespected by [names of offending entities]. I don’t listen to what people say about me. But what they say about me really pisses me off. You can all suck my [body part of choice].”
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Avila Perspective Chap 320: Boots Ennis and Stanionis

Jaron “Boots Ennis and Eimantis Stanionus are in the wrong era.
If they had fought in the late 70s and early 80s the boxing world would have seen them regularly on televised fight cards.
Instead, with the world’s attention span diluted by thousands of available programming, this richly talented pair of undefeated welterweights Ennis (33-0, 29 Kos) and Stanionis (15-0, 9 Kos) will battle in the smaller confines of Boardwalk Hall in Atlantic City on Saturday April 12.
Thankfully, DAZN will stream the WBA and IBF welterweight world title fight on the Matchroom Boxing card.
If not for DAZN these two elite fighters and the sport of pro boxing might be completely invisible to the sports entertainment world.
These welterweights are special.
Ennis, a lean whip-quick fighter out of Philadelphia, stylistically reminds me of a Tommy Hearns but not as tall or long-armed as the Detroit fighter of the past.
“Win on Saturday and I’m the WBA, IBF and Ring Magazine champion, and then we’ll see what’s next. But I am zoned in on Stanionis,” said Ennis the IBF titlist.
Lithuania’s Stanionis and his pressure style liken to a Marvelous Marvin Hagler who would walk through fire to reach striking distance of a foes chin or abdomen.
“Ennis is slick, explosive, and they say he’s the future of the division. That’s why I signed the contract. I don’t duck anyone—I run toward the fire,” Stanionis said.
When Hagler and Hearns met in Las Vegas on April 1985, their reputations had been built on television with millions watching against common foes like Roberto Duran and Juan Roldan. Both had different styles just like Stanionis and Ennis and both could punch.
One difference was their ability to take a punch.
Hagler had a chin of steel, Hearns did not.
When Ennis and Stanionis meet in the boxing ring this Saturday, each is facing the most dangerous fighter of his career. Whose chin will hold up is the true question?
“This isn’t gonna be a chess match. This is going to be a war,” said Stanionis who holds the WBA title. “I’m stepping into that ring to test him, break him, and beat him. Let’s see how he handles real pressure.”
Ennis just wants to win.
“I’m at the point right now where I don’t care what people say,” said Ennis. “I’m here to do one thing and that’s put hands on you, that’s it.”
Golden Boy in Oceanside, CA
Next week budding star Charles Conway (21-0, 16 Kos) meets Mexico’s Jorge Garcia Perez (32-4, 26 Kos) in the semi-main event at Frontwave Arena in Oceanside, California on Saturday April 19.
The two super welterweights are both ranked in the top 10 and the winner moves up to the elite level of the very stacked super welterweight division.
Conwell, who trains in Cleveland, Ohio, has been one of boxing’s best kept secrets and someone few champions and contenders want to face. Take my word for it, this kid can fight.
On the main event is undisputed female flyweight world champion Gabriela Fundora (15-0, 7 Kos) defending all her titles against Mexico’s Marilyn Badillo (19-0-1, 3 Kos).
Fundora is quickly becoming the most feared champion in boxing.
360 Promotions
Super welter prospect Sadridden Akhmedov (15-0, 13 Kos) meets Elias Espadas (23-6, 16 Kos) in the main event on Saturday April 19, at the Commerce Casino in Commerce, Calif. The 360 Promotions event will be streamed on UFC Fight Pass.
Also, Roxy Verduzco (3-0) meets Jessica Radtke (1-1-1) in a six rounds featherweight battle.
Fights to Watch
Sat. DAZN 5 p.m. Jarron Ennis (33-0) vs Eamantis Stanionis (15-0).
Photo credit: Mark Robinson
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