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Bernard Hopkins is the Future of Boxing
![](https://cdn.ib.tv/thesweetscience/images/bernard-hopkins-112a.jpg)
Odd copy for an old fighter, but his international style assures him of the Olympian higher ground in the battle for futurity. Of course, solid footing on the high ground doesn’t assure him of winning, but just ask your dad: real estate is always the best investment.
The great actor Ric Royer described the point of boxing: “to touch your opponent in the face with your gloves while avoiding being touched.” It’s an explanation that maddens most fans, because it sounds clever but misses boxing’s most basic ingredient. Boxing’s most basic ingredient (as the actor well knows) is mortality.
But the future is not just gluten-free and fat-free, it’s also mortality-free. Too much mortality, and it wouldn’t be the future. In boxing, mortality is symbolized by the knockout. And the knockout’s days may be numbered.
I could well be wrong, but all the hand-wringing over violence in the big four sports keeps moving the odds against dystopian prophecies of a New Roman Empire where jaded citizens cheer blood-sports in a modern Coliseum. We are moving in the very opposite direction.
Royer describes boxing not as a blood-sport, but as a harmless game. In a future where you can’t smoke, can’t drive, can’t camp or even die without a permit, he’s describing the boxing of the future.
However, we live in the present, and we aren’t satisfied with the idea that boxing is a game even though it’s “a competition governed by rules,” and is “accompanied by the awareness of a different reality,” as sociologist Roger Caillois puts it. We aren’t satisfied because the game so often breaks down, allowing reality to seep in like a stirring evil which enters an unlatched window. And never are the game’s fissures more apparent than when a boxer dies –not a symbolic knockout death, but a real mortal death.
There is no place for death in the rules of boxing, which means any real death happens outside its structure. But the fact so many boxers die makes one wonder whether the rules of boxing are strong enough to separate fiction and reality. A fighter’s death makes headlines about once a year, and more than 500 deaths have been blamed on the sport since the introduction of the Queensberry Rules of 1884.
But if men are perfectly protected by the rules, can they be heroes? I don’t buy the notion that Lebron James or Peyton Manning is a hero. We bestow them with laurels, but what do they risk? They are protected by the rules of their games the way a law-abiding citizen is protected by the rules of society. And a hero isn’t just another do-gooder citizen, no matter what Ford commercials try to tell you. A hero lives on the very borderline of society, and knows what’s on the other side of that border.
Boxers live in the borderlands. Every player parading into the game of touch-without-being-touched knows he might die during the game –if he’s touched in that rarest way. They are no mere players, and it’s no mere game.
But the future works to make sure nothing seeps through the structure of its rules. Bigger gloves, fewer rounds, maybe headgear –whatever it takes to keep reality out. If boxing is to survive, it will more and more resemble Olympic boxing, and the sweet science could wind up as the least physical sport of all. Championship boxing used to be 15 rounds, before that it used to be 100 (the future always shortens “the distance,” ironically enough).
And this is where Bernard Hopkins comes in. He reveals the lie behind my cynical attitude about a sterile and mortality-free future, because he can take boxing to a land of no knock-outs, a land where a 39-year-old can be champion, and a 49-year-old man can be champion, a land of immortality: the one and only future. And I’ll be happy to come long for the ride because he can do it with style, and he can do it with art.
I love watching Bernard Hopkins. I could watch him not knock out a guy forever. Watch him clinch, hip-check, pot-shot, counterpunch, body-block and aim for the abdominal brain. Watch him render his opponent harmless as a charmed snake by scrambling his rhythm, and then hit him. And then hit him again in disdain.
Bernard Hopkins is the future of boxing because his art is strong enough to expand the game’s borders. His art can elevate symbolic violence beyond real violence. He is the answer to the conundrum that If boxing is all about brutal kayos, it will be pushed to the margins of society and into extinction, but that if it becomes “too safe” it will lose its audience and fade away. His art is strong enough to give us symbols that rival reality and satisfy our passions.
I believe Hopkins thinks about himself in a similar fashion. In an interview with The Boxing Voice (Aug 21, 2014) he expresses scorn for fight fans who just want to see knock-outs. A kayo is simple and vulgar compared to the higher precepts of the sweet science, he explains. A man like Kovalev is a fan favorite not only because he’s white, but because he’s a knockout machine, a one-trick pony. Hopkins, on the other hand, is anything but a one-trick pony, but he’s considered a “boring fighter,” and this infuriates the champion. And it should.
Hopkins has long viewed himself in heroic conflict against society –in this case, a conformist society which favors spectacle over true greatness (his greatness). It’s the same mentality that underappreciated artists have always had. In interviews, he says he’s fighting two fights: one against Kovalev, and one against the society that wants Kovalev to prevail. And he’s going to win both.
Bernard Hopkins is already living in the future, and he takes advantage of any opponent who’s still living in the past. If your plan is to kayo the champ, you have as much chance as a Neanderthal in the age of Homo-sapiens (or a Homo-sapien in the age of aliens, as BH would have it).
On November 8th, to achieve immortality in the game of boxing, Bernard Hopkins faces a player who killed a man. If he wins at age 49, he will prove that boxing is not a good game ,nor a bad game –it is an art. It is his art.
Long live Bernard Hopkins.
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Niyomtrong Proves a Bridge Too Far for Alex Winwood in Australia
![Niyomtrong-Proves-a-Bridge-Too-Far-for-Alex-Winwood-in-Australia](https://tss.ib.tv/boxing/wp-content/uploads/2024/09/knockout.png)
Today in Perth, Australia, Alex Winwood stepped up in class in his fifth pro fight with the aim of becoming the fastest world title-holder in Australian boxing history. But Winwood (4-0, 2 KOs heading in) wasn’t ready for WBA strawweight champion Thammanoon Niyomtrong, aka Knockout CP Freshmart, who by some accounts is the longest reigning champion in the sport.
Niyomtrong (25-0, 9 KOs) prevailed by a slim margin to retain his title. “At least the right guy won,” said prominent Australian boxing writer Anthony Cocks who thought the scores (114-112, 114-112, 113-113) gave the hometown fighter all the best of it.
Winwood, who represented Australia in the Tokyo Olympics, trained for the match in Thailand (as do many foreign boxers in his weight class). He is trained by Angelo Hyder who also worked with Danny Green and the Moloney twins. Had he prevailed, he would have broken the record of Australian boxing icon Jeff Fenech who won a world title in his seventh pro fight. A member of the Noongar tribe, Winwood, 27, also hoped to etch on his name on the list of notable Australian aboriginal boxers alongside Dave Sands, Lionel Rose and the Mundines, Tony and Anthony, father and son.
What Winwood, 27, hoped to capitalize on was Niyomtrong’s theoretical ring rust. The Thai was making his first start since July 20 of 2022 when he won a comfortable decision over Wanheng Menayothin in one of the most ballyhooed domestic showdowns in Thai boxing history. But the Noongar needed more edges than that to overcome the Thai who won his first major title in his ninth pro fight with a hard-fought decision over Nicaragua’s Carlos Buitrago who was 27-0-1 heading in.
A former Muai Thai champion, Niyomtrong/Freshmart turns 34 later this month, an advanced age for a boxer in the sport’s smallest weight class. Although he remains undefeated, he may have passed his prime. How good was he in his heyday? Prominent boxing historian Matt McGrain has written that he was the most accomplished strawweight in the world in the decade 2010-2019: “It is not close, it is not debatable, there is no argument.”
Against the intrepid Winwood, Niyomtrong started slowly. In round seven, he cranked up the juice, putting the local fighter down hard with a left hook. He added another knockdown in round nine. The game Winwood stayed the course, but was well-beaten at the finish, no matter that the scorecards suggested otherwise, creating the impression of a very close fight.
P.S. – Because boxrec refused to name this a title fight, it fell under the radar screen until the result was made known. In case you hadn’t noticed, boxrec is at loggerheads with the World Boxing Association and has decided to “de-certify” the oldest of the world sanctioning bodies. While this reporter would be happy to see the WBA disappear – it is clearly the most corrupt of the four major organizations – the view from here is that boxrec is being petty. Moreover, if this practice continues, it will be much harder for boxing historians of future generations to sort through the rubble.
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Avila Perspective, Chap. 295: Callum Walsh, Pechanga Casino Fights and More
![Avila-Perspective-Chap-295-Callum-Walsh-Pechanga-Casino-Fights-and-More](https://tss.ib.tv/boxing/wp-content/uploads/2024/09/avila.png)
Super welterweight contender Callum Walsh worked out for reporters and videographers at the Wild Card Gym in Hollywood, Calif. on Thursday,
The native of Ireland Walsh (11-0, 9 KOs) has a fight date against Poland’s Przemyslaw Runowski (22-2-1, 6 KOs) on Friday, Sept. 20 at the city of Dublin. It’s a homecoming for the undefeated southpaw from Cork. UFC Fight Pass will stream the 360 Promotions card.
Mark down the date.
Walsh is the latest prodigy of promoter Tom Loeffler who has a history of developing European boxers in America and propelling them forward on the global boxing scene. Think Gennady “Triple G” Golovkin and you know what I mean.
Golovkin was a middleweight monster for years.
From Kevin Kelley to Oba Carr to Vitaly Klitschko to Serhii Bohachuk and many more in-between, the trail of elite boxers promoted by Loeffler continues to grow. Will Walsh be the newest success?
Add to the mix Dana White, the maestro of UFC, who is also involved with Walsh and you get a clearer picture of what the Irish lad brings to the table.
Walsh has speed, power and a glint of meanness that champions need to navigate the prizefighting world. He also has one of the best trainers in the world in Freddie Roach who needs no further introduction.
Perhaps the final measure of Walsh will be when he’s been tested with the most important challenge of all:
Can he take a punch from a big hitter?
That’s the final challenge
It always comes down to the chin. It’s what separates the Golovkins from the rest of the pack. At the top of the food chain they all can hit, have incredible speed and skill, but the fighters with the rock hard chins are those that prevail.
So far, the chin test is the only examination remaining for Walsh.
“King’ Callum Walsh is ready for his Irish homecoming and promises some fireworks for the Irish fans. This will be an entertaining show for the fans and we are excited to bring world class boxing back to the 3Arena in Dublin,” said Loeffler.
Pechanga Fights
MarvNation Promotions presents a battle between welterweight contenders Jose “Chon” Zepeda (37-5, 28 KOs) and Ivan Redkach (24-7-1, 19 KOs) on Friday, Sept. 6, at Pechanga Resort and Casino in Temecula. DAZN will stream the fight card.
Both have fought many of the best welterweights in the world and now face each other. It should be an interesting clash between the veterans.
Also on the card, featherweights Nathan Rodriguez (15-0) and Bryan Mercado (11-5-1) meet in an eight-round fight.
Doors open at 6:30 p.m. First bout at 7 p.m.
Monster Inoue
Once again Japan’s Naoya Inoue dispatched another super bantamweight contender with ease as TJ Doheny was unable to continue in the seventh round after battered by a combination on Tuesday in Tokyo.
Inoue continues to brush away whoever is placed in front of him like a glint of dust.
Is the “Monster” the best fighter pound-for-pound on the planet or is it Terence Crawford? Both are dynamic punchers with skill, speed, power and great chins.
Munguia in Big Bear
Super middleweight contender Jaime Munguia is two weeks away from his match with Erik Bazinyan at the Desert Diamond Arena in Glendale, Arizona. ESPN will show the Top Rank card.
“Erik Bazinyan is a good fighter. He’s undefeated. He switches stances. We need to be careful with that. He’s taller and has a longer reach than me. He has a good jab. He can punch well on the inside. He’s a fighter who comes with all the desire to excel,” said Munguia.
Bazinyan has victories over Ronald Ellis and Alantez Fox.
In case you didn’t know, Munguia moved over to Top Rank but still has ties with Golden Boy Promotions and Zanfer Promotions. Bazinyan is promoted by Eye of the Tiger.
This is the Tijuana fighter’s first match with Top Rank since losing to Saul “Canelo” Alvarez last May in Las Vegas. He is back with trainer Erik Morales.
Callum Walsh photo credit: Lina Baker
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60 Years Ago This Month, the Curtain Fell on the Golden Era of TV Boxing
![60-Years-Ago-This-Month-the-Curtain-Fell-on-the-Golden-Era-of-TV-Boxing.jpg](https://tss.ib.tv/boxing/wp-content/uploads/2024/09/TV.png)
The Sept. 11, 1964 fight between Dick Tiger and Don Fullmer marked the end of an era. The bout aired on ABC which had taken the reins from NBC four years earlier. This would be the final episode of the series informally known as the “Friday Night Fights” or the “Fight of the Week,” closing the door on a 20-year run. In the future, boxing on free home TV (non-cable) would be sporadic, airing mostly on Saturday and Sunday afternoons. The days when boxing was a weekly staple on at least one major TV network were gone forever.
During the NBC years, the show ran on Friday in the 10:00-11-00 pm slot for viewers in the Eastern Time Zone and the “studio” was almost always Madison Square Garden. The sponsor from the very beginning was the Gillette razor company (during the ABC run, El Producto Cigars came on as a co-sponsor).
Gillette sponsored many sporting events – the Kentucky Derby, the World Series, the U.S. Open golf tournament and the Blue-Gray college football all-star game, to name just a few – all of which were bundled under the handle of the Gillette Cavalcade of Sports. Every sports fan in America could identify the catchphrase that the company used to promote their disposable “Blue Blades” – “Look Sharp, Feel Sharp, Be Sharp!” — and the melody of the Gillette jingle would become the most-played tune by marching bands at high school and college football halftime shows (the precursor, one might say, of the Kingsmen’s “Louie, Louie”).
The Sept. 11 curtain-closer wasn’t staged at Madison Square Garden but in Cleveland with the local area blacked out.
Dick Tiger, born and raised in Nigeria, was making his second start since losing his world middleweight title on a 15-round points decision to Joey Giardello. Don Fullmer would be attempting to restore the family honor. Dick Tiger was 2-0-1 vs. Gene Fullmer, Don’s more celebrated brother. Their third encounter, which proved to be Gene Fullmer’s final fight, was historic. It was staged in Ibadan, Nigeria, the first world title fight ever potted on the continent of Africa.
In New York, the epitaph of free TV boxing was written three weeks earlier when veteran Henry Hank fought up-and-comer Johnny Persol to a draw in a 10-round light heavyweight contest at the Garden. This was the final Gillette fight from the place where it all started.
Some historians trace the advent of TV boxing in the United States to Sept. 29, 1944, when a 20-year-old boxer from Connecticut, Willie Pep, followed his manager’s game plan to perfection, sticking and moving for 15 rounds to become the youngest featherweight champion in history, winning the New York version of the title from West Coast veteran Albert “Chalky” Wright.
There weren’t many TVs in use in those days. As had been true when the telephone was brand new, most were found in hospitals, commercial establishments, and in the homes of the very wealthy. But within a few years, with mass production and tumbling prices, the gizmo became a living room staple and the TV repairman, who made house calls like the family doctor, had a shop on every Main Street.
Boxing was ideally suited to the infant medium of television because the action was confined to a small area that required no refurbishment other than brighter illumination, keeping production costs low. The one-minute interval between rounds served as a natural commercial break. The main drawback was that a fight could end early, meaning fewer commercials for the sponsor who paid a flat rate.
At its zenith, boxing in some locales aired five nights a week. And it came to be generally seen that this oversaturation killed the golden goose. One by one, the small fight clubs dried up as fight fans stayed home to watch the fights on TV. In the big arenas, attendance fell off drastically. Note the difference between Pep vs. Wright, the 1944 originator, and Hank vs. Persol, also at Madison Square Garden:
Willie Pep vs. Chalky Wright Sept. 29, 1944 attendance 19,521
Henry Hank vs. Johnny Persol Aug. 21, 1964 attendance 5,219
(True, Pep vs. Wright was a far more alluring fight, but this fact alone doesn’t explain the wide gap. Published attendance counts aren’t always trustworthy. In the eyes of the UPI reporter who covered the Hank-Persol match, the crowd looked smaller. He estimated the attendance at 3,000.)
Hank vs. Persol was an entertaining bout between evenly-matched combatants. The Tiger-Fullmer bout, which played out before a sea of empty seats, was a snoozer. Don Fullmer, a late sub for Rocky Rivero who got homesick and returned to Argentina, was there just for the paycheck. A Pittsburgh reporter wrote that the match was as dull as a race between two turtles. Scoring off the “5-point-must” system, the judges awarded the match to Dick Tiger by margins of 6, 6, and 7 points.
And that was that. Some of the most sensational fights in the annals of boxing aired free on a major TV network, but the last big bang of the golden era was hardly a bang, merely a whimper.
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A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.
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The photo accompanying this article is from the 1962 fight at Madison Square Garden between Dick Tiger (on the right) and Henry Hank. To comment on this story in the Fight Forum CLICK HERE
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