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Mayweather: The Perfect Fighter Still Pitching the Perfect Game
New York Yankees righthander Don Larsen, who had gone 3-21 just two seasons earlier with the Baltimore Orioles, had only minutes earlier finished pitching the first – and to date, only – perfect game in World Series history, a 2-0 masterpiece over the Brooklyn Dodgers in Game 5 of the 1956 Fall Classic in Yankee Stadium. Trying to make sense of the seemingly miraculous feat he had just witnessed, Joe Trimble of the New York Daily News struggled to find just the right words to begin his story. Dick Young came to his colleague’s rescue, typing in the seven-word opening paragraph that became one of the most famous leads in newspaper sports journalism.
“The imperfect man pitched a perfect game.”
Boxing and baseball are different sports, to be sure, but to the casual observer it would appear that Floyd Mayweather Jr. has surpassed “imperfect man” Larsen in at least one respect. Where Larsen went 27 up, 27 down on one magical afternoon, Mayweather – whom many have proclaimed as the “perfect” boxer – has gone 46 up and 46 down as a professional, with Argentine tough guy Marcos Maidana (35-4, 31 KOs) likely to be become his 47th consecutive victim Saturday night at the MGM Grand in Las Vegas. It’s a rematch of their March 5 fight in which Mayweather was pressed far more than usual in winning a 12-round majority decision, the type of give-and-take affair in which he is rarely obliged to engage.
The television ads for the Showtime Pay-Per-View do-over loudly proclaim the previous close call as “Mayweather’s toughest fight,” which it really isn’t. If you want to see Mayweather truly pushed to the limit, YouTube his Dec. 7, 2002, unanimous decision over Jose Luis Castillo, which remains the ultimate litmus test for someone who guards the “0” in the loss column of his record as if it were the gold in Fort Knox. That is an appropriate analogy when you consider that Mayweather – and he is not the first superstar athlete to think this way – regards his enormous earning power as further certification that he is unique and unlike anyone who came before him, or might come at some later date. He has earned a reported $350 million in boxing, more than any fighter ever has, and with three more bouts before his lucrative six-bout deal with Showtime expires, the man they call “Money” could well push that figure close to $500 million by the time he hangs up his gloves. He has announced – and, really, there is little reason to doubt him this time – that 2015 is the final year in which we will see him as an active fighter before he devotes himself to the next phase of his boxing life as a promoter and entrepreneur.
But, upon closer inspection, it becomes clear that the Mayweather we have been told is singularly distinctive has been glimpsed before, at least in part, in the person of at least one predecessor of fairly recent vintage. Even the stories about Mayweather now being authored have a sameness that call to mind individuals that came before. That is not necessarily a negative, but it is a reminder that, in boxing as in Hollywood, there are only so many original ideas that can be conceived before the recycling process kicks into gear.
A lengthy profile of Mayweather by the Washington Post’s Rick Maese in advance of the second Maidana fight touches on all the pertinent facts, and is indicative of the writer’s skill as a wordsmith. But even Maese finds it difficult to come up with anything that hasn’t been written before about a famous fighter who has been psychoanalyzed more than the sum total of Sigmund Freud’s case studies. Consider how Maese concludes his story, with Mayweather leaving his gym in Las Vegas to head off into the artificiality of the neon-lit gambling mecca the world’s current pound-for-pound champ, who was born and raised in Grand Rapids, Mich., has made his home.
“For Vegas and for Mayweather, it’s all choreographed, shimmering and plastic and contradictory at even turn,” Maese observes. “The money rolls in faster than anyone can count; air is pumped through the vents; entertainment is available at all hours. There’s no clock or rhyme or reason to anything, and everything under the sun can be bought. It’s all fueled by money and whim. Indulgences are the norm, excesses expected, and no indiscretion is ever judged.
“It’s the perfect city for an imperfect man.”
Somewhere, if Don Larsen were to read that description the puncher and the gaudy town that has so embraced him, you’d have to figure he’d have to crack a smile.
The Maese piece on Mayweather also examines the seeming conflict between “Money’s” swaggering, arrogant belief that he is unbeatable in the ring with the self-doubt that the fighter, at least to the writer’s way of thinking, apparently is harboring.
“Everything about Mayweather screams of insecurities: the way he flashes money, plays for cameras, seeks attention,” Maese writes. “But he says he’s completely comfortable with who he is, with what he has and with what he doesn’t. The real Mayeather is `a family man,’ he says, `a person who likes to give back, a great heart, loyal and honest.’ The cocky, flashy portrayal the world sees is apparently just a carefully crafted projection.”
It became clear to me that the Mayweather that Rick Maese sees is, in many ways, a replication of the Roy Jones Jr. that I perceived to be not so very long ago. Similarities between the two most naturally gifted fighters of their respective eras? They are plentiful: almost surrealistic talent, a fixation with image, the delineation between public and private personas and, as their reputations became increasingly outsized, a hesitancy to venture into the deepest and most treacherous waters of a shark-infested occupation.
It is tricky business when a writer, any writer, seeks to find real honesty in the morass of lies and half-truths swirling within a carefully orchestrated setting in which elite fighters, and their publicists, seek to cultivate public opinion to the purpose of generating maximum exposure and profit. Consider this, which I wrote about an in-decline Jones in November 2008:
“I’m not a psychologist, so I won’t attempt to go all Freudian in analyzing why Jones has been as disappointing in some regards as he has been exhilarating in others. I do think he has harbored a fear of being seriously hurt because of the state of living death in which his friend, Gerald McClellan, has existed for these past 13 years. It’s a gut reaction that most human beings can understand; prizefighting is a dangerous occupation most sensible persons wouldn’t dare attempt.
“It does seem apparent to me, though, that Jones is a mass of conflicted emotions, a preening show of bravado on the outside and a gnawing core of self-doubt on the inside. Teddy Atlas told us years ago, before Mike Tyson’s comeuppances at the hands of Buster Douglas, Evander Holyfield, Lennox Lewis, Danny Williams and even Kevin McBride, that the self-proclaimed `baddest man on the planet’ was a bully who would not know how to react when someone had enough gumption to stand up to him.”
There are obvious differences between Mayweather and Jones, of course. From a technical standpoint, Jones – like the young Cassius Clay/Muhammad Ali – did everything wrong, but it turned out right, at least for a long time, because of his superior physical gifts. The young Ali and the young Jones could drop their hands to their sides, lean straight back, throw punches off the wrong foot and get away with it because of their remarkable reflexes and sense of timing. They were, in a manner of speaking, like gifted jazz musicians, playing riffs that only they could hear in their heads. But when the pace of the music changed, along with their reactive speed, their results took a decided turn for the worse. Mayweather, on the other hand, possesses some of Jones’ instinctive moves, but his technique is far more polished and fundamentally flawless. He does everything right, and so far it keeps turning out right.
The other difference is the fact that Jones, who at 45 is a mere shadow of his former greatness, has eight defeats on his record, four of which came on knockouts. Mayweather is fixated on the notion of retiring undefeated, convinced that an unblemished record will – must – elevate him above even great fighters who have had to swallow the bitter pill of occasional defeat.
Like Jones, who liked to tell everyone that there was a marked difference between nice-guy Roy and the badass “RJ” who was his version of Dr. Hyde to the more frequently witnessed Dr. Jekyll, Mayweather has subdivided himself into family-man Floyd and “Money,” who is that much more brash and presumably more difficult for outclassed opponents to deal with in the ring.
“RJ is a bad dude,” Jones said after the first of his three bouts with Antonio Tarver, which he won on a close decision, his only victory in the trilogy. “I don’t like to mess with him too much. But my subconscious, which is where he usually dwells, seems to be jacked up … You don’t get to see me like that often.”
And Mayweather?
“You have Floyd Mayweather and then you have Money Mayweather,” both personas’ friend and longtime business associate, Leonard Ellerbe, is quoted as saying in the story by Maese. “Money Mayweather is what the fans see.”
Sometimes, though, it is difficult distinguishing Floyd from Money. For someone who has made such a point of his devotion to his family, Floyd/Money has been involved in domestic violence cases in which he is alleged to have struck Josie Harris, mother to three of his four children, and, more recently, fiancée Shantel Jackson. There have been other dustups outside the ring, creating the impression of someone who is at least periodically out of control. In the wake of the domestic-violence incident that got Baltimore Ravens running back Ray Rice drummed out of the NFL, Mayweather again flouted convention by rising to Rice’s defense, saying that “I think there’s a lot worse things that go on in other people’s households. It’s just not caught on video, if that’s safe to say … Like I’ve said in the past, no bumps, no bruises, no nothing. With O.J. and Nicole, you seen pictures. With Chris Brown and Rihanna, you seen pictures. With (Chad) Ochocinco and Evelyn, you seen pictures. You guys have yet to see any pictures of a battered woman, a woman who claims she was kicked and beaten (by Mayweather).”
Pretty repellant stuff, but then allowances always have been made in boxing for even the outrageous of statements and actions. Mayweather’s tacit if not outright acceptance of his semi-villainous reputation isn’t likely to affect his box-office and PPV clout. He doesn’t much care if fight fans buy his fights to see him win or lose, so long as his take-home check has enough zeroes on it.
“Whether my hand is raised or not, winning is giving it 100 percent, but if I make $70 million or $80 million, guess what? I’m a winner,” he says in the Maese piece.
If that were the case, however, Mayweather would understand that his fattest payday, and his best opportunity to embellish his legacy, would be to simply end the interminable suspense of his circle dance with Manny Pacquiao and sign for the fight that everyone most wants to see. Who’s right and who’s wrong no longer matters much; fighting Maidana, Amir Khan or anyone else whose name has been floated for the Floyd’s Farewell Tour is no longer sufficient to fully secure the 37-year-old Mayweather’s place in the annals of boxing. Nor can he continue to casually dismiss Pacquiao as a “little yellow chump” who somehow is unworthy to swap punches with him simply because “Pac-Man” is promoted by Bob Arum, who once promoted Mayweather and is the object of some of Money’s most virulent ire. The old, tired excuses not only don’t fly anymore, they can’t even get airborne.
I don’t believe that Mayweather is afraid of Pacquiao, whom I have long admired as a fighter. In fact, I would have picked Mayweather to win years ago, and I’d pick him to win now. But his inclination to play it safe, relatively speaking, in the maintenance of his undefeated record as his career winds down also calls to mind one of the less praiseworthy aspects of the Roy Jones Jr. that once occupied the pinnacle upon which Mayweather now is perched.
“Roy Jones,” former HBO senior vice president Lou DiBella once noted, “is the most careful great fighter I’ve ever seen.”
Added Seth Abraham, the onetime HBO Sports president: “(Jones’) drive was to do things that were of interest to him, but not necessarily to fight the very best middleweights, super middleweights and light heavyweights who were out there. I think Roy’s legacy in the sport absolutely will suffer because he chose not to do everything he could to make himself as great as he might have been.”
Jones is a future first-ballot inductee into the International Boxing Hall of Fame, his recent stumbles notwithstanding, and so is Mayweather. A loss to Maidana – and, let’s face it, Mayweather is no more resistant to the aging process than any other fighter, although Bernard Hopkins might qualify as an exception to the natural laws of diminishing returns – won’t change that. But the window of opportunity is closing fast for him to do the right thing and stare across the ring at Pacquiao, rather than to trash-talk him from a distance.
Hopkins has correctly noted that there are things even more precious to a fighter than immense wealth, which is why the 49-year-old ageless wonder has elected to test himself in a Nov. 8 unification matchup with the most devastating puncher in the light heavyweight division, Russia’s Sergey Kovalev.
“I want to fight the best,” reasoned Hopkins, who added that “history don’t go broke,” which is more than can be said about athletes with profligate spending habits who eventually find themselves destitute. It is the reason B-Hop will be remembered fondly even if he is beaten bloody by Kovalev. The old guy at least will have taken his best shot at making more history, and therein is a nobility that is indisputable.
Forget the veneer of faux perfection. I will be watching Mayweather-Maidana II, like a lot of other people, but only as it serves as a hopeful step toward Mayweather-Pacquiao. And if that fight never happens, it will be a hundred times worse than Roy Jones Jr. declining to bite the bullet, travel to Europe and mix it up with Dariusz Michalczewski.
Fight fans deserve something better than consolation prizes from someone who insists he isn’t merely the best fighter of today, but the best ever. So Floyd – or Money, whomever he chooses to be at any given moment – is almost obligated to do the right thing, if not for our sake than for his own peace of mind.
Because not only is it time, it’s long overdue.
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!
It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.
Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.
But hold the phone!
After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.
It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.
Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.
Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.
Co-Main
Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.
A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.
Other Bouts of Note
In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.
Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).
Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.
Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.
Photo credit: Mikey Williams / Top Rank
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