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Notes and Nuggets from Thomas Hauser: Callum Walsh Returns to Madison Square Garden

On Sunday, March 16 (the night before St. Patrick’s Day), Callum Walsh continued his move up the junior-middleweight ranks with a brutal first-round knockout of Dean Sutherland at the Hulu Theatre at Madison Square Garden. The seven-bout card promoted by Tom Loeffler featured seven Irish boxers. Walsh stole the show but two non-Irish fighters on the undercard caught the eye.
In the third fight of the evening, Cletus Seldin (known as “The Hebrew Hammer) took on Yeis Gabriel Solano. The last time Seldin fought at Madison Square Garden (March 15, 2024), he took the ring announcer’s microphone after a majority-decision win, dropped to one knee, held out a diamond engagement ring, and asked one Jessica Ostrowski to marry him. The future Mrs. Seldin (who was clad in black leather) said yes, and the happy couple paraded around the ring together. They were married on September 7.
“So I’ve got a ring now,” Seldin says. “And I love married life because I love Jessica.”
A cynic at ringside on Sunday night wondered if Jessica might serve Cletus with a summons and complaint for divorce in the ring after the fight. Not to worry. The couple seems happily married and, after Seldin eked out a majority decision over Solano (now winless in five fights dating back to 2019), Cletus and Jessica announced in the ring that they’re expecting the birth of their first child.
In the next fight of the evening, Irish heavyweight Thomas Carty (255 pounds) brought a 10-0 (9 KOs) record into the ring to face 409-pound Dajuan Calloway (10-3, 9 KOs, 1 KO by).
Carty-Calloway was a poor match for a prospect. A fighter gets relatively little credit for beating a 400-pound opponent. And the problems posed by a physical confrontation with a 400-pound mountain are considerable.
With fifty seconds left in round two, Carty collapsed to the canvas as Calloway spun him around on the inside. Thomas rose, limping badly on a clearly-injured left knee. And referee Jamil Antoine foolishly allowed the bout to continue.
Carty tried to circle away, fell again. And Antoine – more foolishly – instructed the fighters to fight on. There was a third fall that the referee ruled a knockdown. The bell rang. And then the fight was stopped. It goes in the record book as a knockout at 3:00 of the second round.
Worse for Carty, he now appears to be facing surgery followed by a long rehabilitation. There’s no way to know how much further damage was done to his knee in the forty seconds that he was clearly impaired and under assault by a 409-pound man who was trying to knock him unconscious.
But the night belonged to 23-year-old Callum Walsh.
Walsh is from Cork, Ireland, trains in California with Freddie Roach, and came into the ring with a 12-0 (10 KOs) record.
“He’s a pretty good fighter,” Roach says. “He’s getting better. And he works his ass off in the gym.”
Equally important in an age when social media and hype often supersede a fighter’s accomplishments in the ring as the key to marketability. Walsh has the enthusiastic backing of Dana White.
Callum seems more at ease with the media now than when he fought at Madison Square Garden a year ago. And he has a new look. His hair is shorter and no longer dyed blond.
“It’s a new year, so time for a new look,” Walsh explained. Later, he added, “I don’t want to be a prospect anymore. I want to be a contender. I expected the road to be tough. I’ve never had anything easy in my life. I’ve worked as a fisherman. I’ve worked on a cargo ship. I like this job a lot more. They have big plans for me. But I still have to do my job.”
Sutherland, age 26, was born in Scotland and has lived there his entire life. He came to New York with a 19-1 (7 KOs, 1 KO by) record and, prior to fighting Walsh, noted, “I’m under no illusions. Fighting an Irishman on St. Patrick’s Day in New York; it’s all being built up for him. If it goes to the scorecards, no matter how the fight goes, I’m unlikely to get the decision. But when the bell rings, it will be only me and Callum. I’ve watched his fights. I’ve studied his habits and rhythm. I’ve been through hard fights. He’s untested. This is my big opportunity. I’m not here to be part of Callum’s record.”
Talking is easier than fighting. When the hour of reckoning came, Walsh was faster, stronger, better-skilled, and hit harder than Sutherland. Indeed, Callum was so dominant in the early going that round one had the look of a 10-8 round without a knockdown. Then Sutherland was flattened by a right hook at the 2:45 mark and any thoughts as to scoring became irrelevant.
It was Walsh’s best showing to date, although it’s hard to know the degree to which Sutheralnd’s deficiencies contributed to that showing. What’s clear is that Callum is evolving as a fighter. And he’s the kind of fighter who fits nicely with the concept that Turki Alalshikh and Dana White have voiced for a new boxing promotional company. Whether they’ll be willing to put Walsh in tough is an open issue. UFC puts its fighters in tough.
****
There was a void at ringside on Sunday night. After more than four decades on the job, George Ward is no longer with the New York State Athletic Commission.
Ward was the model of what a commission inspector should be. I watched him in the corner and in dressing rooms countless times over the years. A handful of inspectors were as good as he was. Nobody was better. Later, as a deputy commissioner, he performed the thankless back-of-the-house administrative duties on fight night while other deputy commissioners were enjoying the scene at ringside.
George and Robert Orlando (who, like George, is a former New York City corrections officer) also normally presided over pre-fight weigh-ins. That’s worth mentioning here because it ties to one of the more unfortunate incidents that occurred during the tenure of former NYSAC executive director Kim Sumbler.
On November 1, 2019, Kelvin Gastelum weighed in for a UFC 244 match against Darren Till to be contested at Madison Square Garden. The contract weight for the fight was 186 pounds. It was known throughout the MMA community that Gastelum had been having trouble making weight. Before stepping on the scale, he stripped down completely naked and a towel was lifted in front of him to shield his genitals from public view. Then, to everyone’s surprise, his weight was announced as 184 pounds (two pounds under the contract weight).
How did Gastelum make weight? Video of the weigh-in showed him resting his elbow on his coach as he stood on the scale.
Why am I mentioning this now?
Ward and Orlando know all the tricks. While they were readying for the Gastelum-Till weigh-in, Sumbler told them that they were being replaced on the scales by two other commission employees who had been brought to New York City from upstate. They asked why and were told, “Because I said so.”
George Ward was one of the behind-the-scenes people who make boxing work. He’ll be missed.
****
Six years ago, Gene Pantalone wrote a traditional biography of former world lightweight champion Lew Jenkins. Now he has written – shall we say – a creative biography of lightweight great Freddie Welsh.
Welsh was born in Wales in 1886 but spent most of his ring career in the United States. He captured the lightweight crown by decision over Willie Ritchie in 1914 and relinquished it to Benny Leonard three years later. BocRec.com credits him with a 74-5-7 (34 KOs) ring record in bouts that are verified and were officially scored. If “newspaper decisions” are added to the mix, the numbers rise to 121 wins, 29 losses, and 17 draws. Many of the losses came when Welsh was long past his prime. He’s on the short list of boxing’s greatest fighters. The only knock out he suffered was when he lost the title to Leonard.
Chasing The Great Gatsby is styled as a biography of Welsh and also an advocacy brief in support of the proposition that Welsh was the inspiration and model for the title character in F. Scott Fitzgerald’s seminal novel The Great Gatsby. I’m unsure how factually accurate Pantalone’s work is in some places. Also, too often, he uses big words when small ones will suffice. For example:
“He was a pugilistic virtuoso, a pummeling poet with fists of fury and a keen intellect. His duality was evident in every aspect of his being, an amalgamation of the vicious and the benevolent.”
Over the course of 349 pages, that weighs a reader down.
Still, there are some interesting observations and nuggets of information to be mined in Chasing The Great Gatsby. Among my favorites are Pantalone’s description of Jack Dempsey training for his historic 1921 fight against George Carpentier at a “health farm” that Welsh owned in New Jersey; Pantelone’s description of how the stadium that hosted Dempsey-Carpentier was built; and Pantalone’s evaluation of the fight itself, which he calls “a spectacle of titanic proportions,” before adding,” The truth was inescapable. The fight had not lived up to its grandeur, but the event did.”
****
Several of the books that Robert Lipsyte has written during his storied career as a journalist focus on boxing; most notably, Free to Be Muhammad Ali and The Contender (a young adult novel). Lipsyte’s most recent book – Rhino’s Run (published by Harper) – is a young adult novel keyed to high school football, not the sweet science. But the opening sentence bears repeating:
“Punching Josh Kremens didn’t feel as good as I thought it would, and I’d been thinking about it for five years.”
Be honest! Don’t you want to read more?
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and ME is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Floyd Mayweather has Another Phenom and his name is Curmel Moton

In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.
Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”
Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.
Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.
The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.
It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.
Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.
Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.
When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.
Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”
Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.
Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.
Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.
Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.
It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.
Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.
For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”
It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.
Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.
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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.
The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.
In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.
The following papers were represented at the inaugural boxing writers’ dinner:
New York Times
New York News
New York World
New York Sun
New York Journal
New York Post
New York Mirror
New York Telegram
New York Graphic
New York Herald Tribune
Brooklyn Eagle
Brooklyn Times
Brooklyn Standard Union
Brooklyn Citizen
Bronx Home News
This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.
Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.
The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.
Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)
Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.
Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.
There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.
In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.
There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.
The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.
Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.
The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.
The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.
Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.
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Gabriela Fundora KOs Marilyn Badillo and Perez Upsets Conwell in Oceanside

It was just a numbers game for Gabriela Fundora and despite Mexico’s Marilyn Badillo’s elusive tactics it took the champion one punch to end the fight and retain her undisputed flyweight world title by knockout on Saturday.
Will it be her last flyweight defense?
Though Fundora (16-0, 8 KOs) fired dozens of misses, a single punch found Badillo (19-1-1, 3 KOs) and ended her undefeated career and first attempt at a world title at the Frontwave Arena in Oceanside, California.
Fundora, however, proves unbeatable at flyweight.
The champion entered the arena as the headliner for the Golden Boy Promotion show and stepped through the ropes with every physical advantage possible, including power.
Mexico’s Badillo was a midget compared to Fundora but proved to be as elusive as a butterfly in a menagerie for the first six rounds. As the six-inch taller Fundora connected on one punch for every dozen thrown, that single punch was a deadly reminder.
Badillo tried ducking low and slipping to the left while countering with slashing uppercuts, she found little success. She did find the body a solid target but the blows proved to be useless. And when Badillo clinched, that proved more erroneous as Fundora belted her rapidly during the tie-ups.
“She was kind of doing her ducking thing,” said Fundora describing Badillo’s defensive tactics. “I just put the pressure on. It was just like a train. We didn’t give her that break.”
The Mexican fighter tried valiantly with various maneuvers. None proved even slightly successful. Fundora remained poised and under control as she stalked the challenger.
In the seventh round Badillo seemed to take a stand and try to slug it out with Fundora. She quickly was lit up by rapid left crosses and down she went at 1:44 of the seventh round. The Mexican fighter’s corner wisely waved off the fight and referee Rudy Barragan stopped the fight and held the dazed Badillo upright.
Once again Fundora remained champion by knockout. The only question now is will she move up to super flyweight or bantamweight to challenge the bigger girls.
Perez Beats Conwell.
Mexico’s Jorge “Chino” Perez (33-4, 26 KOs) upset Charles Conwell (21-1, 15 KOs) to win by split decision after 12 rounds in their super welterweight showdown.
It was a match that paired two hard-hitting fighters whose ledgers brimmed with knockouts, but neither was able to score a knockdown against each other.
Neither fighter moved backward. It was full steam ahead with Conwell proving successful to the body and head with left hooks and Perez connecting with rights to the head and body. It was difficult to differentiate the winner.
Though Conwell seemed to be the superior defensive fighter and more accurate, two judges preferred Perez’s busier style. They gave the fight to Perez by 115-113 scores with the dissenter favoring Conwell by the same margin.
It was Conwell’s first pro loss. Maybe it will open doors for more opportunities.
Other Bouts
Tristan Kalkreuth (15-1) managed to pass a serious heat check by unanimous decision against former contender Felix Valera (24-8) after a 10-round back-and-forth heavyweight fight.
It was very close.
Kalkreuth is one of those fighters that possess all the physical tools including youth and size but never seems to be able to show it. Once again he edged past another foe but at least this time he faced an experienced fighter in Valera.
Valera had his moments especially in the middle of the 10-round fight but slowed down during the last three rounds.
One major asset for Kalkreuth was his chin. He got caught but still motored past the clever Valera. After 10 rounds two judges saw it 99-91 and one other judge 97-93 all for Kalkreuth.
Highly-rated prospect Ruslan Abdullaev (2-0) blasted past dangerous Jino Rodrigo (13- 5-2) in an eight round super lightweight fight. He nearly stopped the very tough Rodrigo in the last two rounds and won by unanimous decision.
Abdullaev is trained by Joel and Antonio Diaz in Indio.
Bakersfield prospect Joel Iriarte (7-0, 7 KOs) needed only 1:44 to knock out Puerto Rico’s Marcos Jimenez (25-12) in a welterweight bout.
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