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Somebody’s ‘OH’ Must Go? Floyd Has More To Lose Than Canelo

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It is a declarative statement that is uttered, and often, whenever two boxers with undefeated records square off.

“Somebody’s `oh’ must go” is the familiar refrain. And that is true in most cases, although it does not account for the possibility of a draw which would leave somebody’s “oh” at least somewhat smudged. In the case of Saturday night’s Showtime Pay-Per-View extravaganza at the MGM Grand in Las Vegas, pitting pound-for-pound king Floyd Mayweather Jr. (44-0, 26 KOs) vs. emerging superstar Canelo Alvarez 42-0-1, 30 KOs), the 23-year-old Mexican sensation already has one standoff on his professional resume (a four-round split draw with Jorge Juarez on June 17, 2006, when Alvarez was only 15) removing the veneer of total perfection.

Maybe the fight – at a mutually agreed-upon catch weight of 152 pounds, five more than the welterweight limit WBC champion Mayweather is most accustomed to and two below the junior middleweight limit at which Alvarez, the WBC/WBA titlist, usually works – will live up to the astounding hype. Alvarez’s 154-pound belts, despite the catch weight, will be on the line.

Many predict that this fight will surpass the record 2.5 million PPV buys for Mayweather’s 2007 showdown with Oscar De La Hoya, which he won on a split decision, and because of higher subscription prices – $64.95 for standard television, an even heftier $74.95 for high-definition – and the fact the bout will be shown in 500 movie theaters around the country, it almost certainly will be the highest-grossing boxing event of all time. But no matter the outcome, Mayweather is assured of a record $41.5 million payday (shattering the previous high of $33 million that Evander Holyfield received for his “Bite Fight” rematch with Mike Tyson), which could rise to $50 million if the more optimistic PPV projections are accurate. Alvarez is supposedly guaranteed a minimum $12.5 million, with that figure apt to jump significantly if the PPV buy rate meets expectations.

To hear the headliners tell it, each man has as much to win, or lose, as the other.

“I think it’s a lot of pressure (on Alvarez),” a supremely confident Mayweather said during a teleconference with the media last week. “Sometimes when there’s pressure, a guy fights better. We have to see how this fight plays out.

“This is a whole different ballgame. (Alvarez) may be predicting a knockout, but all you have to do is look at the opponents he’s faced. And we’re not just talking about `A-plus’ fighters but `D-minus’ and `C-minus’ fighters … guys that he should have knocked out in the fourth round, they were able to go into the eighth and ninth rounds even though they were caught with numerous shots.

“I don’t think Ricky Hatton’s brother (Matthew Hatton, whom Alvarez dominated over 12 rounds in winning a unanimous decision on March 5, 2011) is on the level of a Floyd Mayweather. This is chess, not checkers. These are moves you have to think about. At this level, you’ve got to get 10 steps ahead of your opponent.”

For his part, Alvarez is just as convinced that it is Mayweather who has to be feeling the most heat as he attempts to extend, at the old-for-boxing age of 36, the unblemished record which he frequently cites as proof that he really must be the greatest fighter of all time.

“If I win – when I win – it will change history,” said the red-haired, freckled, pale-skinned Alvarez, who at various times has been described as resembling Howdy Doody, Richie Cunningham and Chucky, said when the question was raised as to which fighter is under the most pressure.

“I think that the way he’s talking, he’s underestimating me. But at the same time, I think he’s worried. I think that he’s very, very worried. He’s always been like that. He’s always been a (trash) talker because that’s the way he is. But I don’t care what he’s saying and I don’t care what he’s thinking. What I care about is what I’m saying and what I’m thinking.”

Opinions will vary, of course, and the prevailing sentiment among those not swayed by emotion or personal preference (like Las Vegas oddsmakers, who have installed Mayweather as a slightly more than 2-to-1 favorite) is that enough of “Money’s” prime remains that he will school the kid as he has done so many previous befuddled opponents. This is the second fight in the 30-month, six-bout deal Mayweather signed with Showtime PPV/CBS in February. His first ring appearance on that contract – which could bring him $250 million-plus if all six fights are staged within the specified time frame — resulted in a standard 12-round decision over an outclassed Robert Guerrero on May 4. Mayweather earned $32 million for that one, although few fireworks were set off. While many analysts applaud Mayweather’s technical artistry, especially his seemingly impenetrable defense, they also are honest in their assessment that he has never been considered a crowd-pleasing “action” fighter who engages in the sort of risk-taking that quickens the pulses of spectators.

So why is Mayweather, if he is indeed too good for his own good, as some have opined, such a box-office smash? Some say it is because of a carefully orchestrated attempt to market himself as a controversial lighting rod that everyone loves or hates, depending on their particular proclivities.

Not since Mike Tyson was offending polite society with his profligate spending and frequently outrageous behavior has any boxer been as much of a proponent of the “If you’ve got it, flaunt it” lifestyle as has Mayweather. In the most recent issue of ESPN The Magazine, he graces the cover and, in the story authored by Tim Keown, it is duly noted that on one shopping trip for even more bling-bling, Mayweather was adorned by $3 million in diamond-and-gold jewelry, including a $1.6 million necklace. He wears his boxer shorts and pricey sneakers just once before tossing them out, and his unwieldy entourage (more than 20 fulltime employees, including four husky bodyguards) are at his constant beck-and-call, even when he fights only once in a given year. And even though he shaves his head, among his team members is a personal barber.

Also reminiscent of Tyson, who owned a fleet of luxury cars despite the fact he ran up hundreds of thousands of dollars in limousine rentals fees, is Mayweather’s fondness for high-end rides. He keeps identical sets of color-coded, ultra-expensive cars at his mansions in Las Vegas (they’re white) and Miami (black), as if to remind himself of where he is at any given moment.

If this is the way Mayweather chooses to roll simply because he can afford it and it suits him, that is one thing. It is quite another if it is the cultivation of an image he has crafted for the purpose of setting himself apart from other elite fighters, as if his abundance of ring skills didn’t already do that. In the spring of 2004, during a brief and ill-advised association with women’s hair-care products magnates Lewis Hendler and Neal Menaged, an attempt was made to make Mayweather more palatable to those Americans who found it difficult to relate to him.

“Our plan is not to tap into the thug image as a way to build Floyd up,” Hendler said prior to Mayweather’s bout with DeMarcus Corley. “We’d like to see him make the transition to mainstream, rather than to pin himself to a particular culture which is fairly limited in terms of marketing potential.”

That plan failed, or wasn’t allowed to succeed, depending upon your point of view. Mayweather quickly broke away from the hair-care guys, and prior to his 2005 fight with Arturo Gatti in Atlantic City, he said that “I am always the villain. That’s all right. I know how boxing works. You have to have a good guy and a bad guy. I don’t mind being the bad guy.”

Leonard Ellerbe, CEO of Mayweather Promotions, seemingly seconded that notion in 2012 when he said, “Floyd is one of the most despised athletes in the world, but he’s also the most talented athlete in the world. What other athlete do you know who has dominated his sport for 16 years?”

Which raises a question. Is Mayweather – despite having zero endorsement deals – the highest-grossing athlete in the world (Forbes magazine had him No. 1 for 2012 with an income of $85 million, a figure he might reach or surpass this year) because of his anti-hero status, or despite it? And is his bleep-you public persona a put-on or for real? There is ample evidence to suggest that what you see, like courtroom appearances and visits to the hoosegow, is really what you get. Mayweather’s running afoul of the law includes the mandatory impulse-control counseling after he was convicted of misdemeanor battery after a confrontation with two women at a Las Vegas nightclub and, most notably, his serving of two months of a six-month sentence after pleading guilty to domestic violence against Josie Harris, the mother of three of his children, in 2011. Had it not been to a plea deal he accepted which resulted in the dropping of additional felony and misdemeanor charges, Mayweather conceivably could have been sent to prison for up to 34 years.

“He just continually gets himself into trouble and he is able to get himself out of it as well,” prosecutor Lisa Luzaich said of the legal trouble Mayweather was embroiled in as a result of the incident with Harris, who accused him of pulling her hair, punching her in the head and twisting her arm. “Essentially it is because he is who he is and is able to get away with everything.”

So here comes Alvarez, with his national-hero status in Mexico and matinee-idol good looks everywhere, an upset victory over the long-standing king of the mountain from becoming the dominant economic force in boxing. He is 23 with a career that comprises much more future than past, unlike Mayweather, who admits to looking no further ahead than the fulfillment of his current contract, and maybe one more bout beyond that if it means making it to the nice, round number of 50-0.

Good vs. evil, as well as young vs. old, are always bankable premises for selling big-time bouts and Mayweather-Alvarez fits comfortably within those parameters. But the paradigm shifts on fight night, when the paying customers expect to be as entertained by what transpires inside the ropes as they were by the compelling story lines going in.

There is the nagging belief in some quarters that the main undercard bout – in which WBA/WBC junior welterweight champion Danny Garcia (26-0, 16 KOs) defends those titles against power-punching Lucas Matthysse (34-2, 32 KOs) of Argentina – could steal the show from the main-event guys. Garcia-Matthysse, because of the attacking styles of the fighters involved, almost assuredly will be exciting for however long it lasts, which might not be the case if Mayweather spends 12 more rounds as a pugilistic Bobby Fischer, grandmaster of chess, toying with a relative newcomer on the brightly lit stage trying to play checkers.

Somebody’s “oh” must go? Yeah, that is important when each participant has as much to win, or lose, as the other. An example of just such a matchup might be the Sept. 16, 1981, welterweight unification megafight between WBA champion Sugar Ray Leonard, then 25, and 22-year-old WBC ruler Thomas Hearns. Those future Hall of Famers were young, undefeated, charismatic and exciting, and Leonard’s thrilling, 14th-round stoppage of the Detroit “Hitman,” while trailing on the official scorecards, gave all that fans could have expected, and more. But while Leonard’s career got a boost from that signature victory, Hearns’ reputation was not necessarily damaged. He had established himself even more as someone the public wanted to see, as is always the case with fighters who unfailingly provide bang for the consumer’s buck.

Is Mayweather-Alvarez apt to be another Leonard-Hearns I, or is it going to be another Mayweather-De La Hoya, which did such booming business yet did not go into boxing annals among the most riveting bouts ever?

Also undetermined is the effect a Mayweather loss would have on both he and his sport. Is there an “out” clause on the part of Showtime/CBS if Mayweather is defeated and thus loses his shield of invincibility? And even if there isn’t such a clause, would he voluntarily choose to step aside if his record were to be defaced by an “L”? Hey, the ESPN the Mag story revealed that he has $123 million in his bank account, which should keep his small army of sycophants on the payroll for quite a while, should “Money” continue to live the ostentatious lifestyle of the rich and famous.

But Alvarez doesn’t need to emerge victorious to remain a viable force. Unless he is emphatically knocked out or embarrassed by Mayweather from the opening bell, he, like Hearns, can be counted on to remain among boxing’s must-see attractions. Defeat is not especially a hindrance to popularity, provided a fighter rates high on the thrill-a-meter. Hearns showed us that, as did the late Arturo Gatti.

Inquiring minds want to see how it all will turn out on Saturday night, when somebody’s “oh” has to go.

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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