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Battle Hymn – Part 7: Sugar On The Sidewalk
Chuck Burroughs’ sixty years in the Peoria, Illinois boxing scene began in the crowded backseat of Jack Beaty’s reo. A Golden Gloves champion who later became a referee, ring announcer, corner man, journalist, author, and local historian, Burroughs kept tabs on his old teammates long after their fighting days ended. When he died, several of his scrapbooks were donated to the Peoria Public Library. I tracked them down, hoping to unearth more about the Little Tiger. Burroughs didn’t disappoint.
He had chronicled Peoria’s Golden Gloves history and devoted a long paragraph to “Peoria’s first Negro Golden Glove Champ” Aaron Wade. There is a curious scrap of information midway through it that says Wade was “chief sparring partner for Sugar Ray when he was welterweight champ.” Robinson, of course, was a Harlemite. I knew Wade had been living in New York since 1945. After the embarrassing loss to Wylie Burns in 1947, Wade had no income and one marketable skill; Burroughs’ detail shines a light on where he wandered off to after that loss.
Robinson was scheduled to face Steve Belloise on December 9, 1948. His workouts were held at the Uptown Gymnasium at 252 W. 116th Street and Wade was a sparring partner. On the morning of the fight, national newspapers announced that the bout was cancelled “due to an injury Robinson is reported to have suffered in training.” The write-ups were heavy on details, but neither the Belloise camp nor the boxing beat was buying it.
Already lauded as perhaps “the greatest boxer in history,” Robinson was also despised by many insiders for what they saw as imperiousness. He had a history of mistreating sparring partners. He ran out on contracts. He postponed bouts. The Belloise bout had already been postponed from its original date and ticket sales were lagging when Robinson’s injury was announced. The event, said the New York Herald-Tribune, cost $40,000 though “less than $15,000 was in the till.” It was suspicious enough to force a public explanation from the champion: “It happened in the last minute of my three-round workout with Tiger Wade here on Monday,” Robinson said. “Wade’s a 170-pounder. He hit me with a right uppercut down here. I felt like he stabbed me with a knife.”
Doctors were marched out to reassure a doubting press that Robinson had indeed suffered a separation between the sixth and seventh ribs. Reporters were invited to feel the egg-sized lump under his heart for further proof. Many did, and the fact of his injury had to be accepted. Given the fact that the sparring partner who did it was a once-feared puncher, Robinson’s explanation of how he was injured was likewise accepted.
But Robinson was lying.
Two years ago, boxing historian J.J. Johnston told me about a rumor he had heard. The rumor said that the Little Tiger had once knocked down Robinson outside of a Boston gym. I spent weeks sifting for more leads only to find that the past had pulled the shade. I filed the rumor away. About a month ago I was flipping through pages of Burroughs’ Peoria scrapbook and my eyes darted to a glittering sentence: “Whipped Sugar Ray in a street fight over some money Sugar owed him.” Now that’s independent corroboration, which makes a rumor more than a rumor. However, it still wasn’t enough to justify publishing it—Robinson’s name is like thunder in the boxing world, even today. I needed confirmation, and found it on microfilm at the Boston Public Library.
The Boston Post folded in 1956. Its circulation was in a free-fall in the forties, though it still had at least one shoe-leather reporter in Gerry Hern. As news of Robinson’s so-called sparring injury and the fight cancellation hit the stands, Hern was turning up primary sources. One of them was unnamed but was almost certainly Little Tiger Wade, and Wade had a tale to tell.
“There was nothing accidental about Robinson’s rib separation,” Hern revealed in an article published Friday, December 10,1948. “It was the result of trying to shave the overhead a little bit, his own personal overhead, for the fight.” Here’s what happened: Robinson and Wade sparred the previous Tuesday at the Uptown Gymnasium. Robinson, feeling the pinch of the lagging ticket sales for his fight Thursday, told Wade that he would have to accept less money than promised. Wade objected at first, then relented. “What can I do about it,” he said. “You’re the boss. I’ve got to take it.”
Wade left the gym, but changed his mind and waited for the champion on the sidewalk. When Robinson came out, Wade confronted him. “I want all the dough or none,” he said. “I’m just a punk in this business but I want my money.” Robinson, said Hern, starting telling “his broken-down sparring partner that he would be lucky to get anything—but he didn’t finish. Wade fired his Sunday punch that knocked Robinson to the sidewalk and then gave him a brisk going-over.”
The spectacle of a member of Murderers’ Row finally closing the distance on Robinson and punishing him is startling. Is it poetic justice? Robinson later wrote an article for Ebony magazine defending his business acumen. “A broke fighter is a pitiful sight,” he said. “I’ve seen too many of them not to have learned a lesson or two. Great boxing skill is no sure guarantee that a fighter won’t end up hungry and raggedy. Most fighters end up broke.” Then he offered a little advice. “A fighter these days must express himself, must speak up when he thinks he’s being shoved around.”
It could be said that Wade ‘expressed himself’ on behalf of many; on behalf of many on Murderers’ Row.
The pair would have another ill-fated encounter in February 1950. Robinson was scheduled for a main event in Savannah, Georgia, when his scheduled opponent got shot in New Orleans. The local promoter, Buster White, was desperate to find a substitute; a black substitute, to be precise, because southern law prohibited fair fights between the races. Robinson’s manager remembered that Aaron Wade always needed a buck. For all intents and purposes, Wade had been retired for 793 days; he needed a few bucks.
The doors to the Municipal Auditorium opened at 8:30pm on February 15. “Ladies and gentleman, tonight you will see one of the greatest champions of all time,” the program said. “Robinson could easily become a triple champion if given the opportunity to fight for the middleweight and light-heavyweight titles.” Two thousand black and white citizens streamed in by separate entrances. The blacks were seated in the balcony, the whites around the ring. During the main event, they were booing together.
“Ray battered his stocky, keg-like foe savagely,” said the Savannah Morning News. “Mostly he put on a beautiful combination of foot-work and body weaving which left the Tiger shadow boxing.” Robinson’s “favorite stunt” was to grab the rope with his right glove and leave his left free to “tantalize and punish Wade by smearing that hand all over the Tiger’s face and body.” It was an artistic display. It seemed a little too artistic. Wade fell five times in the second round. The first time seemed more like a slip. The second time saw him “dumped on his rear end through the ropes.” The third time Wade went down, “it looked for certain that the glove missed Wade’s face altogether and caught him in the shoulder instead. At any rate, he went down again.”
The crowd was wild between the second and third round, more “at Wade’s taste for canvas than in appreciation for Ray’s aptitude.” Before the bell, Robinson stood up and gestured that he would bring the fiasco to a conclusion. When the third round began, he set out to do so and, reads the article, “Wade seemed willing to cooperate.”
The Savannah Evening Press was also suspicious. “The Tiger—let’s call him Aaron—,” it said, “began hitting the canvas for apparently no reason at all. As Robinson moved within firing range the husky Wade repeatedly fell to the canvas.” Waldo Spence, sports editor for the Press, got right to the point: “Robinson never during the evening hit Wade with a solid punch.”
Years later, Wade privately confirmed what many thought they saw that night. He told his son he had taken a dive. When Alan told me, a shadow crossed my mind. I had to ask “—did Robinson know?” It turns out that he had asked his father that very question. His father shook his head. “Robinson had nothing to do with it.”
“Who approached your father?” I asked Alan. “It was the promoters,” he said. “They told him to go down in three rounds for a few hundred dollars.”
Alan had one other detail he could recall. Wade, he said, had asked the promoters if he could go “five or six rounds.” It was, I suppose, an attempt to salvage whatever scrap of pride he had left. But they turned him down. “Three,” they said.
I found it a little sad.
“WhyI’m the Bad Boy of Boxing,” by Sugar Ray Robinson (Ebony, November 1950); Savannah Morning News 2/22, 23/50; New York Times 2/23/50; Savannah Evening Press, 2/23/1950; Behind the Moss Curtain by Murray Silver (2002), pp. 238-239.
Special thanks to J.J. Johnston.
Springs Toledo can be contacted at scalinatella@hotmail.com .
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!
It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.
Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.
But hold the phone!
After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.
It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.
Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.
Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.
Co-Main
Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.
A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.
Other Bouts of Note
In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.
Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).
Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.
Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.
Photo credit: Mikey Williams / Top Rank
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