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Solving “The Problem”
This Saturday, one of boxing’s most prodigious talents, Adrien Broner {24-0 with 20 Kos} will be stepping u to 135 pounds for the very first time {at least officially} when he meets tough Mexican Antonio DeMarco {28-1-2 with 21 KOS} at the Boardwalk Hall in Atlantic City, New Jersey.
While the bout is no forgone conclusion -DeMarco is certainly no walk in the park- the general feeling among most boxing people is that Adrien Broner will have too much speed and skill for the tough but limited Tony DeMarco to handle.
With this in mind then, I thought I’d take this time to dissect Adrien Broner’s signature technique, the shoulder roll, and highlight how Tony DeMarco could possibly take advantage of it in any way.
Getting beyond the shoulder
Even at this early stage in his career, Adrien Broner is already one of the best defensive fighters in professional boxing. One of the ways he remains so elusive during a fight is because of the way he uses his shoulder to defend himself. The shoulder roll is the foundation of Broner’s game.
Here’s a quick look at the type of defense we’re going to be looking at.
Broner defends using the same shoulder roll defense as the likes of James Toney and Floyd Mayweather Jr. Standing side on to his opponent, Broner’s left shoulder is raised and slightly turned in so that it’s guarding his chin. His left elbow is pushed out slightly so that his forearms are protecting his lower left side, and his right glove is positioned by his chin so that his right elbow is covering his lower right side. This defense is excellent for deflecting punches using the shoulders, arms and elbows by rolling in the same direction with the punch. It’s also useful for creating angles to counter back from.
One of the best examples of Adrien Broner effectively using his shoulder roll defense came against Vicente Escobedo during his last fight.
Vicente Escobedo’s applying pressure in close. Notice as he’s trying to land a left hook to the body followed by a right hook up stairs, how Broner rolls and avoids the attack -blocking Escobedo’s left hook by jamming his right arm into the shot, and Escobedo’s right hook by using his left elbow to intercept the shot as it’s coming over the top. This defense blunts wide punches in close easily.
Escobedo is standing right in front of Broner. As he tries to land a left/right combination, Broner picks both shots off effortlessly using his elbows. Again, Escobedo’s shots are coming in wide and are easy to track.
Once more, Escobedo tries to land a left/right, and once more, Broner evades both shots by using his right elbow and lead shoulder to block and roll with the punches.
Here’s Vicente Escobedo trying to mount some offense without success and this time, being countered for his troubles.
Escobedo finds himself standing right in front of Broner with his back up against the ropes. As Escobedo pushes forward in an attempt to land a left hook to the body, Broner places his right glove on the back of Escobedo’s neck and pushes down. Using Escobedo’s neck for leverage, Broner comes back with a short left cross in close, before blocking a right hook to the body by jamming his left shoulder and elbow into the shot. In this position, Broner uses his left elbow to push Escobedo off and create room for a counter right uppercut through the center.
This sequence shows how comfortable Broner is defending inside the pocket.
Notice as Escobedo throws a jab, Broner sees it coming and performs an inside parry, knocking Escobedo’s lead hand down. Escobedo then follows up with a right and left hook towards the body, but Broner, always relaxed on the inside, intercepts both shots easily using his left elbow to block the right, and right elbow to block the left.
Look how Escobedo is attacking Broner the same way over and over. As Escobedo comes in with another left hook/right hook combination, Broner doesn’t even have to adjust his guard. Because Escobedo’s shots are coming in wide, Broner knows he can catch them on his gloves and shoulders by simply rotating his hips. Notice how Broner’s chin is hidden behind his lead shoulder and right glove at all times.
Here’s Broner hiding behind his shoulder, this time, disguising his offense. As he pushes Escobedo towards the ropes, notice how Broner is still in a defensive position {chin protected by his lead shoulder and right glove} but he’s also in position to land a right uppercut, or, as he does in this scenario, use his left arm to separate himself from Escobedo in order to land a right hook to the side of Escobedo’s body, underneath Escobedo’s high guard.
By looking at the sequences above, it’s doesn’t take long to realize that Adrien Broner is a very skilled individual. It doesn’t take long to come away with the conclusion that all of Vicente Escobedo’s attacks were too predictable either. Escobedo was never going to take Broner by surprise by standing right in front of him without the using any feints, a change of angle or any creativity prior to launching an attack. Every single Escobedo assault consisted of him attacking in a straight line, throwing nothing but wide left/right combinations. No fighter is going to get beyond Broner by simply pushing forward, hoping to get inside and rough him up. As I’ve already mentioned, I believe Broner’s shoulder roll defense is the perfect foil for neutralizing wide shots on the inside. Once a fighter gets too close to Broner, it’s nigh on impossible for them to throw anything other than wide punches. Broner is very good at eliminating his opponent’s attacking options. By covering up and looking vulnerable, he manipulates his opponents into thinking they will have more success by jumping in and swarming all over him, as opposed to standing off and boxing him.
In March of 2011, Adrien Broner won a hotly disputed decision over rugged veteran, Daniel Ponce De Leon. As I’m sure you’re all aware, De Leon is far from an elite level fighter. He’s not the fastest, not the most athletic nor is he the most technically gifted, and yet he was able to fight on even terms with Adrien Broner for 12 rounds because of a well laid out game plan.
So what was Daniel Ponce De Leon able to do against Adrien Broner that Vicente Escobedo could not?
Movement
It’s immediately apparent here, that Ponce De Leon is using more of the ring than what Vicente Escobedo did during his fight with Broner. Whereas Escobedo was always right in front of Broner, peeking out beyond his earmuff guard and his feet in line with his shoulders, De Leon is moving laterally, side to side and giving Broner lots of different looks. Moving in this way doesn’t allow Broner to plant his feet and set himself –crucial elements that are required in order for the shoulder defense to be effective.
Feinting
Notice how De Leon comes in with a foot feint and instantly causes Broner to react. De Leon hasn’t even thrown a punch yet, but he’s managed to do something to Broner that Escobedo couldn’t, and that’s put Broner on to his back foot.
Notice how Ponce De Leon makes Broner reluctant to throw by feinting him. As De Leon takes a step forward, Broner reacts and leans away. As Broner resets, De Leon steps in again and causes Broner to react again. Feinting in this way disrupts an opponent’s rhythm. Broner is at his best when he’s dictating things -using his slick skills to control the inside action or keeping his opponent occupied with the jab. Broner is too busy thinking about De Leon’s sudden sporadic bursts to do either in this instance. I also want you take another look at Broner’s feet as Ponce De Leon is stepping in. Notice how Broner never really takes a step back. Instead, he relies on nothing but upper body movement to avoid an attack.
Using southpaw angles effectively
De Leon is not the quickest of fighters by any stretch of the imagination, but because he has a clear understanding of angles, he’s able to attack where Broner’s at his most vulnerable –in a position where he’s unable to defend and counter with maximum effect. See how De Leon has stepped inside of Broner’s lead shoulder in order to land his lead hand, as opposed to attacking from outside of it as Escobedo did. Broner’s defense is ineffective if the attack is travelling inside of his lead shoulder.
Once again, De Leon has managed to get a dominant angle on Broner. As Broner jabs, De Leon ducks under it before landing his trailing to the body. Notice how as De Leon steps in, he’s successful in getting his lead foot outside of Broner’s.
It’s the same story again in this sequence. As Ponce De Leon steps forward, Broner is rooted to the spot. Because Broner defends primarily by planting his feet and using upper body movement, as opposed to moving away to avoid an attack, De Leon can gain the outside position and land his trailing hands to Broner’s body by stepping outside of him. A simple step back may have shut down Ponce De Leon’s charge.
Mixing up the target with the one-two
Here, Ponce De Leon is drifting left before falling in with an overhand left. Notice how De Leon throws a range finding right before throwing the left. Doing this forces Broner into opening up with a right hand. Believing this was De Leon’s primary attack, Broner left himself available for the left hand over the top. It’s yet another unpredictable, but brilliant strategical attack from Ponce De Leon –drifting left, inside of Broner’s lead shoulder, before attacking in an unpredictable manner, using relatively straight shots as opposed to the wider, easier to read shots of Escobedo.
And another…
De Leon is successful using the same strategy here as well. Only this time, he alternates the target by going to the body instead. Again, Ponce De Leon comes in from the outside and throws a range finding lead right hand before dropping a left hook into Broner’s stomach.
As you can see, there were vast differences between the ways in which Vicente Escobedo and Daniel Ponce De Leon went about their business with Adrien Broner.
Although there was an obvious weight issue when they fought, Vicente Escobedo would have had very little success against Adrien Broner, regardless of weight because;
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He lacked creativity on offense
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Showed little to no lateral movement
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Attacked and backed up in straight lines
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Remained stationary and in front of Broner for the duration of the fight
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Continued to throw punches outside of Broner’s lead shoulder.
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Couldn’t avoid the pocket
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Threw wide, telegraphed, looping punches
On the other hand, Daniel Ponce De Leon had a lot of success against Adrien Broner because;
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He used plenty of lateral movement
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Used his southpaw stance to its full affect {angles}
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Mixed up his punches, high and low
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Used feints
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Avoided the inside for long periods of the fight
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Used an unpredictable” in and out” strategy
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Threw straight punches
So what can Tony DeMarco take from both of these fights?
Although common perception says that a defensive counter puncher is susceptible to volume and pressure, I believe that an inside fight here would favor Adrien Broner. Besides, not everyone is able to maintain the same kind of frenetic pace that Abner Mares produced against Anselmo Moreno last weekend.
No, in my view, Tony DeMarco should avoid getting too close to Broner. From mid to long range, there are multiple offensive weapons and angles to choose from. Once inside, however, such is the way that Broner positions himself in relation to his opponent, there are only a few attacking options available, primarily a right or a left hook. When most people look at a fighter like Broner, they assume his defensive skills are a result of God-given perception, when really, it’s down to visual clarity amid heavy fire and the probability of an opponent’s attack. When Broner is defending, his eyes are wide open and he sees everything that’s going on. If an opponent is right up on top of him, then rest assured, he knows that all he needs to look out for are the shots that he’s given his opponent permission to throw, so to speak. It’s all about anticipation. Vicente Escobedo continued to put himself in a position where he could throw nothing but wide hooks around the sides of Broner’s guard. Broner knew this and allowed Escobedo to throw wide shots at his arms, shoulders and elbows, before systematically breaking him down.
I believe DeMarco would be well advised to take a leaf out of Ponce De Leon’s book by using plenty of movement combined with feints, sporadic attacks and straight punching, and also by moving to Broner’s right, and attacking inside of his lead shoulder.
Even though Broner eventually went on to win the fight, he never quite came to terms with what Ponce De Leon was doing to him. DeMarco is an intelligent, gutsy, bigger and probably a quicker fighter than Ponce De Leon. Oh, and he’s got those southpaw angles on his side too.
However, saying what someone could or should do and what someone can do are two very different things entirely. Things look a lot differently in the heat of the battle and I have a funny feeling that Adrien Broner has improved a lot since his struggle with Daniel Ponce De Leon.
If I was a gambling man, I’d say Broner will be too fast and too skilled for DeMarco . I can’t get the vision of Jorge Linares boxing circles round DeMarco before he was eventually cut up and stopped. Simply put, Adrien Broner is bigger, faster and stronger than Linares. He’s also much better defensively and has way more punching power than Jorge Linares too. The more I think about it, the more I can envision Broner taking DeMarco out before the final bell. I sense we haven’t seen the best of Adrien Broner just yet. Maybe this Saturday we get to see something special from a potentially very special fighter.
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!
It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.
Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.
But hold the phone!
After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.
It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.
Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.
Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.
Co-Main
Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.
A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.
Other Bouts of Note
In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.
Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).
Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.
Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.
Photo credit: Mikey Williams / Top Rank
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