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Bernard Hopkins is the Future of Boxing

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Odd copy for an old fighter, but his international style assures him of the Olympian higher ground in the battle for futurity. Of course, solid footing on the high ground doesn’t assure him of winning, but just ask your dad: real estate is always the best investment.

The great actor Ric Royer described the point of boxing: “to touch your opponent in the face with your gloves while avoiding being touched.” It’s an explanation that maddens most fans, because it sounds clever but misses boxing’s most basic ingredient. Boxing’s most basic ingredient (as the actor well knows) is mortality.

But the future is not just gluten-free and fat-free, it’s also mortality-free. Too much mortality, and it wouldn’t be the future. In boxing, mortality is symbolized by the knockout. And the knockout’s days may be numbered.

I could well be wrong, but all the hand-wringing over violence in the big four sports keeps moving the odds against dystopian prophecies of a New Roman Empire where jaded citizens cheer blood-sports in a modern Coliseum. We are moving in the very opposite direction.

Royer describes boxing not as a blood-sport, but as a harmless game. In a future where you can’t smoke, can’t drive, can’t camp or even die without a permit, he’s describing the boxing of the future.

However, we live in the present, and we aren’t satisfied with the idea that boxing is a game even though it’s “a competition governed by rules,” and is “accompanied by the awareness of a different reality,” as sociologist Roger Caillois puts it. We aren’t satisfied because the game so often breaks down, allowing reality to seep in like a stirring evil which enters an unlatched window. And never are the game’s fissures more apparent than when a boxer dies –not a symbolic knockout death, but a real mortal death.

There is no place for death in the rules of boxing, which means any real death happens outside its structure. But the fact so many boxers die makes one wonder whether the rules of boxing are strong enough to separate fiction and reality. A fighter’s death makes headlines about once a year, and more than 500 deaths have been blamed on the sport since the introduction of the Queensberry Rules of 1884.

But if men are perfectly protected by the rules, can they be heroes? I don’t buy the notion that Lebron James or Peyton Manning is a hero. We bestow them with laurels, but what do they risk? They are protected by the rules of their games the way a law-abiding citizen is protected by the rules of society. And a hero isn’t just another do-gooder citizen, no matter what Ford commercials try to tell you. A hero lives on the very borderline of society, and knows what’s on the other side of that border.

Boxers live in the borderlands. Every player parading into the game of touch-without-being-touched knows he might die during the game –if he’s touched in that rarest way. They are no mere players, and it’s no mere game.

But the future works to make sure nothing seeps through the structure of its rules. Bigger gloves, fewer rounds, maybe headgear –whatever it takes to keep reality out. If boxing is to survive, it will more and more resemble Olympic boxing, and the sweet science could wind up as the least physical sport of all. Championship boxing used to be 15 rounds, before that it used to be 100 (the future always shortens “the distance,” ironically enough).

And this is where Bernard Hopkins comes in. He reveals the lie behind my cynical attitude about a sterile and mortality-free future, because he can take boxing to a land of no knock-outs, a land where a 39-year-old can be champion, and a 49-year-old man can be champion, a land of immortality: the one and only future. And I’ll be happy to come long for the ride because he can do it with style, and he can do it with art.

I love watching Bernard Hopkins. I could watch him not knock out a guy forever. Watch him clinch, hip-check, pot-shot, counterpunch, body-block and aim for the abdominal brain. Watch him render his opponent harmless as a charmed snake by scrambling his rhythm, and then hit him. And then hit him again in disdain.

Bernard Hopkins is the future of boxing because his art is strong enough to expand the game’s borders. His art can elevate symbolic violence beyond real violence. He is the answer to the conundrum that If boxing is all about brutal kayos, it will be pushed to the margins of society and into extinction, but that if it becomes “too safe” it will lose its audience and fade away. His art is strong enough to give us symbols that rival reality and satisfy our passions.

I believe Hopkins thinks about himself in a similar fashion. In an interview with The Boxing Voice (Aug 21, 2014) he expresses scorn for fight fans who just want to see knock-outs. A kayo is simple and vulgar compared to the higher precepts of the sweet science, he explains. A man like Kovalev is a fan favorite not only because he’s white, but because he’s a knockout machine, a one-trick pony. Hopkins, on the other hand, is anything but a one-trick pony, but he’s considered a “boring fighter,” and this infuriates the champion. And it should.

Hopkins has long viewed himself in heroic conflict against society –in this case, a conformist society which favors spectacle over true greatness (his greatness). It’s the same mentality that underappreciated artists have always had. In interviews, he says he’s fighting two fights: one against Kovalev, and one against the society that wants Kovalev to prevail. And he’s going to win both.

Bernard Hopkins is already living in the future, and he takes advantage of any opponent who’s still living in the past. If your plan is to kayo the champ, you have as much chance as a Neanderthal in the age of Homo-sapiens (or a Homo-sapien in the age of aliens, as BH would have it).

On November 8th, to achieve immortality in the game of boxing, Bernard Hopkins faces a player who killed a man. If he wins at age 49, he will prove that boxing is not a good game ,nor a bad game –it is an art. It is his art.

Long live Bernard Hopkins.

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Ellie Scotney and Rhiannon Dixon Win World Title Fights in Manchester

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England’s Ellie Scotney started slowly against the long reach of France’s Segolene Lefebvre but used rough tactics and a full-steam ahead approach to unify the super bantamweight division by unanimous decision on Saturday.

“There’s a lot more I didn’t show,” said an excited Scotney (pictured on the left).

IBF titlist Scotney (9-0) added the WBO title by nullifying Lefebvre’s (18-1) reach and dominating the inside with a two-fisted attack in front of an excited crowd in Manchester, England.

For the first two rounds Lefebvre used her long reach and smooth fluid attack to keep Scotney at the end of her punches. Then the fight turned when the British fighter bulled her way inside with body shots and forced the French fighter into the ropes.

Aggressiveness by Scotney turned the fight in her favor. But Lefebvre remained active and countered with overhand rights throughout the match.

Body shots by Scotney continued to pummel the French champion’s abdomen but she remained steadfast in her counter-attacks. Combinations landed for Lefebvre and a counter overhand right scored to keep her in the contest in the fifth round.

Scotney increased the intensity of her attack in the sixth and seventh rounds. In perhaps her best round Scotney was almost perfect in scoring while not getting hit with anything from the French fighter.

Maybe the success of the previous round caused Scotney to pause. It allowed Lefebvre to rally behind some solid shots in a slow round and gave the French fighter an opening. Maybe.

The British fighter opened up more savagely after taking two Lefevbre rights to open the ninth. Scotney attacked with bruising more emphatic blows despite getting hit. Though both fired blows Scotney’s were more powerful.

Both champions opened-up the 10th and final round with punches flying. Once again Scotney’s blows had more power behind them though the French fighter scored too, and though her face looked less bruised than Scotney’s the pure force of Scotney’s attacks was more impressive.

All three judges saw Scotney the winner 97-93, 96-94 and a ridiculous 99-91. The London-based fighter now has the IBF and WBO super bantamweight titles.

Promoter Eddie Hearn said a possible showdown with WBC titlist Erika Cruz looms large possibly in the summer.

“Great performance. Great punch output,” said Hearn of Scotney’s performance.

Dixon Wins WBO Title

British southpaw Rhiannon Dixon (10-0) out-fought Argentina’s Karen Carabajal (22-2) over 10 rounds and won a very competitive unanimous decision to win the vacant WBO lightweight title. It was one of the titles vacated by Katie Taylor who is now the undisputed super lightweight world champion.

An aggressive Dixon dominated the first three rounds including a knockdown in the third round with a perfect left-hand counter that dropped Carabajal. The Argentine got up and rallied in the round.

Carabajal, whose only loss was against Katie Taylor, slowly began figuring out Dixon’s attacks and each round got more competitive. The Argentine fighter used counter rights to find a hole in Dixon’s defense to probably win the round in the sixth.

The final three rounds saw both fighters engage evenly with Carabajal scoring on counters and Dixon attacking the body successfully.

After 10 rounds all three judges saw it in Dixon’s favor 98-91, 97-92, 96-93 who now wields the WBO lightweight world title.

“It’s difficult to find words,” said Dixon after winning the title.

Hometown Fighter Wins

Manchester’s Zelfa Barrett (31-2, 17 KOs) battled back and forth with Jordan Gill (28-3-1, 9 KO-s) and finally ended the super featherweight fight with two knockdowns via lefts to the body in the 10th round of a scheduled 12-round match for a regional title.

The smooth moving Barrett found the busier Gill more complex than expected and for the first nine rounds was fighting a 50/50 fight against the fellow British fighter from the small town of Chatteris north of London.

In the 10th round after multiple shots on the body of Gill, a left hook to the ribs collapsed the Chatteris fighter to the floor. He willed himself up and soon after was floored again but this time by a left to the solar plexus. Again he continued but was belted around until the referee stopped the onslaught by Barrett at 2:44 of the 10th.

“A tough, tough fighter,” said Barrett about Gill. “I had to work hard.”

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O.J. Simpson the Boxer: A Heartwarming Tale for the Whole Family

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O.J. Simpson passed away on Wednesday, April 10, at age 76 in Las Vegas where he had been diagnosed with prostate cancer. For millions of Americans, news of his passing unloosed a flood of memories.

The O.J. Simpson double murder trial lasted 37 weeks. CNN and two other fledgling cable networks provided gavel-to-gavel coverage. On Oct. 3, 1995, the day that the jury rendered its verdict, CBS, NBC, ABC, and ESPN suspended regular programming to cover the trial. Worldwide, more than 100 million people were reportedly glued to their TV or radio.

O.J.’s life can be neatly compartmentalized into two halves. The dividing line is June 12, 1994. On that date, Simpson’s estranged wife, the former Nicole Brown, and her friend Ronald Goldman were found stabbed to death in the Los Angeles neighborhood of Brentwood at the home that Nicole shared with their two children.

Before then, O.J. was famous. After then, he was infamous.

Simpson first came to the fore on the gridiron. In 1968, his final season at the University of Southern California, he was so dynamic that he won the Heisman Trophy in a landslide, out-distancing Purdue’s Leroy Keyes by 1,750 votes. This was the widest margin to that point between a Heisman winner and runner-up and a milestone that stood for 51 years until surpassed by LSU quarterback Joe Burrows in 2019.

In the NFL, among his many achievements, he became the first and only NFL running back to eclipse 2,000 rushing yards in a 14-game season, a record that will never be broken.

But one can’t appreciate the depth of O.J.s celebrityhood by citing statistics. He transcended his sport like few athletes before or since. Owing in large part to his commercials for the Hertz rental car chain, he became one of America’s most recognizable people.

O.J. Simpson was raised by a single mother in a government housing project in the gritty Potrero Hill neighborhood of San Francisco. Unlike many of his boyhood peers, he was never quick to raise his fists. Weirdly, he once said that running away from fights proved useful to him when he took up football. It helped his stamina.

Although he never boxed in real life, O.J. portrayed a boxer in a made-for-TV movie. Titled “Goldie and the Boxer,” it aired on NBC on Sunday, Dec. 29, 1979, two weeks after O.J. played in his last NFL game. Co-produced by Simpson’s own production company, it starred O.J. opposite precocious Melissa Michaelson who played the 10-year-old Goldie.

In promos, the movie was tagged as a heartwarming tale for kids and their parents. Associated Press writer John Egan described it as “a cross between the Shirley Temple classic ‘Little Miss Marker’ and a low-budget ‘Rocky.’”

Here’s a synopsis, compliments of New York Times TV critic John J. O’Connor:

“The year is 1946, and Joe Gallagher is returning to Louisiana as an army veteran. He is quickly ripped off by a succession of thugs and finds himself broke and battered in Pennsylvania where he is befriended by a young Goldie. Her father is a boxer and Joe joins the training camp as a sparring partner. When the father dies, Joe takes his place on the fight circuit and Goldie becomes his manager…”

The consensus of the pundits was that O.J. the actor was very much a work in progress, but that he had great potential. And the movie, despite its hokey plot, attracted so many viewers that NBC wanted to turn it into a series.

O.J. had too much on his plate to commit to doing a regular series. Among other things, he had signed on to become part of NBC’s main stable of reporters at the 1980 Summer Olympics in Moscow, a gig that evaporated when the U.S. under President Jimmy Carter joined 64 other nations in boycotting the Games as a protest against the Soviet invasion of Afghanistan. However, the movie did spawn a sequel, “Goldie and the Boxer Go To Hollywood,” with Simpson and Michaelson reprising their roles.

I never met O.J. Simpson, but have a vivid memory of finding myself walking behind him into the outdoor boxing arena at Caesars Palace. If memory serves, this was the Hagler-Hearns fight of 1985, in which case the lady on his arm would have been Nicole as they were married earlier that year. She was quite a dish in that tight-fitting pantsuit and I remember thinking to myself, “of all the trophies this dude has won, here is the best trophy of them all.” (Forgive me.)

Simpson had cameo roles in several movies before leaving USC. When he finally turned his back on football, the world was his oyster. O.J., wrote Barry Lorge in the Washington Post, was “bright, affable, charming, articulate and credible, a public relation man’s dream-come true.”

No one would have foreseen the swerve his life would take.

When the jury, after only four hours of deliberation, returned a verdict of “not guilty,” there was cheering in some corners of America. The overwhelming consensus of the white population, however, was that the verdict was an abomination, a gross miscarriage of justice.

We’ll leave it at that.

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Avila Perspective, Chap. 280: Matchroom Snatches ‘Boots’ Ennis and More

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Avila Perspective, Chap. 280: Matchroom Snatches ‘Boots’ Ennis and More

It was bound to happen in professional boxing.

A British promotion company lured one of America’s top, if not the top, welterweight prizefighter in the world in Jaron “Boots” Ennis it was announced this week by Matchroom Boxing. It’s a multi-fight deal.

Ennis (31-0, 28 KOs) holds the IBF welterweight title after knocking out Venezuela’s Roiman Villa last July in Atlantic City. The Philadelphia-based fighter has long been considered one of the most talented and complete boxers in the world. And now he’s signed with Matchroom Boxing based in London.

“I’m excited for this partnership with Eddie Hearn, Matchroom and DAZN,” said Ennis. “I can’t wait to continue making my mark and becoming undisputed world champion.

It was just a matter of time before British promoters latched on to America’s best talent. Instead of pitting British fighters against American fighters, why not sign American fighters too.

Most fans in America fail to realize that boxing in the United Kingdom is a bigger more popular sport in that nation. Boxing ranks high in England, Ireland, Wales, and Scotland. It also ranks high in British Commonwealth countries like Australia.

Now Matchroom Boxing which streams boxing cards through DAZN will have another American star on its platform. The company previously had boxing’s biggest star, Saul “Canelo” Alvarez, until his contract ran out. Signing Ennis could be the answer in finding the next big thing in boxing.

“I’ve watched this young man for many years, and I always believed he would become a pound-for-pound great, and I have no doubt he is already the greatest fighter in the division,” said promoter Eddie Hearn of Matchroom Boxing. “To win the race to sign Jaron is a massive coup for Matchroom Boxing and DAZN.”

Matchroom already has Conor Benn and the addition of Ennis gives the British promotion company two of the best welterweights in the division.

The signing of an American star like Ennis in some ways represents the international competition for sports talent whether its soccer, boxing or baseball as what we saw in the signing of Japan’s two biggest baseball stars by the Los Angeles Dodgers.

Streaming has replaced television and the ability to watch fights live from any spot in the world has changed how we watch boxing and other sports.

A massive struggle by streaming giants has commenced and DAZN along with ESPN and Prime Video have joined the battle.

Manchester Card on Saturday

Two female world title fights lead the charge this weekend for Matchroom Boxing along with a men’s super featherweight clash between two former EBU titlists Jordan Gill and Zelfa Barrett.

IBF super bantamweight titlist Ellie Scotney (8-0) meets France’s Segolene Lefebvre (18-0) the WBO super bantamweight titlist in a unification match on Saturday April 13, at Manchester Arena in Manchester, England. DAZN will stream the Matchroom Boxing card.

Also, Rhiannon Dixon (9-0) meets Argentina’s Karen Carabajal (22-1) for the vacant WBO lightweight title.

R.I.P.

Promoter Gary Shaw passed away this week according to several sources including WBC President Mauricio Sulaiman.

I first met Shaw when he was COO of Main Events in the late 1990s after Dan Duva passed away. At the time Ferocious Fernando Vargas was a rising star and the promotion company was a major player in the boxing scene. They also had Meldrick Taylor, Pernell Whitaker, and Arturo Gatti on their roster.

Later, he moved on to form his own company and with fighters such as Rafael Marquez, Diego Corrales and others he staged many fights on Showtime. If I recall correctly, Shaw was connected with the Diego Corrales vs Jose Luis Castillo battles and the Israel Vazquez vs Rafael Marquez wars.

The fights between those warriors are considered the best for that period in the early 2000s.

Another sports figure, OJ Simpson passed away too.

I mention OJ because I often came across the USC Trojan football running back who lit up the gridiron during the 1960s and 70s.

As a college student I lived a few blocks from Simpson in the Brentwood area and often saw him with his family. Once while in New York City visiting a friend I ran into him again at La Guardia Airport.

Simpson was accused and acquitted of murdering his wife and her friend in 1994.

Fights to Watch

Sat. DAZN 9 a.m. Ellie Scotney (8-0) vs Segolene Lefebvre (18-0)).

Sat. ESPN 7 p.m. Jared Anderson (16-0) vs Ryad Merhy (32-2); Efe Ajagba (19-1) vs Guido Vianello (12-1-1).

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