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A Look At the The Second Annual Shadow Box Film Festival

The trials of a global icon, the Irish civil war, healing from depression, healing from violence and, in the end, the guy gets the girl.
Those stories and more climbed into the ring on Dec. 6 and Dec. 7 at the Second Annual Shadow Box Film Festival, held at the School of Visual Arts Theater in Manhattan.
Now enjoying its second year as the only film festival dedicated to screening films and documentaries about the sweet science, the Shadow Box Film Festival presented an engrossing program of films. The cinematic stories covered the wide spectrum of boxing and the profound way it touches human lives.
The festival began Friday with a screening of ‘The Silent Boxer,” written and directed by Dre Didderiens, which told the story of Juliano Westhiner, a deaf Romany boxer living in Holland. Westhiner hopes to be the first Dutch boxer in over twenty years to qualify for the Olympics.
The interesting feature follows Westhiner as he trains for qualifying bouts, deals with court-ordered anger classes following an assault charge, and navigates home life in the Romany caravan park. There a community’s hopes are heaped upon his shoulders.
In the end Westhiner does not qualify for the Olympics. His failure to make the team is perhaps hindered by a hand injury, or the Romany culture, which sees him marry his teenage girlfriend, become a father, and take a full time job, all in quick succession.
A group of short films, featuring documentaries and dramas, told a variety of boxing stories in creative fashion.
“Broken,” written and directed by David Wendelman, captures the emotions faced by a club fighter struggling with his identity after being told to retire by his trainer and promoter.
He is also haunted by the memory of his father, a once popular wrestler in Mexico, who smuggled the family across the border for a better a life in America, only to die as a day laborer and a broken man.
An animated film from Iran, directed and animated by Yahya Ghobadi, “Return” shows how boxing influences a man battling addiction to turn his life around and reclaim his family.
“The Gunner,” produced by Winner Take All Productions, features former cruiserweight contender Jamie Drubin.
The Long Island native talks about his life in boxing and what is required to be a professional fighter.
In telling his story Drubin mentions his father, who “began to teach me how to throw punches as soon as I was able to walk and have balance,” and continued pushed him throughout his fighting career.
The theme of fathers and sons in boxing was also prevalent at last year’s festival.
“Stealing the Show,” from debuting Irish director Matthew Dobbyn, documents the sacrifices demanded of Belfast born Dee Walsh as he focuses on his dream of becoming middleweight champion of the world.
The story of dedicated Albany, NY trainer Jerrick Jones and his charge of young pupils is told in “Inside the Ring.”
The important role that Jones has in the youngster’s lives is underscored when each one of them describes him as a father figure who helps them with much more than throwing the straight right.
“Fight Day,” directed by Chris Cassidy, tells the poignant story of Showtime Boxing analyst Steve Farhood and his commitment to service.
Once a month for over five years, Farhood would visit with the patients of Manhattan’s Cabrini Nursing Home to screen and discuss a historic boxing match.
Farhood’s patience, compassion, and humanity are abundantly in evidence as he interacts with the patients, knowing that his mother had been scheduled to be a patient there before her unexpected passing.
The tale of a young, deaf, African-American boxer saddled with raising his infant son after his wife dies from childbirth complications is told in “Championship Rounds.”
Directed by Daniel Stine, “Championship Rounds,” features accomplished actors Harold Perrineau, Larry Gilliard Jr., and Michael Bentt.
The film captured the festival prize for best short film.
The slate of feature films presented at the festival showcased Celtic flavor, the code of the streets, the tribulations of a global icon, and the growth of a boxing community.
Acclaimed Irish documentarian Andrew Gallimore presented two films at the festival.
“A Bloody Canvas” tells the fascinating story of former world champion Mike McTigue, who left Ireland to seek his fortune in America, only to have fate return him home for life-changing experiences.
McTigue’s co-star in the film is history, as the boxer’s adventures dovetail with the immigrant experience in America, the Irish civil war, the Jazz Age, and the Great Depression.
Sadly McTigue ends up penniless and a resident of New York’s infamous Graymoor Mental Hospital suffering from what is now known as pugilistic dementia.
The only bright spot in his final days are the regular visits from devoted family members.
The authoritative tones of Oscar nominee, and former amateur boxer, Liam Neeson grace Gallimore’s second film as narrator of “The Gentleman Prizefighter,” which chronicles the life of James J. Corbett.
Another colorful Irish character, Corbett was famous the world over for his exploits both in and out of the ring.
As heavyweight champion of the world he transformed boxing from bare-knuckle brawling to a respectable sport.
Understanding that his charisma radiated beyond the ring, Corbett conquered the stage as one of the pioneers of vaudeville and then moved on to the silver screen.
Corbett emerged from San Francisco’s tough Irish quarter to become a national hero and Neeson’s familiar Irish lilt brings authenticity to the exciting tale.
“The Gentleman Prizefighter” won the festival prize for best foreign film.
“White Rock Boxing,” directed by Cliff Springs, tells the story of an old-school gym dubbed the “Mecca of boxing in the south.”
The White Rock Gym is located in the back roads of South Carolina and has hosted Muhammad Ali and Michael Spinks. Today the gym is a training ground for boxers of all ages.
Submitted from the UK and written and directed by Adam Simcox, “Kid Gloves” shows two characters from disparate backgrounds headed towards an inevitable clash.
Former two-time world champion Pauli Malignaggi makes his acting debut in “Omerta,” a mafia crime film written and directed by Craig Tubiolo.
The drama is a real life depiction of life in the mafia controlled neighborhood of Bensonhurst, Brooklyn, in the 90’s.
A strong audience turnout for the Saturday afternoon screening surely sent positive vibes across the river as Malignaggi handily won his “Battle of Brooklyn” later that evening against Zab Judah at the Barclays Center.
“Boogaloo,” written and directed by Liam Mulvey, points the camera at the life of Philadelphia middleweight contender Bobby “Boogaloo” Watts and captures the back room machinations of the fight “game” in the city of brotherly love.
Watts was arguably the best middleweight out of a quartet of contenders that included “Bad” Bennie Brisoce, Willie “The Worm” Monroe, and Eugene “Cyclone” Hart. They all fought during the golden era of Philadelphia middleweights in the 70’s.
The film spends time allowing the viewer to get to know the humble and personable Watts, but also to peer into the world of matchmaking, promoting, and moving a fighter through the ranks.
Although Watts was not able to become the first Philadelphia boxer to win the middleweight title, he had the respect of the boxing community and the distinction of being the first fighter to defeat Hall of Fame legend “Marvelous” Marvin Hagler.
The festival winner for best feature, “The Trials of Muhammad Ali,” directed by Bill Siegel, is a fascinating documentary that explores Ali’s lifelong journey of spiritual transformation.
Traveling with Ali from his Louisville roots, through his years in exile, to receiving the Presidential Medal of Freedom, the film traces Ali’s path from poet to pariah to global ambassador for peace.
Boxing icon Bernard Hopkins, who attended the Friday screening, stated “I loved the film. It showed me so many things about Ali’s life that I didn’t know. He could do so many things. If he hadn’t been a boxer, he could have been an actor.”
A trio of films, one feature and two shorts, explored the growing community of women in boxing.
“Boxing Chicks,” written and directed by Frederick Taylor, presents the case that if men can build their self esteem through sports and physical fitness, why not women?
The participants in the film believe that positive expressions of aggression encourage women to find their true selves.
Filmmaker Jill Morley provides a first-person perspective of women overcoming their demons through boxing, while telling a larger story about abuse, trauma, mental illness, and healing in “Fight Like a Girl.”
Morley’s battle with severe depression takes us into the world of women boxers as she seeks to heal from trauma absorbed during her childhood.
Once in the gym Morley meets several women (Susan Reno, Kimberly Tomes, and former world champion Maureen Shea), who all turned to boxing to resolve their own issues. The women form a strong bond of support, friendship and camaraderie.
Despite having to be hospitalized for depression, Morley perseveres and stays focused on her goal to compete in the New York Golden Gloves.
At the same time Reno wins the gloves, Shea rebounds from heartbreak, and Tomes, now a professional, seeks to avenge a loss from her amateur days.
While Morley digs deep to find the fortitude to compete in the ring, she also digs into her personal life to reach the core of her issues.
Conversations with her parents, particularly her mother, are powerful and revealing.
At the Saturday afternoon screening Morley, at the behest of Jill Diamond from the WBC, was presented with a special WBC medal for inspiration, education, and courage. Her fistic comrades Shea, Reno, and Tomes joined her at the podium.
“Outside the Ring,” a short film directed by Joanne Green and Steve Lindsay, provides another insightful look into the lives of women and boxing.
The film focuses on a group of women who have been the victims of violence who are reclaiming their bodies and finding empowerment through boxing.
They are taking part in the Shape Your Life program, started by Green, Toronto Newsgirls Gym owner Savoy Howe, and Brock University Professor Cathy Van Ingen. The program’s goal is to work with female victims of violence and provide them with a channel to express their own healthy aggression.
Viewers follow this group of women as they discuss their histories and reflect on the change boxing has brought to their lives.
Training scenes in the gym show the women encouraging, celebrating, and supporting each other on their respective roads to empowerment.
A memoriam that is part of the final credits is dedicated to a woman in the group who, despite the support available to her, made the decision to take her own life.
At last year’s festival each day closed with a panel discussion prior to the screening of the day’s final film.
This year each day concluded with the presentation of a “Garfield” award followed by a screening. Named after the late John Garfield, the award was established for actors who have enhanced the image of boxing through film and television.
On Friday evening actor Burt Young, of “Rocky” fame, was presented with the award along with Anthony P. Rhodes, the School of Visual Arts Executive Vice President.
Mr. Rhodes received the award in recognition of his unwavering support of the Shadow Box Film Festival and the students at SVA in their pursuit of artistic excellence.
Friday’s awards presentation was followed by a screening of Garfield’s “They Made Me a Criminal,” featuring the Dead End Kids.
On the festival’s closing night Garfield’s daughter Julie Garfield was in attendance to host a Q & A and present the award to Holt McCallany, of TV’s “Lights Out.”
The final film screened was her father’s all-time classic “Body and Soul,” usually at the top of any boxing and film fan’s list.
In its second year the Shadow Box Film Festival continued to provide attendees with a variety of films that captured the positive and powerful impact boxing has on people from all walks of life.
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Boxing Notes and Nuggets from Thomas Hauser

In recent years, there has been lavish praise and extensive criticism regarding Turki Alalshikh’s boxing initiative. Some of it has been warranted and some hasn’t. One issue deserves greater comment.
The judging has been pretty good.
Scoring a fight is subjective, which can open the door to bias, incompetence, and corruption.
Most people in boxing know who the good judges are. But some bad ones keep getting high-profile assignments. Why? Because they shade things toward the house fighter which is where the money lies.
When there’s a bad decision in boxing, almost always it favors the house fighter.
Overall, Turki Alalshikh’s fights have been marked by honest scoring.
Oleksandr Usyk went the distance four times against Tyson Fury and Anthony Joshua. Fury-Usyk I and Usyk-Joshua II could legitimately have been scored either way. It was in the Saudi’s financial interest (not to mention the interests of Frank Warren and Eddie Hearn) that Fury and Joshua win those fights. Yet Usyk won all four decisions.
Clearly, Turki Alalshikh wanted Hamzah Sheeraz to defeat Carlos Adames. Yet Adames retained his title when that bout was credibly scored a draw.
The list goes on.
Bad scoring trickles down from the top. Judges know that the monied interests behind a promotion want a certain fighter to win and that their receiving lucrative judging assignments in the future often depends on scoring the fight at hand a certain way.
The judging for Turki Alalshikh’s fights so far seems to have been based on the instruction, “Be fair. Get it right.”
Kudos for that.
****
Six years ago after unifying the four major cruiserweight titles, Oleksandr Usyk was honored by the Boxing Writers Association of America as its “Fighter of the Year.” That designation was repeated in 2024 in recognition of his unifying the heavyweight crown.
While in New York to accept his most recent honor, Usyk sat with former NFL MVP Boomer Esiason for an interview that will air in early-June on the nationally syndicated television show Game Time.
Oleksandr came across as thoughtful and likeable during the conversation.
He shared memories of his father: “My father was a military guy. He teach me like a street fight, to work a knife, shooting. I use jujitsu, karate, wrestling, kickboxing. I say, ‘Poppa, what we do this for?’ . . . He says, ‘We prepare’ . . . ‘For what we prepare?’ . . . ‘For life.’”
Usyk won a gold medal in the 201-pound heavyweight division at the 2012 London Olympics. But his father died before Oleksandr could return home and show the medal to him. After Usyk beat Tyson Fury to unify the heavyweight crown, he cried as he proclaimed, “Hey, poppa, we did it.”
“A lot of people in Ukraine who hear that, they cry too,” Oleksandr told Esiason. “Is normal. [Some] people, ‘Hey man! Don’t cry.’ Why not cry? I like to cry.”
Speaking of the size differential between Fury and himself, Usyk noted, “For me, is like a story. David and Goliath. I not afraid because boxing is a sport. Yeah, it’s a guy a little bigger for me. No problem.”
Asked how he would describe his fighting style,” Oleksandr answered, “It’s a wonderful style.”
“Boxing for me is a gentleman’s sport,” he added. “Just respect for my opponents. A lot of people make a show. But if you make a good show and then bad boxing – [with a wave of his hand] PFFFTHF! First in boxing is class and skill; then the show.’
He explained how his training regimen includes holding his breath underwater: “I make like a fight time. Three minutes underwater, one minute rest, twelve rounds. Is hard.”
What’s the longest that Usyk has held his breath underwater?
“My record is 4 minutes 47 seconds.”
The interview closed with Oleksandr appealing directly to the American people to support his Ukrainian homeland in its defense against Russian aggression.
“I’m not political. I’m just [a] man who lives in Ukraine who’s worried for my people.”
And he talked of having brought some Ukrainian soldiers to his fights as guests: “They’re my power, my angels.”
****
Don King has been the subject of an endless stream of anecdotes. Jody Heaps (who spent three decades as a senior creative director and executive producer at Showtime) adds one more to the mix.
“Don had just brought Mike Tyson to Showtime,” Heaps recalls. “We were doing a shoot with Don sitting in a barber chair and he was in a great mood. Toward the end, someone came over to me and said, ‘If Don has the time, could you ask him about his favorite movie scene for a promotion we’re doing.’ So I asked Don what his favorite movie scene was. He told me movies weren’t his thing and said, ‘You tell me. What’s my favorite scene?’
“I talked it over with the crew,” Heaps continues. “Then I suggested the shower scene in Psycho. I figured Don had seen it. Everybody has seen it. But Don told me, ‘I don’t know anything about it. What happens in that scene?’ So I explained that you see Janet Leigh in shower. Then you see a silhouette on the shower curtain. The shower curtain is pulled aside. You see the knife plunging in again and again. And the last thing you see is blood circling down the drain.”
“Don says, ‘Okay; I’ve got it.’ He looks right at the camera and, with incredible drama, starts recreating the scene. Five seconds in, everyone is mesmerized. He takes us through Janet Leigh in the shower, the silhouette on the shower curtain, the knife plunging in again and again, the blood circling down the drain. And at the end, he laughed that loud booming laugh of his and proclaimed, ‘It was a clean kill!’
“There was stunned silence,” Heaps says in closing. “Don made it sound like it was real and he’d been there when it happened.”
****
Like most sports fans, I watched the first round of the NFL draft on April 24. I’ll do the same when the NBA draft is held on June 25. Allow me the following thoughts.
Adam Silver seems like a basketball fan.
Roger Goodell seems like a fan of making money.
Adam Silver looks sincere when he hugs a draftee.
Roger Goodell looks like he wants to take a shower.
Adam Silver comes across as though he has a sense of humor and can laugh at himself.
Roger Goodell comes across as though he doesn’t and can’t.
Adam Silver has James Dolan to deal with and keeps him in line.
Roger Goodell can’t put a lid on Jerry Jones.
Adam Silver is booed in good-natured fashion by fans at the draft.
Roger Goodell is booed with rabid enthusiasm
****
And last; a memory of Turki Alalshikh’s May 2 fight card in Times Square . . .
Security was tight. The police had been instructed to keep pedestrians on the sidewalk moving as they passed the ring enclosure which was blocked from view by a ten-foot-tall fence. Well before the event began, a young man with a video camera planted himself on the sidewalk across the street from the enclosure. A uniformed police officer approached and the following colloquy occurred.
Cop: I’m sorry, sir. You’ll have to move.
Young man: I’m with the media.
Cop: And I’m with the New York Police Department. You’ll have to move.
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – The Most Honest Sport: Two More Years Inside Boxing – will be published this month and is available for preorder at: https://www.amazon.com/Most-Honest-Sport-Inside-Boxing/dp/1955836329
In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Hiruta, Bohachuk, and Trinidad Win at the Commerce Casino

Hiruta, Bohachuk, and Trinidad Win at the Commerce Casino
A jam-packed fight card featuring a world champion, top contenders and knockout artists delivered the action but no knockouts on Saturday in the Los Angeles area.
You can’t have everything.
Mizuki “Mimi” Hiruta (8-0, 2 KOs), fresh with a multi-year 360 Boxing Promotion’s contract deal, once again fought and defended the WBO super fly world title and this time against Argentina’s Carla Merino (16-3, 5 KOs) at Commerce Casino.
It was expected to be her toughest test.
Hiruta, who is trained and managed by Manny Robles, showed added poise and a sharp jab that created and established an invisible barrier that Merino could never crack. It was as simple as that.
A sharp right jab from the southpaw Japanese world champion in the opening round gave Merino something to figure out. When the Argentine fighter tried to counter Hiruta was out of range. That distance was a problem that Merino could not solve.
The pink-flame-haired Hiruta looks like an anime figure incapable of violence. But whenever Merino dared unload a combination Hiruta would eagerly pounce on the opportunity. It was clear that the champion’s speed and power was a problem.
For more than a year Hiruta has been training in Southern California and has sparred with numerous styles and situations in the talent-crazy Southern California area. Each time she fights the poise and polish gained from working with a variety of talent and skill partners seems to add more layers to the Japanese fighter’s arsenal.
After six rounds of clear control by Hiruta, the Argentine fighter finally made an assertive move to change the momentum with combination punching. Both exchanged but Hiruta cornered Merino and opened up with a seven-punch barrage.
In the eighth round Merino tried again to force an exchange and again Hiruta opened up with a three-punch combo followed by a four-punch combo. Merino dived inside the attack by the Japanese champion and accidentally butted Hiruta’s head. No serious damage appeared.
Merino tried valiantly to exchange with Hiruta but the strength, speed and agility were too much to overcome in the last two rounds of the fight. Left hand blows by the champion connected solidly several times in the final round.
After 10 rounds all three judges saw Hiruta the winner by decision 98-92 twice and 99-91. The fighter from Tokyo retains the WBO super fly title for the fourth time.
Bohachuk Wins
Ukraine’s Serhii Bohachuk (26-2, 24 KOs) defeated Mykal Fox (24-5, 5 KOs) by unanimous decision but had problems corralling the much taller fighter after 10 rounds in a super welterweight match.
It was only the second time Bohachuk won by decision.
Fox used movement all 10 rounds that never allowed Bohachuk to plant his feet to deliver his vaunted power. But though Fox had moments, they were not enough to offset the power shots that did land. Two judges scored it 97-93 for the Ukrainian and another had it 98-92
“Good experience for me,” said Bohachuk of Fox’s movement.
King of LA
In a super featherweight match Omar “King of LA” Trinidad (19-0-1, 13 KOs) dominated Nicaragua’s Alexander Espinoza (23-7-3, 8 KOs) but never came close to knocking out the spirited fighter. But did come close to dropping him.
The fighter out of the Boyle Heights area in the boxing hotbed of East L.A. was able to exchange freely with savage uppercuts to the body and head, but Espinoza would not quit. For 10 rounds Trinidad battered away at Espinoza but a knockout win was not possible.
After 10 rounds all three judges favored Trinidad (100-90, 99-91, 98-92) who retains his regional WBC title and his place in the featherweight rankings.
“I’m living the dream,” said Trinidad.
Maywood Fighter Medina on Target
Lupe Medina (10-0, 2 KOs) proved ready for the elite in knocking down world title challenger Maria Santizo (12-6, 6 KOs) and winning by unanimous decision after eight rounds in a minimumweight match up.
Medina, a model-looking fighter out of Maywood, Calif, accepted a match against Santizo who had fought three times against world titlists including L.A. great Seniesa Estrada. She looked perfectly in her element.
Behind a ramrod jab and solid defense, Medina avoided the big swinging Santizo’s punches while countering accurately. For every home run swing by the Guatemalan fighter Medina would connect with a sharp right or left.
In the fifth round, Santizo opened up with a crisp three-punch combination and Medina opened up with her own four-punch blast that seemed to wobble the veteran fighter. Medina stepped on the gas and fired strategic blows but never left herself open for counters.
Medina didn’t waste time in the sixth round. A crisp one-two staggered Santizo who reeled backward. The referee ruled it a knockdown and Santizo was in trouble. Medina went into attack mode as Santizo pulled every trick she knew to keep from being overrun by the Maywood fighter.
In the last two rounds Medina seemed to look for the perfect shot to end the fight. Santizo kept busy with short shots and stayed away from meaningful exchanges. Medina also might have been gassed from expending so many punches in the prior round.
The two female fighters both seemed to want a knockout in the eighth round. Santizo was wary of Medina’s power and dived in close to smother Medina’s firing zone. Neither woman was able to connect with any significant shots.
After eight rounds all three judges scored in favor of Medina 77-74, 76-75 and 80-71.
It was proof Medina belongs among the top minimumweight fighters.
Other Bouts
In a super welterweight fight Michael Meyers (7-2) defeated Eduardo Diaz (9-4) by unanimous decision in a tough scrap. Mayers proved to be more accurate and was able to withstand a late rally by Diaz.
Abel Mejia (8-0) defeated Antonio Dunton El (6-4-2) by decision after six rounds in a super feather match.
Jocelyn Camarillo (4-0) won by split decision after four rounds versus Qianyue Zhao (0-2) in a light flyweight bout.
Photos credit: Al Applerose
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David Allen Bursts Johnny Fisher’s Bubble at the Copper Box

The first meeting between Johnny Fisher, the Romford Bull, and David Allen, the White Rhino, was an inelegant affair that produced an unpopular decision. Allen put Fisher on the canvas in the fifth frame and dominated the second half of the fight, but two of the judges thought that Fisher nicked it, allowing the “Bull” to keep his undefeated record. That match was staged last December in Riyadh, Saudi Arabia, underneath Usyk-Fury II.
The 26-year-old Fisher, who has a fervent following, was chalked a 13/5 favorite for the sequel today at London’s Copper Box Arena. At the weigh-in, Allen, who carried 265 pounds, looked as if he had been training at the neighborhood pub.
Through the first four rounds, Fisher fought cautiously, holding tight to his game plan. He worked his jab effectively and it appeared as if the match would go the full “10” with the Romford man winning a comfortable decision. However, in the waning moments of round five, he was a goner, left splattered on the canvas.
This was Fisher’s second trip to the mat. With 30 seconds remaining in the fifth, Allen put him on the deck with a clubbing right hand. Fisher got up swaying on unsteady legs, but referee Marcus McDonnell let the match continue. The coup-de-gras was a crunching left hook.
Fisher, who was 13-0 with 11 KOs heading in, went down face first with his arms extended. The towel flew in from his corner, but that was superfluous. He was out before he hit the canvas.
A high-class journeyman, the 33-year-old David Allen improved to 24-7-2 with his 16th knockout. He promised fireworks – “going toe-to-toe, that’s just the way I’m wired” – and delivered the goods.
Other Bouts of Note
Northampton middleweight Kieron Conway added the BBBofC strap to his existing Commonwealth belt with a fourth-round stoppage of Welsh southpaw Gerome Warburton. It was the third win inside the distance in his last four outings for Conway who improved to 23-3-1 (7 KOs).
Conway trapped Warburton (15-2-2) in a corner, hurt him with a body punch, and followed up with a barrage that forced the referee to intervene as Warburton’s corner tossed in the white flag of surrender. The official time was 1:26 of round four. Warburton’s previous fight was a 6-rounder vs. an opponent who was 8-72-4.
In the penultimate fight on the card, George Liddard, the so-called “Billericay Bomber,” earned a date with Kieron Conway by dismantling Bristol’s Aaron Sutton who was on the canvas three times before his corner pulled him out in the final minute of the fifth frame.
The 22-year-old Liddard (12-0, 7 KOs) was a consensus 12/1 favorite over Sutton who brought a 19-1 record but against tepid opposition. His last three opponents were a combined 16-50-5 at the time that he fought them.
Also
In a bout that wasn’t part of the ESPN slate, Johnny Fisher stablemate John Hedges, a tall cruiserweight, won a comprehensive 10-round decision over Liverpool’s Nathan Quarless. The scores were 99-92, 98-92, and 97-93.
Purportedly 40-4 as an amateur, Hedges advanced his pro ledger to 11-0 (3). It was the second loss in 15 starts for the feather-fisted Quarless, a nephew of 1980s heavyweight gatekeeper Noel Quarless.
Photo credit: Mark Robinson / Matchroom
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