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The Saga of Jack Dempsey’s “Loaded” Gloves: Part 2

This is the second of a two-part series on the ongoing question of whether Jack Dempsey’s gloves were loaded when he fought Jess Willard in 1919.
Jack “Doc” Kearns had stories to tell. He had taken Jack Dempsey from near-hoboism poverty and transformed him into a heavyweight champion; he had staged some of the most financially lucrative fights in history, even the first in Las Vegas; he had also managed other great boxers, including Archie Moore, Joey Maxim and Mickey Walker; and this was all after he prospected for gold in the Klondike.
Read part one right here at TSS.
In the last years of his life, Kearns was serving as a matchmaker for the International Boxing Club and decided to team up with United Press International sportswriter Oscar Fraley to write his memoirs. Fraley had just ghostwritten and published, “The Untouchables” for the late Eliot Ness, and was able to tackle Kearns’ story.
The two created an autobiography full of colorful tales, including a visit to an incarcerated Al Capone to discuss promoting him and psyching out Yvon Durelle in a 1958 bout by having Moore wave to his wife after Durelle had thrice sent him to the canvas in the first round. However, every other story paled in comparison to what he had to say about Dempsey’s bout with Jess Willard in 1919.
Questions had always surrounded Dempsey’s winning of the heavyweight title with such a savage knockout of Willard. As Sports Illustrated noted, “Jack Dempsey’s devastation of the giant Jess Willard on that broiling Fourth of July in Toledo 45 years ago was so complete—and so unexpected—that a rumor of foul play has persisted to this day: a rumor that Dempsey’s gloves were loaded. Willard has long insisted, bitterly, that the rumor is true. Dempsey has always denied it.”
Kearns died on July 7, 1963, shortly after approving the final draft of memoirs, “The Million Dollar Gate,” and securing a deal with Sports Illustrated to publish two excerpts from the book. One, “The Days of Wine and Bloody Noses,” chronicled Kearns managing of and carousing with Walker. The second, titled, “He Didn’t Know the Gloves Were Loaded,” presented his untold and unpublished account of the Willard bout.
According to Kearns, he knew Dempsey could dispatch Willard inside of the fight’s scheduled 12 rounds, but had bet $10,000 on 10-1 odds that Dempsey would knock him out in Round 1. It was a high-risk, high-reward gamble for $100,000 and Kearns needed insurance. It’s best to let him now describe what happened in his own words.
I had schemed and connived over too many years to let anything go wrong with a bet like that, let alone with the championship of the world. The hell with being a gallant loser. I intended to win.
My plan had to do with a small white can sitting innocently among the fight gear on the kitchen table. I poured myself a nightcap and picked up the can, grinning at the neat blue letters on its side. All it said was “Talcum Powder.” Then I latched the kitchen door and went to a corner cupboard that extended from tabletop height to the ceiling. I pulled over a chair and stood on it to reach into a niche far back on the topmost shelf. Not even a drunk would have thought of hiding a bottle in that spot. Several days earlier, on an unaccompanied trip into Toledo, I had bought another can of powder. This one was labeled “Plaster of Paris,” and I was looking for it now. It was there.
I put the two cans side by side on the kitchen table. Then I found a knife and pried off their lids. I spread out a handkerchief and dumped the talcum powder into it, then knotted the corners together. Next I poured the plaster of Paris into the talcum-powder can and replaced the lid. Set back among the fight gear—the bandages, the Vaseline, the razor blades, the cotton—it looked as innocent as any of them. There was just one more thing to be done. I picked up the plaster of Paris can and the handkerchief full of talcum powder, unlatched the kitchen door and walked the 50 yards to the shore of Maumee Bay, where I pitched the whole business out into the dark waters. That was why the party had to end before dawn. That was something I wanted no man to see. Standing there in the dark, I knew we were as ready as Dempsey’s condition and my plotting ability could make us.
It may seem strange but, returning to the house, my conscience was easy. I was a product of the days—have they ever ended?—when it was every man for himself. In those times you got away with everything possible. Turn your head, or let the other guy turn his, and knuckles were wrapped in heavy black bicycle tape or the thick lead foil in which bulk tea was packaged. The net result was much like hitting a man with a leather-padded mallet. The rules were lax then, officials were not at all fussy and there were few boxing commissions.
Plaster of Paris is known in construction as sheetrock or drywall. In theory, when Kearns sloshed water on Dempsey’s bandaged hands and then applied the plaster of Paris-laced talcum powder the gloves would be like cement. Of course, the alleged plan did not completely work out for Kearns, since the bell saved Willard at the end of the first round. While he absolved Dempsey of any complicity in his actions, Kearns wrapped up the article by reinforcing how what he did was feasible.
In all his subsequent career Dempsey never inflicted such dreadful damage on an opponent. And he did it to this one in the very first round. There may be those who will wonder how it could possibly be that Dempsey didn’t know his gloves were loaded. Actually, it isn’t too surprising. He was young, and this was the most unnerving day of his hungry life. Until the bell rang and he slipped the leash, he was like a man who had been hypnotized. Afterward, when I cracked off the bandages and ditched them, he was so numb at being the heavyweight champion of the world that you could have hit him with a hammer and he wouldn’t have blinked an eye.
Sports Illustrated scheduled the article for publication for January 13, 1964. On January 8, the magazine contacted the 68-year-old Dempsey to inform him of the article. Even though he had bitterly broken with Kearns following his bout with Luis Angel Firpo in 1923, he had always credited him for his early success and had even served as a pallbearer at his funeral.
Dempsey sent a letter to Sports Illustrated, stating that it would face court action if it published Kearns’ story. The magazine said it was going ahead with the piece so he provided his response.
“Ridiculous! I could take an oath. In fact I will,” said Dempsey as he raised his right hand in a booth at his New York restaurant. “I hope to God I die right now, and my wife and children, too, if there is any truth in what Kearns said.”
Sports Illustrated also contacted Willard, who was 82 and living a quiet life outside of Los Angeles. Still somewhat bitter from a bout that left him with a shattered jaw, broken ribs, a broken nose, four missing teeth and partial hearing loss, he felt somewhat vindicated.
“I’m glad that Kearns finally was man enough to admit it. First time Dempsey hit me, I knew those gloves were loaded,” said Willard, who pointed to his left cheekbone. “Put your hand here. Feel that bone moving around? That’s what them cement gloves did to me.”
The issue published with a cover that read, “Dempsey’s Gloves Were Loaded” and a cautionary editor’s note stating, “It is a good yarn; it is also a declaration that a heavyweight champion of the world was robbed of his title and with it the fortune that title came to be worth in the Golden Twenties.”
Kearns kept few friends throughout his fast life. Dempsey had many and they came to his defense. Leonard Sacks, his former business manager, said that he and Jimmy de Forest, Willard’s trainer, both watched the taping and “there was no possible chance that anything illegal could have been done.” The great bantamweight champion Pete Herman said that he owned Dempsey’s gloves from the bout and that there was no evidence of plaster of Paris being used.
“I knew Kearns. I know Dempsey. Kearns word was not to be trusted,” said Georges Carpentier, the former light heavyweight champion whom Dempsey knocked out in 1921. “He hated Dempsey, and now in his memoirs is trying to hurt Dempsey again. I believe Kearns’ hatred of Dempsey was so strong that it is even working now from beyond the grave.”
On January 22, the Milwaukee Journal reported that it had debunked Kearns’ allegation by applying plaster of Paris to a fighter’s fist the way he described. The result was “a thin layer of soft cement, which cracked at a slight touch.” Numerous letters to the editor of Sports Illustrated reported the same conclusion. In his column the next day, Red Smith applauded the Journal for the getting to the truth, but wrote “it’s a little saddening the way debunkers are always shooting our most charming legends full of holes.”
Not finding the legend or experience charming at all, Dempsey filed a $3 million libel suit against Time Inc., the publishers of Sports Illustrated, in April of 1964. The two reached an agreement in September of 1965, with the magazine stating in its September 27 issue:
Jack Dempsey has been a friend of Sports Illustrated since publication began in 1954. He has cooperated with us in the production of a number of stories concerning boxing, and he has also made public appearances in our behalf to promote the business fortunes of this magazine.
We have been his friend, too, and, not wanting to hurt this famous sports figure, we printed his vigorous denial of Kearns’s allegations.
Now we are pleased to record a happy ending to this story. Since publication, no evidence has come to us to support the tale told by Kearns, and we support and wholeheartedly accept Jack Dempsey’s denial.
Good men, of which Dempsey is one, are sorely needed in boxing in these troubled days.
As for Kearns’ memoirs…“The Million Dollar Gate” was scheduled for publication in September of 1964, but the controversy delayed the release until December of 1966. The book that hit the shelves did not include the plaster of Paris story.
Willard died in 1968 at the age of 86. In one of his last interviews, he said, “[Dempsey] must’ve had something in his left glove. The whole right side of my face was caved in.”
We will never know if foul play actually took place on July 4, 1919. Like all humans should strive to be, Dempsey was a much different man when he passed away in 1983 at the age of 87. If he had any secrets from his early days with Kearns, he never publicly shared them, but it’s hard to believe something was not askew with this bout.
The New York Times’ Arthur Daley summed up the question of doctored gloves when he wrote in 1964, “How else could a single punch splinter a cheekbone into 13 pieces?”
Since that question will never be answered, this fight will continue to raise eyebrows.
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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.
This is huge in British boxing.
Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.
This is about family pride.
The parents of Eubank and Benn actually began the feud in the 1990s.
Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.
Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.
Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.
Animosity between the two families continues this weekend in the boxing ring.
Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.
“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.
This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.
Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.
“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”
Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.
“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.
Eubank smiles.
“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.
Supporting Bout
Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.
“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.
McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.
It’s youth versus experience.
“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.
Monster in L.A.
Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.
It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.
Pomona Fights
Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.
Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.
Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions
Fights to Watch
Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).
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Floyd Mayweather has Another Phenom and his name is Curmel Moton

Floyd Mayweather has Another Phenom and his name is Curmel Moton
In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.
Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”
Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.
Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.
The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.
It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.
Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.
Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.
When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.
Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”
Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.
Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.
Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.
Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.
It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.
Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.
For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”
It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.
Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.
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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.
The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.
In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.
The following papers were represented at the inaugural boxing writers’ dinner:
New York Times
New York News
New York World
New York Sun
New York Journal
New York Post
New York Mirror
New York Telegram
New York Graphic
New York Herald Tribune
Brooklyn Eagle
Brooklyn Times
Brooklyn Standard Union
Brooklyn Citizen
Bronx Home News
This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.
Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.
The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.
Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)
Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.
Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.
There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.
In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.
There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.
The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.
Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.
The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.
The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.
Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.
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