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The Beast of Stillman's Gym, Part 6…TOLEDO
Middleweight Bert Lytell meets light heavyweight Archie Moore, 1950
PART 6: “THE WORLD’S MOST FEARED MIDDLEWEIGHT”
Rocky Graziano’s manager stood in a gym in a Massachusetts mill town watching Johnny Eagle train and was impressed enough to pick him to upset Bert Lytell. It was wishful thinking. Bert took a unanimous decision, snapping Eagle through the ropes along the way. There might have been a message in that. Bert had been spouting off to the press about Graziano, accusing him of “repeatedly refusing to sign for a match.” He believed he would eventually “force” the Italian bomber to reconsider. That too would prove to be wishful thinking.
In April 1947 Bert faced Sam Baroudi in New York. French superstar Marcel Cerdan was there scouting for his third match on American soil. Baroudi was a dangerous boxer-puncher coming up like a “like a house a fire” and Bert took him apart –-he took him apart while Cerdan sat ringside and thought up excuses not to fight him.
Bert’s long-awaited rematch with Jake LaMotta was set for May at Madison Square Garden with the winner to meet Tony Zale for the middleweight championship of the world. It fell through and was rescheduled for September. That date was cancelled after a physician from the New York State Athletic Commission examined LaMotta’s hands, which had been badly bruised in a bout only a few days before. Finally, a date in January 1948 was reserved, again at Madison Square Garden. It too was cancelled after LaMotta was suspended during an investigation into his suspicious loss to Billy Fox.
Cerdan, who didn’t terrorize the American field so much as tiptoe through it, got the title shot in September and defeated Zale for the middleweight crown.
His first defense would be against none other than the Bronx Bull.
LaMotta had finally caved in to Mob pressure. A man with a toothpick in his mouth approached him one day in the gym and made an offer. “Throw the fight with Fox,” he said, “and you’ll get a title shot.” LaMotta threw him out, but then got to thinking. He took a walk a few nights later, a long one, and the ruthless truth met him along the way:
You want to be “the champ” more than anything, but you’ve made all the wrong enemies. You’re too stubborn to do business with Frankie Carbo and too stupid to see what you’re up against. It’s the Mob that is the establishment here, my friend, and it’s the Mob that holds all the strings. You’ve been swapping blows with colored bombers for years and just like them you’re making chump change and going nowhere.
You and your “pride.” Your pride and a dime can get you into the subway, but it will never get you what you want most.
And that was that. LaMotta would stop Cerdan in ten rounds and got what he wanted most. “It felt like God had given me the world,” he said afterwards.
Those four kings –-LaMotta, Cerdan, Zale, and Graziano-– reigned during Bert’s rampage. Not one of them would have been any more than even money to beat him. It was a tragic irony, really. There he was fighting out of perhaps the greatest gym in boxing history with well-connected managers and a crowd-pleasing style and it didn’t matter. It just didn’t matter.
He was like bitter coffee that no one wanted to drink; too black, too strong, and as it turned out, too honest.
HAVE GUNS, WILL TRAVEL
The late Allen Rosenfeld remembered hanging around Stillman’s when a “wave of excitement” erupted around him. “Bert Lytell was in the gym,” he recalled. Rosenfeld ran upstairs and saw a “pleasant and friendly looking” boxer skipping rope and working the speed bag. He heard the regulars muttering “no one will fight him.”
Murderers’ Row seethed with top contenders that no one would fight, but Bert was off by himself even among them. He went after anyone, even other hard cases. Not many dared hunt LaMotta in the mid 1940s. Bert did. No one in their right mind went after a destroyer like Ezzard Charles. Bert did; he even offered to donate his purse to charity.
The buzz was that he was “the world’s most feared middleweight” and he’d migrate overseas to prove it. When he came back from a month-long campaign in the Caribbean, The Ring ranked him number one. He’d also migrate across weight divisions. In December 1948, he was scheduled to confront the second-ranked light heavyweight in the world, and his manager was barking even before he won. He publically offered Cerdan both purses if he agreed to meet Bert for the title: “All we want is training expenses. If we win tonight’s fight and Cerdan still ignores our challenge then we’ll go after the light heavyweight crown.”
Two kings –-Freddie Mills and Joey Maxim-– reigned during Bert’s light heavyweight rampage; neither of them would have been any more favored to beat him than their middleweight counterparts.
Despite his status as an apex contender in two divisions, he had to stay in condition like a ham-and-egger in hopes of earning enough purses to get by. He’d fight anyone, anytime, and there isn’t even a rumor that says otherwise. Managers desperate to find a last-minute substitute knew where to find him. One day a call came into Stillman’s from Ohio to offer Bert a purse of $734.86 (minus expenses) to fight a light heavyweight named Bob Amos. Bert arrived in Dayton on Sunday, trained Tuesday and Wednesday, and was ready by Thursday night. Amos’s trainer was Eddie Futch, who peered sorrowfully through the ropes while his fighter got belted around the ring for ten rounds. “Lytell crowded Amos from the outset, and seldom let up,” said the Dayton Daily News, “Bert’s style –-and it’s a varied one, because he really knows his way around that ring–- had Amos worried from the start and frequently befuddled thereafter.” Futch never wanted Lytell for his boy in the first place.
There were sightings as far off as California. A crowd gathered around the ring in Harry Fine’s gym and watched him stand up to a mountain and chop it down with both hands. The mountain was 6’4, 220 lb Leroy Evans. Bert was 5’8.
A few days later he was swarming all over the heavy-punching Oakland Billy Smith.
Smith was meat for Murderers’ Row, but that didn’t mean he went down easy. When Bert faced Smith again in Cincinnati, “Both fighters wrestled to the floor several times,” the AP reported, and “at one point, were trading punches while sitting on the canvas.” The AP failed to report that at another point Smith spit in Bert’s face. He was suspended in Cincinnati after that one, though a cursory glance at some of his other misadventures suggests that he should have been committed.
Before Bert, there was Newsboy Millich. Millich got to Smith by whispering indecent things into his ear and fouling him in close, so Smith started kicking him. After Bert, there was Jersey Joe Walcott. Walcott hired Smith as a sparring partner in the early 50s. Smith would show up to work wearing a yellow turtleneck and a harness with straps dangling around his knees. No one could say why, least of all Billy. In one session, Smith hit Walcott so hard the heavyweight champ did an “involuntary shuffle” and Walcott responded with a right hand that froze Smith in suspended animation. In another session, Smith fled the ring.
It wasn’t the first time he fled the ring. “Disappearing” Billy Smith, as he became known, gave reporters plenty of material. In the eighth round of his fourth fight against Archie Moore, Smith turned away from Moore and was heard yelling “shut up” toward his corner when Moore nailed him. Smith went down, got up at the count of five, parted the ropes, and took off toward the dressing room. The next day he appeared before the boxing commission to explain what happened. “I was hurt, but only mentally” he said to several raised eyebrows. “All through the fight [my corner] kept yelling ‘one-two’, ‘one-two’ and what happened? Archie gave me a one-two to the head,” Smith said, “Bert Lytell punished me two months ago in Texas, and I didn’t aim to go through that again. It took me more than a month to recover from that beating.”
THE ELIMINATION BOUT
Where Smith was meat for Murderers’ Row, Archie Moore was a master of it. He was also one of Bert’s early mentors at Stillman’s Gym.
Bert fought Moore on even terms for seven rounds. He shifted behind a right jab and fought a style that was, according to the Baltimore Sun, “as elusive as plans for a Stadium roof.” Moore was outworked in close during rounds four and five but landed flush rights when he could find the bobbing and weaving target. After the seventh round, Moore’s thirteen-pound weight advantage came into play and he rumbled ahead to take a decision. Bert had a victory of sorts –he never staggered and never went down against one of the most destructive punchers of the last century.
The rematch was on January 31st 1950. It was the most important bout of Bert’s career. According to the matchmaker for Madison Square Garden, Moore-Lytell II was really an “elimination bout” that would decide the next challenger for light heavyweight champion Joey Maxim.
As a new resident of Toledo, Ohio, Moore didn’t have to travel far to the Sports Arena. He entered the ring to the cheers of a friendly crowd and sported a nine-pound weight advantage, a three-inch height advantage, and considerably more experience. Despite it all, Bert proved that he was at least the equal of Moore. The Toledo Blade reported only “a hair margin dividing any of the rounds.” Both fighters, “past masters at the art of defense had a hard time breaking through” as punches were almost invariably “caught on the gloves, arms, or shoulders.” The decision was announced for Moore and 7300 of his new neighbors erupted not in cheers but in protest. Bert stood in defiance across the ring; nose bloody, pride intact.
It did no good for either man. Bert lost –-whether or not he was robbed didn’t matter. Moore would have only one more fight in 1950 because no one wanted to risk their record. And the title shot he was promised? It was nothing more than the promise of a politician. The fine print of the agreement said that Maxim and his manager had to agree to terms –-and it took time coming to terms with losing the title.
It took three years. At Christmastime 1952, Archie Moore finally fought for the championship of the world. He was 36 years old. Fate bought him a bus ticket out of Murderers’ Row and escorted him into the company of kings.
By then, the career of Bert Lytell had tanked.
____________________________
Did Bert Lytell retire? Nope. A mysterious offer is made that he can’t refuse, and he refuses anyway –with severe consequences. Read all about it in PART 7 OF “THE BEAST OF STILLMAN’S GYM.”
The graphic is from the Toledo Blade, 1/30/50.
Irving Cohen’s bet in Berkshire Evening Eagle 10/17,18/46; 4/21/47. Dick Friendlich’s “Boxing Briefs” in San Francisco Chronicle undated. New York Herald-Tribune 4/7,8/47; The Stars and Stripes, 12/16/48. LaMotta cancellations, AP 9/9/47 and New York Times 11/22/47. Cerdan Kansas City Times 12/14/48. LaMotta makes a deal in Raging Bull pp. 159-164, 169. Passenger manifest, Pan American Airways, Inc. 11/2/1948. Allen S. Rosenfeld’s memories at Stillman’s in Charley Burley: The Life and Hard Times of an Uncrowned Champion, p. 500. Lytell-Amos in Dayton Daily News 8/19/49. LaMotta-Fox in The Berkshire Evening Eagle, 11/22/1947. Chasing Ezzard Charles in Times-Picayune 4/5/46. Sparring a heavyweight in San Francisco Examiner 1/19/48; Bert willing to fight Cerdan for free and Mills, AP, 12/15/48. Oakland Billy Smith in Berkeley Daily Gazette, 4/10/45, Red Smith’s “Views of Sports,” 9/15/52, AP 1/4, 5/51 and UP 1/4/51. Ezzard Charles at fight in AP 2/27/48; Moore-Lytell I, The Sun 7/14,15,16/47; Moore-Lytell II, Toledo Blade 1/29,31/50, 2/1/50, The Stars and Stripes, 2/5/1950.
Springs Toledo can be contacted at scalinatella@hotmail.com“>scalinatella@hotmail.com.
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Steven Navarro is the TSS 2024 Prospect of the Year
“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.
There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.
It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.
Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.
A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.
Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.
We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.
But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.
Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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