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Povetkin-Chagaev: Atlas Bears The Weight Of The World…Raskin

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By Eric Raskin

Alexander Povetkin lives and trains in the city of Chekhov, Russia, which is appropriate because his boxing career is in danger of violating the principle of “Chekhov’s gun.” Named after playwright and short-story writer Anton Chekhov, this rule states that any object introduced into a piece of fiction must be used later on; otherwise, it shouldn’t have appeared in the first place. To paraphrase Chekhov, if the audience sees a gun in Act One, it should be fired by Act Three.

Teddy Atlas is not a gun. (Though he is a threat to go off at any time.) The veteran trainer was introduced to the Povetkin narrative in June 2009, when the Russian was already a top-rated heavyweight contender (ranked number two by The Ring magazine, behind only champion Wladimir Klitschko and his big brother Vitali) and a mandatory challenger in one alphabet group’s rankings. Two years later, Povetkin has gone absolutely nowhere. Atlas entered the picture, Povetkin fought Leo Nolan, Javier Mora, Teke Oruh, and Nicolai Firtha—collectively known as The Four (Trial)Horsemen—Atlas and Povetkin passed on a seven-figure payday against Wladimir for the legit championship, and here we stand, some 26 months after the Atlas-Povetkin union began, still waiting for someone to pull the trigger.

This Saturday, it will get squeezed. Sort of. It depends if you consider winning a fight that returns you to the status you held two years ago to be a form of progress.

Povetkin is facing Ruslan Chagaev, also a top-five contender under today’s depressing heavyweight standards, and the bout has meaning: Assuming Vitali Klitschko beats Tomasz Adamek in September; the Povetkin-Chagaev winner will stand out as the most deserving of the next shot at a Klitschko. Maybe 10 years ago, a fight between heavyweights of this pedigree wouldn’t have meant much. (In The Ring ratings for August 2001, Chris Byrd was the number-10 contender; are either Povetkin or Chagaev better and/or more worthy of a high ranking than 2001-vintage Chris Byrd?) But it’s not 2001. It’s 2011. And revolting though it may be, this fight elevates the winner to a position of importance.

There’s a lot on the line for Povetkin. There’s a lot on the line for Chagaev.

But it just might be that Atlas has more on the line than either of them.

This is Povetkin’s first real fight since teaming up with Atlas, and if he doesn’t win it, then Atlas will be guilty of giving some of the worst career advice in boxing history.

In the summer of 2010, after two fights with Atlas in his corner, Povetkin’s mandatory shot at Wladimir was due. On Atlas’ urging, and against the advice of other members of his management team, Povetkin pushed the opportunity off. Atlas explained that his goal wasn’t just to have Povetkin fight Klitschko, but to have Povetkin ready to defeat Klitschko, and he needed more time with his 2004 Olympic gold medalist to do that. It was a risky but rather admirable approach. Here’s what Atlas told me in July 2010:

“As a trainer, as a teacher who’s involved in developing somebody at a certain stage in their career—and this stage has been about a year now—you get involved and there’s work to be done and there’s development to be done and you see the development. And you see the work being done. And you see what you’ve envisioned, some growth in certain directions and in the fighter as a whole. And you have a good pupil, you have a kid that’s a great, great kid. What do you want as a teacher? You want more time. As honest as I can be, you want more time, and if you don’t say that, you’re not being cognizant of the things that you should be cognizant of, you’re not being real, you’re not being responsible, and then you’re not being honest. But as a trainer, as a teacher, that’s all I’m looking at. I’m not looking at it as a promoter. I’m not looking at it in those other dimensions. And I understand those other dimensions. But I’m just looking at it in my dimension. And to me, time is an asset. It’s valuable. It’s a commodity that’s not always available in the degrees that you want it to be available. So right now, I see what we’re going to do and what it is that we need to do and I will act accordingly.”

Sure, it took Teddy 235 words to say what could have been said in about 25. But the point he was making was valid. And his motivation was unique in a business in which almost everybody else focuses on the fastest way to make a buck.

But now, after a second year of making no publicly visible, professional progress, Povetkin must show that he has made a leap under Atlas’ tutelage and become a better, more dangerous fighter. If he beats Chagaev impressively and positions himself for that massive payday against a Klitschko—perhaps even convincing some observers that he’ll be a live underdog—then the Atlas way is redeemed. If he wins unimpressively, looking no better than he did prior to hooking up with Atlas, then these will feel like two wasted years in his physical prime.

And if he loses to Chagaev, then Povetkin will hear comparisons to Tommy Morrison blowing it all in a needless tune-up against Michael Bentt, the classic example of releasing the bird in the hand and ending up with an eyeful of bird droppings.

Atlas doesn’t rely on training fighters to pay his bills these days. Since 1998, he’s been the color analyst for ESPN2’s Friday Night Fights, a steady gig if not one that allows him to buy yachts and Maybachs. Training is something he does on the side, if at all. So maybe he’s reached a point where he’s okay with the training business drying up.

If Povetkin loses, he’d better be okay with it. Atlas’ days as a sought-after coach for established fighters will end instantly if the only project in which he’s seriously involved himself over the last several years turns out to be not just a bust, but a bust where the blood is on Atlas’ hands.

That’s a lot of pressure on Teddy Atlas. And maybe he wants that pressure. Maybe that pressure will inspire greatness from both Povetkin and his trainer and something spectacular will happen on Saturday night that leaves fans clamoring for Klitschko-Povetkin in early 2012.

All we know for sure heading into Saturday’s fight is that we’ve reached the scene in which Chekhov’s gun stops being a lifeless prop and plays a role in the conflict. If Atlas is the gun, Povetkin is the man firing it. And Atlas had better hope his man can aim straight.

 

Eric Raskin can be contacted at RaskinBoxing@yahoo.com. You can follow him on Twitter @EricRaskin and listen to new episodes of his podcast, Ring Theory, at http://ringtheory.podbean.com.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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