Bernard Hopkins is the Future of Boxing

Published

10 years ago

November 3, 2014

Odd copy for an old fighter, but his international style assures him of the Olympian higher ground in the battle for futurity. Of course, solid footing on the high ground doesn’t assure him of winning, but just ask your dad: real estate is always the best investment.

The great actor Ric Royer described the point of boxing: “to touch your opponent in the face with your gloves while avoiding being touched.” It’s an explanation that maddens most fans, because it sounds clever but misses boxing’s most basic ingredient. Boxing’s most basic ingredient (as the actor well knows) is mortality.

But the future is not just gluten-free and fat-free, it’s also mortality-free. Too much mortality, and it wouldn’t be the future. In boxing, mortality is symbolized by the knockout. And the knockout’s days may be numbered.

I could well be wrong, but all the hand-wringing over violence in the big four sports keeps moving the odds against dystopian prophecies of a New Roman Empire where jaded citizens cheer blood-sports in a modern Coliseum. We are moving in the very opposite direction.

Royer describes boxing not as a blood-sport, but as a harmless game. In a future where you can’t smoke, can’t drive, can’t camp or even die without a permit, he’s describing the boxing of the future.

However, we live in the present, and we aren’t satisfied with the idea that boxing is a game even though it’s “a competition governed by rules,” and is “accompanied by the awareness of a different reality,” as sociologist Roger Caillois puts it. We aren’t satisfied because the game so often breaks down, allowing reality to seep in like a stirring evil which enters an unlatched window. And never are the game’s fissures more apparent than when a boxer dies –not a symbolic knockout death, but a real mortal death.

There is no place for death in the rules of boxing, which means any real death happens outside its structure. But the fact so many boxers die makes one wonder whether the rules of boxing are strong enough to separate fiction and reality. A fighter’s death makes headlines about once a year, and more than 500 deaths have been blamed on the sport since the introduction of the Queensberry Rules of 1884.

But if men are perfectly protected by the rules, can they be heroes? I don’t buy the notion that Lebron James or Peyton Manning is a hero. We bestow them with laurels, but what do they risk? They are protected by the rules of their games the way a law-abiding citizen is protected by the rules of society. And a hero isn’t just another do-gooder citizen, no matter what Ford commercials try to tell you. A hero lives on the very borderline of society, and knows what’s on the other side of that border.

Boxers live in the borderlands. Every player parading into the game of touch-without-being-touched knows he might die during the game –if he’s touched in that rarest way. They are no mere players, and it’s no mere game.

But the future works to make sure nothing seeps through the structure of its rules. Bigger gloves, fewer rounds, maybe headgear –whatever it takes to keep reality out. If boxing is to survive, it will more and more resemble Olympic boxing, and the sweet science could wind up as the least physical sport of all. Championship boxing used to be 15 rounds, before that it used to be 100 (the future always shortens “the distance,” ironically enough).

And this is where Bernard Hopkins comes in. He reveals the lie behind my cynical attitude about a sterile and mortality-free future, because he can take boxing to a land of no knock-outs, a land where a 39-year-old can be champion, and a 49-year-old man can be champion, a land of immortality: the one and only future. And I’ll be happy to come long for the ride because he can do it with style, and he can do it with art.

I love watching Bernard Hopkins. I could watch him not knock out a guy forever. Watch him clinch, hip-check, pot-shot, counterpunch, body-block and aim for the abdominal brain. Watch him render his opponent harmless as a charmed snake by scrambling his rhythm, and then hit him. And then hit him again in disdain.

Bernard Hopkins is the future of boxing because his art is strong enough to expand the game’s borders. His art can elevate symbolic violence beyond real violence. He is the answer to the conundrum that If boxing is all about brutal kayos, it will be pushed to the margins of society and into extinction, but that if it becomes “too safe” it will lose its audience and fade away. His art is strong enough to give us symbols that rival reality and satisfy our passions.

I believe Hopkins thinks about himself in a similar fashion. In an interview with The Boxing Voice (Aug 21, 2014) he expresses scorn for fight fans who just want to see knock-outs. A kayo is simple and vulgar compared to the higher precepts of the sweet science, he explains. A man like Kovalev is a fan favorite not only because he’s white, but because he’s a knockout machine, a one-trick pony. Hopkins, on the other hand, is anything but a one-trick pony, but he’s considered a “boring fighter,” and this infuriates the champion. And it should.

Hopkins has long viewed himself in heroic conflict against society –in this case, a conformist society which favors spectacle over true greatness (his greatness). It’s the same mentality that underappreciated artists have always had. In interviews, he says he’s fighting two fights: one against Kovalev, and one against the society that wants Kovalev to prevail. And he’s going to win both.

Bernard Hopkins is already living in the future, and he takes advantage of any opponent who’s still living in the past. If your plan is to kayo the champ, you have as much chance as a Neanderthal in the age of Homo-sapiens (or a Homo-sapien in the age of aliens, as BH would have it).

On November 8th, to achieve immortality in the game of boxing, Bernard Hopkins faces a player who killed a man. If he wins at age 49, he will prove that boxing is not a good game ,nor a bad game –it is an art. It is his art.

Long live Bernard Hopkins.

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Eric Gelsinger

Najee Lopez Steps up in Class and Wins Impressively at Plant City

Published

17 hours ago

January 24, 2025

Arne K. Lang

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Garry Jonas’ ProBox series returned to its regular home in Plant City, Florida, tonight with a card topped by a 10-round light heavyweight match between fast-rising Najee Lopez and former world title challenger Lenin Castillo. This was considered a step-up fight for the 25-year-old Lopez, an Atlanta-born-fighter of Puerto Rican heritage. Although the 36-year-old Castillo had lost two of his last three heading in, he had gone the distance with Dimitry Bivol and Marcus Browne and been stopped only once (by Callum Smith).

Lopez landed the cleaner punches throughout. Although Castillo seemed unfazed during the first half of the fight, he returned to his corner at the end of round five exhibiting signs of a fractured jaw.

In the next round, Lopez cornered him against the ropes and knocked him through the ropes with a left-right combination. Referee Emil Lombardo could have stopped the fight right there, but he allowed the courageous Castillo to carry on for a bit longer, finally stopping the fight as Castillo’s corner and a Florida commissioner were signaling that it was over.

The official time was 2:36 of round six. Bigger fights await the talented Lopez who improved to 13-0 with his tenth win inside the distance. Castillo declined to 25-7-1.

Co-Feature

In a stinker of a heavyweight fight, Stanley Wright, a paunchy, 34-year-old North Carolina journeyman, scored a big upset with a 10-round unanimous decision over previously unbeaten Jeremiah Milton.

Wright carried 280 pounds, 100 pounds more than in his pro debut 11 years ago. Although he was undefeated (13-0, 11 KOs), he had never defeated an opponent with a winning record and his last four opponents were a miserable 19-48-2. Moreover, he took the fight on short notice.

What Wright had going for him was fast hands and, in the opening round, he put Milton on the canvas with a straight right hand. From that point, Milton fought tentatively and Wright, looking fatigued as early as the fourth round, fought only in spurts. It seemed doubtful that he could last the distance, but Milton, the subject of a 2021 profile in these pages, was wary of Wright’s power and unable to capitalize. “It’s almost as if Milton is afraid to win,” said ringside commentator Chris Algieri during the ninth stanza when the bout had devolved into a hugfest.

The judges had it 96-93 and 97-92 twice for the victorious Wright who boosted his record to 14-0 without improving his stature.

Also

In the TV opener, a 10-round contest in the junior middleweight division, Najee Lopez stablemate Darrelle Valsaint (12-0, 10 KOs) scored his career-best win with a second-round knockout of 35-year-old Dutch globetrotter Stephen Danyo (23-7-3).

A native Floridian of Haitian descent, the 22-year-old Valsaint was making his eighth start in Plant City. He rocked Danyo with a chopping right hand high on the temple and then, as Danyo slumped forward, applied the exclamation point, a short left uppercut. The official time was 2:17 of round two.

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Japanese Superstar Naoya Inoue is Headed to Vegas after KOing Ye Joon Kim

Published

1 day ago

January 24, 2025

Arne K. Lang

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Japan’s magnificent Naoya Inoue, appearing in his twenty-fourth title fight, scored his 11^th straight stoppage tonight while successfully defending his unified super bantamweight title, advancing his record to 29-0 (26 KOs) at the expense of Ye Joon Kim. The match at Tokyo’s Ariake Arena came to an end at the 2:25 mark of round four when U.S. referee Mark Nelson tolled “10” over the brave but overmatched Korean.

Kim, raised in a Seoul orphanage, had a few good moments, but the “Monster” found his rhythm in the third round, leaving Kim with a purplish welt under his left eye. In the next frame, he brought the match to a conclusion, staggering the Korean with a left and then finishing matters with an overhand right that put Kim on the seat of his pants, dazed and wincing in pain.

Kim, who brought a 21-2-2 record, took the fight on 10 days’ notice, replacing Australia’s Sam Goodman who suffered an eye injury in sparring that never healed properly, forcing him to withdraw twice.

Co-promoter Bob Arum, who was in the building, announced that Inoue’s next fight would happen in Las Vegas in the Spring. Speculation centers on Mexico City’s Alan Picasso (31-0-1, 17 KOs) who is ranked #1 by the WBC. However, there’s also speculation that the 31-year-old Inoue may move up to featherweight and seek to win a title in a fifth weight class, in which case a potential opponent is Brandon Figueroa should he defeat former Inoue foe Stephen Fulton next weekend. In “olden days,” this notion would have been dismissed as the Japanese superstar and Figueroa have different promoters, but the arrival of Turki Alalshikh, the sport’s Daddy Warbucks, has changed the dynamic. Tonight, Naoya Inoue made his first start as a brand ambassador for Riyadh Season.

Simmering on the backburner is a megafight with countryman Junto Nakatani, an easy fight to make as Arum has ties to both. However, the powers-that-be would prefer more “marination.”

Inoue has appeared twice in Las Vegas, scoring a seventh-round stoppage of Jason Moloney in October of 2020 at the MGM Bubble and a third-round stoppage of Michael Dasmarinas at the Virgin Hotels in June of 2021.

Semi-wind-up

In a 12-round bout for a regional welterweight title, Jin Sasaki improved to 19-1-1 (17) with a unanimous decision over Shoki Sakai (29-15-3). The scores were 118-110, 117-111, and 116-112.

Also

In a bout in which both contestants were on the canvas, Toshiki Shimomachi (20-1-3) edged out Misaki Hirano (11-2), winning a majority decision. A 28-year-old Osaka southpaw with a fan-friendly style, the lanky Shimomachi, unbeaten in his last 22 starts, competes as a super bantamweight. A match with Inoue may be in his future.

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Eric Priest Wins Handily on Thursday’s Golden Boy card at the Commerce Casino

Published

1 day ago

January 24, 2025

David A. Avila

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Model turned fighter Eric Priest jabbed and jolted his way into the super middleweight rankings with a shutout decision win over veteran Tyler Howard on Thursday.

In his first main event Priest (15-0, 8 KOs) proved ready for contender status by defusing every attack Tennessee’s Howard (20-3, 11 KOs) could muster at Commerce Casino, the second fight in six days at the LA County venue.

All ticket monies collected on the Folden Boy Promotions card were contributed to the Los Angeles Fire Department Foundation as they battle wildfires sprouting all over Los Angeles County due to high winds.

Priest, 26, had never fought anyone near Howard’s caliber but used a ramrod jab to keep the veteran off-balance and unable to muster a forceful counter-attack. Round after round the Korean-American fighter pumped left jabs while circling his opposition.

Though hit with power shots, none seemed to faze Howard but his own blows were unable to put a dent in Priest. After 10 rounds of the same repetitive action all three judges scored the fight 100-90 for Priest who now wins a regional super middleweight title.

Priest also joins the top 15 rankings of the WBA organization.

In a fight between evenly matched middleweights, Jordan Panthen (11-0, 9 KOs) remained undefeated after 10 rounds versus DeAundre Pettus (12-4, 7 KOs). Though equally skilled, Panthen simply out-worked the South Caroliina fighter to win by unanimous decision. No knockdowns were scored.

Other Bouts

Grant Flores (8-0, 6 KOs) knocked out Costa Rica’s David Lobo Ramirez (17-4, 12 KOs) with two successive right uppercuts at 2:59 of the second round of the super welterweight fight.

Cayden Griffith (3-0, 3 KOs) used a left hook to the body to stop Mark Misiura at 1:43 of the second round in a super welterweight bout.

Jordan Fuentes (3-0) floored Brandon Badillo (0-3-1) in the third round and proceeded to win by decision after four rounds in a super bantamweight fight.

A super featherweight match saw Leonardo Sanchez (8-0) win by decision over Joseph Cruz Brown (10-12) after six rounds.

Photo credit: Cris Esqueda / Golden Boy

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