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Melinda Cooper-Celina Salazar Added To Golden Boy Card

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Cooper croppedStifling heat doesn’t stop female prizefighters like Melinda “La Maravilla” Cooper or Celina Salazar from preparing every day. Nor does an opponent’s record.

Former flyweight world champion Cooper (21-2, 11 KOs) faces San Antonio’s undefeated Salazar (4-0-2) on Saturday, Sept. 8, at the Hard Rock Hotel and Casino in Las Vegas. Golden Boy Promotions is putting on the six round female sizzler.

“I’m very excited,” says Salazar.

Both girls have problems finding opponents, but after months and months of searching and hearing all of the excuses from other fighters such as, ‘I’m not ready for her,’ to ‘she’s too heavy,’ to ‘it’s not enough money,’ they finally discovered each other.

Cooper, who expects to fight at either junior bantamweight or bantamweight, was unable to find an opponent at the lower weights so she ended up fighting once again at junior featherweight. It’s really not her weight class. When she’s not fighting she weighs 122. While training she can dip down below 115.

“When I was an amateur I remember putting on heavy clothes and strapping weights under my clothes so I could fight against heavier girls,” said Cooper, with a slight giggle. “I remember being the only girl in the van with four boy boxers driving to California.”

A lot has changed in women’s boxing in the last decade. Where once it was difficult to find women with decent boxing skills, now the boxing game is beginning to see a plethora of talented female boxers.

No more crying

Promoter Bennie Georgino has seen the female boxing game change immensely. And he’s noticed the vast improvement over the years.

“One of the first times I saw a girl fight she cried in the ring,” says Georgino, who formerly trained and managed boxers like Danny “Little Red” Lopez, Alberto Davila, Jaime Garza and the great Salvador Sanchez. “They’ve improved a lot since then. They have the same skills as the guys now. Some of them are really good.”

Salazar also worked her way through the amateur program and discovered boxing accidentally.

“My mom wanted me to be into dancing. She was going to sign me up one day but she couldn’t take me that day so it was my dad who took me. I told him I didn’t want to be in dancing, I want to be in karate. So I became a fighter,” said Salazar. “The first day she told me ‘is that’s the sport you want to be in, then you’re going to stay in it. If you cry and get beat up you’re going to stay with it.”

After first training in karate, then kickboxing, her coach then told her he could not advance her schooling and recommended a boxing trainer. Soon she was entering amateur tournaments.

“As an amateur I went to Ringside (Tournament) in Kansas in 2006. I went to the PALs (Police Athletic League tournament) in 2007, I did ok there. I got bronze,” says Salazar, 23. “And I went one year to the national tournament.”

Soon potential fights evaporated for Salazar, who began to first experience other girl fighters not wanting to meet her in the ring.

“Pretty much nobody wanted to fight me in amateurs. I wasn’t getting fights. I thought, maybe I can get fights in pros. I was just interested. I wanted to try it to see if I can make it in the pros,” she said.

After six pro fights including wins and draws against fellow San Antonio female pugilist Christina Ruiz and Dallas boxer Lisa Lamb, she steps up into a higher category of prizefighter with Las Vegas boxer Cooper.

“I kind of read somewhere about Melinda that it was really hard for her to get some fights. I related to that’s story because it’s exactly the same as mine,” Salazar said. “I’ve seen some videos on her. She looks like she is a good boxer and a good brawler as well. I saw some stories on her and how she first started. I know she had won the IBA title belt.”

Boxing trips

Cooper’s seen four potential bouts evaporate for one reason or another. Now she’s eager to fight in her hometown among people that have seen her as an amateur to a professional who attracts boxing lovers.

“I would love to fight in Las Vegas in front of a huge crowd,” says Cooper, who has fought in small venues in her hometown.

The petite Cooper works nights, often graveyard and then trains in the morning. Finding sparring would be difficult if she was solely working with females. Her trainer James Pena places male boxers in the ring with her. It’s something they’ve always done.

“I’ve been sparring guys ever since I was growing up. They had decent skills, they’re always better than me. I used to spar with Diego Magdaleno when I was younger. He’s doing pretty well and still undefeated. Antonio Hernandez is another,” says Cooper, 27, who sparred with a 6-feet tall middleweight last week. “I grew up with them and remember going on boxing trips with them.”

Over the years Cooper first fought in front of home crowds then was unable to find fights in her own state. She soon was fighting in California, Mexico and Costa Rica. Now, she’s back home again.

Throughout the years Cooper has built a reputation for fighting anyone placed in front of her. Anyone.

“I don’t really look at their records,” said Cooper, nonchalant. “Sometimes I don’t even know their names. I just fight who my trainer wants me to fight.”

While other girls look for beatable opponents, these two female prizefighters look for challenges. Each fight brings them something different to learn.

“I’m a professional, I’ve improved mentally,” says Cooper about learning the fight game. “I’m wiser and stronger and understand boxing more and what it takes to go in everyday.”

The Las Vegas fight crowd at the Hard Rock Hotel and Casino will be witnessing one of the best female fights in years.

“I’m getting pumped,” Salazar says.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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