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The Beast of Stillman's Gym, Part 5…TOLEDO

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beast 6Holyoke Valley Arena, 1940s

PART 5:  IN THE MADHOUSE

The uneven borders of Holyoke, Massachusetts appear on a map as a near-perfect fist with the middle finger sticking up.

Abandoned factories and textile mills looming over man-made canals remind locals that their city was once an industrial giant. Their city now has nearly three times as much violent crime as the national average and its median household income is only about half the state average. Irish Catholics built Holyoke though only 17% of their descendents are left. Over 44% of the folks today are Hispanic; still Catholic, still tough. Old mill towns seem to insist on both.

The Great Depression sent the mills spiraling into bankruptcy. That left working men with idle hands and a lot of testosterone looking for something to do. Boxing was big in Holyoke, even during the lean years -–especially during the lean years. On Monday nights, roughneck fathers would take roughneck sons over to the Valley Arena on South Bridge Street. It was an education. Monday night was fight night.

The arena was originally a gas house until Homer Rainault converted it in 1926. It was rebuilt after two fires in ’43 and ’52 and lasted until 1960 when it went up in flames so high they licked the sky. The Rainaults put on boxing shows popular enough –-and at 40 cents a ticket, cheap enough to warm 2,000 seats on the floor and two balconies. Golden era fighters would come in by way of New York and take a room over Kelly’s Lobster House, which was only a five-minute walk from the arena.

THE SMOKE

Holyoke knew Cocoa Kid well. He had made a career storming around the continental United States and stopped off at the Valley Arena nineteen times. His first appearance was on September 19th 1932. He “made a hit,” according to the Holyoke Transcript-Telegram and “proved himself a superior boxer with a stinging left and nasty right hook.” His last appearance was on March 25th 1946. It was Bert Lytell who made a hit that night. Cocoa Kid made a target.

Bert hammered the sentimental favorite, knocking him down twice; a left hook in the third sat him down in the middle of the ring for a nine-count and then a right in the fourth sent him flying for another nine-count. Fans were “amazed,” said the Transcript-Telegram, “as Lytell weaved in front of him, protruded his chin and dared him to swing.” It was “the worst shellacking” of his long career though his pride never let him flinch from it. Bert knew that this reeling figure, his former mentor at Stillman’s Gym, was once as fast as he was and mercifully slowed down. Spectators closest to the action said that he seemed to be pulling his punches at the end.

Four months later Bert flew down to Puerto Rico with Tiny Patterson and defeated him again on his native soil. In July 1947, the pair met for the third time in New Orleans. Battered into semi-consciousness, Cocoa Kid was saved from himself by his corner before round seven. It was an act of mercy cheered by the thousands in attendance.

THE MECHANIC

By the summer of 1945 it had been almost a decade since Holman Williams and Cocoa Kid first swapped leather. Williams was outmaneuvered over thirteen engagements, but had just defeated the aging phenomenon in May. Charley Burley was Williams’ other great rival. Those two fought for the seventh and last time in July, and Williams won. A long-termer in the madhouse that was Murderers’ Row, Williams would eventually meet every member a total of 36 times. He was also one of history’s great road warriors: Between August 1944 and August 1945 he fought 17 times in seven states and chalked up a travel estimate of 22,196 miles.

Williams may have wondered about this fighter that old-timers were calling the second coming of Tiger Flowers. As he measured him from across the Coliseum ring he may have noted a stronger resemblance to Battling Siki. The young man’s arms extended well past his robe’s sleeves and his jaw looked like something salvaged from a scrap heap and attached with a dog bone wrench.

Oddsmakers in “The Big Easy” made Williams a slight favorite over Bert Lytell despite the reports that he had big problems with southpaws. This one proved to be the toughest he ever met. The affair was described as torrid, with Bert burning up the ring and maximizing confusion by boxing at long range. Williams stopped digging in his own toolbox and reached for Jake LaMotta’s: “Equalize the fight by keeping on top [of him] because then you don’t know the difference between a southpaw and a right-handed fighter,” LaMotta said, “that’s how you make it even.” And that is precisely what happened. Williams took over on the inside and fought him to a draw.

Bert said he was nursing a fever. A twelve-round rematch was set for two weeks later and he was feeling mean. “Williams is such a local favorite that he is allowed to get away with unfair tricks. The surest way is to knock him out, or at least down several times. That’s what I am going to do Friday night,” he snarled to the Times-Picayune, “I’m going after him and unless I beat him decisively or knock him out I don’t want the decision.”

For seven rounds, he got mean all right. Holman was “almost hopelessly beaten” as Bert crowded him and concentrated his attack on the body. Pete Baird was ringside and saw strategy forming even then –-Holman, he surmised, “figured that sooner or later Lytell would weaken from the fast pace he was setting.” The eighth round was the turning point. As Bert started to sputter, Williams had a light bulb moment and starting throwing left hooks to his ribs. These allowed him to slip under Bert’s right hands and debilitate what was left of him at the same time. With William’s cheering section ringing in his ears, Bert barely survived the last two rounds and lost the referee’s decision.

The beast fled north to lick his wounds. He returned to Holyoke to outclass a triple champion from Cuba before heading to Baltimore to face another member of Murderers’ Row. Aaron “Tiger” Wade was treated to both faces of Bert Lytell –-one “constantly on the move” and the other tattooed to his chest. This time the referee voted in Bert’s favor, though the two judges at ringside gave the duke to Wade. The Baltimore Sun reported that Wade “failed to live up to his nickname” and “won by the barest whisker.”

Madison Square Garden sponsored Williams-Lytell III in Valley Arena. Williams was guaranteed $2,000 for the fight. Modest though it was for a professional of his caliber, the matchmaker claimed that it was “the biggest pay-off to any single fighter by the arena in 12, yes, 15 or even more years.” Williams had earned a decent purse. Since their last battle, he had rallied and climbed to the number-two spot in the rankings. The local press souped things up by referring to him as “the uncrowned king of the middleweights” and charging that Sugar Ray Robinson, LaMotta, and middleweight champion Tony Zale were avoiding him.

The truth was he had over 150 professional fights by then and his body was breaking down. 

He entered the ring a 2½ to 1 favorite with a weight advantage of six pounds. But Bert was on a rampage. Williams was assailed from three ranges, outboxed as well as outpunched. He could do nothing to fend off the southpaw; even the lug wrench that used to be his right hand was in pieces. Before the bell to begin the eighth round Bert was seen bounding up and down in his corner. This victory would launch him up the middleweight ladder. “He beat me in New Orleans,” he said in the dressing room afterwards, “yes he beat me fairly and squarely, but I wanted to win that one tonight.”

Williams was practically wheezing when the time came to declare the winner of the 1-1-1 series in 1947. It was a main event at Pelican Stadium in New Orleans, “an all-Negro July 4 ring show” with seats reserved for white fans and a brass band playing at intermission. Bert intended to retire his rival. “Those who saw what he did to Cocoa Kid,” said the Times-Picayune “realize Holman is in for it.” They weren’t wrong. At the end of the fourth, Williams misjudged a hook whistling in from the wrong angle and crashed to the canvas. As the referee reached the count of “nine” the bell rang. Williams was still lying there “out cold, flat on his back” when his seconds came rushing out to help him to his corner and revive him. Only a second-to-none skill set pulled him through the next eight rounds.

Before the verdict was announced, Williams walked over to Bert and lifted his glove.

“THE KING OF ‘EM ALL”

Charley Burley was at the peak of his powers in August 1946. He was the second-ranked middleweight in the world and probably could have thrashed the sitting champion and the first contender. When he met Bert in Millvale, Pennsylvania, the Pittsburgh Post-Gazette quipped that Burley would not only have to take on a “formidable foe,” he would also “be forced to come up with a defense for a woman’s wiles.” Tiny Patterson was there and heads were turning when that short and shapely frame swiveled by.

Bert forced the action while Burley seemed distracted, content to counterpunch and peck at a cut that opened under the southpaw’s right eye. When Bert surged in the fourth and tenth rounds, Burley slowed him down with a debilitating hook to the stomach. The fight was anything but dramatic. One newspaper began its coverage with a cry of “Ho-hum!”

Bobby Lippi, a friend of Burley, claimed that there was plenty of drama before and after the bout. He said that they were playing cards the night before and every half hour the phone would ring. When Burley picked up the receiver, he was abused by whoever was on the other end. They suspected these calls came from someone in the Lytell camp. Lippi also claimed that Bert absorbed a beating that the press somehow missed, that he showered after the bout, got dressed, and sat shell-shocked on a bench with “no idea where he was.”

After the loss to Burley, Bert would have six more fights before the year was out, four of them against light heavyweights who outweighed him by ten pounds. His first bout in 1947 was against a light heavyweight who outweighed him by eleven pounds. That was easy –-The Ring Record Book missed his last bout in 1946 where Sammy Aaronson said he took on half the police precinct in Brooklyn. The Holyoke Transcript-Telegram corroborated Aaronson’s story when it mentioned “some fine embroidery on his scalp” and described it as a “criss-cross” scar that Bert suffered after “a dance hall melee.”

A middleweight who requires a riot squad to subdue him and beats up light heavyweights for fun was tough enough for Willie Schulkin of The Boxing News to dare Burley to fight him again. Burley, the so-called “king of ‘em all,” accepted the challenge.

Lytell-Burley II was held the same night Curtis “Hatchet Man” Sheppard met Jimmy Bivins at Philadelphia. Both bouts were important ones: Sheppard was being considered to challenge for Joe Louis’s crown while Burley was penciled in for a shot at Gus Lesnevich’s light heavyweight crown. Several weeks earlier, Burley contracted pleurisy and the original date of the rematch was rescheduled so that he could recover; whether or not that was a factor in the rematch is anyone’s guess. Either way, Bert staggered Burley twice in the early rounds and was “pushing him all over the Coliseum ring” while the crowd sat in stunned silence.

After getting even with the most dangerous member of Murderers’ Row, Bert returned to the garage on King’s Highway in Brooklyn where he used to work –-and bought it.

 

 

 

 

____________________________

The Row was willing, but champions weren’t and Bert Lytell was beginning to feel like the ugly girl at the dance. More idols totter as our man is forced to find larger prey in PART 6 OF “THE BEAST OF STILLMAN’S GYM.”

The graphic of the Holyoke Valley Arena appears with courtesy of imagemuseum.smugmug.com.

Information regarding Holyoke and the Valley Arena found in city-data.com, creatingholyoke.org, and Boxrec Boxing Encyclopedia. “The Smoke”: Reading Eagle 2/11/46, Holyoke Transcript-Telegram, 9/20/32, 3/21,25,26,27/46 and 4/9/46, Times-Picayune 5/19/47; Passenger manifest, Pan American Airways, inc, 8/1/46 San Juan to NYC; “The Mechanic”: Miami News 4/27/46, Times-Picayune 8/16, 17, 18/45; 7/4,5/47, Holyoke Transcript-Telegram 4/13,16/45; “Tiger Wade”: Baltimore Sun 10/1,2,3/45. “The King of ‘Em All”: Daily Times 8/3/46, contracts pleurisy, AP 7/17/46, The Sun 2/17,18/47, Boxrec encyclopedia, and Harry Otty’s Charley Burley and the Black Murderers’ Row, p. 275, 277-8. Lytell’s purchase of King’s Highway Garage is mentioned in The Berkshire Evening Eagle, 9/4/1947.

Springs Toledo can be contacted at scalinatella@hotmail.com“>scalinatella@hotmail.com.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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