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Solving “The Problem”

This Saturday, one of boxing’s most prodigious talents, Adrien Broner {24-0 with 20 Kos} will be stepping u to 135 pounds for the very first time {at least officially} when he meets tough Mexican Antonio DeMarco {28-1-2 with 21 KOS} at the Boardwalk Hall in Atlantic City, New Jersey.
While the bout is no forgone conclusion -DeMarco is certainly no walk in the park- the general feeling among most boxing people is that Adrien Broner will have too much speed and skill for the tough but limited Tony DeMarco to handle.
With this in mind then, I thought I’d take this time to dissect Adrien Broner’s signature technique, the shoulder roll, and highlight how Tony DeMarco could possibly take advantage of it in any way.
Getting beyond the shoulder
Even at this early stage in his career, Adrien Broner is already one of the best defensive fighters in professional boxing. One of the ways he remains so elusive during a fight is because of the way he uses his shoulder to defend himself. The shoulder roll is the foundation of Broner’s game.
Here’s a quick look at the type of defense we’re going to be looking at.
Broner defends using the same shoulder roll defense as the likes of James Toney and Floyd Mayweather Jr. Standing side on to his opponent, Broner’s left shoulder is raised and slightly turned in so that it’s guarding his chin. His left elbow is pushed out slightly so that his forearms are protecting his lower left side, and his right glove is positioned by his chin so that his right elbow is covering his lower right side. This defense is excellent for deflecting punches using the shoulders, arms and elbows by rolling in the same direction with the punch. It’s also useful for creating angles to counter back from.
One of the best examples of Adrien Broner effectively using his shoulder roll defense came against Vicente Escobedo during his last fight.
Vicente Escobedo’s applying pressure in close. Notice as he’s trying to land a left hook to the body followed by a right hook up stairs, how Broner rolls and avoids the attack -blocking Escobedo’s left hook by jamming his right arm into the shot, and Escobedo’s right hook by using his left elbow to intercept the shot as it’s coming over the top. This defense blunts wide punches in close easily.
Escobedo is standing right in front of Broner. As he tries to land a left/right combination, Broner picks both shots off effortlessly using his elbows. Again, Escobedo’s shots are coming in wide and are easy to track.
Once more, Escobedo tries to land a left/right, and once more, Broner evades both shots by using his right elbow and lead shoulder to block and roll with the punches.
Here’s Vicente Escobedo trying to mount some offense without success and this time, being countered for his troubles.
Escobedo finds himself standing right in front of Broner with his back up against the ropes. As Escobedo pushes forward in an attempt to land a left hook to the body, Broner places his right glove on the back of Escobedo’s neck and pushes down. Using Escobedo’s neck for leverage, Broner comes back with a short left cross in close, before blocking a right hook to the body by jamming his left shoulder and elbow into the shot. In this position, Broner uses his left elbow to push Escobedo off and create room for a counter right uppercut through the center.
This sequence shows how comfortable Broner is defending inside the pocket.
Notice as Escobedo throws a jab, Broner sees it coming and performs an inside parry, knocking Escobedo’s lead hand down. Escobedo then follows up with a right and left hook towards the body, but Broner, always relaxed on the inside, intercepts both shots easily using his left elbow to block the right, and right elbow to block the left.
Look how Escobedo is attacking Broner the same way over and over. As Escobedo comes in with another left hook/right hook combination, Broner doesn’t even have to adjust his guard. Because Escobedo’s shots are coming in wide, Broner knows he can catch them on his gloves and shoulders by simply rotating his hips. Notice how Broner’s chin is hidden behind his lead shoulder and right glove at all times.
Here’s Broner hiding behind his shoulder, this time, disguising his offense. As he pushes Escobedo towards the ropes, notice how Broner is still in a defensive position {chin protected by his lead shoulder and right glove} but he’s also in position to land a right uppercut, or, as he does in this scenario, use his left arm to separate himself from Escobedo in order to land a right hook to the side of Escobedo’s body, underneath Escobedo’s high guard.
By looking at the sequences above, it’s doesn’t take long to realize that Adrien Broner is a very skilled individual. It doesn’t take long to come away with the conclusion that all of Vicente Escobedo’s attacks were too predictable either. Escobedo was never going to take Broner by surprise by standing right in front of him without the using any feints, a change of angle or any creativity prior to launching an attack. Every single Escobedo assault consisted of him attacking in a straight line, throwing nothing but wide left/right combinations. No fighter is going to get beyond Broner by simply pushing forward, hoping to get inside and rough him up. As I’ve already mentioned, I believe Broner’s shoulder roll defense is the perfect foil for neutralizing wide shots on the inside. Once a fighter gets too close to Broner, it’s nigh on impossible for them to throw anything other than wide punches. Broner is very good at eliminating his opponent’s attacking options. By covering up and looking vulnerable, he manipulates his opponents into thinking they will have more success by jumping in and swarming all over him, as opposed to standing off and boxing him.
In March of 2011, Adrien Broner won a hotly disputed decision over rugged veteran, Daniel Ponce De Leon. As I’m sure you’re all aware, De Leon is far from an elite level fighter. He’s not the fastest, not the most athletic nor is he the most technically gifted, and yet he was able to fight on even terms with Adrien Broner for 12 rounds because of a well laid out game plan.
So what was Daniel Ponce De Leon able to do against Adrien Broner that Vicente Escobedo could not?
Movement
It’s immediately apparent here, that Ponce De Leon is using more of the ring than what Vicente Escobedo did during his fight with Broner. Whereas Escobedo was always right in front of Broner, peeking out beyond his earmuff guard and his feet in line with his shoulders, De Leon is moving laterally, side to side and giving Broner lots of different looks. Moving in this way doesn’t allow Broner to plant his feet and set himself –crucial elements that are required in order for the shoulder defense to be effective.
Feinting
Notice how De Leon comes in with a foot feint and instantly causes Broner to react. De Leon hasn’t even thrown a punch yet, but he’s managed to do something to Broner that Escobedo couldn’t, and that’s put Broner on to his back foot.
Notice how Ponce De Leon makes Broner reluctant to throw by feinting him. As De Leon takes a step forward, Broner reacts and leans away. As Broner resets, De Leon steps in again and causes Broner to react again. Feinting in this way disrupts an opponent’s rhythm. Broner is at his best when he’s dictating things -using his slick skills to control the inside action or keeping his opponent occupied with the jab. Broner is too busy thinking about De Leon’s sudden sporadic bursts to do either in this instance. I also want you take another look at Broner’s feet as Ponce De Leon is stepping in. Notice how Broner never really takes a step back. Instead, he relies on nothing but upper body movement to avoid an attack.
Using southpaw angles effectively
De Leon is not the quickest of fighters by any stretch of the imagination, but because he has a clear understanding of angles, he’s able to attack where Broner’s at his most vulnerable –in a position where he’s unable to defend and counter with maximum effect. See how De Leon has stepped inside of Broner’s lead shoulder in order to land his lead hand, as opposed to attacking from outside of it as Escobedo did. Broner’s defense is ineffective if the attack is travelling inside of his lead shoulder.
Once again, De Leon has managed to get a dominant angle on Broner. As Broner jabs, De Leon ducks under it before landing his trailing to the body. Notice how as De Leon steps in, he’s successful in getting his lead foot outside of Broner’s.
It’s the same story again in this sequence. As Ponce De Leon steps forward, Broner is rooted to the spot. Because Broner defends primarily by planting his feet and using upper body movement, as opposed to moving away to avoid an attack, De Leon can gain the outside position and land his trailing hands to Broner’s body by stepping outside of him. A simple step back may have shut down Ponce De Leon’s charge.
Mixing up the target with the one-two
Here, Ponce De Leon is drifting left before falling in with an overhand left. Notice how De Leon throws a range finding right before throwing the left. Doing this forces Broner into opening up with a right hand. Believing this was De Leon’s primary attack, Broner left himself available for the left hand over the top. It’s yet another unpredictable, but brilliant strategical attack from Ponce De Leon –drifting left, inside of Broner’s lead shoulder, before attacking in an unpredictable manner, using relatively straight shots as opposed to the wider, easier to read shots of Escobedo.
And another…
De Leon is successful using the same strategy here as well. Only this time, he alternates the target by going to the body instead. Again, Ponce De Leon comes in from the outside and throws a range finding lead right hand before dropping a left hook into Broner’s stomach.
As you can see, there were vast differences between the ways in which Vicente Escobedo and Daniel Ponce De Leon went about their business with Adrien Broner.
Although there was an obvious weight issue when they fought, Vicente Escobedo would have had very little success against Adrien Broner, regardless of weight because;
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He lacked creativity on offense
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Showed little to no lateral movement
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Attacked and backed up in straight lines
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Remained stationary and in front of Broner for the duration of the fight
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Continued to throw punches outside of Broner’s lead shoulder.
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Couldn’t avoid the pocket
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Threw wide, telegraphed, looping punches
On the other hand, Daniel Ponce De Leon had a lot of success against Adrien Broner because;
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He used plenty of lateral movement
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Used his southpaw stance to its full affect {angles}
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Mixed up his punches, high and low
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Used feints
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Avoided the inside for long periods of the fight
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Used an unpredictable” in and out” strategy
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Threw straight punches
So what can Tony DeMarco take from both of these fights?
Although common perception says that a defensive counter puncher is susceptible to volume and pressure, I believe that an inside fight here would favor Adrien Broner. Besides, not everyone is able to maintain the same kind of frenetic pace that Abner Mares produced against Anselmo Moreno last weekend.
No, in my view, Tony DeMarco should avoid getting too close to Broner. From mid to long range, there are multiple offensive weapons and angles to choose from. Once inside, however, such is the way that Broner positions himself in relation to his opponent, there are only a few attacking options available, primarily a right or a left hook. When most people look at a fighter like Broner, they assume his defensive skills are a result of God-given perception, when really, it’s down to visual clarity amid heavy fire and the probability of an opponent’s attack. When Broner is defending, his eyes are wide open and he sees everything that’s going on. If an opponent is right up on top of him, then rest assured, he knows that all he needs to look out for are the shots that he’s given his opponent permission to throw, so to speak. It’s all about anticipation. Vicente Escobedo continued to put himself in a position where he could throw nothing but wide hooks around the sides of Broner’s guard. Broner knew this and allowed Escobedo to throw wide shots at his arms, shoulders and elbows, before systematically breaking him down.
I believe DeMarco would be well advised to take a leaf out of Ponce De Leon’s book by using plenty of movement combined with feints, sporadic attacks and straight punching, and also by moving to Broner’s right, and attacking inside of his lead shoulder.
Even though Broner eventually went on to win the fight, he never quite came to terms with what Ponce De Leon was doing to him. DeMarco is an intelligent, gutsy, bigger and probably a quicker fighter than Ponce De Leon. Oh, and he’s got those southpaw angles on his side too.
However, saying what someone could or should do and what someone can do are two very different things entirely. Things look a lot differently in the heat of the battle and I have a funny feeling that Adrien Broner has improved a lot since his struggle with Daniel Ponce De Leon.
If I was a gambling man, I’d say Broner will be too fast and too skilled for DeMarco . I can’t get the vision of Jorge Linares boxing circles round DeMarco before he was eventually cut up and stopped. Simply put, Adrien Broner is bigger, faster and stronger than Linares. He’s also much better defensively and has way more punching power than Jorge Linares too. The more I think about it, the more I can envision Broner taking DeMarco out before the final bell. I sense we haven’t seen the best of Adrien Broner just yet. Maybe this Saturday we get to see something special from a potentially very special fighter.
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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.
This is huge in British boxing.
Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.
This is about family pride.
The parents of Eubank and Benn actually began the feud in the 1990s.
Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.
Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.
Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.
Animosity between the two families continues this weekend in the boxing ring.
Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.
“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.
This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.
Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.
“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”
Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.
“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.
Eubank smiles.
“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.
Supporting Bout
Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.
“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.
McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.
It’s youth versus experience.
“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.
Monster in L.A.
Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.
It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.
Pomona Fights
Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.
Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.
Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions
Fights to Watch
Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).
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Floyd Mayweather has Another Phenom and his name is Curmel Moton

Floyd Mayweather has Another Phenom and his name is Curmel Moton
In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.
Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”
Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.
Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.
The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.
It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.
Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.
Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.
When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.
Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”
Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.
Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.
Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.
Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.
It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.
Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.
For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”
It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.
Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.
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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.
The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.
In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.
The following papers were represented at the inaugural boxing writers’ dinner:
New York Times
New York News
New York World
New York Sun
New York Journal
New York Post
New York Mirror
New York Telegram
New York Graphic
New York Herald Tribune
Brooklyn Eagle
Brooklyn Times
Brooklyn Standard Union
Brooklyn Citizen
Bronx Home News
This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.
Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.
The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.
Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)
Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.
Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.
There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.
In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.
There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.
The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.
Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.
The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.
The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.
Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.
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