KATHY DUVA SPEAKS OUT ON … WELL, EVERYTHING (PART 3)

Published

11 years ago

May 9, 2014

Insanity is doing the same thing over and over again and expecting different results.
—Albert Einstein

Those who do not learn from history are doomed to repeat it.
—-George Santyana

A lot of familiar sayings pop into a listener’s mind when Kathy Duva speaks out about boxing matters then and now. She has been in the business for more than 35 years, first as a publicist for her husband Dan’s promotional company, Main Events, and after his passing in 1996, as its president. She has been to the top of the highest mountain, when Main Events’ deep roster featured such stars as Evander Holyfield, Pernell Whitaker, Meldrick Taylor and Mark Breland, and later as more of a secondary player with a depleted stable, scoping out less treacherous hills to ascend. But Main Events and Duva are staging a comeback of sorts, with WBO light heavyweight champion Sergey Kovalev as the brightest hope for renewed relevance.

When Duva ruminates about her company’s and family’s oldest and most bitter rival, Don King, it is with a curious mixture of pent-up venom as well as what almost sounds like near-sympathy for a one-time giant of the industry who has tumbled far from his own glory days. What satisfaction is there to be drawn from victories at the negotiating table unless they sometimes come at the expense of the fire-breathing dragon that so frequently has made your life miserable? Remember, Kathy once dressed up her then-toddler of a son, Bryan, with a fright wig and a gold-glittered, cardboard DKP-logo pendant for a trick-or-treating tour of her neighborhood. It was a sight gag worthy of the best of Mel Brooks, and a reflection of the mother’s utter contempt for the electric-haired model for the Halloween caricature as well as a sort of grudging admiration.

King, at 82, is still around and harrumphing his heh-heh-hehs and “Only in America!” mantra. And while it might not be his last stand, win or lose, his fighter, Bermane Stiverne (23-1-1, 20 KOs) takes on Chris Arreola (36-3, 31 KOs) Saturday night in Los Angeles for the WBC heavyweight championship vacated by the now-retired Vitali Klitschko. Should Stiverne win – and, remember, he already holds a wide unanimous decision Arreola in their first meeting, on April 27, 2013 — King’s faltering operation could take on at least some of the trappings of its former status as one of the fight game’s major power brokers.

I interviewed Duva for a story I had planned to do for TSS a couple of weeks ago, but – she’d certainly hate to admit this – she did her own version of King’s rambling, stream-of-consciousness brand of verbosity, at such length and with such conviction, that she filled up eight legal pages with interesting quotes. What to do? Condense all that material into a Cliff’s Note single column? Or spread the wealth over a three-part series, the truth of which, or possibly the lack thereof, to be discerned by TSS’ knowledgable readers? I chose the latter.

What did surprise me was Duva’s frequent references not only to King as the head of a diminished Evil Empire, but as the main character in a cautionary tale that more recent wheeler-dealers – Golden Boy CEO Richard Schaefer, adviser-to-the-stars Al Haymon and Showtime executive Stephen Espinoza –seem intent on reprising.

Main Events’ marquee attractions from the good old days almost exclusively appeared on HBO or HBO Pay-Per-View, and Kovalev has graduated from dates on NBC SportsNet, which has contracted for Duva’s company to furnish the matchups since “Fight Night” debuted on Jan. 21, 2012, to HBO. It’s no surprise that, in her assessments of the HBO business model in comparison to Showtime’s, she sees HBO as having the superior format. Make of that what you will. It’s only one person’s opinion and, well, it might be construed as more than a little self-serving. Remember, Duva filed a lawsuit in late April against Showtime, Golden Boy Promotions, WBA light heavyweight champ Adonis Stevenson, his adviser Haymon and promoter Yvon Michel. It is Duva’s contention that there is a legally binding contract between Main Events and Michel to promote a Kovalev-Stevenson bout, on HBO, which appeared to be quashed when Haymon took Stevenson to Showtime.

But that doesn’t mean that a perhaps biased point of view isn’t entirely without merit, and Duva makes no bones of her belief that Showtime’s make-or-break, multimillion-dollar bet on Floyd Mayweather Jr., Golden Boy and Haymon is reminiscent of a similar bet-the-house wager made by King two decades ago, with ultimately disastrous results.

“You can literally trace the decline of Don King as a major promoter to the day he made that deal,” Duva said of King’s jumping from HBO to Showtime, taking with him such ring luminaries as Mike Tyson and Julio Cesar Chavez. “His operation went straight down from there. It was a mistake on his part, I think it was a mistake on Showtime’s part. And now the same mistakes are being made all over again.

“Mayweather is being paid a tremendous amount of money (he’s three fights into a six-fight deal that potentially could bring him upwards of $250 million), and it’s putting Showtime at risk financially. It’s not just coming out of their budget that they’ve allocated to buy fights. They’ve got to make money every time he gets in the ring. Whether or not that was a good business decision on their part, I can’t say until the deal’s over, I suppose. They certainly got a lot of attention, and I’m willing to bet, a lot of new subscribers, at least initially.

“The problem, as far as I can see it, is that people aren’t watching Showtime because Floyd Mayweather is fighting on pay-per-view or because Canelo (Alvarez) is fighting on pay-per-view. Or Amir Khan or Adrien Broner. These are the people who are getting their highest ratings, and more and more they’re fight on pay-per-view now. They have a very different business model than HBO had back then.

“Clearly, their business model is to build fighters up to pay-per-view and that’s where they make their money, or not. That’s a perfectly legitimate business model. HBO’s is more – I think – to develop talent, to hopefully put on entertaining fights with that talent, which was what they were trying to do with Kovalev and Stevenson.”

To Duva’s way of thinking, HBO’s model is analogous to a baseball team – say, the St. Louis Cardinals – building through a strong farm system while Showtime taking the approach of the late George Steinbrenner’s free-spending New York Yankees, throwing wads of cash at big-ticket free agents. It’s a bold step for Showtime, which apparently is no longer content to play Avis to HBO’s Hertz.

“The people who got the ratings on Showtime are the people who were built up on HBO,” Duva continued. “They only recently poached another HBO fighter in Stevenson. Their whole business model is, `We’ll poach some top guys from HBO and put them on pay-per-view.’ It was unthinkable that Showtime could do that back then (in the 1990s) because HBO’s budget was much bigger.

“King was able to make the deal he did with Showtime based on Mike Tyson being that sort of pay-per-view attraction. Chavez was a tremendous fighter who, frankly, was buried on Tyson undercards for years when he should have been a bigger star in his own right. But you can’t build a superstar on Showtime. You just can’t, no matter how hard you try.

“What’s interesting to me is how long can this continue? How many more HBO fighters can Showtime poach? At what point will they have too much inventory? I don’t know.”

The principals, of course, are different now than they were then. King’s role presumably is now being filled by Haymon and/or Schaefer, while Espinoza is sitting in the chair once occupied by his twice-removed predecessor as executive vice president and general manager of Showtime Sports and Event Programming, the late Jay Larkin. Mayweather is cast in the role of the new Tyson, the bell cow whom PPV customers are expected to follow no matter whom he fights or how well he fights them.

“This is so much what King tried to do in the ’90s,” Duva said. “He was saying, `I want my own network. I want to call all the shots. I want to do whatever I want.’ It was a situation that was very beneficial to him in the beginning, but in the end he isolated himself. Now, you can see the same thing starting to happen again.

“What stopped King from signing every fighter in the world was that even he had a limited budget and, let’s face it, he was Don King. People were wary of signing with him. It wasn’t that difficult to keep our fighters from going over to him. Generally, it went in the opposite direction.”

It all makes for a soap opera that, unlike actual daytime soap operas with story lines that go on and on and on, figures to have some sort of definitive conclusion. Whether that turns out to be sooner or later, who can say?

“I think the end game for Golden Boy and Al Haymon is to go back and get every date on HBO, too,” Duva said. “The lack of competition is not good in any business. I don’t think that Showtime’s interests should be so closely aligned with Haymon’s and Golden Boy’s. But they are. Ultimately, if HBO capitulates, it means that they give the HBO dates to Showtime, too. And where does that leave Showtime?”

What boxing needs, Duva said, is someone with the patience, persistence and clout to move mountains when necessary. Someone like, say, former HBO Sports boss Seth Abraham.

“Back then, Seth was almost like the commissioner of boxing,” she noted. “Think about it. He came from (baseball commissioner) Bowie Kuhn’s office. He had that mindset. The way Seth used to operate, because I went to a lot of those meetings with my husband, he’d put everybody in a room and not let them out until he had an agreement.

“Now, there was a time when Seth was accused of being way too cozy with Don King. There was an executive with his company who resigned over it, or perhaps he was pushed out. Well, there also was a time when King walked away from Seth, but, still, Seth worked with him when he had to. He didn’t welcome King back with open arms ever again, and there was a lot of bad blood. There always is when you say, `I’m taking my bat and ball across the street.’
“ We once crossed the street ourselves when we made Whitaker-Chavez on Showtime Pay-Per-View because that was the only way to get a fight our guy desperately wanted. To this day, I don’t know that Seth would say he’s forgiven (Whitaker’s manager) Shelly Finkel and maybe my husband for that. That was seen as an enormous affront and I don’t think it helped us in the least in our relationship with HBO. But that was one fight, and you could get past it.

“But to take your whole business across the street? Think about it. HBO enabled Golden Boy’s very existence. They literally pushed Main Events aside at a time after Dan had died and our stock had begun to dwindle. We were not in a good position. At the turn of the millennium when Lennox Lewis was heading into his last days, as was Arturo Gatti, and Whitaker had retired, those dates that used to go to Main Events started going to Golden Boy.”

So the combatants have changed, but the old battle rages on. It’s a war of attrition, with conflicting strategies and visions of how it will all play out, eventually. Maybe Showtime has the right answers this time. Maybe it doesn’t. To Duva’s way of thinking, if it ain’t broke, don’t try to fix it.

“HBO’s got a machine there,” she offered. “They can build more talent. It’s a rare fighter who comes along who is so valuable that he can’t be replaced. It happens maybe once or twice in a generation. Floyd Mayweather is one of those fighters, no doubt. But there’s nobody else over there who’s a Floyd Mayweather.

“How many guys like that have there been in the pay-per-view era? Tyson. Holyfield. De La Hoya. There aren’t too many of them.

“At some point I think HBO will buy fights from Golden Boy again. At some point I think Showtime will buy fights from other promotional companies. I really think that’s the only things that makes sense in the long run.”

For now, though, expect the status quo to remain.

“Richard gave an interview that was related to me the other day,” Duva said. “He said, `I don’t agree with (Bob) Arum’s idea that you go to China and Russia and bring back talent from there. But if they build up somebody that’s attractive to us,’ we’ll just take him.’ If a network wants to empower someone with that attitude, someone who sets himself up to put other people out of business, you will see the demise of the boxing as it exists today. Except that I don’t think (Golden Boy and Showtime) can put HBO out of business.

“I’ve been going to meetings at HBO for 10 years and I told them that this was going to happen. It got pooh-poohed every time. If I went to meetings at Showtime, which I don’t, I would tell them the same thing. They’re looking at boxing as if it observes the laws of economics, as if it obeys the laws of supply and demand. It doesn’t. It never has.”

Read the parts 1 and 2 here :

Kathy Duva Speaks Out On…Well, Everything (Part 1)

Kathy Duva Speaks Out On…Well, Everything (Part 2)

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Bernard Fernandez

Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

Published

1 day ago

April 24, 2025

David A. Avila

Avila-Perspective,-Chap.-323:-Benn-vs-Eubank-Family-Feud-and-More.jpg

Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.

This is huge in British boxing.

Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.

This is about family pride.

The parents of Eubank and Benn actually began the feud in the 1990s.

Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.

Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.

Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.

Animosity between the two families continues this weekend in the boxing ring.

Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.

“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.

This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.

Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.

“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”

Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.

“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.

Eubank smiles.

“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.

Supporting Bout

Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.

“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.

McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.

It’s youth versus experience.

“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.

Monster in L.A.

Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.

It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.

Pomona Fights

Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.

Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.

Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions

Fights to Watch

Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

Published

4 days ago

April 22, 2025

Arne K. Lang

Floyd Mayweather has Another Phenom and his name is Curmel Moton

In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.

Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”

Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.

Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.

The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.

It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.

Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.

Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.

When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.

Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”

Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.

Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.

Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.

Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.

It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.

Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.

For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”

It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.

Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

Published

6 days ago

April 20, 2025

Arne K. Lang

Arne's-Almanac-The-First-Boxing-Writers-Assoc-of-America-Dinner-was-Quite-the-Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.

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