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The Historic Fifth Crown: Mayweather vs. Pacquiao, 2015

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In 1988, Sugar Ray Leonard defeated Donny Lalonde and was handed two world championships for the price of none. HBO’s Larry Merchant sniffed at this. After a post-fight studio discussion with Leonard, he turned to us. “You may have noticed I made no reference to Sugar Ray Leonard winning his fourth and fifth world championships. This may be the sincerest form of flattery because the promoters have invented three titles for every two pounds. The fallout is that the word ‘champion’ means less than the fighter, who is or isn’t one.”

It’s an old complaint, but the problem has become worse —exponentially worse. The sanctioning bodies are actively inventing new championships to increase their ill-gotten gains and thrive in the confusion. “These organizations hand out belts like business cards,” sniffed Showtime’s Mauro Ranallo last Saturday night. Boxing’s appeal has suffered as a result. The U.S. has bad indicators in sports bars where boxing never comes up and on barber shop walls that display no autographed 8x10s that say “keep punching.” Last week I was on Boylston Street in Boston looking for a little hope. I reached out to a fellow citizen. “Ten bucks if you can tell me who the middleweight champion of the world is.” I held up a sawbuck between two fingers. “Oh man,” he said, tapping his chin. I offered a hint. “He’s Puerto Rican, bald, and tattooed like a sideshow. Throws left hooks.” Silence. Then a far-away look. “…I remember when Hagler was champ,” he said.

Mayor Tom Menino didn’t. After the Red Sox won the World Series and the Patriots won the Super Bowl in 2004, Menino referred to Boston as “The City of Champions” and the people of Brockton, an economically-distressed city twenty-five miles south, came out swinging. They had laid claim to that title long ago, in the name of favorite sons Rocky Marciano and Marvelous Marvin Hagler. One Brockton resident was irate enough to challenge the rotund mayor to a boxing match, in the name of yesterday.

“The sweet science,” said A.J. Liebling, “is joined onto the past like a man’s arm is to his shoulder.” We look behind us, and while that’s always advisable in the red-light district, it also makes sense in a sport that builds so directly on the past. Our fighters, hallowed be thy names, are not only strong-willed athletes, but libraries of accumulated ring knowledge. When those who inspire us the most die, they won’t be found moldering under crabgrass in some out-of-the-way cemetery like the rest of us. We recast them into statues, larger than life and forever young, standing guard in their old neighborhoods like Achilles in Corfu.

Some of them are kings.

We look behind us to see, what, if not successions of warring kings?

“We know who the real fighters are,” Merchant said at the end of the Leonard-Lalonde broadcast. We no longer know who the real champions are.

It’s the boxing historians, the independent specialists, who should have answers. There’s squabbling among them to be sure, but they are more relevant now than ever before. They’ll tell you Ray Leonard is a three-division king; no more, no less. They’ll also tell you only two have conquered four weight divisions, and they happen to be the top two welterweights in the world today.

HISTORY, WITH AN ASTERISK

In 1937-1938, when Henry Armstrong stormed the featherweight, lightweight, and welterweight divisions inside of ten months, there were only eight divisions recognized. We call them “glamour divisions” and Armstrong held three of their crowns simultaneously.Only Bob Fitzsimmons matched this achievement (middleweight, 1891; heavyweight, 1897; light heavyweight, 1903), though it took him nearly thirteen years. No one else has taken more than two of those eight crowns; not even Sugar Ray Robinson, though it was only outside interference that stopped him. In July 1941, he easily defeated the first-rated lightweight in the world only to be left out in the cold when the lightweight king gave the man he defeated a title shot. In June 1952, he made a grab for the light heavyweight crown but was done in by heat prostration in a ring that would reach over 100 degrees under the lights. “God beat me!” he said afterwards in his dressing room, in his delirium. Think about that. Robinson, a welterweight and middleweight king, would have conquered four glamour divisions (a forty-pound span) had fate merely smirked at him.

Fate has been one big smiley-face for Floyd Mayweather Jr. and Manny Pacquiao. Between Armstrong’s reign in 1938 and Armstrong’s death in 1988, the number of crowns available jumped from 8 to 17. The invention and re-activation of in-between and junior divisions, some of which are only four pounds apart, has primrosed the paths to their crowns.

Now something unprecedented is within their reach; something that outshines the tin belts around it like the Nevada sun outshines dashboard lights in a car going nowhere: the fifth crown. If mainstream sports media picks up on it and is clear about what it means, it could spark something of a renaissance. It could return boxing to front-page news.

To lay hands on it, Mayweather must fight Jr. welterweight king Danny Garcia at 140 or middleweight king Miguel Cotto at 160. If he is serious about his legacy and stops confusing grandeur with grudges, he will come to terms with Top Rank and challenge Cotto. The middleweight crown would not only be his fifth, it would enshrine him alongside Armstrong and Fitzsimmons as one of only three glamour-division kings in the record books.

Pacquiao must fight Mayweather at welterweight or Jr. middleweight, or stablemate Cotto at middleweight. He therefore has three paths by which he can seize his fifth crown, two of which will see history’s glamour-division kings become a trinity of diversity. The fact that the Filipino’s first crown was at flyweight, fifty pounds south of middleweight, would make such an achievement as remarkable as Armstrong’s, and that’s nothing to sniff at.

Never mind the buzz leaking out of Mayweather’s camp about his secret plan “to fight Pacquiao next year” —they’re squaring off already. The question is which will face and defeat the right opponent in the right weight class, and do it first. That’s front-page news.

Expect Mayweather vs. Pacquiao Redux in 2015.

 


The Mayweather/Pacquiao graphic is the work of Cameron Burns of Newcastle, Australia.

Springs Toledo is a member of the BWAA, IBRO, and a founding member of the Transnational Rankings Board (www.tbrb.org). He is also the author of the newly-released book, The Gods of War: Boxing Essays (Tora, 2014, $25). Contact him at scalinatella@hotmail.com for signed or inscribed copies

 

 

 

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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