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Just Call New Champ Algieri “Hands of Stony Brook”
NEW YORK – In those 1960s Sergio Leone spaghetti Westerns, opportunistic gunslinger Clint Eastwood played the role of the Man With No Name. Going into Saturday night’s HBO-televised matchup with WBO junior welterweight champion Ruslan Provodnikov at the Barclays Center in Brooklyn, Chris Algieri was the Man With No Nickname.
All that might be about to change after Algieri – who has a bachelor’s degree from Stony Brook University and a master’s degree from the New York Institute of Technology – overcame two first-round knockdowns and a rapidly closing right eye to score a major upset over WBO junior welterweight champion Ruslan Provodnikov, on a split decision that might be described as beauty in the one eye of the beholder.
“I knew I was winning each round,” said Algieri, 30, who was a world champion kickboxer before trying his hand, and not his feet, as a boxer in 2008, at the relatively advanced age of 24. “At the end, I really wasn’t too nervous about (the decision). I was just waiting to hear `And new …’”
Algieri got a fistful of dollars, a career-high $100,000, for challenging Provodnikov, and he figures to get quite a few dollars more for his next bout, be it a rematch with the dethroned “Siberian Rocky” or an even more lucrative date with Filipino superstar Manny Pacquiao, the WBO welterweight champion, who is scheduled to make his next title defense on Nov. 22 in Macau, China. Pacquiao’s promoter, Top Rank founder Bob Arum, has said that if Algieri were to defeat Provodnikov, he would get first dibs on the big-bucks, high-visibility gig with Pac-Man. Of course, words said today do not necessarily translate into signed contracts tomorrow. Still, the idea was intriguing to the well-lumped-up Algieri, who admits he switched from kickboxing to boxing because the paydays for those who succeed at the highest levels are significantly higher.
“It would be a great fight,” Algieri, who has a praying-mantis physique for a junior welter at 5-foot-10 and with a 72-inch reach, said of a possible pairing with Pacquiao. “Manny’s definitely a future Hall of Famer. Stylistically, I think it would be a good matchup. He’s another dangerous guy, but I think my style would match up well with his.”
Someone – a fellow Stony Brook alum, the guy noted — mentioned to Algieri that he probably is the first world boxing champion from Stony Brook (whose proper name is the State University of New York at Stony Brook), an academically prestigious institution on the north shore of Long Island. That distinction alone seemingly lends itself to the conferring of the nickname that Algieri previously has been without.
How does “Hands of Stony Brook” grab you?
Truth be told, Algieri’s hands are that of a relatively soft-punching ring tactician and aren’t nearly as hard as his resolve, which had been called into question by any number of skeptics, including Provodnikov, who wondered if an erudite college graduate and aspiring medical doctor from an affluent outer-ring suburb of New York City (Huntington) could withstand the pressure of a relentless, power-hitting champion who came up the way most elite boxers do, from poor and deprived circumstances. Greatness in the cruelest of sports usually is forged in the crucible of desperation, not in upper-middle-class comfort.
“It’s my competitive nature to want fights like this,” said Algieri, who improved to 20-0, with a modest eight victories inside the distance. “And that’s what kept me in this fight. You know, there were a lot of doubters about how much I really wanted it. Ruslan kept talking about how he would die in the ring, if necessary, and would I be willing to do that? But I think I showed that I belonged in there as well.
“I know I didn’t come from a torn, you know, childhood or upbringing. I came from the suburbs of Long Island. I don’t have to fight. I fight because I want to fight. If you didn’t see passion in those 12 rounds, I don’t know what you were looking at.”
Provodnikov (23-3, 16 KOs), who hails from the decidedly non-affluent town of Berezovo, which is in Siberia, the most frozen part of Russia, figures he didn’t deserve the chilly scorecard tabulations he got from judges Tom Schreck, from New York, and Don Trella, from Connecticut, both of whom saw Algieri as the winner by a 114-112 margin. The dissenting judge, Max DeLuca, who is from California, had Provodnikov running away with it to the tune of 117-109.
What it comes down to, as it always does when a bout ends in a disputed decision, is the perspective of three individuals who can be watching the same thing but seeing something entirely different. Punch statistics furnished by CompuBox are a useful tool, but only to a point; they do not account for how damaging those punches are. Therein lies the difference between amateur boxing, where a jab theoretically counts no more than a knockdown shot, and the pros, where quality often factors more into the equation than quantity.
The raw numbers say that Algieri landed 288 of 993 punches thrown, a 29 percent connect rate, to 205 of 776 (26 percent) for Provodnikov. But the pro-Provodnikov side argued that those two first-round knockdowns by the champion, and visual proof of what had happened, in the form of Algieri’s substantially more-damaged face, should have produced a more favorable outcome.
“Power punches win fights,” said Provodnikov’s chief second, the esteemed Freddie Roach, winner of six Trainer of the Year awards from the Boxing Writers Association of America. “(Algieri) outjabbed us, yes. But power punches? It was a thousand to one. We landed the most (effective) shots and that’s why I thought we deserved (to win) the fight.”
Provodnikov, who also earned a career-high purse ($750,000), had hoped that an impressive victory, which he had guaranteed, would vault him into boxing’s exclusive seven-figure club and further cement his burgeoning reputation as an action hero in the mold of a late, great pair of Hall of Famers, Arturo Gatti and Matthew Saad Muhammad. He said he hadn’t come to Brooklyn to enter a track meet or participate in a dance-hall recital.
“I haven’t seen the (replay) to make a judgment on the way it went, but to me it felt like he was running all night and just jabbing,” said Provodnikov. “You can see the way I look and the way he looks. To me, I don’t see how you can win a fight just running all night.
“I start falling asleep when the guy is just running all night. I’m catching him and he’s just running and running. If I started boxing him, you guys (the media) would be falling asleep. I took the fight to him and I made it exciting. I was the only one who made this fight exciting. HBO (commentators) gave, like, nine more rounds to me. One of the judges gave six or seven more rounds to me. The local judges gave it the other way. On top of that, (Algieri’s) eye was closed. It’s dangerous to fight like that. He could have gotten killed. If my eye was like that, they would have stopped the fight in the round that my eye started closing. I think it’s not fair.”
Whether the grumpy Provodnikov truly believes he was the victim of a stickup by pencil, or just perturbed not to have engaged in the sort of toe-to-toe slugfest that more suits his Gattiesque proclivities, only he can say for sure. But there isn’t much doubt he is disdainful of stick-and-move types who won’t engage him in the center of the ring, strength on strength, will against will.
“I said before (Algieri’s) style was not the best style for me,” he complained. “Runners are not my style. He just ran and touched me, just jabbed and touched me. This is the worst style for me. I like guys who are in front of me and fighting me.”
Fortunately for Provodnikov, HBO subscribers and ticket-purchasers like fighters who, as his promoter, Art Pelullo, noted, are “TV-friendly and fan-friendly. Ruslan fights like that all the time. He gets good ratings. I’m sure he’ll get good ratings for this fight. Right now (the HBO suits) are already talking about November or December, so he’ll be back on the network at the end of the year.”
Provodnikov is unquestionably fan-friendly, increasingly so in the United States, but, somewhat interestingly, he was not the rooting choice of the 6,218 spectators who were in the house and much more vocally supportive of Algieri, despite the fact that the Barclays Center is close to Brighton Beach, which is located in the southern portion of Brooklyn and is known for its high population of Russian-speaking immigrants. Every time Provodnikov backers started to chant “Ruslan! Ruslan! Ruslan!,” they were drowned out by louder chants of “Algieri! Algieri! Algieri!” or “USA! USA! USA!” Maybe that old Cold-War thing hasn’t thawed as much as had been supposed.
“I really heard it when I came out,” Algieri said of the support he received. “I heard it when they actually booed Ruslan a little bit, which I’m not happy about. But it did show my numbers were here. Then again, I had said that prior to the fight. People were asking me what the crowd was going to be like. I said it was going to be a pro-Algieri crowd.
“This is how I pictured me winning a world title – having it in New York and fighting like this. But I didn’t picture my face like this.”
No matter what side of the scoring fence anyone falls onto, Algieri deserves credit for displaying a brand of courage real fighters are sometimes asked to reveal. His right eye began to swell in the first round, after he was dropped by that Provodnikov left hook that clearly hurt him, and by fight’s end the hematoma was so massive that the eye was completely closed. It called to mind similar damage done to Carmen Basilio in his 1958 rematch with Sugar Ray Robinson and to Bobby Czyz in his 1987 bout with “Prince” Charles Williams. He did not deserve the shouted declarations of cowardice in Russian that some of Providnokov’s backers directed at him as he scratched back from the deep hole of that 10-7 first round.
In the other HBO-televised bout, which also served as something of a coming-out party, WBO junior middleweight champion Demetrius Andrade (21-0, 14 KOs) completely dominated British challenger Brian Rose (25-2-1, 7 KOs) en route to defending his title on a seventh-round stoppage.
“I’m the best in the world,” Andrade, a southpaw from Providence, R.I., who represented the U.S. at the 2008 Beijing Olympics, said after he did as he pleased against the willing but out-of-his-league Rose. “I was just taking my time. I knew my power was affecting him. I took Round 5 off to see openings. Round 6 I picked it up and in Round 7 he had to go.”
Not unexpectedly, Andrade spent his time at the microphone at the postfight press conference to call out Floyd Mayweather Jr., Canelo Alvarez and Miguel Cotto.
“I couldn’t keep him off me,” said Rose. “He’s better than I thought he would be. He may be one of the best out there in the game today.”
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!
It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.
Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.
But hold the phone!
After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.
It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.
Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.
Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.
Co-Main
Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.
A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.
Other Bouts of Note
In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.
Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).
Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.
Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.
Photo credit: Mikey Williams / Top Rank
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