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Times Square in New York City is often referred to as “the crossroads of the world.” On November 2nd, the crossroads moved nine blocks south to Madison Square Garden where Brooklyn and Kazakhstan converged for the middleweight title fight between Curtis Stevens and Gennady Gennadyevich Golovkin.

Golovkin was born in Kazakhstan in 1982. He won a World Amateur Boxing Championship in 2003 and a silver medal at the Athens Olympics a year later. The most reliable accounting of his amateur record is 345 wins against 5 losses. He has never been knocked down as an amateur or professional and is undefeated in 28 pro fights with 25 knockouts. He currently holds the WBA and IBO titles.

Outside the ring, Golovkin smiles a lot and has a gentle demeanor. On the street, he could pass for a computer geek. His first language is Russian, but he speaks fluent Kazakh and some German. In interviews with the American media, he sometimes waits for a question to be translated into Russian but answers in English.

Too many fighters want to live like rock stars when they reach the top. Golovkin’s life is focused on boxing, not partying or other distractions. His wife and four-year-old son live in Germany.

“I see them between my fights,” Gennady says. “I am lonely sometimes without them because I train in California. But my work is here. I like California. California is perfect for me and, I hope, some day for my family. Life for me is good now. I am happy.”

Golovkin doesn’t look like a world-class fighter, but he fights like one. His trainer, Abel Sanchez (who Gennady calls “coach”) likens his pupil’s relentless attack to that of Julio Cesar Chavez in his prime.

“Gennady is a joy to work with,” Sanchez says. “His mentality is about improving every day. My biggest problem is, I can’t get complacent. I have to make sure that I don’t become a fan.”

Golovkin in the ring is like a threshing machine cutting through a wheat field. Or a tank that’s firing live ammunition. Choose your metaphor. He’s exciting to watch, methodically destroys opponents, and has the highest knockout percentage of any current belt holder in boxing.

“I can throw ten punches very fast,” Gennady says, mimicking shoe shining. “Br-r-r-r-r-r-r-r-r-r . . . But why throw ten punches when you can knock a man out with two?”

Some fighters keep the “0” on their record by avoiding other top fighters. To date, Golovkin hasn’t turned down a single opponent. He has always been willing to fight the best available opposition. But other fighters with belts and fighters who are in line to fight one of the other middleweight belt holders have distanced themselves from Gennady.

Also, Golovkin is under the promotional umbrella of K2 promotions. And while K2 managing director Tom Loeffler has worked hard to advance Gennady’s career, one can make the argument that Vitali and Wladimir Klitschko could and should be more supportive. Indeed, in the “About Us” section on the K2 website, Golovkin is listed after Johnathon Banks and Ola Afolabi.

Golovkin introduced himself to the American public with a fifth-round knockout of Grzegorz Proksa on HBO in September 2012. Knockouts of Gabriel Rosado and Matthew Macklin followed. The network then slated a November 2nd date for Gennady and needed an opponent. Curtis Stevens stepped into the void.

Stevens, age 28, has lived his entire life in Brooklyn. He turned pro in 2004 and came into the fight against Golovkin with a 25-and-3 record. Most his bouts were at light-heavyweight. He was undefeated with three first-round knockouts in four fights after going down to 160 pounds.

There was a modest amount of trashtalk prior to Golovkin-Stevens; most of it from Curtis, who called Golovkin “an overrated hype job” and promised to “knock him the f— out.”

That earned a rejoinder from Gennady, who observed, “Dangerous atmosphere, different style. I am sportsman. He has big mouth.”

“Gennady doesn’t get angry,” Abel Sanchez noted. “He gets focused.” Then Sanchez said of Stevens, “He’s going to get destroyed. He doesn’t belong in the ring with Triple-G. You’ve seen what Gennady has done so far. He can do that to anybody.”

That led Curtis to respond, “Abel saying I’m gonna get knocked out in three rounds. Abel saying I’m gonna get knocked out in six. Abel is stupid.”

Meanwhile, in a calmer moment, Stevens told writer Tom Gerbasi, “This is something that I dreamed about since I was eight years old and stepped in the ring for the first time. And to be here and to have it in my grasp, it’s amazing. I think about it every night. Some nights, there’s anxiety from thinking about it too much and I don’t get good. So in my mind, I’m saying, ‘You’ve just got to grab it. You’re either gonna give it up or go in there and take it right out of his hands.’ Come November 2nd, I’m gonna be great.”

Golovkin was a heavy favorite. Stevens is a puncher. But Gennady, who was coming into the fight riding a wave of fourteen consecutive knockouts, is a bigger puncher. Also, Golovkin had proven himself to be the more technically-proficient fighter of the two. And while no one has ever questioned Curtis’s courage, his chin was suspect.

Legendary cornerman Al Gavin once opined, “If you’re making a list of all the attributes a fighter needs, start with a chin. If you don’t have a chin, forget about being a fighter.”

Golovkin’s chin is the stuff of legends.

Still, Stevens was coming to win. And during fight week, he projected a calm confidence.

“Golovkin a fighter,” Curtis acknowledged of his opponent. “He might not look like one outside the ring, but I know he’s good. With his knockout ratio and my knockout ratio, the way it’s supposed to go is, it won’t go twelve rounds. But I’m ready to go twelve if I have to. And he’s not used to fighting someone who hits as hard as me. All he’s fought is blown-up junior-middleweights. Now he’s fighting a bigger man who’s coming down in weight. People are saying he’s the best middleweight in the world. After I beat him, what does that make me?”

*

Golovkin arrived at his dressing room on the second floor of The Theater at Madison Square Garden on fight night at 8:05 PM. His brother (Max Golovkin) and two other team members were with him.

The room was small, roughly twelve feet squared with cream-colored cinderblock walls and a speckled-gray tile floor. A large blue-and-gold Kazakhstani flag hung from the wall above a rectangular plastic table. Seven folding metal chairs with black cushions and television cables taped to the floor made the space seem smaller than it was.

Gennady began doing stretching exercises. At 8:20, Abel Sanchez entered. The trainer had three fighters on the undercard, including heavyweight Mike Perez, who would be in HBO’s first televised fight of the evening. Sanchez would move back and forth between dressing rooms for much of the night.

Other members of Team Golovkin came and went. Gennady checked his cell phone for text messages. Music at a low decibel level sounded in the background; an eclectic mix ranging from a woman’s soft voice over a gentle rock beat to gangsta rap.

There was little conversation. Almost always, Gennady was on his feet, pacing, stretching. At one point, he sat down and massaged his own fingers, hands, and wrists. At nine o’clock, he took a milk chocolate Hershey bar out of his gym bag and peeled off the wrapper.

“Is that for energy?” a state athletic commission inspector asked.

“No. I’m hungry, and it tastes good.”

All fighters are aware of the stakes involved when they fight; financially and in terms of their physical wellbeing. But in the hours before a fight, they process it in different ways. At a time when many fighters’ nerves are gyrating on the edge, Golovkin seemed calm and emotionally self-sufficient, almost serene.

Referee Harvey Dock came in and gave the fighter his pre-fight instructions.

“The three-knockdown rule is waived . . . The Unified Rules of Boxing are in effect . . . If your mouthpiece comes out, keep fighting until I call a lull in the action. You have two mouthpieces, correct?”

“Three,” Sanchez answered.

Abel wrapped Gennady’s hands.

There was more moving and stretching. But the stretching was becoming more vigorous. Golovkin lay down on a towel and contorted his body into positions that most people would find troubling. Then he rose, took a jar of Vaseline, and greased down his own face.

Sanchez gloved Gennady up. Max massaged his brother’s legs, back, and shoulders.

Golovkin’s eyes hardened. A transformation had begun. The gentle smile was gone. Now he was stomping around the room, growling, flexing his muscles.

Round one of Mike Perez vs. Magomed Abdusalamov came into view on a small television monitor. Sanchez had opted to remain with Golovkin. Ben Lira was the head man in Perez’s corner.

Gennady hit the pads with Abel for thirty seconds. Each punch was thrown with technical precision and thudding power. Then he paced and stretched some more before hitting the pads for another thirty seconds. Finally, he slapped himself on the temple with closed gloves. Left, right, left, right. More than a tap.

He was ready.

Sanchez applied more Vaseline to Golovkin’s face.

Perez vs. Abdusalamov dragged on.

“What round is it?” Abel asked

“Six.”

Twenty minutes lay ahead before Gennady would leave for the ring. He paced, shadow-boxed, and paced some more.

Sanchez gave him a sip of water.

Perez-Abdusalamov ended with Perez winning a unanimous decision. No one knew it at the time, but hours later, Abdusalamov would be in a coma in critical condition after emergency surgery to relieve bleeding and swelling in his brain.

Golovkin sat on a chair in a corner of the dressing room and bowed his head in concentration.

“It was for focus,” Gennady explained later. “This is a serious business. I understand my situation. It was for concentration in the fight. To concentrate on speed, power, and distance. To concentrate on what I must do to win for myself and my family.”

*

A casual observer who saw Golovkin and Stevens at the opening bell and knew nothing about either man might have thought that Gennady was a sacrificial lamb. Curtis was shorter but more visibly muscled with a menacing glare and heavily tattooed torso and arms. Stevens can beat a lot of middleweights, but Golovkin isn’t one of them.

Gennady began by working off of, and controlling the fight with, his jab. Curtis cranked up left hooks from time to time but couldn’t connect solidly. With thirty seconds left in round two, Golovkin fired a short compact textbook left hook that landed flush on Stevens’s jaw and deposited him on the canvas.

Curtis struggled to his feet, dazed, and survived till the bell. Thereafter, he tried valiantly to work his way back into the fight. There was no quit in him. Late in round four, he flurried off the ropes and landed some good shots. Midway through round five, he scored with a solid hook and right hand up top followed by a hook to the body. But Gennady took the punches well and was soon stalking his man again.

It was the kind of fight that keeps fans on the edge of their seats. Both fighters were throwing bombs and both fighters were dangerous. It seemed as though – BOOM – at any moment, something might happen. But most of the “booms” were coming from Golovkin.

Gennady showed once again that he’s a complete fighter. His footwork is such that he all but glides around the ring. He’s always looking to attack and do damage. He’s relentless but not reckless and cuts off the ring well. His jab, straight right, hook to the head and body, and uppercut are all potent. Every punch in his arsenal has the potential to debilitate an opponent.

Stevens started round six aggressively. Then Gennady unloaded on him. Boxing demands courage of fighters, and Curtis showed it. But from that point on, Golovkin-Stevens was a one-sided display of brutal artistry.

“Compassion,” Jimmy Cannon wrote decades ago, “is a defect in a fighter.”

A minute and fifteen seconds into round eight, Golovkin landed two thudding hooks to the body that hurt Stevens. Curtis backed into the ropes, and Gennady battered him around the ring with sledgehammer blows to the head and body. Stevens refused to submit, but his cause was helpless.

At the end of the round, referee Harvey Dock followed Curtis to his corner and told trainer Andre Rozier, “That’s it.”

“Okay,” Rozier responded.

The final “punch-stats” showed Golovkin outlanding Stevens by a 293-to-97 margin. And a lot of those 293 blows were particularly damaging.

So . . . How good is Golovkin?

The more people get to know him, the more they like him as a person and as a fighter. Most athletes, not just fighters, need some meanness in them to be great. Despite Gennady’s gracious persona, the assumption is that there’s some meanness there.

Golovkin has yet to fight an elite opponent. One can also make the argument that he doesn’t move his head enough and gets hit more than he should. And as Sugar Ray Leonard noted years ago, “There’s a way to beat everybody.” Invincible warriors only exist in movies and novels.

That said; Gennady is a special fighter. One hopes that, in the not-too-distant future, he’ll be in the ring with an inquisitor who has the ability to test him in a megafight commensurate with his talents.

Golovkin’s best weight is 160 pounds.

“Right now,” he says, “I am a middleweight. But this is boxing. For money, I would go to super-middleweight to fight Andre Ward. For money, I would fight Mayweather at 154 pounds.”

But would Ward or Mayweather fight him?

Mayweather? No way.

Ward? We’ll find out.

That, of course, leaves the lineal middleweight champion of the world, Sergio Martinez.

There are numerous similarities between Martinez and Golovkin. Both are dedicated professionals and superb fighters who honor boxing with their presence. They’re gracious men who treat people with dignity and respect. Even their personal mannerisms are similar. The ready smile; the nod of the head when in agreement with something that someone else has said. One can imagine that, under different circumstances, they’d be friends.

Martinez is on the downside of his career. In recent years, his body has betrayed him. Sergio has earned the right to be called “middleweight champion of the world.” But right now, Golovkin is the world’s best middleweight and it’s unlikely that Martinez will fight him.

Meanwhile, Golovkin is a reminder of the nobility of boxing at its best as contrasted with the duplicity and pettiness of so many of the people who connive and preen around fighters. That nobility was on display in the ring at Madison Square Garden on November 2nd. And it was evident again in Gennady’s dressing room an hour after the fight when the door opened and a short stocky man wearing a navy-blue hoodie and dark glasses to obscure the bruises around his eyes walked in.

Curtis Stevens extended his hand to Gennady Golovkin and spoke his next words with sincerity and respect: “Champ, you’re a great fighter. Congratulations.”

Thomas Hauser can be reached by email at thauser@rcn.com. His most recent book (Straight Writes and Jabs: An Inside Look at Another Year in Boxing) has just been published by the University of Arkansas Press.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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