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RASKIN’S RANTS: Mares, Moreno, Martirosyan, Mikey & More

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002 Abner Mares vs Anselmo MorenoAfter that 120-106 card, we have added Dr. James Gen-Kim to our watch list. May his spambox be flooded with offers for Lasik surgery.

I have a very strict rule in place: Whenever 15 live fights air on premium cable in a 26-hour span, I write a “Raskin’s Rants” column. No exceptions. So here goes with a Leo-Santa-Cruz-like non-stop assault of scattered thoughts at the end of a hectic, DVR-space-sapping weekend of boxing:

· Let’s start with the unofficial main event of the weekend, Abner Mares vs. Anselmo Moreno to determine the mandatory challenger to junior feather champ Nonito Donaire (if you take all the alphabet belts out of the equation and simplify things, that’s what this fight was). I scored the fight 115-111 for Mares, and I thought if anything (based upon the Twitterverse’s scoring) I was being a tad Mares-friendly in my judging. Apparently my idea of “Mares-friendly” was a gentlemanly handshake compared to the dry-hump of “Mares-friendly” that was the official scoring. Look, the decision went to the right guy. But just because the right guy got it doesn’t mean a bad scorecard should be swept under the rug, and Dr. James Jen-Kin’s 120-106 in Mares’ favor has to be in the running for the worst scorecard ever. I’m not exaggerating for effect. No individual card in Pacquiao-Bradley or Williams-Lara or anything Gale Van Hoy has ever done was worse than giving Mares every single round. Is Jen-Kin old and incompetent? I think I speak for everyone when I say I hope that's the explanation for his scorecard.

· The worst part of Jen-Kin’s scorecard is that it prevented me from leading with this: I think this was the best all-around performance of Mares’ career. Given the level of opposition, even taking into account the late fade, Mares has never looked better. He might be in the pound-for-pound top 10 now; he’s at least in the discussion.

· In addition to cementing his status as a pound-for-pound candidate, Mares also cemented his status as a dirty fighter. It’s a designation the boxing world has been hesitant to attach to him because he’s a pint-sized, clean-cut pretty boy. His look seems incongruous with the reality that he bends the rules as much as Bernard Hopkins. But that is the reality. Mares’ instinct when he sees an opening for a cheap shot is to take it every time, whether that means firing a low blow, an elbow, or my personal favorite, a blatant straight right hand to the kidney. Yet somehow it was Moreno who suffered a point deduction! Al Bernstein had every right to be apoplectic about that. I haven’t seen Al this bent out of shape since NBC’s Smash went on an extended hiatus.

· A further note on Mares’ dirty tactics and Bernstein’s response to them: I thought Al nailed it during the discussion of low blows when he acknowledged that, yes, Moreno was pulling Mares’ head down, but if you start to throw a punch after your head has been pulled down, you need to adjust your aim. Maybe Mares wasn’t throwing intentional low blows. But at the very least, his attitude was, “I’m going to let this punch fly and I don’t care if it lands somewhere illegal.”

· Meanwhile, huge credit to Moreno for battling back in a fight in which, at points during rounds five and six, it looked like he was going to get stopped. He came up short, but his work over the second half of the fight prevented his stock from dropping.

· As for the weekend’s other controversially scored fight, I’m going to say something that I haven’t really seen anyone else say: The draw between Erislandy Lara and Vanes Martirosyan was an all-out robbery. Lara took Martirosyan to school. I gave Martirosyan one round. I could see giving him two or three. But to give him more than that is to reward ineffective plodding and wild swinging and missing. All night long, Vanes flailed toward his target and Lara picked him off with quick, short, counter right hooks. I hate to use CompuBox stats as a justification or rebuttal of a result, but in this case, they speak to what was happening in the ring. Lara landed 74 punches, Martirosyan just 33. Those numbers reflect the kind of fight it was. One guy was getting a modest amount done offensively, and the other guy was getting nothing done offensively. From the first round, the robbery was in progress, as Lara dictated every single moment of the round—he was quicker, displayed superior defense, and landed more punches (11-3, according to the punch counters)—yet Harold Lederman somehow gave the round to Martirosyan, and so did two of the judges. I refuse to blame Lara for his inability to impress the judges. I blame the judges who either can’t tell what’s landing or don’t care what’s landing.

· With all that said, Dave Moretti did the right thing by scoring the partial ninth round even. If you want to castigate him for giving four of the first eight rounds to Martirosyan, be my guest. But to try to declare a winner in a round that lasts 26 seconds is absurd, and Moretti was the only judge with the common sense to call it a 10-10 round. Frankly, I’m not a fan of the “score the partial round” rule in the first place. Either ditch the rule, modify it so it only applies if at least half the round is completed, or encourage judges to go 10-10 if nothing of consequence happens in the aborted round.

· HBO’s Max Kellerman summed up my feelings about Lara when he told him after the fight, “I haven’t seen you lose yet, but you can’t get the wins!” That was a good line. On the flip side, “kissing your sister”—come on, you’re better than that, Max. (I will say in Max’s defense that it’s a live broadcast and if a cliché is the first thing that comes to mind, sometimes you have to go with it. The same excuse does not apply to writing. I will not name names, but those of you who express yourselves in clichés know who you are.)

· While on the topic of commentators, Lou DiBella was fairly entertaining in his Epix debut. He’s a natural. That said, I must poke two holes in the DiBella-color-analyst experiment. First, I’m surprised someone who’s been around boxing this long so vastly overrates the role of size in a fight (Lou did the same thing when he was on Ring Theory a couple of months ago and insisted Julio Cesar Chavez Jr.’s size scared him going into the Sergio Martinez fight). And second, the conflict of interest inherent in Lou being an active promoter makes it so that he can’t make this a remotely regular gig. A network like HBO could never use him because other promoters would be outraged. And even in this specific spot on Epix, he inevitably found himself in awkward situations where he had to make decisions as to whether or not to reference fighters in his stable, such as Tor Hamer. DiBella as broadcaster is simply not a sustainable arrangement.

· I’ll have more to say about Wladimir Klitschko and the heavyweight division in another article on another site later this week, but for now, two quick thoughts: First, Wlad’s win over Mariusz Wach was the most entertaining fight either Klitschko brother has been a part of in more than seven years. So, congrats to all involved in Klitschko-Wach, I guess. And second, can we please stop trying to assign the Klitschko brothers (or any other active fighters) a ranking among the all-time greats before their careers are complete? What if that random fifth-round right hand from Wach had kayoed Wladimir? We’d all be re-writing his legacy today. As you may recall if you were watching boxing a little over a decade ago, when Lennox Lewis got flattened by Hasim Rahman everyone with a keyboard or a microphone was tearing Lennox’s legacy apart. Then he won three fights and retired, and now he’s in almost everyone’s all-time heavyweight top 10. To say when Wladimir Klitschko fights that we’re watching one of the 10 greatest heavyweights ever is foolish—just as it would be to declare that he isn’t one of the 10 greatest heavyweights ever. He’s one of the two greatest heavyweights in the game right now. Let’s hold off on any further analysis until after he retires.

· Rough weekend for Wach. First he has to settle for second place in his heavyweight title fight, then he has to settle for third place in the Scariest Face of the Weekend contest, behind the new-look Alfredo Angulo and what’s left of Mickey Rourke.

· I’ve decided that Mikey Garcia is the Boardwalk Empire of boxing. You always feel like greatness is around the corner, but instead what you get is just good enough to keep your interest. There are inevitable slow stretches, and they’re often followed by even slower stretches, and then, just when you’ve started to accept mild disappointment, something spectacular happens. Garcia’s fight with Jonathan Barros gave us what most Garcia fights give us: an explosive ending to a steady, workmanlike performance.

· Anyone else find that “no mas” from Barros a bit peculiar? Either he doesn’t have a whole lot of heart (which I don’t believe is the case) or he was a lot more effed up than he appeared after that hook knocked him down.

· Just came up with a brilliant idea for a terrible movie: A kid with cancer receives Alfredo Angulo’s hair thanks to Locks of Love, and the hair provides special powers and turns the kid into the baddest S.O.B. in the schoolyard. (Well, you know, until he runs into the kid who received Kermit Cintron’s hair.)

· In all seriousness, I didn’t realize how much I missed Angulo until the bell rang on Saturday night. Boxing is much, much better off with “El Perro” around.

· Saturday night confirmed that, whether Showtime provides HBO with any video clips or not, Leo Santa Cruz does indeed deserve a spot on Jim Lampley’s “Gatti List.” He’s right up there near Brandon Rios, Mike Alvarado, and Victor Ortiz among the most consistently entertaining fighters on the planet. And I love the fact that Santa Cruz goes about his business with a smile on his face half the time.

· I thought the combination of Mauro Ranallo, Al Bernstein, and Paulie Malignaggi worked much better the second time around. Bernstein was actually given opportunities to speak on occasion this time, and Malignaggi dialed down the screaming considerably. The content of what Malignaggi has to say is undeniably strong; if he can perfect the delivery, he’ll be as good in this role as Antonio Tarver was.

· Having offered that praise, a note of constructive criticism to all of the three-man crews working Saturday, on Showtime, HBO, and Epix: Occasional silence is permitted. The mere sight of two guys punching each other can, for at least a few seconds, qualify as entertainment all by itself.

· I like Nathan Cleverly. But all the Joe Calzaghe comparisons aren’t doing him any favors. And I get why Cleverly would want to fight Bernard Hopkins. But I don’t see the logic in B-Hop wanting to fight him. Why would a 48-year-old (by the time they might fight) future Hall of Famer want to face a good boxer half his age with no name value? Sorry, but I don’t see Hopkins chasing alphabet trinkets at this stage in his career. He wanted Jean Pascal because it was the right style matchup and because it was for a real, lineal championship. Neither of those boxes are checked in the case of Cleverly, and therefore, I don’t for one second believe this fight will happen.

· My personal favorite prospect in boxing: Jesse Magdaleno. (Apologies for the Larry-King-in-USA-Today-like brevity and randomness of that “Rants” entry.)

· It was depressing—but wholly understandable—to see how much less fanfare there was for Friday night’s Olympians’ debut as compared to a similar HBO show at the Theater at Madison Square Garden that I attended in 2000. As for the quality of the matchmaking on this “special” edition of ShoBox, it’s pretty much what you expect for pro debuts. I’m fine with it. But if these guys want to have more set-up fights like these going forward (and they should), let them do it off TV. We don’t need an entire army of Demetrius Andrades clogging up our airwaves.

· The only guy among the five debuting Olympians who really impressed me was Errol Spence. On the opposite end of the spectrum, I fear that Rau’Shee Warren spent four years too many honing an amateur style.

· Gary Russell Jr. is either being horribly mismanaged, or his handlers know something about him that we don’t.

· We have another intriguing weekend of fights awaiting us, and the best of them will be Hernan “Tyson” Marquez vs. Brian Viloria on WealthTV. This is the biggest hurdle left standing between Rios-Alvarado and Fight of the Year honors.

· I was going to pick Johnathon Banks to upset Seth Mitchell this Saturday night. Then I found out it was this Johnathon Banks. Not this one.

· In honor of Veterans Day, I invite you to enjoy this Ring Theory clip in which Bill Dettloff, Tim Starks, and I pay tribute to (alleged) war veteran Norman Stone. If you enjoy this, I encourage you to pony up a few bucks and subscribe to the podcast. It’s what the proud men and women who have served our country in combat would want you to do.

Eric Raskin can be contacted at RaskinBoxing@yahoo.com. You can follow him on Twitter @EricRaskin and listen to new episodes of his podcast, Ring Theory, at http://ringtheory.podbean.com.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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