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A Look Back at Mayweather-Alvarez: Part One

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Now that the dust has settled and there has been time for reflection, it’s worth taking a look back at the boxing event of 2013: the much-hyped, enormously successful promotion known as “The One.”

Budd Schulberg once wrote, “I’ve always thought of boxing, not as a mirror but as a magnifying glass of our society.”

That certainly was true of the September 14th fight between Floyd Mayweather and Saul “Canelo” Alvarez at the MGM Grand in Las Vegas.

Boxing’s first million-dollar gate was $1,789,238 for the fight between Jack Dempsey and Georges Carpentier on July 2, 1921, at Boyle’s 30 Acres in New Jersey. Adjusted for inflation, that number, according to Bureau of Labor Statistics, is equivalent to $23,377,744 in today’s dollars.

Mayweather-Alvarez came close. The official gate was $20,003,150, which exceeded the previous mark of $18,419,200 set by the May 5, 2007, encounter between Mayweather and Oscar De La Hoya.

The best guess at present is that Mayweather-Alvarez generated 2,200,000 pay-per-view buys in the United States. That would place it second behind De La Hoya vs. Mayweather, which generated 2.45 million buys for a total of $136,000,000 ($153,400,000 in today’s dollars). When all the numbers are in, that $153,400,000 figure is likely to be exceeded by Mayweather-Alvarez.

Mayweather was guaranteed a minimum purse of $41,500,000 to fight Alvarez. That’s more than the entire 2013 player payroll for either the Miami Marlins ($36,341,900) or Houston Astros ($22,062,600). And Floyd’s take is expected to rise significantly once all the pay-per-view buys and other revenue streams are counted.

So let’s take a look at the good and the bad, the fantasy and the reality of Floyd “Money” Mayweather.

It’s starts with Mayweather’s skill as a fighter.

Mayweather seeks to control every aspect of his life. Thus, it’s ironic that his chosen sport is boxing. In baseball, everyone waits for the pitcher. A golfer does what he can do with the laws of physics as his only adversary. Boxing is the hardest sport in the world for an athlete to control.

Over the course of twelve rounds, Mayweather controls the confines of a boxing ring as few men ever have.

The most admirable thing about Floyd is his work ethic and dedication to his craft.

Years ago, Luis Cortes wrote, “A majority of upsets occur when the more naturally-talented fighter forgets that boxing is not just about talent.”

Mayweather doesn’t forget. He gives one hundred percent in preparing for a fight every time out.

“I’m a perfectionist,” Floyd says. “No one works harder than I do. I worked my ass off to get to where I am now. Nobody is perfect, but I strive to be perfect.”

Heywood Broun once wrote of Benny Leonard, “No performer in any art has ever been more correct. His jab could stand without revision in any textbook. The manner in which he feints, ducks, sidesteps, and hooks is unimpeachable. He is always ready to hit with either hand.”

The same can be said of Mayweather. He and Bernard Hopkins have two of the highest “boxing IQs” in the business. Like Hopkins, Floyd shuts down his opponent, taking away what the opponent does best.

“Floyd has man strength and he knows how to use it,” Hopkins says.

When Mayweather is stunned (the last time it appeared to have happened was in round two against Shane Mosley three years ago), he holds on like the seasoned pro that he is. What’s more instructive is what Floyd does when he’s hit solidly but is fully compos mentis. His instinct is to fire back hard rather than let an opponent build confidence.

“Floyd does all things necessary to win a fight,” Mosley notes.

That includes fighting rough and pushing the rules up to, and sometimes beyond, their boundary if the referee allows him to do so.

Against Mosley, Mayweather pushed down hard on the back of Shane’s head and neck as an offensive maneuver seventeen times and used a forearm-elbow to the neck aggressively twenty-three times.

“Winning is the key to everything,” says Leonard Ellerbe (CEO of Mayweather Promotions). “As long as Floyd keeps winning, there’s no limit to the things he can accomplish.”

Mayweather keeps winning. His split-decision victory over Oscar De La Hoya is the only time that a fight went to the scorecards and a judge had Floyd behind. Tom Kaczmarek scored that bout 115-113 for Oscar.

Floyd walks through life with a swagger. He flaunts his lifestyle and wealth. First HBO, and now Showtime, have put tens of millions of dollars worth of time and money into cultivating the Mayweather image. Floyd, for his part, has created and nurtured the “Money Mayweather” persona. “You can’t be a 35-year-old man calling yourself ‘Pretty Boy’,” he said last year, explaining the change in his sobriquet.

When Mayweather speaks of his “loved ones,” one gets the feeling that Floyd holds down the top three or four spots on the list. He lives in ostentatious luxury (a 22,500-square-foot primary residence in Las Vegas and a 12,000-square-foot home in Miami) surrounded by beautiful women and devoted followers who adore him. The money that he puts in their pockets, we’re told, has no bearing on their affection.

Tim Keown has tracked Floyd on two occasions for ESPN: The Magazine and reported, “This is a man who wears his boxer shorts once before throwing them out. This is a man who keeps his head shaved, yet travels on a private jet with his personal barber; who has two sets of nearly identical ultra-luxury cars color-coded by mansion – white in Las Vegas, black in Miami [“roughly two dozen” Rolls Royces, Lamborghinis, Bentleys, Ferraris, Bugattis, and Mercedes].

“Along with gaudy possessions and unlimited subservience comes something far more vital,” Keown continues. “Self-justification. It’s wealth as affirmation. A case filled with more than $5,000,000 in watches is not a mere collection. It is a statement.”

Keown further reported that, on a recent shopping trip to New York, Mayweather spent “close a quarter of a million dollars on earrings and a necklace for his 13-year-old daughter, Iyanna.”

One might question how a gift of that magnitude affects a young adolescent’s values.

Meanwhile, tweets regarding Mayweather’s gambling winnings (he regularly wagers six figures on a single basketball or football game) read like reports of Korean dictator Kim Jong-il’s maiden golf outing, when the Korean state media reported eleven holes-in-one en route to a final score of 38 under par.

Sports Illustrated reported in its March 12, 2012, issue that Mayweather had lost a $990,000 wager on the March 3rd basketball game between Duke and North Carolina. Floyd didn’t tweet that.

Working for Mayweather means being available twenty-four-seven. When Floyd says “jump,” his employees ask “how high?”

“They have to be ready to get up and go at four o’clock in the morning,” Floyd says. “If I call and say ‘I need you now,’ I don’t mean in an hour. I mean now.”

Keown confirms that notion, writing, “His security crew routinely receives calls at two or three a.m. to accompany the nocturnal Mayweather to a local athletic club for weights and basketball. On this day, his regular workout finished, the champ tells one of his helpers to beckon two women from his entourage into his locker room. As he showers, he calls for one of them, a tall, dark-haired woman named Jamie, to soap his back while he continues to carry on an animated conversation with five or six men in the room.”

That leads to another issue. The subservience of women in Mayweather’s world and his treatment of them.

Floyd likes pretty women. No harm in that. He’s on shakier ground when he says, “Beauty is only skin deep. An ugly m——-r made that up.” In late-September 2012, it was reported that Floyd spent $50,000 at a strip club called Diamonds in Atlanta. That’s a lot of money,

More seriously, over the years, Mayweather has had significant issues with women and the criminal justice system. In 2002, he pled guilty to two counts of domestic violence. In 2004, he was found guilty on two counts of misdemeanor battery for assaulting two women in a Las Vegas nightclub. Other incidents were disposed of more quietly.

Then, on December 21, 2011, a Las Vegas judge sentenced Mayweather to ninety days in jail after he pleaded guilty to a reduced battery domestic violence charge and no contest to two harassment charges in conjunction with an assault against Josie Harris (the mother of three of his children). Floyd was also ordered to attend a one-year domestic-violence counseling program and perform one hundred hours of community service.

Was Mayweather chastened by that experience? Did he become more aware of his obligations as a member of society and the responsibilities that come with fame?

Apparently not.

“Martin Luther King went to jail,” Mayweather told Michael Eric Dyson on an HBO program entitled Floyd Mayweather: Speaking Out. “Malcolm X went to jail. Am I guilty? Absolutely not. I took a plea. Sometimes they put us in a no-win situation to where you don’t have no choice but to take a plea. I didn’t want to bring my children to court.”

That theme was echoed by Leonard Ellerbe, who declared on an episode of 24/7, “All you can do is respect the man for not wanting to put his kids through a difficult process. Things are not always what they seem. I have the advantage of actually knowing what the facts are in this particular case. The public doesn’t have this information. I know that he stepped up and did what was needed to do to protect his family.”

Did Mayweather go to jail to protect his children from having to testify at trial? Or did he go to jail to avoid a longer prison term and protect himself from the public spectacle of his children telling the world what they saw?

Either way, Floyd did his children no favors by claiming on national television that they were the reason he went to jail. The children know what they saw on the night that Floyd had an altercation with their mother. If he was taking a bullet for his kids, he should have done so quietly without exposing them to further public spectacle and the taunts of other children telling them in the playground, “You’re the reason your father went to jail.”

One might also ask why Dyson (a professor of sociology at Georgetown University) didn’t confront Mayweather with the fact that Floyd’s confrontation with Josie Harris wasn’t an isolated incident; that there were two previous convictions on his record for physically abusing women.

As for Josie Harris; she was so troubled by Floyd’s denials after his plea of “no contest” to physically assaulting her in front of their children that, in April of this year, she broke a self-imposed silence and told Martin Harris of Yahoo Sports, “Did he beat me to a pulp? No. But I had bruises on my body and contusions and [a] concussion because the hits were to the back of my head.”

Somewhere in the United States tonight, a young man who thinks that Floyd Mayweather is a role model will beat up a woman. Maybe she’ll walk away with nothing more than bruises and emotional scars. Maybe he’ll kill her.

That’s the downside to uncritical glorification of Floyd Mayweather.

Also, as great a fighter as Mayweather is, there’s one flaw on his resume. He has consistently avoided the best available opposition.

A fighter doesn’t have to be bloodied and knocked down and come off the canvas to prove his greatness. A fighter can also prove that he has the heart of a legendary champion by testing himself against the best available competition.

Mayweather has done neither.

Floyd said earlier this month, “I push myself to the limit by fighting the best.”

That has all the sincerity of posturing by a political candidate.

Mayweather has some outstanding victories on his ring record. But his career has been marked by the avoidance of tough opponents in their prime.

There always seems to be someone who Mayweather is ducking. The most notable example was his several-year avoidance of Manny Pacquiao. Bob Arum (Pacquiao’s promoter) might not have wanted the fight. But Manny clearly did. And it appeared as though Floyd didn’t.

Mayweather also steered clear of Paul Williams, Antonio Margarito, and Miguel Cotto in their prime. He waited to fight Cotto until Miguel (like Shane Mosley) was a shell of his former self. Then Floyd made a show of saying that he’d fight Cotto at 154 pounds so Miguel would be at his best. But when Sergio Martinez offered to come down to 154, Floyd said that he’d only fight Martinez at 150 (an impossible weight for Sergio to make).

Thus, Frank Lotierzo writes, “Mayweather has picked his spots in one way or another throughout his career. Floyd got over big time on Juan Manuel Marquez with his weigh-in trickery at the last moment. He fought Oscar De La Hoya and barely won when Oscar was a corpse. Shane Mosley was an empty package when he finally fought him seven years after the fight truly meant anything. As terrific as Mayweather is, he’s not the Bible of boxing the way he projects himself as being. He came along when there were some other outstanding fighters at or near his weight. Yet, aside from the late Diego Corrales, he has never met any of them when the fight would have confirmed his greatness. It would be great to write about Mayweather and laud all that he has accomplished as a fighter without bringing up these inconvenient facts. But it can’t be done if you’re being intellectually honest.”

“Mayweather,” Lotierzo continues, “wouldn’t be the face of boxing today if there was an Ali, Leonard, De La Hoya, or Tyson around. But they’re long gone. Give him credit for being able to make a safety-first counter-puncher who avoided the only fight fans wanted him to deliver [into] the face of what once was the greatest sport in the world.”

Three days prior to Mayweather-Alvarez, Floyd responded to those who have criticized his choice of ring adversaries: “If they say Mayweather has handpicked his opponents; well, then my team has done a f—–g good job.”

Mayweather has a following; those who like him and those who don’t. But whatever side of the fence one is on, it’s clear that Floyd has tapped into something.

“This is a business,” Mayweather says of boxing.

Team Mayweather has played the business game brilliantly. Give manager Al Haymon and the rest of The Money Team credit for maximizing Floyd’s income, making the pie bigger and getting him a larger percentage of it. Through their efforts, Mayweather has become the epitome of what modern fighters strive to be. He has the ability to attract any opponent, determine when they fight, and enjoys the upper hand in any negotiation.

“His ability not only to understand but to capitalize on his value is unrivaled in the sport,” Tim Keown writes. Then Keown references Mayweather’s “singular brand of narcissism, ego and greed,” and notes, “It helps to exhibit an unapologetic brazenness that incites allegiance and disgust in equal measure. Indifference, as any promoter will attest, is hell on sales.”

“Love him or hate him,” Leonard Ellerbe adds, “he’s the bank vault. Love him or hate him, he’s going to make the bank drop.”

Mayweather’s box-office appeal is consistent with other trends in contemporary American culture.

Charles Jay has mused, “There is a constituency that is very attracted to the Mayweather persona. Maybe there is an overlap between that constituency and the one that enjoys the antics of Charlie Sheen.”

Carlos Acevedo opines that Floyd has led “a charmed life inside the ring if a rather charmless one outside it,” and posits, “Being nasty in public under the guise of entertainment is now as American as baseball and serial killers.”

More tellingly, Acevedo argued last year, “Mayweather generates a disproportionate amount of media coverage. Never mind the fact that probably somewhere around six million people in the U.S. saw Mayweather bushwhack Victor Ortiz [and roughly ten million saw him defeat Miguel Cotto]. Compare that, say, to the night Ken Norton faced Duane Bobick on NBC in 1977. That fight, aired on a Wednesday evening in prime-time, earned a 42% audience share, and was estimated to have been viewed by 48 million people. If we want to pretend that more than a few million people care about ‘Money,’ we have to keep listening to penny-click addicts and websites obsessed with celebrity cellulite and tanorexia.”

According to Nevada State Athletic Commission records, all five of Mayweather’s fights between the start of 2009 and mid-2013 (against Juan Manuel Marquez, Shane Mosley, Victor Ortiz, Miguel Cotto, and Robert Guerrero) were contested in front of empty seats. Even with 1,459 complimentary tickets being given away, there were 139 empty seats for Mayweather-Guerrero. More troubling were credible reports that Mayweather-Guerrero registered only 850,000 pay-per-view buys. That’s a healthy number for most fights. But not for a Mayweather fight. And not for Showtime, which had spirited Mayweather away from HBO and entered into a six-fight contract with the fighter that guaranteed him $32,000,000 per fight against the revenue from domestic pay-per-view buys.

Showtime had heavily promoted Mayweather-Guerrero with documentaries, a reality-TV series, an appearance by Floyd at the NCAA men’s basketball Final Four, and numerous promotional spots on CBS Sports television and CBS Sports Radio. Factoring in the cost of production and other outlays, there were estimates that the network had lost between five and ten million dollars on Mayweather-Guerrero. That might have been justified as a “loss leader” to bring Mayweather into the Showtime fold. But it couldn’t be repeated in Floyd’s next fight without speculation that corporate heads would roll.

Mayweather’s fights have been promoted in recent years by Golden Boy, which now has a strategic alliance with Showtime and Al Haymon. The idea that Golden Boy Promotions would crumble once Oscar De La Hoya stopped fighting is now an outdated fantasy. CEO Richard Schaefer has played the promotional game masterfully.

But Golden Boy has little control over Mayweather. According to Leonard Ellerbe, Mayweather Promotions pays Golden Boy to handle logistics on a per-fight basis. “If you run a construction company,” Ellerbe says, “you have to hire someone to pour the cement.”

Schaefer confirms that Golden Boy presents The Money Team with a budget for each fight that includes projected revenue streams and costs (for example, fighter purses, marketing, travel, arena set-up, and its promotional fee).

Showtime could have been forgiven for thinking that guaranteeing Mayweather $32,000,000 a fight for six fights would have entitled it to the most marketable Mayweather fights possible. But there was no such assurance.

After Mayweather beat Guerrero, word spread that the frontrunner in the sweepstakes to become Floyd’s next opponent was Devon Alexander. That raised the likelihood of another sub-one-million-buy Mayweather outing and the loss to the network of another five-to-ten million dollars.

There was little point in Showtime appealing to Mayweather to upgrade the commercial viability of his opponent on grounds that Floyd is a team player. Floyd is a team player as long as it’s Team Mayweather. Thus, Showtime rolled the dice and increased Mayweather’s contractual guarantee to $41,500,000 to entice him to fight Saul “Canelo” Alvarez.

If boxing fans in America have a love-hate relationship with Mayweather, Mexican fans have a love-love relationship with Alvarez. Canelo’s resume is a bit thin. But Mayweather vs. Alvarez on Mexican Independence Day weekend was sure to sell out the MGM Grand Garden Arena and generate a massive number of pay-per-view buys.

Alvarez agreed to a financial guarantee believed to be in the neighborhood of $12,500,000. His purse as reported to the Nevada State Athletic Commission was $5,000,000. But that didn’t include the grant of Mexican television rights and other financial incentives.

The thorniest issue in negotiating the fight contracts was the issue of weight. Mayweather has filled out over the years. He’s now a full-fledged welterweight. But Alvarez fights at 154 pounds.

On May 29th, it was announced that the two men had signed to fight at a catchweight of 152 pounds. Schaefer said that there was a seven-figure penalty should either fighter fail to make weight.

Thereafter, Ellerbe stated publicly that the Alvarez camp had begun the negotiations with an offer to fight at a catchweight and declared, “His management is inept. We take advantage of those kinds of things. They suggested it. Why would we say no and do something different. They put him at a disadvantage, his management did. It wasn’t that Floyd asked for a catchweight because, absolutely, that did not happen. Floyd would have fought him regardless. His management put that out there. So if you have an idiot manager, that’s what it is.”

The Alvarez camp responded by saying that Ellerbe was lying.

“Why would I give up weight?” Canelo asked rhetorically. “I’m the 154-pound champion. When the negotiations started, they wanted me to go down to 147, then 150, then 151, finally 152. I said I’d do it to make the fight. But it’s not right that they’re lying about it. I don’t want to fight two pounds below the weight class, but it was the only way I could get the fight.”

“Being the A-side is about having leverage,” Ellerbe fired back. “We’re always going to put every opponent at a disadvantage if we can.”

Part Two of “A Look Back at Mayweather-Alvarez” will be posted on The Sweet Science tomorrow.

Thomas Hauser can be reached by email at thauser@rcn.com. His most recent book (Straight Writes and Jabs: An Inside Look at Another Year in Boxing) has just been published by the University of Arkansas Press.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Avila Perspective, Chap. 311: Jim Lampley Adds Class to the Benavidez-Morrell Rumble

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Avila Perspective, Chap. 311: Jim Lampley Adds Class to the Benavidez-Morrell Rumble

Boxing is the oldest sport.

For at least the last 100 years or so, a person with a microphone sitting ringside as an observer has spewed details in machine gun fashion to a radio or television audience of hand-to-hand combat taking place in a boxing ring.

There have been many excellent orators of the sweet science, too many to name, but one who stands out is Jim Lampley. He is the Cicero of boxing journalism.

Through showers of blood, saliva and sometimes body parts, Lampley gave oratory of boxing matches taking place from the days of Sugar Ray Leonard to the emergence of women’s boxing.

Lampley and his merry men of boxing journalism return to Las Vegas for the light heavyweight clash between David Benavidez (29-0, 24 KOs) and David Morrell (11-0, 9 KOs) on Saturday Feb. 1, at T-Mobile Arena. PPV.Com will stream the fight card among other media outlets.

“People want to see the stars. They want to see the biggest stars,” says Lampley (pictured on the right with Morrell) about today’s boxing platforms. “We’ve gone from mass distribution to point to point distribution…it’s a product of the current digital world and how that operates.”

No other journalist rivals Lampley when it comes to prizefighting. No other can match the style and grace he describes a sport that brings unexpected intensity and sometimes shocking results.

Think Juan Manuel Marquez knocking out the great Manny Pacquiao in their fourth and final meeting in 2012.

Boxing’s Voice

Lampley has few rivals in broadcast journalism unless you compare other sports like baseball where the late Dodger announcer Vin Scully carved his legend. Or perhaps Chick Hearn the originator of pop culture basketball terminology like “it’s in the refrigerator.”

Boxing has Lampley and since his childhood, the sport has captivated his interest. He recalls after his father passed away his mother sat him in front of a small television set at age six to watch Sugar Ray Robinson fight Carl “Bobo” Olson in their second fight. Boxing was his babysitter.

“I’ve had boxing in my heart and in my head ever since,” Lampley said.

During his youth, after his widowed mother moved their family to Miami, Florida, the young Lampley saved car washing and lawn-mowing money to buy a ticket to watch Cassius Clay versus Sonny Liston.

“My mother took me and dropped me off with my individual ticket to go in and watch the fight. That was the night I saw my very first prize fight,” described Lampley about one of the most important boxing events that took place in 1964. “So, boxing has always been big in my background and in my sports fan experience.”

Eventually Lampley worked with ABC Sports covering college football, Wide World of Sports, and Olympic coverage. The only sport he did not cover in 13 years was boxing because Howard Cosell had a vice grip hold on boxing coverage for ABC. But when new leadership arrived it was decided to insert Lampley to cover boxing as a means of punishment.

“He immediately sized up that I was culturally allergic to boxing,” said Lampley of the new ABC leadership. “He assumed that I would be such a bad fit in boxing that it would bring an end to my broadcasting career and kick me out of his division.”

Ironically the event Lampley was forced to cover was Mike Tyson against Jesse Ferguson in Troy, New York on February 1986.

“This was an astonishing opportunity,” Lampley said. “Maybe this was meant to be,”

After a year or two more with ABC, Lampley moved to CBS and HBO to be part of their boxing programming and blazed a course for that program and himself as the preeminent voice of boxing broadcasting.

From Duran to Mayweather

Among those epic fights HBO covered featured Roberto Duran, Boom Boom Mancini, Marvin Halger, Roy Jones Jr., Oscar De La Hoya, Lennox Lewis, James Toney, Bernard Hopkins and Floyd Mayweather to name some.

When it was announced that new ownership for HBO decided to cancel its boxing programming, the boxing world was aghast.

“It was painful, sad, I was bereft,” said Lampley of the last HBO boxing card at the StubHub Center in Carson, Calif. “We had no idea why the brand new owners at HBO, a bunch of cell phone salesmen from Dallas, did not see boxing as an important part of the franchise.”

That night on Dec. 8, 2018, women’s boxing was featured for the first and only time on HBO. Lampley was aided by Max Kellerman and Roy Jones Jr. It was a cold night as usual at the outdoor arena known for its gladiator-like results such as the first meeting between Israel Vazquez and Rafael Marquez, the first of their two bloody clashes. (Photo insert: Lampley’s last HBO hurrah; photo by Al Applerose)

Among the women who fought that evening were Cecilia Braekhus and Claressa Shields. Ironically, seven months earlier, Braekhus fought Kali Reis at the same venue. Reis would go on to earn an Emmy nomination for an HBO series for her portrayal in the True Detective series.

Six years ago was HBO and Lampley’s final bow together.

“Still to this day I have no idea why they thought that was better for the long term,” Lampley said of HBO’s boxing abortion.

PPV.COM        

Though HBO Championship Boxing no longer exists, Lampley’s undisputed talent for describing the art of boxing has brought him back. Now he represents PPV.COM an outfit wise enough to recognize the appeal of boxing’s greatest broadcast journalist from 1988 to December 2018. They reeled him back and with a new format that includes texting with fans during the actual fights.

“I help introduce the audience to the new communication phenomenon which I’m involved,” said Lampley who is partnered with journalist Dan Canobbio and Chris Algieri for this event. “It puts me back in touch with all my old friends in the media room where I spend the whole week leading up to the fight.”

Lampley recalls his first broadcast with PPV.COM 15 months ago already saw debates regarding undefeated David Benavidez possibly accepting a challenge from David Morrell.

“As style fights go, its potentially a great one,” said Lampley. “Its two punchers with legitimate punching power in an extremely fan friendly fight. The winner is regarded as logical upcoming opponent for Canelo Alvarez the number one money attraction in the world.”

On Saturday night when Benavidez and Morrell lead a talented fight card, be sure to select PPV.COM as your choice to listen to Lampley’s undeniable talent for describing boxing action.

Take advantage boxing fans.

One last note, Lampley’s book “It Happened” will be coming soon on April 15.

Fights to Watch

Sat. PPV.COM 3 p.m. David Benavidez (29-0) vs David Morrell (11-0); Brandon Figueroa (25-1-1) vs Stephen Fulton (22-1); Isaac Cruz (26-3-1) vs Angel Fierro (23-2-2).

Sun. DAZN 4:30 p.m. Claressa Shields (15-0) vs Danielle Perkins (5-0).

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Hall of Fame Boxing Writer Michael Katz (1939-2025) Could Wield His Pen like a Stiletto

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One of the last of the breed – a full-time boxing writer for the print edition of a major metropolitan daily – left us this week. Hall of Fame boxing writer Michael Katz was 85 when he drew his last breath at an assisted living facility in Brooklyn on Monday, Jan. 27.

Born in the Bronx, Katz earned his spurs writing for the school newspaper “The Campus” at the City College of New York. He was living in Paris and working for the international edition of the New York Times when he covered his first fight, the 15-round contest between Floyd Patterson and Jimmy Ellis at Stockholm in 1968. He eventually became the Times boxing writer, serving in that capacity for almost nine years before bolting for the New York Daily News in 1985 where he was reunited with the late Vic Ziegel, his former CCNY classmate and cohort at the campus newspaper.

From a legacy standpoint, leaving America’s “paper of record” for a tabloid would seem to be a step down. Before the digital age, the Times was one of only a handful of papers that could be found on microfilm in every college library. Tabloids like the Daily News were evanescent. Yesterday’s paper, said the cynics, was only good for wrapping fish.

But at the Daily News, Michael Katz was less fettered, less of a straight reporter and more of a columnist, freer to air his opinions which tended toward the snarky. Regarding the promoter Don King, Katz wrote, “On the way to the gallows, Don King would try to pick the pocket of the executioner.”

With his metaphoric inkwell steeped in bile, Katz made many enemies. “Bob Arum would sell tickets to a Joey Buttafuoco lecture on morals and be convinced it was for a noble cause,” wrote Katz in 1993. Arum had had enough when Katz took him to task for promoting a fight on the night of Yom Kippur and sued Katz for libel.

“It was out of my hands, HBO picked the date,” said Arum of the 1997 bout between Buster Douglas and John Ruiz that never did come off after Douglas suffered a hand injury in training. (Arum would subsequently drop the suit, saying it wasn’t worth the hassle.)

At press luncheons in Las Vegas, the PR people always made certain to seat Katz with his pals Ed Schuyler, the Associated Press boxing writer, and Pat Putnam, the Sports Illustrated guy. They reveled in each other’s company. But Katz also made enemies with some of his peers on press row, in some cases fracturing longstanding friendships.

“I like Hauser,” wrote Katz in a review of Thomas Hauser’s award-winning biography of Muhammad Ali, “and was afraid that after Tom put in those thousands of hours with Ali, somehow the book couldn’t be as good as I wanted. With relief, I can report it’s better than I had hoped.”

The two later had a falling-out.

Katz’s most celebrated run-in with a colleague happened in June of 2004 when he scuffled with Boston Globe boxing writer Ron Borges in the media room at the MGM Grand during the pre-fight press conference for the fight between Oscar De La Hoya and Felix Sturm. During the fracas, Katz, Borges, Arum, and Arum’s publicist Lee Samuels toppled to the floor. The cantankerous Katz, who initiated the fracas by attacking Borges verbally, then wore a neck brace and carried a cane.

“I had my ups and downs with him,” wrote Borges on social media upon learning of Katz’s death, “but we traveled the world together for nearly 50 years and I long admired his talent, his willingness to stand up for fighters and to call out the b.s. of boxing and its promoters and broadcast entities who worked diligently to try and destroy a noble sport.”

A little-known fact about Michael Katz is that he played a role in getting one of the best boxing books, George Kimball’s vaunted “Four Kings,” to its publishing house. Kimball, who passed away in 2011, an esophageal cancer victim at age 67, was hospitalized and too ill to finish the proofing and editing of the manuscript and enlisted the aid of Katz and an old friend from Boston, Tom Frail, an editor at the Smithsonian magazine, to complete the finishing touches. “If there are any mistakes in the book,” wisecracked Kimball, “blame them.”

Katz was one of the first sportswriters to hop on the internet bandwagon, moving his tack to HouseofBoxing.com which became MaxBoxing.com. That didn’t work out so well for him. Some of his last published pieces ran in the Memphis Commercial Appeal and in the Las Vegas weekly Gaming Today.

A widower for much of his adult life, Katz was predeceased by his only child, his beloved daughter Moorea, a cancer sufferer who passed away in 2021. Her death took all the spirit out of him, noted matchmaker and freelance boxing writer Eric Bottjer in a moving tribute.

During a moment in Atlantic City, Bottjer had been privy to a different side of the irascible curmudgeon, “a beautiful soul when open and vulnerable.” The best way to honor Katz’s memory, he writes, is to reach out to a long lost friend. Pass it on.

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Boxing Odds and Ends: Ernesto Mercado, Marcel Cerdan and More

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The TSS Fighter of the Month for January is super lightweight Ernesto “Tito” Mercado who scored his sixth straight knockout, advancing his record to 17-0 (16 KOs) with a fourth-round stoppage of Jose Pedraza on the undercard of Diego Pacheco vs. Steven Nelson at the Cosmopolitan Hotel in Las Vegas.

Mercado was expected to win. At age 35, Pedraza’s best days were behind him. But the Puerto Rican “Sniper” wasn’t chopped liver. A 2008 Beijing Olympian, he was a former two-division title-holder. In a previous fight in Las Vegas, in June of 2021, Pedraza proved too savvy for Julian Rodriguez (currently 23-1) whose corner pulled him out after eight rounds. So, although Mercado knew that he was the “A-side,” he also knew, presumably, that it was important to bring his “A” game.

Mercado edged each of the first three frames in what was shaping up as a tactical fight. In round four, he followed a short left hand with an overhand right that landed flush on Pedraza’s temple. “It was a discombobulating punch,” said one of DAZN’s talking heads. Indeed, the way that Pedraza fell was awkward. “[He] crushed colorfully backward and struck the back of his head on the canvas before rising on badly wobbled legs,” wrote ringside reporter Lance Pugmire.

He beat the count, but referee Robert Hoyle wisely waived it off.

Now 23 years old, Ernesto “Tito” Mercado was reportedly 58-5 as an amateur. At the December 2019 U.S. Olympic Trials in Lake Charles, Louisiana, he advanced to the finals in the lightweight division but then took sick and was medically disqualified from competing in the championship round. His opponent, Keyshawn Davis, won in a walkover and went on to win a silver medal at the Tokyo Games.

As a pro, only one of Mercado’s opponents, South African campaigner Xolisani Ndongeni, heard the final bell. Mercado won nine of the 10 rounds. The stubborn Ndongeni had previously gone 10 rounds with Devin Haney and would subsequently go 10 rounds with Raymond Muratalla.

The Ndongeni fight, in July of 2023, was staged in Nicaragua, the homeland of Mercado’s parents. Tito was born in Upland in Southern California’s Inland Empire and currently resides in Pomona.

Pomona has spawned two world champions, the late Richie Sandoval and Sugar Shane Mosley. Mercado is well on his way to becoming the third.

Marcel Cerdan Jr

Born in Casablanca, Marcel Cerdan Jr was four years old when his dad ripped the world middleweight title from Tony Zale. A good fighter in his own right, albeit nowhere near the level of his ill-fated father, the younger Cerdan passed away last week at age 81.

Fighting mostly as a welterweight, Cerdan Jr scored 56 wins in 64 professional bouts against carefully selected opponents. He came up short in his lone appearance in a U.S. ring where he was matched tough against Canadian champion Donato Paduano, losing a 10-round decision on May 11, 1970 at Madison Square Garden. This was a hard, bloody fight in which both men suffered cuts from accidental head butts.

Cerdan Jr and Paduano both trained for the match at the Concord Hotel in the Catskills. In the U.S. papers, Cerdan Jr’s record was listed as 47-0-1. The record conveniently omitted the loss that he had suffered in his third pro bout.

Eight years after his final fight, Cerdan Jr acquired his highest measure of fame for his role in the movie Edith et Marcel. He portrayed his father who famously died at age 33 in a plane crash in the Azores as he was returning to the United States for a rematch with Jake LaMotta who had taken away his title.

Edith et Marcel, directed by Claude Lelouch, focused on the love affair between Cerdan and his mistress Edith Piaf, the former street performer turned cabaret star who remains today the most revered of all the French song stylists.

Released in 1983, twenty years after the troubled Piaf passed away at age 47, the film, which opened to the greatest advertising blitz in French cinematic history, caused a sensation in France, spawning five new books and hundreds of magazine and newspaper articles. Cerdan Jr’s performance was “surprisingly proficient” said the Associated Press about the ex-boxer making his big screen debut.

The French language film occasionally turns up on Turner Classic Movies. Although it got mixed reviews, the film is a feast for the ears for fans of Edith Piaf. The musical score is comprised of Piaf’s original songs in her distinctive voice.

Marcel Cerdan Jr’s death was attributed to pneumonia complicated by Alzheimer’s. May he rest in peace.

Claressa Shields

Speaking of movies, the Claressa Shields biopic, The Fire Inside, released on Christmas day, garnered favorable reviews from some of America’s most respected film critics with Esquire’s Max Cea calling it the year’s best biopic. First-time director Rachel Morrison, screenwriter Barry Jenkins, and Ryan Destiny, who portrays Claressa, were singled out for their excellent work.

The movie highlights Shields’ preparation for the 2012 London Olympics and concludes with her training for the Rio Games where, as we know, she would win a second gold medal. In some respects, the movie is reminiscent of The Fighter, the 2010 film starring Mark Wahlberg as Irish Micky Ward where the filmmakers managed to manufacture a great movie without touching on Ward’s famous trilogy with Arturo Gatti.

The view from here is that screenwriter Jenkins was smart to end the movie where he did. In boxing, and especially in women’s boxing, titles are tossed around like confetti. Had Jenkins delved into Claressa’s pro career, a very sensitive, nuanced biopic, could have easily devolved into something hokey. And that’s certainly no knock on Claressa Shields. The self-described GWOAT, she is dedicated to her craft and a very special talent.

Shields hopes that the buzz from the movie will translate into a full house for her homecoming fight this coming Sunday, Feb. 2, at the Dort Financial Center in Flint, Michigan. A bevy of heavyweight-division straps will be at stake when Shields, who turns 30 in March, takes on 42-year-old Brooklynite Danielle Perkins.

At bookmaking establishments, Claressa is as high as a 25/1 favorite. That informs us that the oddsmakers believe that Perkins is marginally better than Claressa’s last opponent, Vanessa Lepage-Joanisse. That’s damning Perkins with faint praise.

Shields vs. Perkins plus selected undercard bouts will air worldwide on DAZN at 8 pm ET / 5 pm PT.

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